Little Women

Opening Night verdict ⭐️⭐️⭐️⭐️

Louisa May Alcott’s much loved classic about the four March sisters growing up in Civil War-era New England has been a literary favourite for almost 150 years now. Seen previously on the big screen, radio plays, TV series and straight theatre plays the March sisters undoubtedly have a place in the hearts of many, this is the first time however the Broadway musical has made its way to European shores as the incredibly successful pairing of Hope Mill Theatreand Aria Entertainment continue their vision to deliver accessible musical theatre in Manchester.

The production offers a condensed take on the heart-warming story of trailblazer Jo and her three sisters, Meg, Beth and Amy March, with Jo at the spirited centre of the piece. With their father off at war and their mothers encouragement to be the best versions of themselves they can be, the sisters set out on their path to becoming ‘little women’.

Amie Giselle-Ward is outstanding as Jo, passionate, strong and always true to herself, Giselle-Ward embodies perfectly the brash and bold Jo Marsh with a raw energy that utterly captivates, fiercely loyal and defiantly proud her characterisation is honest and raw as she delivers an incredibly moving and deeply emotional performance. She fizzes and boils over with a determination to live the life she chooses not one society choses for her, a woman seemingly ahead of her time when the book was first published in 1868 and an absolute heroine to women today.

The ten strong cast are incredibly hard working and beautifully demonstrate the importance and strength of family, love and hope regardless of the situation or difficulties they face. Each of the sisters are perfectly cast, Jemima Watling is superb as Meg, sweet and sensible, with a heart full of love. Katie Marie-Carter makes for a fabulous Amy, spoiled and selfish she is wonderfully dramatic. Cathy Read plays Beth with sweet affection, gentle and kind with a real sincerity she is the calm to Jo’s perfect storm.

Bronagh Lagan’s direction ensures the production remains entirely committed to delivering Louisa May Alcott’s message of love, family and female empowerment with wonderful storytelling throughout.

Ben M Rogers light design gently warms the production, allowing Nik Corrall’s simplistic yet effective set to shine. The intimate setting of Hope Mill Theatre is perfect for this engaging production, giving audiences the most wonderful connection with the characters as Jason Howard’s music and Mindi Dickstein’s lyrics are brought to life by Rickey Long’s superb musical direction.

Little Women is a celebration, joyful, spirited and full of heart. The perfect festive treat for all ages, delivering an important and current message that into each life some rain must fall but never let that diminish the fire within you.

On at Hope Mill Theatre until Saturday 9th December tickets available here

Flashdance the Musical

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By guest reviewer Casey Nicole Gwilliam

Flashback to the 80’s in this dazzling production of the all time classicJoanne Clifton dazzles as the feisty Alex, a young apprentice welder with a passion for dance, and a dream to get into the prestigious Shipley School of Dance.

With the help of her old dance teacher Hannah (Carol Ball), Alex prepares for her Shipley audition, as well as falling for the dashingly handsome Nick Hurley (Ben Adams) and having to save the day and set her friend Gloria (Hollie Ann Lowe) straight, she seizes the opportunity and dances her heart out.

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The numbers that were amongst audience favourites included “Maniac” and “Gloria” as well as the crowd pleasing “I Love Rock and Roll” which wowed the audience as the immensely talented ensemble dazzled with their moves demonstrating some  incredible tricks that made the audience wince and then cheer. The entire ensemble gathered together and created an absolutely amazing and retro atmosphere, wowing the audience with their moves and vocals that left even the audience breathless!

The lighting and set along with the extremely vintage costuming hurled the audience into the 80’s along with the perms and pumps. The authentic 80’s feel gave a sense of nostalgia, and was in keeping with the 1983 movie of the same title. Keeping audiences happily entertained.

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Joanne Clifton’s performance stood out as leading lady, Alex. Her husky voice was perfect for the scrappy young dancer and her acting and singing skills were on a par with her dance; proving to be a delightful triple threat. As well as having the audience envy her for pulling off spanks and a sports bra for the majority of the show.

Overall the show makes for an extremely enjoyable evening and was an instant hit with the audience, everybody was up dancing during the finale mega-mix ensuring everyone got a chance to show their moves!

