Wizard of Oz Interviews | Part 2 | Holly Tandy

Holly Tandy

Following on from our chat with Kelvin Fletcher, we caught up with Holly Tandy who is about to step into the ruby slippers and play Dorothy in Sellador’s Blackpool Christmas extravaganza, The Wizard of Oz.

Opening Night: This is your first musical theatre role, how are you feeling?

Holly: I’m super excited; it’s such a good opportunity for me. I’ve never done anything like this before and have always wanted to, it’s one of those things where I’m constantly learning which has just been just great. I know the skills I’m learning in addition to the things I already feel I have strength in together are preparing me for not only this role but my future career, it’s brilliant.

Opening Night: Are you looking forward to performing in Blackpool?

Holly: I’m so excited to get on stage and perform, being back up North feels really special for me too. I’m so excited for the audiences to see this show, my family are all coming along as well and they can’t wait, it’ll be really nice to share this with them.

Company of The Wizard of Oz

Opening Night: What is it about The Wizard of Oz that makes it so appealing?

Holly: It’s such an iconic show, a total classic that everybody knows and loves. There’s something very comforting about The Wizard of Oz and the familiarity and affection we all have for it. It’s such an engaging piece of theatre too, great for kids, just a really good feel-good show and the perfect Christmas musical for all the family.

Opening Night: How are you finding working in a cast as opposed to as a soloist on X Factor and how does the performance vary?

Holly: It’s so much fun. We all get on so well, everyone’s been so great, we’ve really clicked. There’s so much talent in this show, every cast member from the ensemble to the leads, I couldn’t be happier really with how everything’s going.

X Factor was a great was to build my confidence but this is very different. Pop elements don’t really fit with musical theatre so I’ve been really disciplined in adapting my style and the way I work for this show. I’m enjoying the challenge so much, I’ll always be grateful for my X Factor experience; it’s given me a platform to build on and led to this great opportunity.

Holly Tandy as Dorothy in The Wizard of Oz

Opening Night: What’s are the challenges working on the show?

I was feeling a little nervous about working with Toto at first before we started rehearsals but we’ve got such a great team that I know it will be great. They’re so well trained. Also the amount of lines at first was something I didn’t quite anticipate, I knew there were lots but didn’t realise quite how many, but that’s come on great and you soon pick things up, the show is looking and sounding really good.

Opening Night: Are you feeling any nerves ahead of officially opening?

A little, but I think that’s healthy. It’s a nervousness of wanting to do well, wanting to do the role justice etc. it’s not the kind of nerves that are eating me up. I’m really enjoying it and I think a little bit of nerves shows just how much you care and I do really care about getting this role right and doing a good job.

WOZ-EndCard_1920x1080

Opening Night: Selladoor are known for being inventive and dynamic how are you finding working with them?

Holly: It’s been amazing, they are just so good at what they do and such a great bunch of people, all so good at their jobs, they are all so talented, from the director, to the choreographer to the musical director each and every person I’m working with is just so brilliant and so good at getting each cast member to be the best they can be. It’s been an absolute pleasure so far and no doubt will continue to be.

The Wizard of Oz opens on Friday 7th December at Blackpool’s Winter Gardens and runs until Sunday 30th tickets available here.

Wizard of Oz Interviews | Part 1 | Kelvin Fletcher

Kelvin Fletcher

Following on from the huge success of Peter Pan last year Selladoor Productions return to Blackpool with an iconic musical adventure as we see Dorothy click her heels together and arrive at the legendary Opera House.

This highly acclaimed adaptation from The Royal Shakespeare Company promises to be a magical treat for all the family featuring timeless classics: We’re Off To See The Wizard, Ding Dong The Witch Is Dead!, The Merry Old Land Of Oz and Over The Rainbow, add to this lavish sets and spectacular costumes and you really do have the prefect festive treat.

We were lucky enough to catch up with cast members Kelvin Fletcher (Tin Man), Holly Tandy (Dorothy), Scott Gallagher (Cowardly Lion) and Kate Milner-Evans(The Wizard) ahead of opening night on 7th December to hear a little more about what audiences can expect from this theatrical adventure.

WOZ-EndCard_1920x1080

Opening Night: How are rehearsals going?

Kelvin: Absolutely brilliant, it’s been such a whirlwind. We’re doing full run-throughs now and tech rehearsals are getting closer, the whole process has been amazing for me, a lot of new firsts, coming into musical theatre, I’ve never done this sort of thing before, anything I have been a little bit anxious about the team who have been great have reassured me and offered some brilliant advice. I feel like I’m really growing in confidence every day, we’re all really looking forward to getting to Blackpool now and performing in front of an audience.

ON: We all know you so well from Emmerdale, how is acting on stage different to TV acting?

