Doctor Doolittle heads to The Lowry!

Dr Doolittle

A brand new stage production of Leslie Bricusse’s family favourite Doctor Dolittle will be heading to The Lowry for Christmas 2018!

Produced by Music & Lyrics Limited who recently brought The Addams Family and Chitty Chitty Bang Bang to the Salford venue, Doctor Dolittle will stay for the entirety of the festive season opening on Tue 11th December 2018 and running through to Sat 5th January 2019.

This all new production which will feature stunning visual puppetry, a stunning soundtrack including Academy award-winning “Talk To The Animals” as well as the hilarious Pushmi-Pullyu and Dolittle’s trusty sidekick Polynesia the parrot.

Booking is now open for Lowry members with general sale soon to follow, more information can be found here

Your Toys

756005152-04-07-2017-15-47-54.A picture of Your Toys

Slot Machine Theatre have created a pure delight for families with their latest production, Your Toys. The 5 strong cast don overalls to resemble furniture removal workers and, surrounded by a set full of cardboard boxes and flatpacks, they bring make-believe to the stage awakening youngsters imaginations.

The show sees the audiences’ well-loved toys take to the spotlight as they go on a journey through sand, sky and even a jungle, animated by the clever puppeteering performers. There’s squeals and smiles from the mini-theatre goers during the fun filled 60 minutes as they witness their toys coming to life, from plastic dinosaurs to even a prized scarf!

The innocence and charm of childhood is used to the max in this production with audience participation creating sound effects, kids drawings projected onto the backdrop and a script with its own made up gobbledygook. To top it all off we got to see a Doc McStuffin’s toy busting some great dance moves alongside Bagpuss and a Panda…how many times can you say you will witness that? A real joy to watch and I imagine a unique show every time, depending on which toys come to play!

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Daisy, our mini-reviewer

 

Mini-reviewer Daisy, aged 7

“I loved the fact that the toys from the audience were put in the show. I recommend that you should bring your toys to this show. The ages that are welcome are 5 – 9 years. The puppeteers were amazing Matthew Coulton, Nadia Morgan, Isabel Sharman and Nicola Blackwell. We loved seeing our toys in the adventure. My favourite part was when they did dancing with the toys on the stage and when the toys sang  Don’t Eat The Berries which was very funny. The musician Nick Tigg was as good as the puppeteers, making outstanding sound effects and putting smiley faces on the crowd.”

Your Toys played The Lowry, Salford Sunday 29th October

The show is next played at The Lyric, Hammersmith, London 4th November

 

Lowry Competition!

Comp

We are thrilled to be able to offer a family ticket to see the fabulous Fauna on either Thursday 21st or Fri 22nd September at the Lowry.

Winner of the Total Theatre and Jackson’s Lane Award for Circus at Edinburgh Festival 2017, Fauna is a unique mixture of acrobatics, dance and movement with a brilliant live musical score – a mesmerising evening of extraordinary strength and sublime skill!

To enter all you need to do is follow our page and share this post, good luck!

Further information can be found at http://www.thelowry.com/events/fauna

Marshmallow Laser Feast presents ‘IRIS’

Iris 2

Probing, enlightening, hypnotic and playful, ‘IRIS’ – the unique digital art installation – is a mesmerising sensory experience that visitors to the Lowry are going to ADORE! Last night was our first opportunity to see it, FEEL it, and to fall in love with it at the world premiere, as well as to meet the Director of this laser and robotic feast, Ersin Han Ersin.

Fresh from a win at the 2017 Tribeca Film Festival for the virtual reality experience ‘Treehugger: Wawona’, Ersin had completed a successful ‘IRIS’ rehearsal earlier in the day; yet as VIP guests filtered into The Quay Club – swooping up cocktails that were as inviting as the day’s blissfully sunny skies – Ersin admitted to feeling (understandably) a little nervous: “I want people to find it spectacular,” he confides. “Usually, our production company, Marshmallow Laser Feast, designs for the stage. In this case, the commission was to create something for the auditorium that responds to the architecture of the Lyric Theatre.


‘The theatre is always the theatre. We have tweaked and played with the architecture – shrinking it and expanding it using laser lights. It’s abstract, ephemeral; there’s no clear narrative. People create that through their own response to it. We wanted to take people to a space that is changing and then leave them with that space – and hopefully breathless.”

