My Night with Reg

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

First premiered at The Royal Court in 1997, Kevin Elyot’s ground-breaking play My Night with Reg was loved by critics and audiences alike. A transfer to the West End followed as well as Olivier and Evening Standard awards, a successful Broadway run and even a feature film so it comes as no surprise that Manchester-based Green Carnation should choose this moving play as their first touring production.

Set in Guy’s apartment over various years the story focuses upon the relationships of a group of gay men, all have in some form a connection with the eponymous Reg. What initially seems like a light-hearted look into the lives and loves of the group soon develops into a perceptive exploration or love and friendship as secrets and betrayals are exposed while the ever-present threat of the 1980’s AIDS crisis looms large.

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Guy (Simon Hallman) is hopelessly in love with John (Nicholas Anscombe) yet doesn’t have the courage to tell him. Eager to please he puts everyone else’s needs before his own while his hesitancy to put himself out there results in a life unfulfilled and free from any real intimacy.

Old mates John (Nicholas Anscombe) and Daniel (David Gregan-Jones) joke and jostle while never actually having an honest conversation. Interestingly it’s primarily the youngest character in the play Eric (Alan Lewis) who speak freely, unafraid of sharing his thoughts and feelings about the way he sees the world while couple Bernie and Benny bicker and bark at each other by way of communication.

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As Guy, Simon Hallman perfectly captures the frustration of a man thwarted by his own niceness, hopelessly in love yet lacking in the courage to do anything about it. He endears himself to the audience as he flusters and fusses around his friends making the final part of the play all the more affecting.

David Gregan-Jones flounces spectacularly as charismatic Daniel while showing great skill in his ability to switch from carefree to devastated with ease. Nicholas Anscombe plays John as a cool and composed figure who becomes increasingly lost as the piece develops.

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Steve Connolly and Marc Geoffrey as Benny and Bernie play off each other brilliantly offering some of the most cutting humour in the piece while Alan Lewis is refreshingly real as the much lusted after Eric.

Co-directors Dan Jarvis and Dan Ellis has succeeded in creating a piece that’s as funny as it is moving. This dark comedy doesn’t sugar-coat nor should it, Green Carnation’s affecting revival will resonate with many. Designer George Johnson-Leigh’s set is simplistic yet effective with neon lighting pulsating as the intensity rises.

A well-crafted, well-acted piece which will leave you more than happy you’ve spent the night with Reg.

My Night with Reg is on at The Lowry until Saturday 25th January tickets available here.

Further information about regional tour dates can be found here.

 

 

Preview | Marvel Universe LIVE!

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If you have a little Captain America or Black Widow who loves all things Marvel – then Manchester Arena is the place to be this week!

Marvel Universe LIVE! Is an action packed arena stunt show, where audiences can enjoy seeing all their favourite heroes and villains do battle live!

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The brand new show – from the team behind Disney on Ice – is at the Arena from Thursday 28th November to Sunday 1st December and features aerial stunts, martial arts, daring motorcycle skills, pyrotechnics, special effects, 3D video projection and much more.

From Spider-Man to The Avengers and the Guardians of the Galaxy, this really sounds like a must-see show for any comic book-mad little (and big!) kids.

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Called on by Doctor Strange, the Guardians of the Galaxy join the Avengers on a momentous crusade against the scheming Nebula who teams up with the conniving and loathsome villains Loki and Green Goblin.

The incredible superhuman forces of Iron Man, Thor, Black Panther, Hulk and Black Widow will unite in clashes that pit student against mentor, sister against sister and brother against brother.

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“Our tremendously talented creative team and a nearly super human cast, have created a show that brings Marvel to life,” said Juliette Feld, producer of Marvel Universe LIVE! “The show creates an experience that immerses families in non-stop action, creating movie-style thrills and jaw-dropping stunts that showcase the powers of your favourite Super Heroes right before your eyes.”

For tickets and more information visit www.marveluniverselive.co.uk

 

Preview | A swift half? | New play by Grace O’Leary opens at The Bridge Street Tavern this week

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Foraois Productions return this week with a new play capturing a slice of Manchester life in and out of the pub. Running from 21st to 23rd November at The Bridge Street Tavern, Grace O’Leary’s latest play A swift half? sees sisters Maria and Clara try to make sense of their lives and the choices they have made. The pub becomes more than just a backdrop as moments of clarity come served with a swift half. Old friend and pub landlord Bobby is often the dispenser of that wisdom but he too has his own hopes and plans. Whether they will be realised with a pint in hand remains to be seen.

