Beautiful The Carole King Musical

Beautiful

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Since first premiering on Broadway in 2014, Beautiful The Carole King Musical has gone on to open in London, Tokyo & Sydney winning multiple awards along the way. Manchester audiences are lucky enough to have the show at the city’s Palace Theatre for the next four weeks offering festive theatregoers an wonderful alternative to traditional Pantos available at this time of year.

Telling the inspiring true story of Carole King’s incredible rise to fame from selling her first song as a teenager to her 70’s solo success headlining Carnegie Hall, Beautiful is an incredibly powerful, and enormously entertaining piece of theatre.

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The musical dedicates the perfect amount of time to King’s (Bronté Barbé) early career and skilfully explores the effect her relationship with writing partner & husband Gerry Goffin (Kane Oliver Parry) had upon their songwriting, this also extends to the influence of the couples competitive friendship with fellow songwriters Barry Mann (Matthew Gonsalves) and Cynthia Weil (Amy Ellen Richardson), both songwriting teams undeniably behind some of the sounds which without doubt helped shape popular music.

The back catalogue available to compliment Douglas McGrath’s book is almost embarrassingly brilliant having written for the likes of The Drifters, The Shirelles and Aretha Frankin the show features classic after classic including Will You Still Love Me Tomorrow, Up on the Roof, You’ve Lost That Lovin’ Feeling and You’ve Got a Friend to name but a few.

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Bronté Barbé as King is outstanding, sweet and soulful, she plays King with enormous heart and sensitivity, hugely likeable with a quiet inner strength that grows as her relationship with Goffin stumbles. Barb beautifully portrays a woman who knows her self worth and remains true to herself despite life’s challenges.

Kane Oliver Parry compliments Barbe perfectly, the chemistry between the two is fantastic as real life struggles take hold both deliver some exceptional acting. Special mention must also go to both Amy Ellen Richardson & Matthew Gonsalves, their partnership as Cynthia and Barry is a delight to watch.

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Beautiful further impresses with one of the best ensemble casts I’ve ever seen, slick, sharp and insanely talented each scene is a joyful celebration of incredible music. From the very first ensemble scene the sheer energy and talent on display gives a clear message that this show is something special.

Beautiful raises the bar for jukebox musicals and then some, in addition to the spine tingling performances is an enormously witty script which has the audience laughing out loud throughout. The care and attention given to this biography will no doubt ensure standing ovations night after night. Ultimately this is a story of hope and self belief whilst giving audiences a wonderful reminder of the incredibly emotional impact music can have, a truly joyful, must-see show.

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On at the Palace theatre until Saturday 6th January, tickets available here.

Evita

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Opening Night rating ⭐️⭐️⭐️⭐️⭐️

Reviewed by Matthew Forrest

It’s hard to believe that next year will see Evita celebrate it’s 40-year anniversary. The Andrew Lloyd Webber and Tim Rice collaboration became the first British musical to win the Tony award for best musical then in 1996 Evita received the Hollywood treatment when it was turned into a major motion picture starring Madonna, Antonio Banderas and Jimmy Nail. Even after all this time, the love and affection for this musical monster shows no sign of waning.

The musical charts the rise and fall of Eva Perón. From her humble rural upbringing, to her move to Buenos Aires in an attempt to become a star of stage and screen. She would meet and marry Colonel Juan Perón who would be elected president of Argentina. This is a classic tale of an ambitious young woman who desires fame, power and wealth, but at what cost to her physical health and to Argentina financially?

Evita 2 Bob Tomson and Bill Kenwright’s Evita is full of life and energy: the story is so exhilarating, told at such a breakneck speed that you hardly have time to breath. Madalena Alberto plays Evita with a great deal of sass and attitude juxtaposed with beautiful elegance and grace. It’s little wonder the people of Argentina fell for her charms on the basis of this exceptional performance. Alberto’s rendition of Don’t Cry for me Argentina is simply spine-tingling. Alberto is supported by a great cast; Gian Marco Schiaretti is on fine form as Che, acting as our guide and the shows conscience his presence looms over the production providing humour and a certain degree of menace. In addition Jeremy Secomb is equally as good as Juan Perón; a stern imposing figure whom like the rest of us falls under Evita’s spell.

