Släpstick

 

Reviewed by Matt Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

 

Its traditional this time of the year to take in a family show to keep young and old alike entertained for a couple of hours or so, with pantos a plenty and musicals on mass, you may want something a little quirky, a bit different: step forward Släpstick.

 

Släpstick are a Dutch musical theatre troupe who present a love letter to the golden age of silent cinema: Buster Keaton, Spike Jones, Laurel & Hardy, to name but a few, are all represented here. The five–man group create a musical hall experience like no other, playing well over a 100 instruments between them: all this mixed together creates a unique and original experience that will have you grinning from ear-to-ear.

 

 

The show begins when you’re queuing to get into the theatre as you meet some of the cast members in various guises. However when the show starts properly, we are introduced to a wide range of colourful comedy characters, from a fast talking American showman to an injured swan and a barbershop quintet whose numbers reduce throughout the night due to a series of unfortunate accidents. There are German versions of Bohemian Rhapsody and Up Town Funkwhich are inexplicably hilarious. 

 

The show is like an episode of Monty Python’s Flying Circus, absurd, silly and packed full of great physical and visual gags: you’re never sure where it will take you. There are call backs to previous jokes, there quite literally is something for everyone.

All five performers are super talented musicians and entertainers: there isn’t a musical instrument that these guys don’t play: from a flying double bass, to the swan egg whistle (yes you have read that correctly) – if it can make a sound, they’ll play it.

 

 

It’s not just music that makes the show but the art of playing the clown, with each member of the group involved in some fantastic physical set pieces, from an unflattering seduction scene using Italian and Spanish loves songs that pretty much turns into an episode of the much loved and much missed BBC sitcom Bottom.

 

Some routines do out-stay their welcome a little bit too much and the show could do with a slight trim off its running time, but these are minor quibbles for what is a clever, at times touching and often astonishing piece of work that will entertain young and old alike, and is the perfect Christmas show for those who fancy something a little different. The shows finale quite literally brings the house down and ends the show with a standing ovation and a huge audience pillow fight: well I did say this was something a little different!

 

Släpstick is at Home till the 22nd December tickets available here.  

 

The Nature of Forgetting

The Nature of Forgetting, credit Danilo Moroni 5

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Tom is preparing for his 55th birthday; Tom also has early onset dementia. As he dresses for his party, with each touch of fabric threads of memoires begin to stir; we follow his minds recollections and failing retentions over the next 75 minutes through an exploration of memory, friendship, love and the fragility of human life.

Established in 2009, Theatre Re is a London-based international ensemble creating moving and incredibly poignant explorative theatre which pushes the boundaries of mime and physicality. The company move together effortlessly as beloved memories play out patchily while others remain strong, taking Tom right back to his school days, to sharing his first kiss through to enjoying his wedding day.

The Nature of Forgetting, credit Danilo Moroni 2

The fluid execution of each scene allowing the peaks and troughs of Tom’s life to play out in front of us. Tom’s mind may be weakening as shown through the stuttering and stalling of particular memories as scenes blur and frustrations rise where the simple becomes complex but the person at the heart of it remains.

Alex Judd’s beautiful composition becomes almost an additional character, stirring and atmospheric it flows beautifully through the fluid memories and punctuates the distorted, splintered recollections.

the nature of forgetting, credit danilo moroni

The show’s creator and director, Guillaume Pigé takes on the title role of Tom, delivering the complex choreography with ease. Timing here is everything and the small ensemble cast don’t miss a beat as this moving exploration of dementia as seen through the eyes of a sufferer offers a stage for soon to be forgotten memories.

Fast-paced and poignant, Theatre Re succeed entirely in delivering a thought-provoking and impactful piece of theatre. Tom may seem broken but his inner-strength and the person he was remain despite his failing, weakening mind.

Theatre Re have one more performance of The Nature of Forgetting at the Lowry on Wednesday 13th June at 1.30pm, tickets available here.

KIDS_WEEK__logo_400x400

From 10am on Tue 12 Jun, you can get a free child’s ticket (age 16 and under) to one of 40+ London theatre shows, including Aladdin, Bat Out Of Hell, Wicked, Brief Encounter, and Les Misérables, throughout August when you buy a full-priced adult ticket via the Kids Week website.

There are 172,000 tickets available in total (this includes adult and child tickets) through Kids Week and you can book until the offer ends on Fri 31 Aug – some shows have excluded days and the offer will end once all tickets are sold.

Last year, 104,839 tickets sold within the first 24 hours, so you’ll need to go quick if you’re after a particular performance!

There are no booking or postage fees, and you can save £11.50-£80 depending on the show and seats you choose. You can also get 50% off for up to two more children per adult, so what are you waiting for!

Head to Kids Week for further information and to check out the available shows!