A swift half? Is award-winning playwright and director Grace O’Leary’s 5th play and marks 10 years since she started writing and producing her own theatre. Her works include the critically acclaimed Letter Headed Paper which toured Manchester, Leeds, Liverpool and Preston in 2013.  Grace’s first play What Colour Was Her Blood? was short-listed for ‘Best Original New Play’ by North West Playwrights.

A swift half? asks the question, how important is the pub and what place does it have in everyday life? Some hidden truths are threatened to be revealed when sisters Maria and Clara have one too many vinos at friend’s Bobby popular pub, Haven’s Sake, and things could have been much easier if they just stayed in. Bobby, proud pub owner and overall charismatic bloke has dreams of being the next big pub promoter and nothing, he hopes, is going to stop him.

Ahead of opening night, Grace O’Leary said; ‘With it being 10 years since my first play was launched in Manchester, I felt it was right to do a new piece for my decade anniversary. I’ve spent many a happy, and the odd unhappy hour in pubs, and it made me think about the affect the atmosphere these wonderful establishments can have on people. I’ve been lucky to work with a fantastic cast on this production and am really looking forward to sharing it.’

Maria Quinn is played by Julie Burrows, Clara Quinn is played by Sarah E Maher and Bobby Braithwaite is played by Daryn Gates.

A swift half? Is on at The Bridge Street Tavern, 58 Bridge St, Manchester, M3 3BW 7.30pm, on 21, 22 & 23 October Duration 60mins approx. Tickets: £9 plus booking fee can be found here.

A Question of Sport LIVE comes to Manchester

Matt Dawson, Sue Barker and Phil Tufnell

The BBC’s A Question of Sport – the world’s longest running TV sports quiz – will celebrate its 50th anniversary in 2020 with an all-new live stage show which comes to Manchester’s Bridgewater Hall on Saturday May 2, 2020.

This will be the hit show’s first live stage tour in nine years starring host Sue Barker and resident team captains Matt Dawson and Phil Tufnell, along with big-name guests from across the sporting world and will be the perfect way for fans to see the hit show up close in a thrilling live environment; a host of special guest star panellists will soon be revealed.

As well as Manchester’s Bridgewater Hall his unmissable stage show will visit 9 other cities across the UK in April and May 2020:

  • FRI APRIL 17 Glasgow          SEC Armadillo
  • FRI APRIL 24 Liverpool         M&S Bank Arena
  • MON APRIL 27 Birmingham    Symphony Hall
  • TUE APRIL 28 Newcastle       City Hall
  • FRI MAY 1 Nottingham     Royal Concert Hall
  • SAT MAY 2 Manchester     Bridgewater Hall
  • SUN MAY 3 Sheffield          City Hall
  • TUE MAY 12 London            The London Palladium
  • SAT MAY 23 Plymouth         Pavilions
  • SUN MAY 24 Southampton Mayflower Theatre

Tickets go on sale at 10am on Friday November 15th via ticketmaster.co.uk

A Question of Sport Live will follow the small-screen format featuring many of the rounds and challenges fans of the hit show know and love. It is also truly interactive as audience members will be able to participate by directly posing questions to the teams and getting involved in some rounds before the traditional ‘Sprint Finish’ climax.

Sue Barker said: “2020 is a landmark year for A Question of Sport. It’s the show’s 50th anniversary and I can’t think of a better way to celebrate this Golden Anniversary than to take the show around the country. We had such a brilliant time on the last tour so I can’t wait to do it again!”

This all-new live tour is brought to you by Cuffe and Taylor, Live Nation and Simon Fielder Productions in association with BBC Studios.

Hope Mill Theatre to stage UK premiere of Rodgers & Hammerstein’s Cinderella

Manchester’s award-winning Hope Mill Theatre is to stage the UK theatrical premiere of the Broadway version of Rodgers +Hammerstein’s Cinderella in 2020.

Cinderella will be the first musical produced by A Factory of Creativity – the charity recently formed to take over the running of Hope Mill Theatre. Co-founders of Hope Mill Theatre Joseph Houston and William Whelton will direct and choreograph Cinderella, respectively.

The production will run at Hope Mill Theatre from Saturday 9th May to Saturday 6th June 2020 and then at Clonter Opera Theatre, Cheshire from Tuesday 9th to Sunday 14th June.

This will be the first time a fully-staged version of the show has been performed in the UK (following a recent one-night concert version in London).

Hope Mill Theatre will be holding open auditions in its search for the title role of Cinderella. The venue is committed to finding new and emerging talent across the regions and will be sharing details very soon of how to register interest in auditioning. 

