Cinderella | Opera House

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

First staged in 2016 at the London Palladium then last year at Birmingham’s legendary Hippodrome Qdos Entertainment’s Cinderella has been brought bang up to date by writer Alan McHugh with Corrie jokes a plenty and hilarious local references a go-go. Both Ben Nickles who plays Buttons and Ugly Sister Les Dennis adding material to the laugh a minute script ensuring a riotous night out is guaranteed.

All the stops have been pulled out in this spectacular production; lavish sets, colourful costumes, catchy songs and a superb cast ensuring the Opera House panto remains at the top of theatre goers agenda for another festive season.

Our Ugly Sisters Phelina (Connor McIntyre) and Michaela (Les Dennis) are mad for it as they blend the silly with the slapstick and throw in some cheeky charm for good measure, the pairing is genius as panto pro Les leads the way, reminding us all just why he’s one of the best in the business.

Rochdale comedian Ben Nickless quickly becomes an audience favourite as Buttons; he laps up the applause and delights with outrageously funny comedy capers and hilarious impressions, a born entertainer who comes very close to stealing the show.

Gareth Gates and Shannon Flynn make for a perfect pairing as the dashing Prince Charming and the down on her luck Cinderella proving that they’re not afraid of getting stuck in with the slapstick when their romantic meeting turns into a hilarious battle of wills with lovesick Buttons.

Hayley-Ria Christian makes for a super sassy Fairy Godmother while Jack Wilcox is a commanding and charismatic Dandini.

The ensemble cast and young company, always a favourite of mine in panto add vibrancy with slick delivery of Fabian Aloise’s choreography adding additional charm to this feel-good family show.

Qdos Entertainment has got Cinderella just right in terms of pitch, the script is jam-packed with hilarious gags and witty one–liners while the innuendo we all expect from panto never tips into crudeness, its good old cheeky fun and plenty of it.

The transformation scene at the end of Act I really has to be seen to be believed and is worth the ticket price alone as the gasps of delight from the audience both young and old are heard loud and clear. While panto may one of theatre’s oldest traditions this production feels fresh and vibrant.

Cinderella really is the perfect package; it’s lavish, sparkly, sequined fun suitable for all the family. This extravagant production is everything panto should be and more.

Guaranteed to entertain from start to finish leaving you feeling suitably festive and full of Christmas cheer. Big, bold and brilliant!

Cinderella is on until Sunday 30th December tickets available here.

Sherlock Holmes – The Final Curtain

©NOBBY CLARK +44(0)7941-515770 +44(0)20-7274-2105 nobby@nobbyclark.co.uk

Reviewed by Matt Forrest

Opening Night verdict ⭐️⭐️⭐️

If I had a pound for every incarnation there has ever been of Sherlock Holmes on either the big or small screen, then I’d be a very wealthy man indeed. However, for his celluloid endeavours, Holmes has seldom trod the boards. Surely the world’s number one consulting detective is ripe for a turn on the stage, and writer Simon Reade has undertaken this task with mixed but entertaining results.

In Sherlock Holmes: The Final Curtain, it’s early 1920’s and we find Holmes (Robert Powell) and Dr Watson (Timothy Kightley) apart from one another. Watson is entering the brave world of broadcast radio, telling the world of his adventures with the super sleuth, whilst Holmes is a broken shell of his former self, riddled with arthritis and living a reclusive life keeping bees on the Sussex coast. With the discovery of a dead body on Holmes’ private beach, the sudden appearance of Mary Watson (Liza Goddard) and the fact that its 30 years since Holmes last encounter with nemesis, Moriarty at the Reichenbach Falls….something doesn’t quite add up. In addition Holmes’ legendary powers of deduction seemingly failing him and his growing paranoia that someone is out to get him, is it time for him to come out of retirement and crack one final case?

©NOBBY CLARK +44(0)7941-515770 +44(0)20-7274-2105 nobby@nobbyclark.co.uk

This interesting, entertaining, if unremarkable production could be so much more. It takes a look at old-age, retirement, and how your body and mind can fail you when you need them the most. Also the issues of coping with an ever-changing world. You cannot help but feel more could have been done to explore Holmes’ vulnerability. That said, I found the plot engaging, with some neat little twists and turns, and fun ‘tips of the cap’ to the source material and its creator Sir Arthur Conan Doyle.

Powell is solid and engaging as Holmes, giving a seemingly effortless performance; you just want to see him make more of Holmes’ paranoia. Goddard is equally good as Mary, giving her strength and steel. The scenes between Goddard and Powell are a treat as they spar with one another; these scenes certainly highlight the undeniable chemistry between the two leads.

©NOBBY CLARK +44(0)7941-515770 +44(0)20-7274-2105 nobby@nobbyclark.co.uk

The supporting cast are solid; Anna O’ Grady puts in a fun turn as Miss Hudson, whilst Roy Sampson is clearly having a ball as Mycroft Holmes. I do think more time could have been given to Kightley as Dr Watson, there seems to be more that could have been put his way, instead he is left with nothing more than a narrators role: surely more could have been made of Watson’s relationship with his wife.

It is odd really that this show should be called the final curtain, as there were a few opening night nerves with the curtain which notably affected scene changes. Hopefully these snags will be ironed out for the productions remaining run.

Overall this was an entertaining, enjoyable night at the theatre, however you can’t help but feel that there is a more interesting story ready to burst from the pages onto the stage. Certainly, worth seeing, but one that won’t live long in the memory.

Sherlock Holmes – The Final Curtain is on at the Opera House until 28th July, tickets available here.