Little Women

Opening Night verdict ⭐️⭐️⭐️⭐️

Louisa May Alcott’s much loved classic about the four March sisters growing up in Civil War-era New England has been a literary favourite for almost 150 years now. Seen previously on the big screen, radio plays, TV series and straight theatre plays the March sisters undoubtedly have a place in the hearts of many, this is the first time however the Broadway musical has made its way to European shores as the incredibly successful pairing of Hope Mill Theatreand Aria Entertainment continue their vision to deliver accessible musical theatre in Manchester.

The production offers a condensed take on the heart-warming story of trailblazer Jo and her three sisters, Meg, Beth and Amy March, with Jo at the spirited centre of the piece. With their father off at war and their mothers encouragement to be the best versions of themselves they can be, the sisters set out on their path to becoming ‘little women’.

Amie Giselle-Ward is outstanding as Jo, passionate, strong and always true to herself, Giselle-Ward embodies perfectly the brash and bold Jo Marsh with a raw energy that utterly captivates, fiercely loyal and defiantly proud her characterisation is honest and raw as she delivers an incredibly moving and deeply emotional performance. She fizzes and boils over with a determination to live the life she chooses not one society choses for her, a woman seemingly ahead of her time when the book was first published in 1868 and an absolute heroine to women today.

The ten strong cast are incredibly hard working and beautifully demonstrate the importance and strength of family, love and hope regardless of the situation or difficulties they face. Each of the sisters are perfectly cast, Jemima Watling is superb as Meg, sweet and sensible, with a heart full of love. Katie Marie-Carter makes for a fabulous Amy, spoiled and selfish she is wonderfully dramatic. Cathy Read plays Beth with sweet affection, gentle and kind with a real sincerity she is the calm to Jo’s perfect storm.

Bronagh Lagan’s direction ensures the production remains entirely committed to delivering Louisa May Alcott’s message of love, family and female empowerment with wonderful storytelling throughout.

Ben M Rogers light design gently warms the production, allowing Nik Corrall’s simplistic yet effective set to shine. The intimate setting of Hope Mill Theatre is perfect for this engaging production, giving audiences the most wonderful connection with the characters as Jason Howard’s music and Mindi Dickstein’s lyrics are brought to life by Rickey Long’s superb musical direction.

Little Women is a celebration, joyful, spirited and full of heart. The perfect festive treat for all ages, delivering an important and current message that into each life some rain must fall but never let that diminish the fire within you.

On at Hope Mill Theatre until Saturday 9th December tickets available here

Hope Mill Theatre announces 2018 season!

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Award-winning Hope Mill Theatre and resident producer Aria Entertainment today announce their much anticipated 2018 season, with three bold, exciting and ambitious in-house productions.

The converted mill in Ancoats currently hosting the European premiere of Little Women enjoyed a landmark 2017 season which saw 5* critically acclaimed productions and London transfers for Yank! and Hair with Pippin following in early 2018 will begin the season with the world premiere of new British musical The ToyBoy Diaries (on sale today).

This new musical comedy which runs from 18 January to 10 February 2018 charts the hilarious and sometimes heart-breaking sagas of mid-life dating. When twice-divorced Lily inadvertently finds herself under a much younger man, it opens the door to a wild new world of inappropriate relationships. From Tom the Tender to Sam the Submissive, via Paul the Policeman, Hat Trick Patrick and Matt the Monstrous (with Old Willy and Philandering Phil mixed in along the way) Lily finally finds Ben the Bountiful.

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Spring Awakening will run from 19 March to 3 May 2018. A production hailed as “one of the great musicals of the last decade” (New York Times) and the winner of eight Tony and four Olivier Awards, Spring Awakening follows a group of teenagers in late-19th-century Germany navigating the struggles and virtues of blossoming youth, with an electrifying fusion of morality, sexuality and a Grammy award-winning rock score. This landmark musical will be presented in an intimate and bold new production helmed by director Luke Sheppard (In The Heights, The Secret Diary of Adrian Mole).

Third show to be announced is Andrew Lloyd Webber’s romantic classic Aspects of Love which will run from 5 July to 4 August 2018. Featuring the iconic “Love Changes Everything” Aspects of Love tells the story of passion, love and loss across three generations of a family and their artistic companions, against a background of 1940’s France and Italy.

The hugely successful partnership between Joseph Houston and William Whelton, the co-founders of Hope Mill Theatre and producer Katy Lipson, of Aria Entertainment is further testament to their commitment to make Hope Mill Theatre the home of new musicals and revivals in the north and beyond with two more yet-to-be announced productions in Autumn/Winter.

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William Whelton and Joseph Houston, co-founders of Hope Mill Theatre said: “We wanted to make sure our third season was even more ambitious and we feel we have managed to achieve that with the world premiere of the new British musical The ToyBoy Diaries, an exciting revival of Spring Awakening with an Olivier Award-winning creative team and our first staging of an Andrew Lloyd Webber classic – Aspects of love. Once again we have proved the power of regional theatre and continue to spearhead Hope Mill Theatre as a leading player in new musical staging, musical premieres and exciting revivals.”