 

Aspects of Love | Cast and Creatives announced

Aspects

An exciting cast and creative team has been announced for Hope Mill Theatre and Aria productions hotly-anticipated, intimate revival of Andrew Lloyd Webber’s romantic classic Aspects of Love, which runs as the award-winning Ancoats theatre from Thursday 5th July until Thursday 9th August.

The talented company of 10 includes both Olivier Award nominees and West End regulars as well as young talent making their professional debuts will be directed by Jonathan O’Boyle whose recent credits include Pippin (Hope Mill Theatre/ Southwark Playhouse, London), Hair (Hope Mill Theatre/The Vaults, London) and Resident Director of An American in Paris (Dominion Theatre, London).

Making up the cast is Kimberly Blake (Half a Sixpence, Barnum) who plays Giulietta, Jason Kajdi (Our House, Assassins), in the role of Hugo, Felix Mosse (The Rocky Horror Show) as Alex, Julia J Nagle (An American in Paris) as Elizabeth/ensemble, Minal Patel (The Secret Garden, Bend it Like Beckham) as Marcel, Jerome Pradon (Jesus Christ Superstar, Pacific Overtures – Olivier Award Nominee 2003) as George and Kelly Price (That Day We Sang, A Little Night Music – Olivier Award Nominee 2010) in the role of Rose. Making their professional debuts in the production are Rosie Cava-Beale, ensemble, Jack Churms, as Jerome/ensemble and Eleanor Walsh as Jenny/ensemble.

Following Aspects of Love at Hope Mill Theatre is The Return of the Soldier that runs from Thursday 6 to Saturday 29 September and A Christmas Story The Musical that runs from Friday 26 October to Saturday 1 December.

Tickets available here.

 

Art

Art

Opening Night verdict ⭐️⭐️⭐️

Reviewed by Matt Forrest

It’s nearly 25 years since the Yasmina Reza short play Art made its theatrical debut in Paris and judging by the anticipation and buzz around the Lyric theatre this evening, it would appear the play still has a huge drawing power. However, the big question is, is it still worth the hype and praise? Or is it a bit like the Cecilia Giménez restoration of the Fresco, and doesn’t deliver what is promised?

The plot focuses on three life- long friends, Serge, Marc and Yvan. Serge, a wealthy divorcee with a supposed penchant for modern art, decides to spend £200,000 on a painting of a white canvas. His friend Marc takes great offense by this show of extravagance.  Marc believes Serge is, either going mad, having a sly dig at him, or is just plain foolish for making such an inane purchase. Marc  enlists the help of Yvan, their down trodden people-pleasing friend to either get to the bottom of their friend’s behaviour, or at least get him onside with his assessment that the painting “is shit”.

As the debate rages between Serge and Marc, and Yvan’s piggy-in-the-middle stance on proceedings, it would appear that this rather bland, neutral piece of art exposes some home truths and harsh realities that threatens to blow the lid off their friendship once and for all.

Art 2

Art proved to be a bitter-sweet night at the theatre, with more to say about the insecurities and foibles of middle-class-white men than a critique of modern art. The script is razor-sharp, filled with stinging- barbs and some cracking set pieces that include possibly the funniest olive eating scene I have witnessed and a finale that drew loud, audible gasps from the assembled audience. The trouble is that the 2 of the 3 characters are quite loathsome and that you really don’t care about them, their friendship or the painting.

That said there is no shortage of star-power on display here: Dennis Lawson is clearly having a ball as cantankerous Marc, delivering most of the plays most venomous lines with real gusto. Nigel Havers does what he does best as the suave, extravagant Serge, a role we are all too familiar with seeing him play, but he does it so well. However the biggest applause for the night was saved for Stephen Tompkinson, whose speech mid-way through is comedy gold, and his turn as the well -meaning wet blanket Yvan very nearly steals the shows.

Art 3

Mark Thomas has created simple but effective beige set with only a few paintings and different style chairs used to show off the personality of our protagonists.

I suppose, as all Art, the idea is to challenge and debate. This piece of Art certainly does that; love it or hate you won’t forget it in a hurry that’s for sure!

Art is on at the Lowry until the 31st March tickets available here

Interview | Lloyd Gorman | The Jungle Book

JB

Rudyard Kipling’s beloved family classic The Jungle Book comes to The Lowry from Tuesday 2nd to Sunday 7th May.

The family favourite originally written back in 1894 has been reimagined and innovatively delivered in this all new production by an award winning creative team which includes playwright Jessica Swale, director Max Webster and internationally renowned songwriter Joe Stilgoe. While the story remains the same there is a new emphasis on acceptance, inclusivity and belonging all set to an uplift and incredibly catchy score.

