The Nature of Forgetting

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Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Tom is preparing for his 55th birthday; Tom also has early onset dementia. As he dresses for his party, with each touch of fabric threads of memoires begin to stir; we follow his minds recollections and failing retentions over the next 75 minutes through an exploration of memory, friendship, love and the fragility of human life.

Established in 2009, Theatre Re is a London-based international ensemble creating moving and incredibly poignant explorative theatre which pushes the boundaries of mime and physicality. The company move together effortlessly as beloved memories play out patchily while others remain strong, taking Tom right back to his school days, to sharing his first kiss through to enjoying his wedding day.

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The fluid execution of each scene allowing the peaks and troughs of Tom’s life to play out in front of us. Tom’s mind may be weakening as shown through the stuttering and stalling of particular memories as scenes blur and frustrations rise where the simple becomes complex but the person at the heart of it remains.

Alex Judd’s beautiful composition becomes almost an additional character, stirring and atmospheric it flows beautifully through the fluid memories and punctuates the distorted, splintered recollections.

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The show’s creator and director, Guillaume Pigé takes on the title role of Tom, delivering the complex choreography with ease. Timing here is everything and the small ensemble cast don’t miss a beat as this moving exploration of dementia as seen through the eyes of a sufferer offers a stage for soon to be forgotten memories.

Fast-paced and poignant, Theatre Re succeed entirely in delivering a thought-provoking and impactful piece of theatre. Tom may seem broken but his inner-strength and the person he was remain despite his failing, weakening mind.

Theatre Re have one more performance of The Nature of Forgetting at the Lowry on Wednesday 13th June at 1.30pm, tickets available here.

Karl Marx comes to Manchester!

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Karl Marx reincarnated for Manchester audiences in one-man show, Marx In Soho.

The 5th May marked in an incredible two hundred years since Karl Marx was born, marking the occasion, renowned historian and activist Howard Zinn’s brilliant, timely one-man show, described as a passionate, funny and moving defense of Karl Marx’s life and political ideas will head to Manchester following a successful run in New York.

Marx In Soho, a play dedicated to the revolutionary thinker will embark on a six-week tour of the UK opening at Brighton Fringe 2018 on the 17th May before heading to Manchester for performances at Manchester, Chetham’s Library on June 2nd and the King’s Arms on June 9th and 10th.

Zinn reincarnates Marx and lands the prominent thinker for one night only in present day Soho, New York, where, during the course of the play, he confronts issues such as American education, the super rich ruling class, corporate mergers, prisons, and the media.

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Celebrated actor Bob Weick (Terra Nova, Circle Mirror Transformation) takes on the role of Marx, a part he has played for the past 7 years performing the piece over 300 times across the United States from Maine to California. The two-time Barrymore nominee is excited to be finally bringing the production to UK audiences:

“I’m delighted MARX IN SOHO is coming to the UK as it is a place where both Marx and his philosophic collaborator Engels spent most of their lives. They walked these streets, studied in the libraries, drank in the pubs, and learned of the struggles of the working poor and dedicated their lives to doing something about it.

“It will be exciting that we will be addressing these issues on the tour, especially in Manchester and London, around places they even frequented themselves.”

 

UK TOUR DATES:

Brighton Fringe, May 20-28

Manchester, Chetham’s Library, June 2 tickets available here

Manchester, King’s Arms, June 9 and 10 tickets available here.

London, The Space, June 12

London, Etcetera Theatre, June 17

London, Upstairs at the Gatehouse, June 20-22

The Game of Love and Chai

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Opening Night verdict ⭐️⭐️⭐️1/2

Nigel Planer creatively reimagines Pierre de Marivaux’s 1730 play The Game of Love and Chance in this modern day, fun and farcical incarnation, The Game of Love and Chai.

There is still a central love story, duplicity, mistaken identity, class system and buckets of laughs while modern themes and Bollywood beats are introduced as well as an Uber driver and a delight in Primark purchases.