Katy Lipson, of Aria Entertainment, who has just seen her production of The Addams Family transfer to Singapore stated “I have enjoyed working with the theatre on taking our shows to new commercial levels in London and am extremely delighted to announce the first three shows of our 2018 season, it is an honour to share this diverse selection of work with you. We hope to continue to champion the genre and bring in audiences from far and wide.”

Further information can be found here

@Hopemilltheatr1

@ToyBoyDiaries

 

BE//LONGING


Award-winning Manchester theatre collective Take Back Theatre have teamed up with Manchester Migration Lab and Hope Mill Theatre to explore and address our perceptions and understanding of migration.

This thought-provoking and deeply moving multi-media piece uses music, art, scripted theatre and multimedia presentations to tell real and honest stories of migration.

This creative partnership with Manchester Universities new Migration Lab offers audiences the chance to gain a deeper and more honest understanding of all forms of migration, happening the world over every day.


Upon arrival each audience members papers are checked and a temporary travel document approved which we must carry with us at all times. We are then given a map allowing us to navigate as we cross the border into Hope Mill Theatre. The theatre space has been transformed to resemble a warehouse on the edge of the border, boxes are piled up, labelled to indicate types of clothing, ages, sizes etc ahead of distribution . Telephones dotted around the theatre allow audiences to listen in on personal & deeply moving migrant stories , a recording of a Syrian refugee speaking to an Italian Coastguard as a boat sinks, an account of life as a detainee in Yarl’s Wood Detention Centre, the stories are multiple and varied.

The centrepiece of the evening penned by Becx Harrison and directed by Matt Hassall sees actors Nadia Emam and Darren Kuppan explore the ideas of borders, imposed borders, everyday borders, the challenges faced by those unable to freely cross borders, the privilege of those who can and the sense of belonging borders may/may not bring. It is engaging, thought-provoking and beautifully delivered. Provocative and quick paced both Emam and Kuppan command the full attention of every person in the room.


Hearing such honest and personal accounts in this stirring and deeply considered manner gives them great depth and real strength of meaning, pairing quotes from the privileged beside those of the desperate offers an opportunity to evaluate and question the injustices so many face. Migration happens every day, we are all migrants who cross borders daily yet for us the privileged borders are rarely a matter of life or death.

The theatre piece finishes by playing Maximo Park’s ‘Risk To Exist’ accompanied by a deeply moving film exploring the work of MOAS – Migration Offshore Aid Station.


After the performance further exhibits are introduced including interactive maps, a deeply moving installation ‘The Tent’ which explores birth in a refugee camp and stateless babies to an engaging short film by Casey Longdon and Grant Archer detailing ‘The Overview Effect’ exploring the perspective of astronauts as they look down to the world below and see a visual truth of the world without borders, further illustrating how we are all connected.

Be//longing is a highly emotive and passionately delivered piece. As overwhelming as a subject matter this is, Be//longing successfully ignites debate and delivers much needed opportunities to learn, to listen, to contemplate and then to hopefully act.


On at Hope Mill Theatre until Saturday 4th November, limited tickets available via http://www.hopemilltheatre.co.uk

http://www.takebacktheatre.com/

Manchester Theatre Awards 2018

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The Manchester Theatre Awards in association with Target Live will be held at The Lowry’s Quays Theatre on Friday 9 March 2018, hosted once again by Manchester favourite, comedian and actor, Justin Moorhouse.

The annual awards seen by many as the most important theatrical awards outside of London has been an important fixture of the North West cultural calendar since it first began back in 1981 and is an opportunity to honour productions seen in Greater Manchester during 2017

From big receiving venues like The Lowry and the Palace Theatre and Opera House, via acclaimed producing houses such as HOME and the Royal Exchange to exciting fringe spaces like Hope Mill Theatre, over 20 awards categories recognise the exciting array of theatre on offer to audiences in the region and beyond.

In recent years the Awards have expanded to include a group of enthusiastic young critics who also choose an annual award from the city’s youth theatre productions.

Coronation Street and Broadchurch actress Julie Hesmondhalgh, herself a previous multiple MTA winner, paid tribute to the awards and the importance of the Greater Manchester theatre scene, saying: “I love the Manchester Theatre Awards. It’s always such a lovely coming together of our artistic community in the best city in the world, and is a celebration of all things theatrical here: From the emerging raw talent of the burgeoning fringe scene to the bobby dazzler spectaculars in our main houses and from the internationally acclaimed cultural highlights of MIF to a couple of people in a tiny space above a Salford pub.”