It’s a hope that The Lowry’s Chief Executive Officer, Julia Fawcett OBE, shares: “Contemporary art, digital art… these can be a challenge. Our Digital Programme is about finding ways of opening up people, so that they bring no prejudgment; they haven’t already decided it’s not for them.

‘Our usual programme is planned two, even three years ahead, and artists approach us all the time with wacky ideas. We could never get our clocks in sync to exhibit them. That’s what our biennial commissioning festival Week53 is all about – stopping the clock and saying: ‘Our building is available’.”

‘IRIS’ is The Lowry’s Week53 commission for this intervening year. The Digital Programming Team were looking to work with artists who were at home with the challenge of working in the elliptic-shaped theatre; an empty space that isn’t truly empty. Previous collaborators – and internationally-renowned pioneers – Marshmallow Laser Feast were selected. Julia shares her delight at discovering one of the founders is from Salford, exclaiming: “They’re from around the world and around the corner!”

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‘IRIS’ exists in two free formats: as a ‘Black Box’ experience you can enjoy as a piece of digital art, or as a surprise piece of pre-theatre before selected shows.

“It’s dynamic – a completely different experience that changes whether you are in the circle or the stalls,” says Julia, who challenged Marshmallow Laser Feast to create a digital art piece that would sit comfortably before every kind of show, from comedy to opera to drama.

“As it’s free, people can come back again and again. What happens isn’t like anything else that you usually experience when you sit in a theatre. You are a participant as much as an observer. You’re inside something – the void of the building – encapsulated by the sound and music-scape.”

With our appetites well and truly whetted, we head into the Lyric Theatre itself for a short introductory speech by Julia. It is only four days since a terrorist atrocity took 22 lives and caused injuries to 119 others at the Manchester Arena, so it is with loving respect that Julia pays tribute to all those affected. From the initial feeling of helplessness, she says, came a resolve to: “Do what we do: to carry on delivering the programme and great art.” It echoes Ersin’s earlier comments that the show will give us breathing space, and that “they [the terrorists] can’t win.”


After this moment of reflection, ‘IRIS’ begins… The bowels of the Lyric Theatre are plunged into darkness and is punctuated by mechanical, industrial noises, which are interspersed by strains of classical music. With my heart pounding, I feel for my husband’s hand – uncertain of what to expect next. Overhead, robotically-controlled lasers now pierce red beams of light through the darkness – stretching long, searching fingers down from the ceiling to slowly probe the audience below.

The movie reel of my mind digs out ‘Blade Runner’ as a cultural reference – it feels dystopian… a disembodied presence extending tendrils of light to prod and provoke.. yet as the light columns begin to encircle us – caging us in – I desperately want to be one of the ‘chosen ones’ who are ‘touched’ by the criss-crossing lights that stain faces and hands red for a fleeting second. When I finally ‘catch’ one, it ribbons through my fingers – leaving a smile of pleasure on my face.

Pulsating… growing and shrinking… ‘IRIS’ now changes – the soundtrack becoming ethereal and yearning. We have entered a time of enlightenment, similar to Aldous Huxley’s ‘doors of perception’; there is a feeling of a new dawn of knowledge and connectivity. The lasers are a friend and an educator – showing their intelligence with increasingly intricate patterns that suspend, swoop and play.

Then – after six all too short minutes – it ends abruptly; the hypnotic trance is broken. Julia Fawcett’s ardent wish that ‘IRIS’ will leave you curious – and with a burning resolve to return – is fulfilled.

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Spilling back out into the still brilliant daylight, it’s now time to nurse a drink and muse over what we’ve experienced in ‘IRIS’, while the ‘Tim Peaks Diner’ experience takes residence at Pier Eight below us. Strains of overhead conversation echo Julia and Ersin’s promise that this ethereal being, ‘IRIS’, will be interpreted uniquely by all. No two opinions are the same, but there are surprised and curious grins of pleasure all around.
It’s the perfect precursor to The Charlatans’ Tim Burgess, who is joined by guests TEAR and a bevy of DJs for an uplifting mini-festival that feels communal and comforting after the week’s events.