Ted Chapin, President of the Rodgers & Hammerstein Organization, said: “I am thrilled that the modern Broadway version of Rodgers + Hammerstein’s Cinderella will be getting its U.K. theatrical premiere at the Hope Mill Theatre in Manchester. When this version opened on Broadway in 2013, its tagline was “Glass slippers are so back.”  With a wink to the Cinderella traditions of the past – except pantos! – and a solid foot in a world where people take more control over their own lives, Rodgers + Hammerstein’s Cinderella has already charmed new generations of musical theatre enthusiasts.”

Joseph Houston, Artistic Director, said: The first ever show I watched as a boy was the story of Cinderella and so to be able to work on the UK premiere of the most recent Broadway version of Rodgers & Hammerstein’s story is a dream come true. Having the opportunity to also collaborate alongside Will, who is both my business partner and life partner – and of whose work I have long admired – makes this journey even more special. I want this unique version of Cinderella to captivate audiences young and old, just as the timeless story did for me. This is the perfect spring treat and I cannot wait to see this story come to life at Hope Mill Theatre.”

William Whelton, Executive Director and Choreographer, said: “For many years I have wanted to produce  Rodgers + Hammerstein’s Cinderella, so for this to be the first musical to be brought to life by Hope Mill Theatre’s new charity is very special. It is a more modern take on the classic fairy tale that everyone is familiar with, add to the story the musical and lyrical genius of Rodgers & Hammerstein and you have real musical theatre magic. We are also thrilled to announce that as part of our casting process we will be holding open auditions in our search for Cinderella. As a regional venue we are passionate about finding and nurturing professional talent from all over the country so find this really exciting and we can’t wait to meet new artists.”

Rodgers + Hammerstein’s Cinderella runs at Manchester’s Hope Mill Theatre from Saturday 9th May to Saturday 6th June 2020

The production then moved to Clonter Opera Theatre, Trap Road, Congleton from Tuesday 9th to Sunday 14th June 2020

Tickets on sale soon!

http://www.hopemilltheatre.co.uk

 

 

The Entertainer

Reviewed by Matt Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

It’s often said that role of Archie Rice is a dream role for any actor; it’s an actor’s role, a role filled with pathos, a real rollercoaster of emotions. The likes of Laurence Olivier, Kenneth Branagh, Robert Lindsey and Michael Gambon have all played this iconic character, either on stage or screen, and now it’s the turn of one of the nation’s favourite song-and-dance men, Shane Richie.

The original production was set during the 1950’s in the shadow of the Suez crisis, however director Sean O’ Connor has shifted the action to 1982: Britain has just gone to war with Argentina over the Falkland Islands and comic Archie Rice is working the club scene, with diminishing success. His act is a string of sexist gags and mother-in-law jokes, think a cross between Bernard Manning and David Brent and you’re on the right track. Rice is struggling to adapt to a changing world of alternative comedy and so-called political correctness.

As Rice’s routine is in the gutter, his home life isn’t fairing much better: he is unhappily married to his second wife, Phoebe (played tonight by Alice Osmanski), his father Billy (Pip Donaghy) holds some pretty extreme views about their neighbours and the state of the country, his daughter, Jean (Diana Vickers) has come back home after splitting with her fiancé, and finally his son Mick, has been captured whilst serving in the Falklands.

The majority of the action takes place in the Rice’s flat as the family bicker about the current state of the country, argue about Archie’s womanising, Phoebe’s desire to move Canada, and Jean’s moralistic view of the world, which strongly differs from that of her family. This is all done with the support of copious amounts of gin, as all of the family struggle with their own alcoholism. This is punctured with brief snapshots of Archie’s faltering act, some 1980’s bangers, and some genuine/fictious tabloid headlines of the day. As the Rice’s situation becomes more desperate, the already fractured family begins to come apart at the seams.

This is a challenging, gritty piece of work, there is a great deal to admire about the production. Despite being well over 60 years old, the themes Osbourne was addressing back then are just as relevant today. The setting of Thatcher’s Britain gives the production a gritty realism: the club spots and the scenes at the flat are quite grimy, so much so that you want to jump in the shower as soon as you get home.

The excellent performances are what make this production that little bit special. All five actors do a solid job throughout and it’s the dynamic between Shane Richie and Diana Vickers that is the real heartbeat of this production. Richie does a fantastic of job making you care about Archie. He knows his best days are behind him,  he knows he’s made mistakes yet despite his many flaws, you cannot but help but want him to succeed, and it’s purely down to the strength of Richie’s performance: if you don’t have that connection then it doesn’t work.

In Diana Vickers you have the moral compass of the family, someone that has yet to be tainted by her environment, and someone who has a chance of making a difference, it’s the conflict between the two of them that drives the narrative along and it’s a credit to both actors that this works so well.