Swapping 18th-century French nobility for modern-day British Asians makes for a fresh take on a traditional classic. The plot is a fairly simple one, wealthy widow Kamala-Ji (Goldy Notay) wants to see her daughter Rani (Sharon Singh) marry successful local businessman Raj (Adam Samuel-Bal), head-strong solicitor Rani however is unimpressed at the convention of marriage so decides to take some control of the situation switching places with her nice-but-dim cousin Sita (Kiren Jogi) ahead of Raj’s visit, little does she realise that Raj has had the same idea and his Uber driver, Nitin (Ronny Jhutti) will be stepping into Raj’s shoes for the occasion.

The cast are clearly having a lot of fun in this colourful and creative production. Adam Samuel-Bal and Sharon Singh make for a believable coupling, caught up in their own plotting their chemistry is genuine and joyful. Ronny Jhutti, wide-boy and Uber driver extraordinaire and Kiren Jogi, the beautician with a bigger personality than her luscious lashes treat the audience to plenty of laughs as the chaos and comedy ensues. The addition of Bollywood music lifts the production while Goldy Notay as Kamala-Ji presides over affairs with authority, prosecco in hand.

Not all the jokes land but the all-round theme of this production is farcical fun with a capital F, in that it succeeds. The last-minute change to 18th-century dress seems unnecessary and out of place in this modern reimagining. All in all the scamming, scheming and big personalities in this production will entertain with some great comedic timing delivered to hilariously dramatic effect.

On at The Lowry until Saturday 31st March tickets available here.

Interview | Lloyd Gorman | The Jungle Book

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Rudyard Kipling’s beloved family classic The Jungle Book comes to The Lowry from Tuesday 2nd to Sunday 7th May.

The family favourite originally written back in 1894 has been reimagined and innovatively delivered in this all new production by an award winning creative team which includes playwright Jessica Swale, director Max Webster and internationally renowned songwriter Joe Stilgoe. While the story remains the same there is a new emphasis on acceptance, inclusivity and belonging all set to an uplift and incredibly catchy score.

Opening Night were lucky enough to watch a performance of this vibrant new production at Liverpool’s Everyman theatre ahead of it’s arrival at the Lowry and grab a quick chat with Lloyd Gorman who plays Shere Khan after watching the show.

ON: What what a costume and what a character, we absolutely loved your Shere Khan!

LG: Thank you, it’s quite a costume isn’t it, I really didn’t expect it, it’s brand new, it used to be more biker style and I went for a fitting for this new one and it was a case of ‘Wow that’s a statement and a half!’ it’s a really fun costume to wear especially playing such a great character.

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ON: It must be great playing the baddie?

LG: Yes, it’s so much fun, especially such an out and out baddie who doesn’t in any way try to hide his purpose, he is straight up clear upon his need for revenge, he really believes he needs to write the wrongs of mankind, he’s been mistreated by man but seems to have developed into a bit of a misunderstood tortured soul, verging on a bit of a psychopath ha ha. An awful lot of fun to play.

ON: Is it a challenge to create something different with a story that so many people already know well.

LG: For us as a Company we’ve never felt that challenge, I haven’t for example seen the Disney film for a long, long time, nor have I seen the live action version so I didn’t feel any pressure to be different myself. For us it feels such a unique and special production that although we have the stock characters it feels very fresh and new.

ON: While watching we felt there was a real message of positivity and acceptance, could you tell us a little more about your take on this?

LG: Theatre works on so many different levels and people will take different things from it but as long as it’s giving out a message that is relevant to where we are in life now it will always be relatable, Mowgli has been made very gender unspecific so we never refer to Mowgli in any male or female pronouns, it’s also about celebrating difference which is such a huge issue in the UK at the moment, difference is seen my some people as being wrong or bad and we should stick to our own etc, I think theatre is vital in times like this to show the beauty of difference and to say no, remember that diversity is a massive benefit to us all, to the world and all of our lives. The Jungle Book is the perfect vehicle to do that through a wonderful story that while it entertains it also uplifts and educates. Children often hear many negative things about different cultures so it’s lovely to be part of something so inclusive and positive.

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ON: How did you first become involved in theatre?