Kelvin: Day to day it’s very different, yes I’m used to acting but acting on stage is so much more expressive, especially in musical theatre with such larger than life characters. It’s been wonderful really to get a chance to do things I know are in my repertoire but that I’ve never had chance to express before. I’m also really excited for people to see this different side of me, a very different side to what they’re used to seeing; it will be a lot of fun for everyone including me.

WOZ 1

ON: As the Tin Man you have one of the most restrictive costumes in the show, how are you finding that?

Kelvin: First couple of dances I thought it would be best to try and be quid rigid with my movement but then I was struggling a little to get the fluidity of the dance so I decided to do it the opposite way and master the dance first then add the rigidity of the Tin Man. This is the great benefit of rehearsals it allows us to try different ideas and see what works best. Then of course there’s the silver makeup which looks amazing but I’ll definitely need help with that, I managed to leave some on the other day and caught myself in the mirror still wearing a bit of guy liner!

ON: Will your family be making the trip to Blackpool?

Kelvin: Yes, they are so excited, when I first started acting it was on the stage, that’s where my love for acting blossomed so it will be nice for us all really to get back to where it all started and it couldn’t be a better show, a big flamboyant musical like this is just so exciting for us all.

WOZ

ON: How does it feel knowing you’ll be performing at the Winter Gardens?

Kelvin: I’d never actually been despite knowing how iconic it is, it’s got such a great reputation, so to be performing there is going to be unbelievable. It’s such a great space, it’s huge, we can’t replicate the size of the set in the rehearsal space because it’s so huge which gives a sense of the sheer scale and spectacle of this production.

ON: We know you’re used to working with animals from your Emmerdale days but how about on stage?

Kelvin: I keep thinking to myself “If the dog doesn’t run at that particular point what will we do?” ha ha but I don’t have a lot of interaction with the dog to be honest it’s more Holly, as if playing Dorothy isn’t tough enough! The dogs are so well trained thought that no doubt they’ll be as good as gold and more than likely steal the show!

WOZ 2

ON: How are you finding the singing?

Kelvin: Our Musical Director has been amazing, I’ve never had any singing training before so I’ve just been like a sponge really taking on any piece of advice. We’ve all got numbers throughout and mine’s a lovely little number which starts off with some dialogue then breaks out into a song, I really can’t wait. Then of course there are lots of great songs throughout, choreographed dances, there’s so much going on it really will be spectacular.

The Wizard of Oz opens at Blackpool’s Opera House on Friday 7th December until Sunday 30th December tickets available here.

Legally Blonde

Opening Night verdict ⭐️⭐️⭐️⭐️

Reviewed by Nikki Cotter

High energy, fizzing with fabulousness and full of heart Legally Blonde bursts onto the Palace theatre stage this week for the final stop of the current UK tour.

Based on the 2001 film starring Reece Witherspoon which later became an award winning Broadway musical, Legally Blonde continues to be a massive crowd pleaser with every audience member up on their feet by the end of the show.

Dumped by law student boyfriend Warner for not being a serious enough girlfriend, Elle decides to take matters into her own hands and sets about gaining a place of her own at Harvard Law School in a bid to prove she is the perfect accessory.

The tongue-in-cheek innocence of the story ensure this camp, bright and fluffy production raises smile after smile while never taking itself too seriously.

Lucie Jones bursts with personality as the Malibu marvel, with great comedic timing and a voice that packs a punch her goofy but smart Elle proves her status as a musical theatre star is secured.

Rita Simons excels as Paulette, fun and feisty she ensures the loveable hairdresser gets her moment of glory with snake-hipped UPS guy Kyle, played superbly by Ben Harlow.

Special mention must also go to Laura Harrison as Vivienne and Helen Petrovna as Brooke Wyndham, both shine in their respective roles, with Petrovna’s skills with a skipping rope during Whipped Into Shape simply mind-boggling!

Director and choreographer Anthony Williams ensures this is a production bursting with energy, enthusiasm and most of all fun. There! Right There! Being a real highlight of Act II and further cementing Legally Blonde as a kitsch, camp couple of hours of perfectly pink uplifting escapism.

With a winning energy this pink princess succeeds against the odds to find her own perfect prince and sends a reminder about the importance of sisterhood that is more than just skin-deep.

On at the Palace theatre until Saturday 30th June tickets available here.

KIDS_WEEK__logo_400x400

From 10am on Tue 12 Jun, you can get a free child’s ticket (age 16 and under) to one of 40+ London theatre shows, including Aladdin, Bat Out Of Hell, Wicked, Brief Encounter, and Les Misérables, throughout August when you buy a full-priced adult ticket via the Kids Week website.

There are 172,000 tickets available in total (this includes adult and child tickets) through Kids Week and you can book until the offer ends on Fri 31 Aug – some shows have excluded days and the offer will end once all tickets are sold.