Kevin Bourke, chair of the Manchester Theatre Awards, said: “Helping to celebrate the tremendous, passionate and creative work in the Manchester theatre world is not only a huge honour and privilege for my colleagues and me, but also great fun and genuinely exciting – just like the shows we try to spotlight”.

Further information on the awards can be found at www.manchestertheatreawards.com and @MTAwards

 

Pippin

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First premiered on Broadway an incredible 45 years ago, Katy Lipson, Guy James and Hope Mill Theatre’s revival of Tony award winning Pippin shows no signs of age and is as magical and enchanting as we hoped it would be.

With music and lyrics by Stephen Schwartz and book by Roger O. Hirson, Pippin tells the tale of a young man in search of something to believe in, a path to follow, ultimately, he is in search of himself. Loosely based on ‘Pepin’ the son of 8th Century King Charlemange, Pippin sets about trying out life and all it has to offer via different careers and different directions in order to find his corner of the sky. Maeve Black’s stunning Victorian Vaudeville setting paired with stunning lighting design from Aaron J. Dootson allows the players to truly tell this tale in the most theatrical and immersive of ways, making Pippin a remarkably bold and striking production.

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Pippin’s search and the different paths it leads him down illustrates clearly that with all its craziness and drama the world is indeed a stage, as the players perform and indulge Pippin his desires, we realise everything we see is an act. Leading player Genevieve Nicole is a wholly commanding presence, she steers and controls her fellow players who perform beautifully on her instruction, she shines in the role and bursts with sass and dangerous charisma as she steers Pippin through his search for fulfilment.

Jonathan Carlton is brilliantly cast as Pippin, he perfectly portrays the young Prince’s naivety and frustrations, the development in his character is wonderful to see as each experience leaves its mark and changes his outlook on life. Carlton’s delivery of Corner Of The Sky is especially beautiful, full of emotion and wonderfully displays the hopelesness he feels with his inability to fit in and understand his path in life.

The whole ensemble are superb, hardworking and utterly captivating. Director Jonathan O’Boyle has created a tight and incredibly slick team who are entirely in sync with each other. William Whelton’s choreography is sharp and precise and really adds to the beauty of this special piece while musical director Zach Flis delivers the sublime score to perfection.

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High praise must also go to Mari Barclay who plays both Fastrada and Berthe, her characterisation is exceptional, with brilliant comic timing and larger than life delivery she excels in both roles and also as a member of the superb ensemble.

The quality and delivery of Pippin is top class, the pairing of Katy Lipson and Hope Mill Theatre is a true gift to Manchester. Engaging, captivating and entirely magical, Pippin convincingly worked its magic and enchanted completely. A real gem of a show delivered with real style and sass.

On at Hope Mill Theatre until 23rd September tickets£20, concessions £18 available via the following link http://www.hopemilltheatre.co.uk/whats-on/

Pippin

Spelling Bee Preview

Spelling Bee

Following on from last year’s success of Urinetown The Musical, Side by Side Productions return next week to Manchester’s Hope Mill Theatre with a charming and funny production of the Tony Award-winning musical The 25th Annual Putnam County Spelling Bee.

Ever wonder what’s going through the adolescent minds of those endearing, quirky Spelling Bee champs? Six awkward spellers learn that winning (and losing) isn’t everything as they vie for the spelling championship of a lifetime. In hilarious, touching, and catchy songs by William Finn, each speller reveals his/her hopes, struggles, and passions as they make their way through the competition. Even audience members are invited to challenge the six competitors!

Director Mal Wallace said “Spelling Bee is a fantastic musical which is rarely produced and the exceptionally talented cast and production team are a joy to work with. Judging by the hilarity that is constant through every rehearsal the audience are in for a real treat!”

Spelling Bee contains mature themes and language.

Follow Side by Side Productions on Twitter for futher info: @sbsprodutions #SpellingBeeMCR and head to www.ticketsource.co.uk/sidebysideproductions to book your tickets!

Hope Mill Theatre

Tue 25 – Fri 28 July 2017

Tickets from £13

The Salford Belles

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Jack Land Nobel’s darkly comedic soap opera The Salford Belles is headed to Hope Mill Theatre from tomorrow as part of The Greater Manchester Fringe this month.

First staged as The Barnsley Belles by the Yorkshireman Company back in July 2013 and now given a Salfordian twist by LS Theatre Productions, The Salford Belles promises to be a little like an episode of Coronation Street screened way, way after the watershead!

We meet Queenie, Mary and Martha who are all are at their wits end after a lifetime of cooking, cleaning, caring and conspiring. They are all desperate for change – but at what cost? Join The Salford Belles in this hilarious dark comedy and discover what goes on behind closed doors when the washing’s brought in from the rain and the curtains are drawn.

Catch the show from Monday 17th July until Saturday 22nd at Hope Mill Theatre, tickets available via the link below;

http://www.greatermanchesterfringe.co.uk/index.php#startlisting