Pippin

Pippin 1

First premiered on Broadway an incredible 45 years ago, Katy Lipson, Guy James and Hope Mill Theatre’s revival of Tony award winning Pippin shows no signs of age and is as magical and enchanting as we hoped it would be.

With music and lyrics by Stephen Schwartz and book by Roger O. Hirson, Pippin tells the tale of a young man in search of something to believe in, a path to follow, ultimately, he is in search of himself. Loosely based on ‘Pepin’ the son of 8th Century King Charlemange, Pippin sets about trying out life and all it has to offer via different careers and different directions in order to find his corner of the sky. Maeve Black’s stunning Victorian Vaudeville setting paired with stunning lighting design from Aaron J. Dootson allows the players to truly tell this tale in the most theatrical and immersive of ways, making Pippin a remarkably bold and striking production.

Pippin 3

Pippin’s search and the different paths it leads him down illustrates clearly that with all its craziness and drama the world is indeed a stage, as the players perform and indulge Pippin his desires, we realise everything we see is an act. Leading player Genevieve Nicole is a wholly commanding presence, she steers and controls her fellow players who perform beautifully on her instruction, she shines in the role and bursts with sass and dangerous charisma as she steers Pippin through his search for fulfilment.

Jonathan Carlton is brilliantly cast as Pippin, he perfectly portrays the young Prince’s naivety and frustrations, the development in his character is wonderful to see as each experience leaves its mark and changes his outlook on life. Carlton’s delivery of Corner Of The Sky is especially beautiful, full of emotion and wonderfully displays the hopelesness he feels with his inability to fit in and understand his path in life.

The whole ensemble are superb, hardworking and utterly captivating. Director Jonathan O’Boyle has created a tight and incredibly slick team who are entirely in sync with each other. William Whelton’s choreography is sharp and precise and really adds to the beauty of this special piece while musical director Zach Flis delivers the sublime score to perfection.

Pippn 2

High praise must also go to Mari Barclay who plays both Fastrada and Berthe, her characterisation is exceptional, with brilliant comic timing and larger than life delivery she excels in both roles and also as a member of the superb ensemble.

The quality and delivery of Pippin is top class, the pairing of Katy Lipson and Hope Mill Theatre is a true gift to Manchester. Engaging, captivating and entirely magical, Pippin convincingly worked its magic and enchanted completely. A real gem of a show delivered with real style and sass.

On at Hope Mill Theatre until 23rd September tickets£20, concessions £18 available via the following link http://www.hopemilltheatre.co.uk/whats-on/

Pippin

Spelling Bee Preview

Spelling Bee

Following on from last year’s success of Urinetown The Musical, Side by Side Productions return next week to Manchester’s Hope Mill Theatre with a charming and funny production of the Tony Award-winning musical The 25th Annual Putnam County Spelling Bee.

Ever wonder what’s going through the adolescent minds of those endearing, quirky Spelling Bee champs? Six awkward spellers learn that winning (and losing) isn’t everything as they vie for the spelling championship of a lifetime. In hilarious, touching, and catchy songs by William Finn, each speller reveals his/her hopes, struggles, and passions as they make their way through the competition. Even audience members are invited to challenge the six competitors!

Director Mal Wallace said “Spelling Bee is a fantastic musical which is rarely produced and the exceptionally talented cast and production team are a joy to work with. Judging by the hilarity that is constant through every rehearsal the audience are in for a real treat!”

Spelling Bee contains mature themes and language.

Follow Side by Side Productions on Twitter for futher info: @sbsprodutions #SpellingBeeMCR and head to www.ticketsource.co.uk/sidebysideproductions to book your tickets!

Hope Mill Theatre

Tue 25 – Fri 28 July 2017

Tickets from £13

The Salford Belles

Salford Belles 1.png

Jack Land Nobel’s darkly comedic soap opera The Salford Belles is headed to Hope Mill Theatre from tomorrow as part of The Greater Manchester Fringe this month.

First staged as The Barnsley Belles by the Yorkshireman Company back in July 2013 and now given a Salfordian twist by LS Theatre Productions, The Salford Belles promises to be a little like an episode of Coronation Street screened way, way after the watershead!

