The King and I

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Bartlett Sher’s production of the Rodgers and Hammerstein classic which wowed both New York and London audiences opened at Manchester’s Opera House this week; its first stop on an extensive UK and Ireland tour which sees the multi-award winning production hitting the road until May 2020.

Starring Jose Llana direct from Broadway as The King of Siam and Annalene Beechey from the West End production as Anna, The King and I remains without doubt one of the all-time greats from the golden age of musicals.

Featuring a company of over 50 as well as a full-scale orchestra no expense has been spared in ensuring this lavish production impresses from the moment the overture begins.

Following the death of her beloved husband, English widow Anna takes on the job as teacher to the King of Siam’s children. She soon discovers however that the job isn’t entirely what she expected as she ends up teaching not only the King’s many children but several of his wives too. Further complications arise when the house she was promised fails to materialise and conflict begins with the stubborn King: a dictator whose command all must obediently obey.

Although set in the 1860’s the story is still surprisingly relevant as we see Anna set about changing the King’s old fashioned and out dated views on women. While there is an element of civilised Westerner going to the East to teach what is decent and right the context here feels more like a meeting of minds proving both can learn from and benefit each other.

Michael Yeargan’s exquisite set design combined with Catherine Zuber’s sumptuous costumes mark this production out from the start as a lavish and beautifully enthralling revival.

Christopher Gattelli’s additional choreography breathes new life into Jerome Robbins original 1950’s choreography adding a fresh vibrancy which the strong ensemble deliver with impressive precision.

Annalene Beechey is everything you’d wish for as Anna: wonderfully engaging, gracious and warm, with a strong sense of self while gifted with the most sublime voice she embodies to perfection the compassionate teacher.

Jose Llana equally impresses as the King of Siam. Brilliantly sharp and incredibly witty he has a playful, cheeky charisma winning the audience over in an instant despite his characters archaic opinions on women.

The connection between the two feels genuine and well developed cementing the climactic scene as they waltz around the stage during Shall We Dance? as one of the most joyful moments you’re likely to witness in the theatre.

They are supported by a superbly talented supporting cast with special mention going to both Cezarah Bonner as Lady Thiang, Aaron Teoh as Prince Chulalongkorn and Kamm Kunaree as Tipton.

High praise must also go to the incredibly talented children in the show who together with Beechey deliver a delightfully endearing version of audience favourite Getting To Know You while Billy Marlow impresses enormously as young Louis Leonowens.

The pace of this rich production is consistent throughout with the significance of the story convincingly expressed. The King and I proves there is no puzzlement in its status as a timeless classic: this is a truly epic and joyous production both visually and musically. Thrilling in its scale and spectacular in its delivery, the King and I is a dazzling must-see.

The King and I is on at Manchester’s Opera House until Saturday 11th May here.

 

Interview| Kinky Boots Cast | Callum Francis | Joel Harper-Jackson |Paula Lane

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Based on the 2005 hit screenplay by Tim Firth, the musical which first opened on Broadway in 2012 has become a worldwide sensation receiving an incredible 13 Tony Award nominations, winning 6 including Best Musical and Best Score. In 2016 following it’s West End premiere the awards kept on coming with an incredible three highly prized Olivier Award wins.

After an incredible opening night at Manchester’s Opera House, earning 5 star reviews across the board and receiving one of the most enthusiastic standing ovations we have EVER seen, we were lucky enough to catch up with Kinky Boots stars, Callum Francis who plays Lola, Joel Harper-Jackson who plays Charlie and Paula Lane who takes on the role of Lauren.

Opening Night: With all three of you having connections to Manchester how did last nights opening night feel for you?

Paula: I’ll be honest I felt a little more nervous than usual last night, I’d said to Helen who plays Nicola, “You’re gonna have to give me a little pep talk just before the show” and she did and was great, some really wise words which really helped and then once I came on stage the love we got back from the audience was just unbelievable.

Callum: It was another level last night it really was.

Joel: I don’t well ever forget the reaction from Manchester, we all had friends and family in last night and the energy was just the best, it was incredible.

Callum: We’ve all been so excited to get to Manchester, it’s been so brilliant in all the other cities we’ve been to and now we’re here in Manchester we just all feel so lucky.

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ON: This is such a well loved show, is there a pressure in delivering the first ever UK tour?