Evita 1 A special mention to for Cristina Hoey, whose rendition of Another Suitcase in Another Hall, very nearly steals the show. However what stood out most for me, was Bill Deamer’s fantastic and intricate choreography on the big ensemble numbers such as And the Money Keeps Rolling In (and out ) and A New Argentina: add into the mix the bright, colourful costumes and extravagant set design and you cannot help but be impressed by the energy and vibrancy of it all.

The action is pacey with much more humour than I anticipated. Overall this is a seriously quality production that has lost nothing from its transfer from the West End to a tour production. With stunning performances and incredible score Evita is a thrilling night out that will stave off the cold winter blues and certainly provide a hefty dose of Latino-heat!

Evita Evita is on at the Palace Theatre Manchester till the 9th December tickets available here

Spamalot

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Review by Matthew Forrest 

 The programme states that Spamalot is lovingly ripped off from the motion picture” of Monty Python and the Holy Grail. Well for my money, this production is doing itself a disservice; if anything it’s enhancing the ‘Python’ legacy and introducing them to a wider audience. 

As a Python fan, you sometimes take it as a given that most people will love them and their work as much as you do. However that’s not always the case, as some people just “don’t get it” or have never seen the Python’s in action before. For die-hard fans like myself, the nay-sayers and the unacquainted, Spamalot is the perfect night out, suitably ridiculous, occasionally bewildering, but always hilarious! 

Following the plot of the film, Spamalot sees King Arthur and his faithful servant Patsy, as they attempt to enlist various brave and not so brave knights to join him at his court in Camelot. It is here that the voice of God or, more accurately Eric Idle, send Arthur and his Knights on a quest to seek out the Holy Grail. 

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As you would expect it’s absolutely bonkers: most of the set-pieces are in there, from The Knights who say Nee and Black Knight: with the welcome addition of a new character in the Lady of Lake. 

The cast are on great form: Bob Harms is excellent as the pompous, self-absorbed King Arthur, Rhys Owens is on equally good form as Patsy, a polar opposite to his master but certainly the brains of the outfit. Sarah Harlington offers a scene stealing turn as the Lady of the Lake, who has an equally inflated opinion of herself, similar to that of King Arthur. 

They are supported by a fantastic, hard-working cast with most taking on multiple roles, who are all given their moments to shine. Standout scenes include Jonathan Tweedie’s Lancelot and his daring rescue of Prince Herbert and the cast’s spectacular Knights of the Round Table routine. 

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Eric Idle, along with John du Prez have come up with catchy and funny tunes that aren’t strictly in keeping with the show. The Song That Goes Like This takes a much-needed swipe at musicals and their big defining tunes, whilst You Won’t Succeed in Showbiz, takes a well-aimed shot at celebrity culture and has been updated with numerous topical references. In addition, there is the über-camp His Name is Lancelot and of course the old faithful Always Look on the Bright Side of Life. However, it’s Sarah Harlington’s vocals on Whatever Happened To My Part? and her duet with Norton James in Lady of the Lake that really bring the house down. Harlington’s voice is phenomenal: so much power blended with her comic timing certainly make you wish her part was that bit bigger. 

Director Daniel Buckroyd has certainly got the best out of his cast, with all involved displaying a gift for comedy, and allowing room for a spot of adlibbing as well.  Some cast members just about managed to told hold it together, which really added to the fun of it all. 

I really can’t fault this wonderful show. It has everything you would want in a musical: silly, uplifting fun, catchy tunes and a sing-a-long, to boot. You really can’t ask for more. Spamalot is currently on a nationwide tour and is well worth catching when it comes to a theatre near you. 