Opening Night were lucky enough to watch a performance of this vibrant new production at Liverpool’s Everyman theatre ahead of it’s arrival at the Lowry and grab a quick chat with Lloyd Gorman who plays Shere Khan after watching the show.

ON: What what a costume and what a character, we absolutely loved your Shere Khan!

LG: Thank you, it’s quite a costume isn’t it, I really didn’t expect it, it’s brand new, it used to be more biker style and I went for a fitting for this new one and it was a case of ‘Wow that’s a statement and a half!’ it’s a really fun costume to wear especially playing such a great character.

JB 2

ON: It must be great playing the baddie?

LG: Yes, it’s so much fun, especially such an out and out baddie who doesn’t in any way try to hide his purpose, he is straight up clear upon his need for revenge, he really believes he needs to write the wrongs of mankind, he’s been mistreated by man but seems to have developed into a bit of a misunderstood tortured soul, verging on a bit of a psychopath ha ha. An awful lot of fun to play.

ON: Is it a challenge to create something different with a story that so many people already know well.

LG: For us as a Company we’ve never felt that challenge, I haven’t for example seen the Disney film for a long, long time, nor have I seen the live action version so I didn’t feel any pressure to be different myself. For us it feels such a unique and special production that although we have the stock characters it feels very fresh and new.

ON: While watching we felt there was a real message of positivity and acceptance, could you tell us a little more about your take on this?

LG: Theatre works on so many different levels and people will take different things from it but as long as it’s giving out a message that is relevant to where we are in life now it will always be relatable, Mowgli has been made very gender unspecific so we never refer to Mowgli in any male or female pronouns, it’s also about celebrating difference which is such a huge issue in the UK at the moment, difference is seen my some people as being wrong or bad and we should stick to our own etc, I think theatre is vital in times like this to show the beauty of difference and to say no, remember that diversity is a massive benefit to us all, to the world and all of our lives. The Jungle Book is the perfect vehicle to do that through a wonderful story that while it entertains it also uplifts and educates. Children often hear many negative things about different cultures so it’s lovely to be part of something so inclusive and positive.

JB 1

ON: How did you first become involved in theatre?

LG: I went to youth theatre in Norwich there is an excellent youth theatre there, I started when I was 9, it became my entire social life. There were two things I watched around a similar time, Return to the Forbidden Planet and The Buddy Holly Story, I can’t remember which was first but I just remember watching and thinking ‘this is fantastic, if I could be in anything like this where I get to play guitar and play around in front of so many people I would be so lucky’. I worked ushering, through my teenage years which I think is a great way of keeping in with what’s happening in theatres while you’re training too.

ON: The audience response today in Liverpool was fantastic, has that been the same for other venues?

LG: Yes, we’ve had very loyal and really warm audiences, the shows have been busy and reactions have been amazing, audience have been so open with their reactions particularly at the end of the show her in Liverpool they’re happy to whoop and whistle, it’s a great feeling.

ON: You’re working with an award-winning creative team, how has that experience been?

LG: It’s been great, I was really excited about working with this team, the production has developed so much, what we have now is so so different to what we started with because the team were so involved with the rehearsal process that things could be adapted or changed almost immediately. They have also been so incredibly giving with their advice and guidance and rewrote parts where they have felt were needed, it’s been amazing to see the speed at which the show has developed.

JB 3

ON: You’re involved in quite a dramatic fight scene how did you work on that?

LG: Kate the fight director led us through a great dialogue of exactly what would happen, so by the time it came to physically act out the scene we knew it very well so it didn’t feel like choreography. It’s a lot of fun to do, I’ve never had to strangle anyone in the air on stage before and I’m sure it will be the only time I get to do it, so a great challenge and lots of fun!

ON: Do you have a favourite character in the show?

LG: Balloo, he’s brilliant, there was also a character which got cut that was a tap dancing porcupine I really enjoyed that character. I also absolutely love our version of Mowgli it’s such a solid and strong character.

ON: Finally are you looking forward to performing at The Lowry?

Yes absolutely, I’ve only ever performed in the Studio so I can’t wait to return and perform in the Lyric, the last thing I saw there was Slavas Snow Show which I loved, I love Salford and Manchester, I was in Bolton recently and that whole area is just wonderful, I’m really looking forward to my time there.

The Jungle Book opens at The Lowry on Tuesday 2nd May tickets available here.

 

 

Interview | Kerry Ellis | The Importance of Being Earnest

Kerry E

Broadway and West End star Kerry Ellis arrives in Manchester next week with Oscar Wilde’s brilliant and hugely funny The Importance of Being Earnest in which she takes on the role of Gwendolen.