Last year, 104,839 tickets sold within the first 24 hours, so you’ll need to go quick if you’re after a particular performance!

There are no booking or postage fees, and you can save £11.50-£80 depending on the show and seats you choose. You can also get 50% off for up to two more children per adult, so what are you waiting for!

Head to Kids Week for further information and to check out the available shows!

 

Blood Brothers

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Running at Manchester’s Palace Theatre for the next two weeks, Blood Brother’s remains as deeply moving and powerfully relevant as ever.

Willy Russell’s award-winning epic tale tells the tragic story of twin boys separated at birth only to be reunited by a twist of fate, a mother haunted by a dark secret and the heart-breaking reality of social depression. As they boys grow up on opposite side of the track the draw the timeless themes of inequality, social class and mental health struggles remain sadly as relevant today as the day it was written. Despite the though subject matter, Blood Brothers is by far one of the wittiest scripts of any musical with laugh out loud moments perfectly measured against the heartache.

Taking on the lead role is Lyn Paul, who first stepped into Mrs Johnstone’s shoes back in 1997 when she made her musical theatre debut in the West End production. She makes for a compelling and impressive Mrs Johnstone, with a depth of emotion that tugs on your heart strings, making you feel every ounce of her heartfelt pain.

Matthew Craig is exceptional as the ever-present and ominous narrator, a dark and menacing reminder of the shady deeds of the mother’s pact; he has a strong and foreboding presence on stage. With just the right amount of Scouse rasp his harmonies with Lyn Paul are simply beautiful.

Veterans of their respective roles as ill-fated twins Mickey and Eddie, Sean Jones and Mark Hutchinson captivate the audience with performances that will have you howling with laughter one moment and reaching for the tissues the next. Sean Jones gives a masterclass in character acting, lighting up the stay as care-free young Mickey making the journey he goes on, to broken and defeated young man in Act II all the more devastating.

The ensemble cast are impressively strong, delivering Willy Russell’s witty script with fresh energy as they take on multiple roles with gusto. Special mention must go to Sarah Jane Buckley, Danielle Corlass and Daniel Taylor who each shine as Mrs Lyons, Linda and Sammy respectively.

Blood Brothers has the ability to take you on a roller coaster of emotion from joyful highs to heart aching lows. The tear filled finale one of the most moving fifteen minutes of any musical, repeatedly followed night after night by a full standing ovation, a testament to the enduring appeal of this powerful production.

It is a story that will stay with you long after the final curtain, a timeless classic which no doubts cements Will Russell as one of Britain’s best loved and most talented storytellers. It is a show that appeals to all ages from eager school groups to audiences returning for the second, third, fourth visit and more, each and every audience member stunned into silence. The phrase ‘must-see’ is often banded about but in the case of Blood Brothers it is entirely true, a powerful, captivating and entirely moving production.

On at the Palace Theatre until Saturday 26th May rickets available here.

Interview | Richard Fleeshman | The Last Ship

Having started his career at age 12 on the cobbles of Coronation Street, Richard Fleeshman has gone from strength to strength, moving into musical theatre and quickly establishing himself as one of the most in demand actors in the country.

Fleeshman’s latest role which brings him to the Lowry in July sees him perform in Sting’s self-penned musical, The Last Ship. Inspired by Sting’s own childhood as well as his 1991 album The Soul Cages, The Last Ship focuses on a community amidst the dying days of the shipbuilding industry in Tyne and Wear. Fleeshman takes on the role of Gideon, a sailor by trade who returns home 17 years after turning his back on his hometown to become a sailor. He returns to reconnect with a lost love, however tensions soon rise as the once proud town he left is in demise and life for the girl he loved has changed dramatically.

“It’s based in what was a real working shipyard, the Swan Hunter shipyard.” Richard Fleesham explains. “I play Gideon Fletcher who was expected to follow in his Father’s footsteps and go working in the yard but he decides that life is not for him, I suppose similar to Sting really, so he joins the navy and heads off to sea, returning 17 years later when he returns to find the place he left behind is very different to the one he has returned to.”

The Last Ship originally made its premiere in Chicago in 2014 ahead of opening on Broadway where it was nominated for two Tony Awards for Best Original Score and Best Orchestrations. Since Sting brought the show to the UK it’s had a new book from director Lorne Campbell as well as the addition of new songs. The focus too has shifted to concentrate much more on the political aspects of the story. “Audience responses have been amazing, I was confident that audiences would enjoy the show as the story is fantastic and the music is beautiful but it’s been lovely to see just how much it’s resonated with audiences. At its heart it’s a story about people, about people being repressed and how they respond to that. As a company we get a real rush of energy from the audience, it’s a very powerful story and it’s clearly affecting people and moving audiences which is fantastic to see from up on stage, we’ve had standing ovations every night so far which is just incredible.”