Callum: Yes, I would say so but then I do feel that doing this show anywhere comes with a lot of pressure, the incredible message of acceptance is more than just playing a part in a show it’s a reponsibility, people comes and soon realise it’s much more than just a show. People are really learning something as well as having a great time. I think anywhere you do it be it the first tour, be it in the West End, the responsibility is still massive. There are some incredible fans out there, there’s one fan in particular who saw me in London, she travelled to Australia, she’s already been to three venues on this tour and is coming to Broadway to see the show, so you also want to get it absolutely right for those committed fans, old and new.

Paula: I actually see it slightly different in a sense as it’s a show which has won so many awards and clearly is a fantastic musical the mould is already there so we’re all already onto a winner, it can’t not be great because it’s such an incredible show to be involved in, it’s an honour.

Callum: This show has taken over the world, it might be coming to an end in certain places but there’s something about it that will be talked about forever. The show itself is an absolute legend along with the legends who put it together, it’s a brilliantly made show, brilliantly written with brilliant music, it’s just taken over.

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ON: Do you think the message of inclusivity is key to the success of Kinky Boots?

Callum: Yes I think so 100%, it’s still needed, the message of acceptance is still one that needs to be pushed.

Joel: We’ve come on a massive way, but there is still such a way to go, massively. Any person who comes along to the show who maybe has been dragged along by their wife and doesn’t really want to go, they are the people who need to hear this message and incredibly they are always the people who are up on their feet at the end of the show.

Callum: I had an audience in Melbourne where I was booed constantly, a lot of rugby guys in the audience who took the show to be more like a pantomime, they cheered for Don, absolutely loved Don and at the interval the rest of the cast were all checking if I was ok, and I told them all I was absolutely fine as I know how this show works and how different parts affect the audience and after Not My Fathers Son it changed and they were the ones up on their feet, cheering and then even went round to stage door asking for pictures, I literally saw a group of men completely change their minds in front of me, it was amazing and I had no doubt that that would happen by the end.

Paula: There was a stand out moment for me on our first night here in Manchester and I caught the eye of a young boy in the audience, aged maybe about 10 and his face at the end was just beaming. I think hearing that positive message of acceptance when you are so young is exactly what needs to happen.

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ON: It’s such an uplifting, high-energy show, we literally left the theatre beaming and that was just watching, how do you come down after such an energetic performance?

Callum: From an energy point of view we put so much into the show that we are tired at the end of the day which of course helps with relaxing afterwards.

Joel: I was so tired after last nights show but I just couldn’t switch off once I did go to bed, it was just such a buzz.

Paula: It’s really hard to come down but I’ve got two children who I need to FaceTime at a reasonable hour as they don’t understand working late and different bodyclocks, if they get up at 6am they get up at 6am.

Callum: When I was the understudy in London I actually used to bake when I got home. I used to get in, make something, pop it in the oven then go and shower and by the time it was done that had relaxed me and I’d then decorate what I’d baked in the morning.

Paula: Can you start baking again now?

Callum: Ha ha if I did it now you’d find I’m so exhausted you’d find my watch or something would be in it or my rings, glitter you name it ha ha.

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ON: Callum, you have some incredibly quick changes as you change from Lola to Simon, what’s your secret?

Callum: Lint rollers gets glitter it off brilliantly. All of my changes are quick changes, I stand in the wing just before the alleyway scene, holding my bag and I’m like ‘ok, here we go, I’m about to begin and then I’ll stop in about 2 hours’ it’s so much fun though we all have such a laugh. During Everybody Say Yeah last night I caught both Paula and Joel’s eyes and it just felt so so good. The energy you put in you get back ten fold.

ON: The show features themes of family and acceptance, were your families always supportive of your career choices?

Joel: Not always, my Dad was builder with his own building company and similar to Charlie really my Dad wanted me to work with him and I was studying drama and he would tell me not to pursue anything in drama because it was too hard but thanks goodness I had my biggest fan who is my Mum who would say “Don’t you listen to your Dad you can do this”. But yesterday really was amazing as he said to me at the end of the show “I am so proud of you”.

Callum: He said that to me too, not about me ha ha but about Joel, he turned to me and said “You think he’s good don’t you? And I said yes I do and he said, yes so do I”.

Joel: Callum’s Dad is so proud of him too, he said back in the day Callum would go to parties when he was a child and he wouldn’t want to stay and socialise but last night he he said “And now look at my boy”.