It is a tough watch and one that is short on laughter, unless you like your comedy uncomfortable and cringy, however this is a production that is certainly worth a watch and one that will split audiences and more importantly spark debate and that is always good in my book.

The Entertainer is on at the Manchester Opera House until Saturday 2nd November. Tickets available here.

Avenue Q

Reviewed by Matt Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

Today’s review for Avenue Q is brought to you by the letter X, F and the number 4!

Avenue Q makes a much welcome return to Manchester this week like an old friend you haven’t seen in while, it’s reassuring to see that it hasn’t lost any of its charm, shock factor and ability to make you smile.

Avenue Q is the tale of a group of friends just trying to get by in the world, that fact that the group are made up of humans, puppets, and monsters is irrelevant, they all have the same problems, including relationship issues, unemployment and in one case an over reliance on internet porn! This is the version of life that the likes of Sesame Street don’t prepare you for when growing up.

The show set in New York, introduces us to Princeton, a fresh faced graduate armed with an English degree, ready to take on the world, however having limited funds and no job has seen him arrive on Avenue Q: a rough part of town that makes skid row look like Madison Avenue. Also living on Avenue Q, are a young couple, Brian and Christmas Eve, Brian an inspiring stand-up comic, whilst Christmas Eve dreams of being a therapist but cannot hang onto her clients. There is also Nicky and Rod, a pair of best friends who live together, however Rod has feelings for Nicky that are more than plutonic.

In addition, there is also Trekkie Monster, a reclusive monster, who seemingly just stays at home watching porn, and Gary Coleman, former child star who has fell on hard times and is now landlord of the street. Finally, there is Kate Monster, a teaching assistant, who dreams of opening her own school for monsters, who is also Smitten by Princeton and it looks like the feeling is mutual. However, as we know the course of true love doesn’t always run smoothly at the best of times, but when you have  a couple of mischievous forces at work in the shape of the Bad News Bears, then it would be fair to say life is pretty tough for the residents of Avenue Q.

Jeff Whitty has taken the world of Sesame Street stuck it through a meat grinder and what has come out the other end is a script that is sharp, witty and pulls no punches.  There is the right mix of sentimentality and near-the-knuckle humour. Add to that the songs of Robert Lopez and Jeff Marx that include the bang on point Everyone’s a Little Bit Racist, the heart-breaking There’s A Fine, Fine Line. The firm favourite of the audience this evening was The Internet is for Porn, which could have dated, but still hasn’t lost its sense of fun, and with a little help from our cuddly puppets its shock value.

The small ensemble cast is superb with many of them pulling double duty performing as various puppets. Cecily Redman is outstanding in her duel role of Kate Monster/Lucy the Slut, crisscrossing seamlessly from upbeat optimistic heroine to trashy vamp Lucy the Slut.  Equally impressive is Lawrence Smith, as the idealistic, well-meaning Princeton as well as the uptight repressed Rod. There is also excellent support from Chole Gentles and Tom Steedon who bring life into a plethora of furry creatures Bad Idea Bears, Nicky and crowd favourite Trekkie Monster.  It’s a credit to the actors/puppeteers, that you forget they’re on stage and lose yourself in the cute, yet foul-mouthed creatures.

It’s not just the exceptionally talented puppeteers and actors who deserve praise, but the human characters are exceptional as well. Ellis Dackombe and Saori Oda, are equally impressive as engaged couple Brian and his Asian American partner, Christmas Eve. Oda is a tour-de -force, in a scene stealing turn, whilst Dackombe is perfect as laid-back Brian, very much in a Seth Rogen, ‘stoner’ role. Finally, we have Nicholas Mclean as Gary Coleman, who lights up the stage with every scene he’s in and gets some huge laughs mainly down to the absurdity of his characters appearance

Director Cressida Carré has done a tremendous job making this a memorable production. Some very funny song and dance number, with some hilarious set pieces, including a pot of puppet on puppet bedroom gymnastics that will live long in the memory. I loved the video screen cartoons used throughout the production which are glorious nod to Sesame Street and certainly add an anarchic touch to proceedings.

The production touches on race, depression, sexuality and plays with our own prejudices and how we see the world, genuinely having something to say, and if that can be done with a song and in such bad taste then count me in.

Today’s review was brought to you by the letters, X and F, the X is for X-rated, and the F is for funny, funny, funny! Whilst the 4 well that’s 4 stars, all the way, so take a stroll down Avenue Q you won’t be disappointed!

Avenue Q is on at the Palace Theatre until the 26th October. Tickets available here.