Starring alongside the legendary Gwen Taylor as the formidable Lady Bracknell, Susan Penhaligon as the luckless Miss Prism plus Downton Abbey favourite Thomas Howes as Algernon this will be Kerry’s first role in a straight play after an impressive and enormously successful 20 years in musical theatre.

We caught up with Kerry ahead of the show opening at Manchester’s Opera House on Tuesday 13th March to hear all about the play, her impressive career and her thoughts on taking on this new challenge.

ON: This is a real change for you, are you enjoying the experience?

KE: It’s the first play I’ve ever done really, I did do a short play with Trevor Nunn as a bit of a try out, but this is the first major play I’ve done and I’m really proud of it, I’m with a team of people who are just wonderful. Gwen Taylor is just a dream, the whole cast are great. To get to do an Oscar Wilde and a comedy as my first play has just been wonderful, I just love it. The audiences have been brilliant, it’s been very special so far, I’m absolutely loving it.

ON: Are you finding much difference between working on a straight play compared to a musical?

KE: Of course there’s the obvious with no music but yes it is quite different, with musicals there’s always so much going on, big sets and big ensembles, lots of music, songs to learn but with a play it’s literally you and your voice, your dialogue and just a few other people on stage with you. Essentially we’re doing the same thing and telling a story but it does feel quite different, we have different scenes which of course happens in both plays and musicals so the essence is the same but there’s definitely a difference.

Kerry E 1

ON: From the production shots it appears the play will be traditionally staged are you enjoying wearing the costumes?

KE: They are stunning, they were made by Camden Costumes, they’ve all been tailor-made to us, the fabrics are amazing, the productions shots look great and show just how beautiful they are, I just feel very fortunate to wear them, the last time I wore costumes of this style was back when I was in My Fair Lady. My character Gwendolen is from a very well-to-do- family so they fit just perfectly with her character. The two dresses that I have are incredible and the hats, just phenomenal. Earnest does take me back to my My Fair Lady days as there definitely are some similar themes. What I love about this production is just how funny it is, the class system and the ridiculous things we do are to be laughed at, sitting in corsets drinking tea, it’s so silly really.

ON: You’re working with a hugely talented cast, have they offered any advice?

KE: Just watching them has been incredible, particularly Gwen who has just had her 79th birthday, I’m sure she won’t mind me sharing that information. To watch her work and be in a rehearsal room with somebody of such talent and experience and to watch her go through the same kind of things we all go through, the developments, the confidence on one night, the self-doubt on another night, seeing how she reacts to an audience, how much she cares about the show, watching her work has been very educational and I feel privledged to be in her presence. I know that probably sounds a bit cheesy but it really has been an incredible privilege to work with her.

ON: You’re celebrating 20 years what are you career highlights?

KE: There are so many, what’s interesting about doing this 20th anniversary tour is I didn’t even realise it had been 20 years, it was my manager who suggested calling it my 20th anniversary tour and I said ‘don’t be so ridiculous it can’t even be close to that’. Looking back over things I’ve done and asking audiences what they’ve seen me in and enjoyed it’s amazing what people come out with, things I’ve forgotten I’ve even done, I don’t know how I fitted everything in. I feel very fortunate that I’m still doing what I love doing and this anniversary tour is to celebrate that and to give something back to the people who have supported me over the years, I’m loving it. To do it alongside the play is wonderful.

Kerry E 3

ON: What can audiences expect from your concert?

KE: A little bit of a trip down memory lane, there are some classics in there I can’t not sing Gravity and songs from We Will Rock You, but I am essentially singing lots of new things from my new Golden Days album. I’m also working on some new music with Frank Wildhorn who worked with Whitney Houston so there’s some of that in there so it’s really a celebration of then and what I’m doing now as well. I like to bring people new things and take them on a bit of a journey.

ON: After such an incredible 20 years in the industry do you have any advice for young performers?

KE: I feel very fortunate that I love doing what I do, I’ve made a passion for it and you have to as there are times like now when you’re touring and are away from your family, I’ve got two young boys so I’m away from them and my husband and I do have to make those sacrifices, you do have to love it and you have to make sacrifices for it, you have to have drive for it because it’s tough and it’s brutal and competitive and all of those things but it is the best job in the world. I don’t think you ever tire from hearing an audience reaction, people say it’s in your blood and I really do believe that. I was speaking to Brian May recently, we often talk when we’re on tour as we both understand how it feels, we were emailing the other night while he’s away in Australia and asking the silly little things like ‘how’s your hotel room?’ but it’s those things that really help when you’re away from your family.

ON: Are you looking forward to coming to Manchester?

Yes, I love Manchester, I was there not too long ago with Wonderland, I always have a great time there, the city is great, the people are wonderful and the theatres are fabulous, the shopping too of course is wonderful!

Tue 13 – Sat 17 March, Opera House tickets available here.