LG: I went to youth theatre in Norwich there is an excellent youth theatre there, I started when I was 9, it became my entire social life. There were two things I watched around a similar time, Return to the Forbidden Planet and The Buddy Holly Story, I can’t remember which was first but I just remember watching and thinking ‘this is fantastic, if I could be in anything like this where I get to play guitar and play around in front of so many people I would be so lucky’. I worked ushering, through my teenage years which I think is a great way of keeping in with what’s happening in theatres while you’re training too.

ON: The audience response today in Liverpool was fantastic, has that been the same for other venues?

LG: Yes, we’ve had very loyal and really warm audiences, the shows have been busy and reactions have been amazing, audience have been so open with their reactions particularly at the end of the show her in Liverpool they’re happy to whoop and whistle, it’s a great feeling.

ON: You’re working with an award-winning creative team, how has that experience been?

LG: It’s been great, I was really excited about working with this team, the production has developed so much, what we have now is so so different to what we started with because the team were so involved with the rehearsal process that things could be adapted or changed almost immediately. They have also been so incredibly giving with their advice and guidance and rewrote parts where they have felt were needed, it’s been amazing to see the speed at which the show has developed.

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ON: You’re involved in quite a dramatic fight scene how did you work on that?

LG: Kate the fight director led us through a great dialogue of exactly what would happen, so by the time it came to physically act out the scene we knew it very well so it didn’t feel like choreography. It’s a lot of fun to do, I’ve never had to strangle anyone in the air on stage before and I’m sure it will be the only time I get to do it, so a great challenge and lots of fun!

ON: Do you have a favourite character in the show?

LG: Balloo, he’s brilliant, there was also a character which got cut that was a tap dancing porcupine I really enjoyed that character. I also absolutely love our version of Mowgli it’s such a solid and strong character.

ON: Finally are you looking forward to performing at The Lowry?

Yes absolutely, I’ve only ever performed in the Studio so I can’t wait to return and perform in the Lyric, the last thing I saw there was Slavas Snow Show which I loved, I love Salford and Manchester, I was in Bolton recently and that whole area is just wonderful, I’m really looking forward to my time there.

The Jungle Book opens at The Lowry on Tuesday 2nd May tickets available here.

 

 

Nina – A Story About Me and Nina Simone

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Opening Night Verdict ⭐️⭐️⭐️⭐️⭐️

Reviewed by Francesca Eagleton

We were definitely left ‘feeling good’ after Olivier-award nominated actress Josette Bushell-Mingo brought her one-woman show, ‘Nina – A Story About Me and Nina Simone’ to the Lowry Theatre.

Originally performed in 2016 at the Unity Theatre in Liverpool, Nina – a story about me and Nina Simone toured across Sweden last year before starting its 2018 UK tour here in Salford.

The show opens with Bushell-Mingo painting a picture of a civil rights rally in Harlem, New York, during the early 1960’s – a time of promised revolution for the oppressed black citizens of America.

Featuring an outstanding repertoire of Nina Simone hits including; Mississippi Goddam, Sinnerman, Ain’t Got No (I Got Life) and Feeling Good. Bushell-Mingo had the Lowry audience in the palm of her hand, as she retold important chapters of her life and connection to the legendary artist and civil rights activist. She begins by singing Simone’s 1969 single, Revolution but stops in her tracks.

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“The truth is I don’t think a revolution has happened yet.” Bushell-Mingo explains that it has been over 150 years since the singing of the Thirteenth Amendment and the abolishment of slavery, but society still struggles with racial inequality. “How did we come to a time when we have to say Black Lives Matter?” She begins reciting a list of names of black people, including Martin Luther King Jr and Stephen Lawrence who were all persecuted and murdered.

Laquan McDonald is part of that list, an unarmed teenager who was shot 16 times by a police officer in Chicago in 2014 – his name is repeated throughout the show. Signifying this moment in history, Bushell-Mingo stamps her foot, counting them off every time, to represent each individual gunshot. Followed by silence, which while unsettling to the audience captured the injustice perfectly without the need for words.