We meet Queenie, Mary and Martha who are all are at their wits end after a lifetime of cooking, cleaning, caring and conspiring. They are all desperate for change – but at what cost? Join The Salford Belles in this hilarious dark comedy and discover what goes on behind closed doors when the washing’s brought in from the rain and the curtains are drawn.

Catch the show from Monday 17th July until Saturday 22nd at Hope Mill Theatre, tickets available via the link below;

http://www.greatermanchesterfringe.co.uk/index.php#startlisting

 

 

Herding Cats

HerdingCatsPoster

Critically acclaimed Play With Fire Productions returned to Hope Mill Theatre this week with their new production, Herding Cats.

The play introduces us to Justine (Kayleigh Hawkins) and Michael (Daniel Bradford) two flatmates for whom life isn’t exactly the barrel of laughs they had wished for. Justine is eternally stressed about work and gets little chance to do much else. Due to her long hours and daily pressures she lives in an almost constant state of rage, where drink becomes her crutch but is often more faux than friend. Michael is her confidant, due to his agoraphobia he struggles to leave their flat, instead earning his living by offering phone sex to men such as Saddo (John Gully), an older man who gets his kicks from twisted fantasies about his own daughter. Michael always there ready to listen to Justine’s latest rant is the one person she feels she can rely on.

As Justine risks showing her vulnerability to her ex hippy boss whom she has unexpectedly grown attached to and Michael realises he perhaps needs Saddo’s calls more than Saddo needs him we start to realise just how fragile and desperately lonely they truly are. Writer Lucinda Coxon does not shy away from the awkward and uncomfortable, this piece is bold and in your face. Directorhas made great use of Hope Mill Theatre’s unique space, every inch of the floor is covered by a pacing and anxious Justine as she dissects her day in order to process the conversations and actions of her boss whom she struggles to understand. The cast deliver each scene with commitment and confidence, there are moments that challenge, do you look on or turn away? The production make you think beyond what you see acted out on stage as you recognise thoughts and feelings played out by Michael and Justine, as those seemingly with the upper hand may actually be the needy and the lonely of this world. Powerful, bold and dynamic theatre.

On at Hope Mill Theatre until Saturday 3rd June, tickets £12 can be found here http://hopemilltheatre.co.uk/events/herding-cats/

Herding Cats – Preview

HerdingCatsPoster

On Weds 24th May, critically acclaimed Play With Fire Productions return to Hope Mill Theatre with their latest production, Herding Cats.

The black comedy focuses on central characters, Justine (Kaleigh Hawkins), Michael (Daniel Bradford) and Saddo (John Gully), for them life is a challenge, about as easy as Herding Cats; as they battle to navigate life with all the love, loss, trials and tribulations it brings.

The acclaimed play finds dark humour in the loneliness of life while, writer, Lucinda Coxon’s characters will burrow into your brain as you recognise familiar life challenges played out before you.

The creative team behind the production is led by director Lawrence Evans (nominated for an Olivier Award for his work at the National Theatre with Tony Harrison, A Midsummer Nights Dream with the Irish Chamber Orchestra & Storytellers Theatre Company) and designer Elizabeth Wright (Theatre by The Lake).

This will be Play With Fire Productions third visit to Hope Mill after two hugely successful shows Orphans (January 2016) and Sans Merci (September, 2016) which received rave reviews from both audiences and critics alike.

Herding Cats Weds 24th May until Saturday 3rd June at Hope Mill Theatre

Tickets are available now via http://hopemilltheatre.co.uk/events/herding-cats/

Julie, Madly, Deeply

JULIE-MADLY-DEEPLY-IMAGE

Hit West End show Julie, Madly, Deeply will visit Manchester’s Hope Mill Theatre for two show only this coming Sunday. Written and performed by the insanely talented Sarah-Louise Young (most recently seen in Hope Mill’s critically acclaimed production of Yank!) and directed by Russell Lucas this charming and cheeky cabaret takes an entertaining look at fan and fandom.