 On at the Manchester Palace Theatre till the 11th November tickets available here

 

 

Competition – Teletubbies


The Teletubbies are coming to Manchester this month with the premiere of their first EVER stage tour with the show, Big Hugs!
Tinky Winky, Dipsy, Laa Laa and Po will be taking to the stage at the Palace Theatre, Manchester from Friday 17th until Sunday 19th November in a show filled with love and laughter as they explore the magical world of Teletubbies Land.

We have 1 x family ticket (2 adults, 2 children) to give away for the 4pm performance on Friday 17th November. To be in with a chance to win simply like our Facebook page, leave your name in the comments box and share this post!

The winner will be announced at 7pm on Sunday 12th November!

Tickets and further information for this fabulous family adventure can be found at www.atgtickets.com/shows/teletubbies-big-hugs/palace-theatre-manchester/

Sunset Boulevard

SUNSET BOULEVARD. Ria Jones 'Norma Desmond'. Photo Manuel Harlan (4)

After firstly workshopping the role of Norma Desmond an incredible 26 years ago Ria Jones finally gets to shine as the leading lady in Leicester Curve’s revival of Andrew Lloyd Webber’s magnificent Sunset Boulevard which opened at Manchester’s Palace theatre last night.

Forgotten screen siren Norma Desmond (Ria Jones) lives a lonely and reclusive life in her mansion up on Sunset Boulevard, the silent movie star is surplus to requirement now that talkies have taken over tinsel town, yet she refuses to believe there could ever be a bigger star than her. She desperately needs a comeback, an opportunity to make people realise she is still a big deal, cue the arrival of penniless screenwriter Joe Gillis (Danny Mac) who stumbles into her fantasy world and becomes seduced by the luxurious lifestyle and the potential ‘masterpiece’ she feels will make them both their fortune and catapult her back where she belongs.

Ria Jones gives the performance of her life as Norma Desmond in this twisted and tragic love story. Her portrayal of the aging actress, clawing onto her past relevance is sublime. One minute she is carefree, laughing, smiling and full of joy the next full of rage as her insecurities suffocate and threaten to consume her. Fragile yet fearless, talented but tragically cast aside by Hollywood, Jones puts every ounce of her being into her performance and is an absolute triumph.

Danny Mac is equally superb as writer Joe Gillis, his desperation to succeed sucks him into Desmond’s fantasy, vocally this is a hugely demanding role and Mac is more than up to the job as he guides us through this tragic tale, rarely off stage he delivers and then some, he is perfectly cast and entirely believable, his voice smooth and strong.

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High praise must also go Molly Lynch as Betty Schaefer and Adam Pearce as Max Von Meyerling, both are superb in their supporting roles making each hugely memorable.

With deliciously dramatic staging, involving Norma Desmond arriving into most scenes via moving platforms or via theatrically winding staircases Sunset Boulevard really is a show of great style and serious quality. Ben Cracknell’s atmospheric lighting is outstanding, illuminating both Colin Richmond’s set and costumes to perfection, Norma Desmond’s costumes especially are delightfully opulent, velvets and silks are lavishly jewelled and feathered, further rubber-stamping the undeniable diva we see on stage.

Accompanied by a sublime sixteen piece orchestra Sunset Boulevard is not to be missed, dramatic, dark and utterly compelling.

★★★★★

On at the Palace theatre until Saturday 4th November book tickets here; http://m.atgtickets.com/shows/sunset-boulevard/palace-theatre-manchester/

Joesph and the Technicolor Dreamcoat

2)Joe McElderry in Joseph and the Amazing Technicolor Dreamcoat (c)Mark Yeom...

Sibling rivalry has always made for a decent narrative tale: Cain and Abel, the Hound and the Mountain in the Game of Thrones saga, and of course the on-going feud between Noel and Liam Gallagher. Joseph and the Amazing Technicolor Dreamcoat goes one step further including a colourful coat, human trafficking and the slaying of a goat!