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Flashdance the Musical is on at the Blackpool Opera House until Saturday 4th November, tickets available here http://www.wintergardensblackpool.co.uk/events/flashdance/

Slava’s Snow Show

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Created by Slava Polunin back in 1993, Slava’s Snow Show has been seen across the world from Argentina to Australia winning multiple awards along the way.

This brilliantly bonkers show feels spontaneous and free with clever improvisation from Slava’s troop of clowns; adults and children alike are captivated by this enthralling and imaginative piece.

Lead clown Assissiai guides us through the evening via a series of scenes which surprise and engage the senses, moving from gentle, precise mimes to loud blaring snowstorms in an instant this multi-sensory piece keeps the audience engaged from start to finish.

There is a rich mix of sketches which don’t shy away from the darker emotions of life but offer reflective moments as we observe Assissiai and his bemusement at the world, he is pensive and poetic, juxtaposed to this are the green clowns who accompany him throughout the piece, loud, silly and hilariously mischievous.

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The beauty of this show is the variety and joy it brings; from quiet pensive moments to the jubilant festival atmosphere at the finale this show is inclusive and wonderfully interactive. Nobody in the stalls escapes the giant cobweb which is pulled across the entire audience, tangling them up creating a giddy delight, nor do many escape a soaking from the clowns who clamber across the audience, their broken umbrellas spouting sprays of water onto the squealing spectators beneath them.

You can’t helped but be whisked up in this magical spectacle as the audience is encouraged to be free and act very differently than they usually would at the theatre. Joy spreads through the audience as the finale builds, the energy of the performers is infectious.

Slava’s aim was to ‘…help the spectators be released from the jail of adulthood…to create a show that would take us back to our childhood dreams’ as adults and children joyfully play together in the snow, shrieking with delight as giant bouncing balls approach it is abundantly clear he has more than achieved his aim. Fantastic family fun!

★★★★

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On at the Lowry until Sunday 29th October tickets available here www.thelowry.com/events/slavas-snow-show

 

The Kite Runner

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Based on Khaled Hosseini’s 2003 international best-selling novel which was adapted for the screen in 2007 and following a hugely successful West-End run, The Kite Runner arrives at the Lowry this week, its second stop as part of an extensive UK tour.

First produced in the United States back in 2009, Matthew Spangler’s adaptation is as beautiful and breath-taking as fans of the book would have hoped, with rich storytelling via lead character Amir’s non-stop narrative, Director Giles Croft ensures The Kite Runner is a powerful and cleverly delivered theatrical experience.

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There are no gimmicks needed as the compelling and haunting story is sensitivly told. Amir and Hassan are opposites in every way, Amir is privileged, Hassan his servant, poor, illiterate yet fiercely loyal. As Afghanistan their homeland is about to be torn apart by war, so too is their unique friendship.

While there are many elements which make up this unforgettable piece it is ultimately a story about a young boy’s guilt and later journey towards redemption. After witnessing a tragedy as a child which impacts profoundly on the lives of the core characters, Amir is forever burdened by his guilty secret, knowing he chose not to speak up to stop the heart-breaking act. Even moving to the other side of the world to start a new life doesn’t enable him to escape the dark and crippling secret. As we follow his journey, his plea for forgiveness captures the true heart of this incredibly rich and utterly captivating production.

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David Ahmad as Amir delivers a powerful and extremely moving performance, on stage for the entire production his clear narration allows the piece to flow gently and build dramatically as tragedy unfolds and secrets are revealed. Emilio Doorgasingh is perfectly cast as Baba, Amir’s Father, he embodies the character entirely, from strong proud, privileged Pashtun to elderly and infirm immigrant, Doorgasingh is superb. Jo Ben Ayed’s portrayal of both Hassan and Sorab is deeply touching and incredibly powerful, mild and submissive yet unshakeably loyal to his friend Amir.

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The set is simple yet hugely effective, dominated by a fan-shaped kite and evocative screen projections from William Simpson, guiding the audience softly from Kabul to San Francisco. The whole production is gently underscored by live tabla player, Hanif Khan, whose music stirs emotion and adds further authenticity to the piece.

Emotional, deeply moving and beautifully staged, The Kite Runner runs at The Lowry until Saturday 7th October tickets available here www.thelowry.com/events/the-kite-runner

Dirty Dancing

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Based on the iconic 1987 movie starring the incredible Patrick Swayze and Jennifer Grey, this revamped version using impressive new sets and songs from the movie not originally in the stage musical has been wowing audiences across the UK all year, reaching its final stop of the tour in Liverpool last night.