Fleeshman having starred in both the West End and Broadway productions of Ghost, the Musical, came close to taking a break from musical theatre before hearing about the opportunity to audition for the role, “I’d actually decided before taking this role that I needed a break from eight shows a week and then literally an hour after having that conversation with my agent she called me back and said ‘Look I know what you said about having a break from musical theatre but….Sting…’ as soon as I heard that I said, scrap everything I said!”

Fleeshman was incredibly nervous when he first auditioned for the role knowing Sting was going to be present but has nothing but praise for the award-winning musician. “It’s been so fantastic working with Sting, he is one of the most humble, gracious guys you could wish to meet then you add onto that his unbelievable talent and passion for this project, it really is unbelievable.”

While Fleeshman may not relate to events that have happened in Gideon’s life he certainly relates to the draw of family and a love for his hometown, “In terms of his pride at the end of the show in the town that made him I can fully relate to that, I still go back to Manchester every month, my family are there, my best friends are there, I feel proud of Manchester every single day.”

With Fleeshman deciding he needed a break from musical theatre we wondered what it was that was so special about The Last Ship which made him change his mind, “One of the things that drew me to this show was that it’s a play that has incredible music rather than a musical, there are long periods of time, sometimes 7-8 minute scenes with just dialogue, there’s no underscore, nothing just dialogue so from an acting point of view you get the best of both worlds. The freedom you’re granted when doing a straight play mixed in with the joy of having a full band and full ensemble singing, that’s one of the things I love the most about it.”

As the Last Ship is due to dock at The Lowry in July we asked what audiences can expect from the large scale production. “At its heart it’s a brilliant, gritty story about people, about pride and about resilience. Audience responses have been amazing, I was confident that audiences would enjoy the show as the story is fantastic and the music is beautiful but it’s been incredible to see just how much the audiences have related to and enjoyed the show, I absolutely can’t wait to bring the show to the Lowry, it will be really special.

The Last Ship opens at The Lowry on Tuesday 3rd July and runs until Saturday 7th July tickets available here.

Trump – The Musical

IMG_1251.jpg

Trump – The Musical. 53Two Manchester

Director: Kyle Williams

Writer: Laurence Peacock

Reviewer: Matthew Forrest

The Blowfish Theatre is carving out quite the reputation for themselves: First there was Boris-The Musical, and now we have Trump – the Musical. It’s a hard task to make some of these influential people of power any more ridiculous than they are or god forbid, they may even show them in a more positive light, however writer Laurence Peacock walks the tightrope between the two and manages to create fun-filled night out.

The plot may at first seem too far-fetched to comprehend but with all that has gone on in the world, nothing would surprise me! It’s 2020 and Donald Trump (David Burchhardt) is running for election and is planning to make America great again (again!) However he has a few issues to contend with: an infatuated Vladimir Putin (Natasha Lanceley), a maniacal Kim Jong-un (Lanceley again in a dual role) and his plan to blow up the moon and of course his biggest issue: the loss of his mobile phone. Meanwhile over in the UK, which is now just England and Northern Ireland, King Nigel Farage (Kyle Williams) plans to invade Scotland, as the UK is on its uppers as a result of Brexit. Only two people can save the day: Rod (Polly Bycroft-Brown) press sectary to Trump and Roger Lavery (Laurence Peacock) Chief Minister to King Nigel: however Lavery has his own sinister agenda.

This is a political-comedy with plenty of bite poking fun at both the late and right: at times it’s absurd and a bit silly with a plot that is nonsense, but don’t let that fool you – some of the gags are bang on point: there are jokes about the treatment of disabled people, racism and immigration which are near-the-knuckle, but rather sadly aren’t too far from the truth; surely good theatre/comedy should entertain but also open up channels of debate and Trump – The Musical does that.

The ensemble cast are on great form: all over-the-top in their lampooning: Burchhardt has the easiest job of playing the narcissist Trump. He really can’t go wrong, whilst Williams is having a ball as the foul-mouthed Farage. However it’s the performances of Lanceley and Bycroft-Brown that really standout; both have a gift for comedy that shines through.

There are some great musical numbers in there, courtesy of musical director Dominic Lo, who also plays Putin’s aid Sergei. Make America Great Again! (Again!) and The New Good Old Days certainly have a satirical edge to them, but stand-out for me is Rootin’ for Putin, which is simply fantastic because of its absurdity.

Overall this is a hilarious, fun filled night out that will have you grinning throughout. A bit like an episode of the Thick of It, only laced with LSD. It’s a must for fans of musicals and satirical comedy, however if you’re easily offended still go along anyway – you’re in for a treat!

For more tour dates of Trump – The Musical visithttp://www.blowfishtheatre.weebly.com/trump.html