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Callum: I’m so lucky I’ve been so brilliantly supported, I’m the youngest of five boys and my Grandparents, my Mum and Dad from day 1 have supported me. In 2004 I watched a show at the Palace theatre and thought to myself I think I could do that and within the year I got everything ready to move away, my Dad helped and said we’ll find the money and do whatever we need to do. He’s always been my champion. He’s absolutely desperate and I haven’t mentioned this to any of the producers but he’s desperate to be the Dad in the chair after Hold Me In Your Heart.

Joel: Oh yes how amazing would that be! I’m telling them, that would be so incredible.

Callum: My Grandad is 81 and his background on his phone is me in the red dress, he’s brilliant. I’ve been so extremely lucky.

Paula: I’m lucky too, my Mum is a nurse and I’d told her that’s what I had decided I was going to do and she said “look you can do that anytime I really want you to try and pursue this”. She’s seen me go from high to low, she’s seen me in some really dark places and then it just comes right. My husband is equally supportive and often says “Something will always turn up” and you have to have that belief in yourself.

Callum: You absolutely have to have that belief, even though it’s an amazing industry and we’re loving life right now it can be an extremely lonely one at the same time. But, I would absolutely still do it, even knowing how hard and how lonely it can be I would still do it.

Joel: The highs really make up for it.

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ON: Now about those boots….!

Callum: The blue heels are the hardest, Jerry the director and choreographer didn’t want any stilettos in the show until the finale apart from my blue ones because I’m teaching Charlie and the factory gang about stillettos, they had to be the 6 inch stiletto. But, because they are ankle boots they don’t have the full support of the full leg boots we wear at the finale so it is a challenge.

Paula: Due to timing/quick change I get the red shoes but they too are so hard to dance in, the amount of surface area on the floor is tiny. When Charlie spins me round I have to be careful I don’t just keep on spinning, one day if I’m a bit egar everyone’s gonna be looking saying ‘yep she’s still going!’ but at least I can style it out as ditzy Lauren.

Callum: The two hardest dance numbers have the hardest shoes to wear ha ha. Joel on the other hand was an absolute natural! He put them on and it was like he’d literally been born to wear then.

Joel: It was actually harder to look like I couldn’t walk in them. The falling over part is the biggest challenge to make it look realistic as I was so comfortable in them from the start!

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ON: Finally Callum we have to ask you how did you feel when you got the call about Broadway?

Callum: It’s an absolute dream come true, it’s so strange to be able to talk about it now. I’ve actually known since February and now the news is finally out, it feels incredible. I’ll be getting to make my Broadway debut with a part that has changed my life completely, it’s amazing I am so so lucky.

And we’re lucky enough to have the show in Manchester for a limited 3 week run. You can catch Kinky Boots at the Opera House until Saturday 1st December and take advantage of a final opportunity to catch Callum Francis as Lola before he heads off to Broadway. Tickets available here.

Kinky Boots – Opera House – Manchester until Saturday 1st December

http://www.kinkybootsthemusical.co.uk

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From 10am on Tue 12 Jun, you can get a free child’s ticket (age 16 and under) to one of 40+ London theatre shows, including Aladdin, Bat Out Of Hell, Wicked, Brief Encounter, and Les Misérables, throughout August when you buy a full-priced adult ticket via the Kids Week website.

There are 172,000 tickets available in total (this includes adult and child tickets) through Kids Week and you can book until the offer ends on Fri 31 Aug – some shows have excluded days and the offer will end once all tickets are sold.

Last year, 104,839 tickets sold within the first 24 hours, so you’ll need to go quick if you’re after a particular performance!

There are no booking or postage fees, and you can save £11.50-£80 depending on the show and seats you choose. You can also get 50% off for up to two more children per adult, so what are you waiting for!

Head to Kids Week for further information and to check out the available shows!

 

Interview | Beverly Rudd | Brief Encounter

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Not only have we been lucky enough to see Kneehigh Theatre’s stunning production of Brief Encounter ahead of its arrival at the Lowry but we also got to chat with the enormously talented Beverly Rudd who takes on an incredible five roles in this inspired production which has been thrilling audiences at the Birmingham Rep since opening on 2nd February.

Telling the story of star-crossed lovers Laura and Alec, Brief Encounter is a thrilling and visually stunning interpretation of the classic forbidden love story many of us know so well. Lowry audiences get the honour of seeing the show which opens on 20th February before it heads to London’s West End for the summer.