Director Federico Bellone, choreographer Gillian Bruce and designer Roberto Cometti, have sexed up the original stage musical (yes it’s EVEN sexier than before) as the classic story of Baby and Johnny is played out by the most talented of casts.

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Getting us all hot under the collar as Jonny Castle is the immensely talented and deliciously dangerous Lewis Griffiths, he literally made Liverpool scream as he stepped into Swayze’s Cuban heels and gave Baby (Katie Eccles) the summer of her life. The chemistry between the two is electrifying, you find yourself rooting for them right from the off, the buzz in the audience as we build up to ‘that’ lift is almost enough to raise the roof of the Empire. Eccles is superb as Baby as we see her find her inner strength and go after her heart’s desire. Indeed the energy from the entire cast is incredible; Carlie Milner makes for the most perfect Penny, her skill and talent quite breath-taking as she dances up a storm on stage.

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Roberto Cometti’s set is streets ahead of those we’ve seen in previous incarnations of this production, inventive and impressive it allows for real creativity in the staging. Add to this Gillian Bruce’s incredible choreography, sizzling, sexy and so so slick there’s no wonder audiences keep coming back for more.

Chock full of heartache, passion, sensational dance routines and all the classic hits fans know and love including Hungry Eyes, Hey! Baby, She’s Like The Wind and the legendary (I’ve Had) The Time Of My Life, this production is everything fans of the film could wish for. The hardworking cast deliver in spade loads, whipping the audience into just the right level of excitement before taking it up a notch again, until we literally reach fever pitch at the finale, uplifting, exciting and hugely entertaining surpassing all previous productions, Dirty Dancing will undoubtedly give you the time of your life!

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With only five more days to catch this impressive production, head to www.dirtydancingontour.com/tickets-tour for tickets.

Liverpool Empire Mon 18th – Saturday 23rd September 2017

Lowry Competition!

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We are thrilled to be able to offer a family ticket to see the fabulous Fauna on either Thursday 21st or Fri 22nd September at the Lowry.

Winner of the Total Theatre and Jackson’s Lane Award for Circus at Edinburgh Festival 2017, Fauna is a unique mixture of acrobatics, dance and movement with a brilliant live musical score – a mesmerising evening of extraordinary strength and sublime skill!

To enter all you need to do is follow our page and share this post, good luck!

Further information can be found at http://www.thelowry.com/events/fauna

Cover My Tracks

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Charlie Fink, formerly of Noah and the Whale brings his latest album Cover My Tracks to the Lowry: however the evening promises something a little different. It is billed as a piece of ‘gig theatre’ and Fink shares the stage with actress Rona Morison to tell the tale of a singer song writer, a lover, a masterpiece, heartbreak and loss.

Armed with a stool, acoustic guitar and a dimly lit spotlight, Fink arrives on stage followed by Morison and between Fink’s songs and Morison we learn about two unnamed lovers torn apart by the apparent suicide of one, leaving their partner to cope with the loss and a chance to unravel the mystery as to what really happened.

The story is filled with highs and lows as we see how the couple met, their life on the road, the moment they write a huge hit record and finally the breakdown in their relationship as one desperately wants to escape from the trappings of modern life and eventually make the ultimate sacrifice…or do they?

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This is a fascinating piece of work. Fink may be the star attraction on the poster, but his is a low-key, restrained performance and certainly the delivery of his songs was reminiscent of the late Leonard Cohen. This is in stark contrast to the ball of energy that is Morison, who is excellent as our narrator conveying the joy, misery and raw emotion of someone desperate for answers. Morison also gives Fink a run for his money in the vocal department, demonstrating a fine singing voice.

The story is told through some truly beautiful songs with standout tracks being Firecracker and I Was Born to Be A Cowboy. The plot is riddled with intrigue as we know very little about our protagonist including their names and their gender further enhancing our engagement with the drama.

The production isn’t without flaws, taking a rather romanticised view of grief and mental health issues in some parts but on the whole this an innovative and engaging piece, a unique and hugely enjoyable way to listen to an album with a context.

On at The Lowry until Saturday 16th September, for tickets head to http://www.thelowry.com/events/cover-my-tracks