A huge fan of Julie Andrews since childhood Sarah-Louise Young intertwines songs from Andrews much loved career including Mary Poppins and The Sound of Music with stories and anecdotes detailing the highest of highs and lowest of lows of Andrew’s life. A show guaranteed to have you grinning from ear to ear this witty and entertaining tribute is an absolute must-see!

Sunday 14th May 3pm and 7.30pm at Hope Mill Theatre

Tickets available here http://hopemilltheatre.co.uk/events/julie-madly-deeply/

 

Manchester Theatre Awards 2017

clip_image0022

The Royal Exchange will be celebrating tonight after taking home an impressive 10 awards, including best actress for Julie Hesmondhalgh for her role in Wit and best actor for Daniel Rigby in Breaking the Code which also won best production. There was an impressive three awards for Wish List including best studio production, and best actress and actor in a studio production, won by Erin Doherty and Joseph Quinn. Sweet Charity also saw success with Daniel Crossley winning best actor in a supporting role and the production winning best musical.

It was double celebrations for Julie Hesmondhalgh as collectivly with Rebakah Harrison & Grant Archer they won The Stage Door Foundation Award for Excellence for their political theatre collective, Take Back Theatre.

There was success for the Lowry with five productions taking awards including Rufus Hound winning best actor in a visiting production for The Wind In The Willows, best special entertainment going to The Peony Pavillion, Aoife Duffin took best actress in a visiting producion for A Girl Is A Half-Formed Thing, best opera went to Opera North’s Andrea Cheinier and best visiting production was won by The James Plays.

Home, where the awards were held won two awards including best new play and best newcomer for Norah Lopez Holden in Ghosts.

There were two awards for Hope Mill Theatre, The Trail which won best fringe production plus a hugely popular special recognition award for Joseph Houston and William Whelton, founders of Hope Mill Theatre.

Another popular winner was the Octagon theatre Bolton whose production of Singin’ in the Rain took home the awards for best design and best ensemble plus the young “Scout” cast were joint young newcomers along with the young “Michael” cast from Billy Elliot at the Palace Theatre, the latter providing one of the greatest speeches of the afternoon.

The 2017 winners in full

Best fringe performance
Joyce Branagh, Boomtown Gals

Best fringe production
The Trial, Hope Mill Theatre

Best musical
Sweet Charity, Royal Exchange

Best special entertainment
The Peony Pavilion, the Lowry

Best Dance
Akram Khan’s Giselle, Palace Theatre

Best actor in a studio production
Joseph Quinn for Wish List, Royal Exchange Studio

Best actress in a studio production
Erin Doherty for Wish List, Royal Exchange Studio

The Stage Door Foundation award for excellence
Take Back Theatre Collective

Best visiting production
The James Plays, the Lowry

Youth panel award
Nothing, Royal Exchange Theatre Young Company

Best opera
Andrea Chenier, Opera North at the Lowry

Best newcomer
Norah Lopez Holden for Ghosts, Home

Best young newcomers
Samuel Torpey, Henry Harmer and Elliot Stiff for Billy Elliot
Jasmine de Goede and Lucy Doyle Ryder for To Kill a Mockingbird

Best new play
The Emperor, Home

Best supporting actress
Natalie Dew for Breaking the Code, Royal Exchange

Best supporting actor
Daniel Crossley for Sweet Charity, Royal Exchange

Best actor in a visiting production
Rufus Hound for Wind in the Willows, the Lowry

Best actress in a visiting production
Aoife Duffin for A Girl Is a Half-Formed Thing, the Lowry

Best design
Singin’ in the Rain, Octagon Theatre

Best studio production
Wish List, Royal Exchange

Best ensemble
Singin’ in the Rain, Octagon Theatre

Best actress
Julie Hesmondhalgh for Wit, Royal Exchange

Best actor
Daniel Rigby for Breaking the Code, Royal Exchange

Best production
Breaking the Code, Royal Exchange

Special achievement award
Joseph Houston and William Whelton, founders of Hope Mill Theatre
Philip Radcliffe, critic and founder member of the Manchester Theatre Awards