Based on the play ‘Still Life’ from which the much-loved film was developed, the production delivers more depth to the characters surrounding the central lovers offering an opportunity to add multiple layers including a sharp injection of humour. With three love stories rather than just the one each of the cast bring different elements to the piece, Beverly Rudd explained, “There is young love, which is exciting puppy love, also a couple older in years who are finding love for a second time alongside the well-known forbidden love story. They are all totally different, the tragedy of the forbidden love works really well with the comedy of the other love stories, something director Emma Rice does really well, she cuts through really serious moments by adding in great humour, because the story is so intense between Laura and Alec the lightness works brilliantly well.”

In discussing her various roles Beverly explained to us that out of the five parts she gets to play, Beryl is her absolute favourite, “She’s just brilliant, all of them are fun but Beryl has so much to do and gets to sing Mad About The Boy, she’s daft as a brush, it’s really lovely to play someone who is so much fun, silly and giggly.”

In delivering such an iconic film we asked Beverly if the cast felt any pressure? “Yes, but the show is so perfectly constructed that we can’t really go wrong, the production is so brave in its choices, I just love how it is so strong in its direction and identity, I’ve never know anyone not like this show, it’s so perfectly structured it’s got something for everybody.”

Brief Encounter heads to the Lowry after it’s Birmingham run, offering audiences a chance to see the show which has received five star reviews across the board. After this the production head’s to London’s West End with previews at the Empire Cinema beginning on 2nd March. Beverly explained how touring ahead of a West End run is of great benefit to the cast. “This is my third Kneehigh show now and with these type of shows, because they’re so absorbing it takes a lot of work to get the show bedded in, there’s so many quick changes and it takes time to get it right so it’s wonderful to know that what is a great show becomes a perfect show, the show has been in a really good place from the start so it’s really nice to have that time to gel together and experience different audiences ahead of heading to London.”

The show has a real cinematic element which is evident right from the start; “The opening sequence of the show is set within a cinema, there’s a huge screen presenting the show and we’re all dressed as ushers and we’re in the audience before the show starts with Laura and Alec sat in old fashioned cinema seats as the front of the audience, so the show actually starts in the audience and then Laura walks through the screen and appears on the screen. We try and not pull too much focus to them as we’re all singing and playing instruments around the auditorium, it’s nicer if it comes as a surprise to the audience when Laura gets up and the show starts, it’s something the audience just aren’t expecting”

Having performed at the Lowry previously in the first tour of Brief Encounter as well as in Victoria Wood’s enormously successful Acorn Antiques, Beverly is looking forward to taking to the stage on February 20th, “It’s such a gem of a show, it’s really beautiful and clever and I think really surprises audiences who perhaps think they’re coming to see something quite serious. I immediately break the fourth wall with the audience at the beginning of the show which for me feels really nice and lets the audience know they can come with you and experience the joy of the show, it really is something special.”

Brief Encounter on at the Lowry from Tuesday 20th February until Saturday 24th tickets available here. from £16-£35

Evita

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Opening Night rating ⭐️⭐️⭐️⭐️⭐️

Reviewed by Matthew Forrest

It’s hard to believe that next year will see Evita celebrate it’s 40-year anniversary. The Andrew Lloyd Webber and Tim Rice collaboration became the first British musical to win the Tony award for best musical then in 1996 Evita received the Hollywood treatment when it was turned into a major motion picture starring Madonna, Antonio Banderas and Jimmy Nail. Even after all this time, the love and affection for this musical monster shows no sign of waning.

The musical charts the rise and fall of Eva Perón. From her humble rural upbringing, to her move to Buenos Aires in an attempt to become a star of stage and screen. She would meet and marry Colonel Juan Perón who would be elected president of Argentina. This is a classic tale of an ambitious young woman who desires fame, power and wealth, but at what cost to her physical health and to Argentina financially?

Evita 2 Bob Tomson and Bill Kenwright’s Evita is full of life and energy: the story is so exhilarating, told at such a breakneck speed that you hardly have time to breath. Madalena Alberto plays Evita with a great deal of sass and attitude juxtaposed with beautiful elegance and grace. It’s little wonder the people of Argentina fell for her charms on the basis of this exceptional performance. Alberto’s rendition of Don’t Cry for me Argentina is simply spine-tingling. Alberto is supported by a great cast; Gian Marco Schiaretti is on fine form as Che, acting as our guide and the shows conscience his presence looms over the production providing humour and a certain degree of menace. In addition Jeremy Secomb is equally as good as Juan Perón; a stern imposing figure whom like the rest of us falls under Evita’s spell.