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Finishing the show with a selection of Simone’s finest compositions, supported by an exceptional live band; Shapor Bastansiar (musical director and pianist), Shaney Forbes (Drums) and Neville Malcom (Bass). Bushell-Mingo brings the house down with her exquisite powerhouse voice, quite rightly receiving a standing ovation.

She might say, ‘I’m Nina Simone’s understudy” but this is so much more than a straight up tribute performance, it’s a performance full of fire, fury and a whole lot of sass. But it also leaves you feeling strong and empowered – everything that Nina Simone was.

Catch this powerful and soulful show at the Lowry Theatre before it finishes it’s run on February 3rd tickets available here.

Doctor Doolittle heads to The Lowry!

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A brand new stage production of Leslie Bricusse’s family favourite Doctor Dolittle will be heading to The Lowry for Christmas 2018!

Produced by Music & Lyrics Limited who recently brought The Addams Family and Chitty Chitty Bang Bang to the Salford venue, Doctor Dolittle will stay for the entirety of the festive season opening on Tue 11th December 2018 and running through to Sat 5th January 2019.

This all new production which will feature stunning visual puppetry, a stunning soundtrack including Academy award-winning “Talk To The Animals” as well as the hilarious Pushmi-Pullyu and Dolittle’s trusty sidekick Polynesia the parrot.

Booking is now open for Lowry members with general sale soon to follow, more information can be found here

Hound of the Baskervilles

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Reviewed by Matt Forrest

Over the years there has been many interpretations of Sir Arthur Conan Doyle’s The Hound of the Baskervilles – at least 20 TV and film adaptations alone, not to mention countless theatrical productions. However I challenge anyone to say they have seen anything quite like Northern Rep’s version of this classic tale… and if you don’t believe me, the proof is currently at the King’s Arms for all too see. 

Arriving at the King’s Arms, Salford for a two week run, this fun filled murder mystery focuses on the mysterious death of Sir Charles Baskerville and the apparent threat to the heir of the Baskerville estate, Henry Baskerville. Super sleuth Sherlock Holmes and his trustee sidekick Dr Jane Watson travel from their home on Baker Street all the way to the Devonshire moors, where they encounter all manner of suspects, with even more suspect accents! Can our daring duo not only solve the case but also survive the horrid hell hound? Time will of course tell. 

Those expecting a faithful and straight laced reworking of this classic tale are in for a shock. This is an innovative, funny and downright brilliant reworking of this classic tale. All parts are played by two hugely talented actors in Michael Justice and Angela Hazeldine. The performances alternate with two other actors, so it’s pot luck as to who you’ll get, however this is the second time I have seen this production with different cast members and in no way has it detracted from my enjoyment – if anything, it’s all the better as it keeps things fresh and slightly unexpected. The script is packed full of so many double entendres and just plain daft gags that maybe it should be called Carry on up the Baskervilles. However the joy really comes from Justice and Hazeldine’s adlibbing and doing their best to put the other off their stride.  

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Granted, they play fast and loose with the original story and by the end the convoluted plot becomes secondary as the show becomes an excuse to have a bloody good giggle.  A spot of audience participation is required and the audience tonight got into the swing of things, laughter is most definitely the order of the day. 

As I said earlier, this was my second time seeing this production and each time has been something different: the first time there were some children in attendance and the second there were none, but both performances were adapted to make all feel welcome, with the first performance being more child friendly, without losing any of the humour. 

It’s the job of any critic to critique any show as honestly as possible, however sometimes there’s no harm in leaving it to audience members to have the final say: I got talking to a lovely couple during the interval and the gentlemen claimed he’s been watching shows with his wife for over 45 years, this he told me is only second show he hasn’t fallen asleep in during all that time and I can assure you he made it through the second half too! 

Go and see this riotous romp at your nearest opportunity – you certainly won’t be disappointed! Fun, filthy and downright fabulous! 

Hound of the Baskervilles is on at Kings Arms till the 25th November 

Tickets available from: http://www.kingsarmssalford.com/whats-on/