Director Bill Kenwright brings his version of the theatre classic to the Palace for a 6 day run this week as part of an extensive UK tour. The story centres on Jacob and his twelve sons of whom Joseph is his undoubtedly his favourite. Jacob bestows a multi-coloured coat to his number one son which somewhat irks his eleven brothers who sell their sibling to be a slave and inform their father that Joseph has tragically died whilst wrestling a goat. So begins Joseph’s long journey back to his father, not before he discovers a talent for dream analysis and meetings with a Las Vegas style Pharaoh.

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I must confess I hadn’t seen a production Joseph and the Amazing Technicolor Dreamcoat until tonight however on this basis I can certainly see why it’s still a fan favourite after 45 years.  It’s bright, it’s camper than an entire series of RuPaul’s Drag Race, and most of all its jolly good fun.

Star of the show Joe McElderry sparkles as Joseph, bringing warmth and charm to the role. He clearly loves being the face of this prestigious production and it’s clear to see he’s having as much fun on stage as the audience are having watching. His voice is smooth yet powerful, his performance cheeky and hugely likeable. Trina Hill more than holds her own as the Narrator and does a fine job, guiding us gently through the story. Both are supported by a hard working cast who are clearly having a ball and relishing their roles. A scene stealing turn by Ben James-Ellis as the Pharaoh is comedy gold. Special mention also must go to the children of Chester and Wirral Stagecoach who are excellent.

14)Joe McElderry in Joseph and the Amazing Technicolor Dreamcoat (c)Mark Yeo...

There are toe-tapping songs from the opening ensemble number of Jacob and Sons, the earworm that is Benjamin Calypso through to the big tunes of Close Every Door, and Any Dream Will Do.  The costumes and set design are bold and vibrant, fully in keeping with theme of the show.

There were a few opening night nerves: faulty sheep, a dysfunctional stage curtain but these were minor quibbles. My main issue was with the sound, at times some of vocals weren’t quite loud of enough at the start of the song, small tweaks which I’m sure will be swiftly looked at.

Overall this fun feel-good show suitable for all the family and well worth a watch.

On at the Palace theatre until Saturday 21st October, for tickets head to www.atgtickets.com/shows/joseph-and-the-amazing-technicolor-dreamcoat/palace-theatre-manchester/

 

 

 

 

 

Matilda announce tour cast

25 - Royal Shakespeare Companys Matilda The Musical. Credit Manuel Harlan

 

Today, the Royal Shakespeare Company announced the full adult casting for the first five venues of the Matilda The Musical 2018/19 UK and Ireland Tour, which includes a visit to Manchester’s Palace Theatre from Mon 18 September – Fri 24 November 2018.

Craige Els will reprise the role of Miss Trunchbull, having received rave reviews playing her in the West End for three years between 2014 and 2017. Craige will be joined by Carly Thoms as Miss Honey and Sebastien Torkia as Mr Wormwood as well as former West End cast-mate Rebecca Thornhill as Mrs Wormwood.

The rest of the adult cast are Joe Atkinson, Peter Bindloss, Oliver Bingham, Emily Bull, Matthew Caputo, Samara Casteallo, Matt Gillett, Michelle Chantelle Hopewell, Sam Lathwood, Steffan Lloyd-Evans, Charlie Martin, Anu Ogunmefun, Taylor Walker, Adam Vaughan and Dawn Williams.

The tour of Tim Minchin and Dennis Kelly’s award-winning show will begin at Leicester Curve on 5 March 2018 before heading to Dublin, Sunderland, Milton Keynes, Birmingham, Manchester and Cardiff. Further dates will be announced in due course.

Tickets can be booked for Manchester dates here www.atgtickets.com/shows/matilda/palace-theatre-manchester/ Tuesday 18 September – Saturday 24 November 2018