Evita 1 A special mention to for Cristina Hoey, whose rendition of Another Suitcase in Another Hall, very nearly steals the show. However what stood out most for me, was Bill Deamer’s fantastic and intricate choreography on the big ensemble numbers such as And the Money Keeps Rolling In (and out ) and A New Argentina: add into the mix the bright, colourful costumes and extravagant set design and you cannot help but be impressed by the energy and vibrancy of it all.

The action is pacey with much more humour than I anticipated. Overall this is a seriously quality production that has lost nothing from its transfer from the West End to a tour production. With stunning performances and incredible score Evita is a thrilling night out that will stave off the cold winter blues and certainly provide a hefty dose of Latino-heat!

Evita Evita is on at the Palace Theatre Manchester till the 9th December tickets available here

Behind the Scenes of Elf the Musical – Part 1

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Based on the much loved 2003 film starring Will Ferrell, Elf the musical heads to The Lowry next month as part of their spectacular Autumn/Winter programme and promises to be the must see show of the festive season.

With a book by Tony Award winners Thomas Meehan (Annie, The Producers, Hairspray) and Bob Martin (The Drowsy Chaperone) and songs by Tony Award nominees Matthew Sklar and Chad Beguelin (The Wedding Singer), Elf’s much anticipated arrival will spread Christmas cheer far and wide as we follow Buddy the Elf in his hilarious quest to find his birth-father.

Ahead of opening on Friday 24th November we headed to Hamley’s in the Trafford Centre for the Lowry’s official Elf launch, as well as making our own Christmas baubles and tucking into the most incredible Elf celebration cake we caught up with the shows stars Liz McClarnon who plays Jovi and Ben Forster who reprises the role of Buddy after an enormously popular run in London’s West End.

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Part One of our ‘Behind the Scenes at Elf’ is out chat with the lovely Liz McClarnon, founding member of Atomic Kitten and experienced musical theatre star, Liz gave us the inside information on what audiences can expect from this magical production.

Opening Night (ON): Jovi isn’t exactly full of Christmas cheer but we know you’re an eternal optimist who loves Christmas so how will you balance the two?

Liz: I’m so obsessed with Christmas, if I could start talking about it in April that would be fine with me, everyone around me is like ‘Please chill, just stop’ but I think what I really like is that Jovi has that dark, sarcastic humour and actually being a Scouser I feel I’ve lived that my whole life, so when I read for the part I added a few little bits and they were really well received so I think I’ve definitely got the dark humour but I’ve also got the Christmas love at the end.

ON: How did you become involved in the show?

Liz: I was sent the a song to audition with and when I heard it I realised it was in my perfect key, so I got really excited about it, so I went to the audition, sang and they were really happy with me, it’s like the song was made for me. I think we were all happy with the situation coz basically three hours later I got a phone call telling me I’d got the part; it’s never been that fast before. Singing musical theatre feels so natural for me, I’m so excited to be part of this show.

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ON: Are you looking forward to working with Ben?

Liz: Absolutely, I’ve actually known Ben for years, we’ve got lots of the same friends, I went to see him in Phantom and I already knew we had a few mutual friends and I brought one of my friends with me and Ben already knew her too so for me I know already it’s going to be so much fun.

ON: Are you ready for the ice skating/rollerblading in the show?

Liz: I am honestly the clumsiest person ever, I probably should have said that in the audition to be fair, ha ha, but I will absolutely be rollerblading/ice skating. I’m really excited about starting rehearsals but also a little bit petrified so will be taking every opportunity to practice.

ON: Elf has become such a Christmas classic, is there a pressure in taking on something so iconic to deliver?

Liz: Yes, of course, it’s come from the West End, Ben has already done it in the West End, Kimberley Walsh was amazing in it, so yes absolutely. When I did Legally Blonde that had come straight from the West End as well so you really have a sense of don’t mess it up! But it honestly feels so right doing it that I’m more excited than scared. I can’t play Jovi like Kimberley’s done I will absolutely have to play her my way and put my own stamp on it, which I’m really excited to do.

Elf Cake

ON: Are you looking forward to performing at the Lowry?

Liz: Absolutely, I’ve been a few times to see different shows, I’ve taken my Mum to watch ballets there before, I love it there, I think it’s a beautiful theatre, it’s bigger than I realised too which is exciting and a little bit daunting. It’s funny just before I go on stage performing I get a real feeling nerves and fear and I think ‘why do I do this job?’ then three seconds in and I’m there performing on stage I think ‘THIS is why I do it’ it’s the BEST feeling ever!

ON: Do you have any superstitions or rituals you have to do before a show?

Liz: Yes, but different superstitions for different shows. For Legally Blonde my character Paulette had a lot of earrings and massive shoes, so the left earring had to go on first, then the left shoe had to go on because that’s how I did it on opening night, so then I felt like I had to do it like that the whole time. So generally it’s something that happens and then I remember I’ve done it and then I have to then do it every show, so we’ll have to see what it is for Elf.

ON: When do rehearsals start?

Liz: We start rehearsals on 16th October, so we’ve got about a month of rehearsals. It’s funny on the first day you think ‘argh a month’s never enough time’ but it always is, I’ve done shows with only two weeks rehearsals and you think no way is that enough time but it always is. I’ve got my script already and I’ve highlighted all my bits so I’m ready to go.

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ON: What is it about Elf that makes it so appealing to audiences?

Liz: I think it not only delivers that magical Christmas feeling but you also get funny, you get sarcastic, you get to laugh at Buddy at first but then you do really fall in love with him and go through this magical adventure with him. The magic that happens on stage I’ve been told is incredible and I can’t wait to be part of that, I’m gonna have to try and contain my own excitement, it sounds like it really does have to be seen to be believed.

ON: Do you have any Christmas traditions within your family?

Liz: Oh yes lots! A few drinks on Christmas Eve is definitely one coming from a big Irish family, we also always have about three or four different meats with our Christmas dinner coz everyone like different things, my Mum has the posh meat, my boyfriend has the lamb, I like Chicken, my brother likes beef, my Dad likes beef, my Mum opts for goose or pheasant so there’s all sorts going on.

ON: Are you family coming down to see the show?

Liz: Absolutely, I’m getting messages from people claiming to be family members I didn’t even know I had, that’s how excited everyone is about this show. Everyone is going nuts about this show, my family are genuinely very, very supportive, my immediate family especially, they will come and see me in a show eight or ten times, I’m very lucky knowing they’re very proud of me.

Elf The Musical runs at The Lowry from Fri 24 November 2017 – Sun 14 January 2018, tickets available here https://www.thelowry.com/events/elf-the-musical

 

 

The Kite Runner

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Based on Khaled Hosseini’s 2003 international best-selling novel which was adapted for the screen in 2007 and following a hugely successful West-End run, The Kite Runner arrives at the Lowry this week, its second stop as part of an extensive UK tour.

First produced in the United States back in 2009, Matthew Spangler’s adaptation is as beautiful and breath-taking as fans of the book would have hoped, with rich storytelling via lead character Amir’s non-stop narrative, Director Giles Croft ensures The Kite Runner is a powerful and cleverly delivered theatrical experience.

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There are no gimmicks needed as the compelling and haunting story is sensitivly told. Amir and Hassan are opposites in every way, Amir is privileged, Hassan his servant, poor, illiterate yet fiercely loyal. As Afghanistan their homeland is about to be torn apart by war, so too is their unique friendship.

While there are many elements which make up this unforgettable piece it is ultimately a story about a young boy’s guilt and later journey towards redemption. After witnessing a tragedy as a child which impacts profoundly on the lives of the core characters, Amir is forever burdened by his guilty secret, knowing he chose not to speak up to stop the heart-breaking act. Even moving to the other side of the world to start a new life doesn’t enable him to escape the dark and crippling secret. As we follow his journey, his plea for forgiveness captures the true heart of this incredibly rich and utterly captivating production.

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David Ahmad as Amir delivers a powerful and extremely moving performance, on stage for the entire production his clear narration allows the piece to flow gently and build dramatically as tragedy unfolds and secrets are revealed. Emilio Doorgasingh is perfectly cast as Baba, Amir’s Father, he embodies the character entirely, from strong proud, privileged Pashtun to elderly and infirm immigrant, Doorgasingh is superb. Jo Ben Ayed’s portrayal of both Hassan and Sorab is deeply touching and incredibly powerful, mild and submissive yet unshakeably loyal to his friend Amir.

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The set is simple yet hugely effective, dominated by a fan-shaped kite and evocative screen projections from William Simpson, guiding the audience softly from Kabul to San Francisco. The whole production is gently underscored by live tabla player, Hanif Khan, whose music stirs emotion and adds further authenticity to the piece.

Emotional, deeply moving and beautifully staged, The Kite Runner runs at The Lowry until Saturday 7th October tickets available here www.thelowry.com/events/the-kite-runner