Hi Resplendent in a gold glittery cardigan, which he later peels off to reveal a ‘A Different Day’ T-shirt, the indie legend serves up an acoustic set of the ‘songs we know, but done different’ – treating us to crowd-pleasers like ‘The Only One I Know’, ‘Just When You’re Thinkin’ Things Over’, ‘Tellin’ Stories’ and ‘North Country Boy’. It is hot on the heels of the launch of The Charlatans’ new album, ‘Different Days’. Touted as ‘the best Charlatans album in 20 years’, it features a plethora of special guests – including Smiths’ legend Johnny Marr, who plays on three tracks. After the ‘Tim Peaks Diner’ experience, Opening Night will be snapping it up!


Audiences can experience ‘IRIS’ before selected performances in the Lyric Theatre and on the following additional dates:

Saturday, 27 May – Sunday, 28 May: 11am to 4pm

Saturday, 10, 17 and 24 June: 10.30am to 11.30am

Saturday, 8 July: 10.30am to 11.30am

The artwork will last for approximately seven minutes and will be shown every 15 minutes.

Reviewed by Michelle Ewen

Bucket List

(c) Alex Brenner

Following an award winning Edinburgh Festival Fringe run, the internationally acclaimed Theatre Ad Infinitum bring their latest powerful piece Bucket List to the Lowry.

The all-female cast tells the story of Milagros, a spirited Mexican orphan who tragically sees her mother murdered during an anti-corruption protest. Milagros is left with only a bloodied list of names, names of those responsible for her mother’s death. Milagros soon realises her only option to make them pay and find her vengeance is to destroy them, one by one.

(c) Alex Brenner

Ad Infinitum’s style of story-telling is exceptional, physical, effusive and hugely powerful. The piece at 90 minutes straight through with no interval flows rapidly and packs a punch, raising a fist of defiance to the powers that be. The ensemble cast successfully take on a number of roles; once you get into the flow of how this innovative company share their tales you are soon scooped up and hooked by their charismatic and emotive style.

(c) Alex Brenner

(c) Alex Brenner (info@alexbrenner.co.uk)

Director Nir Paldi perfectly illustrates through her cast the desperation and frustration of living in a place where poison not only flows through the rivers but right to the core of the establishment. The cast made up of Tamsin Clarke, Charli Dubery, Luisa Guerreiro, Orian Michaeli, Deborah Pugh, Shamira Turner portray this tangled web of hurt and pain magnificently, there are many light-hearted moments of joy as we see Milagros childlike, innocent as she has fun with her young friends before the brutality of real life takes over. An interesting and clever narrative of a chess game flows through the piece, offering tactical advice on how best to make the next and most deadly move whilst offering up the suggestion we are all just pawns in a bigger and much more terrifying game.

Bucket List is passionate and incredibly moving, intricate and brilliantly delivered, physically charged theatre at its best. On at the Lowry until Thursday 27th April tickets available here; https://www.thelowry.com/events/bucket-list

Cyrano

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Northern Broadsides together with New Vic Theatre, Newcastle-under-Lyme bring their swashbuckling tale of the legendary Cyrano De Bergerac to the Lowry this week in a newly adapted production from award-winning playwright Deborah McAndrew. Delivered in verse and littered with delightful blasts of baroque music director/ composer Conrad Nelson’s Cyrano is a gloriously fun interpretation of Edmond Rostand’s romantic comedy about unrequited love.

Husband and wife team McAndrew and Nelson stage this European classic with wit and regional charm and although we are in Paris amidst the golden age of the musketeers it is warm Northern voices which deliver the verse. A hint of “Robin Hood Men in tights” in its bold and clever comedy this new adaptation is bright and brilliant.

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Christian Edward makes for a charismatic and commanding Cyrano, entirely confident and cool unless his massive conk gets a mention. Retired to his fate that he’ll never find love with a hooter so large Cyrano becomes third wheel in the fledgling relationship of the blindingly beautiful Roxanne (Sharon Singh) and the ever so handsome Christian (Adam Barlow). Cyrano releases his inner longings for Roxanne onto parchment which she is led to believe comes from the hand of the perfectly formed Christian, who sadly flunked school when it came to prose. It is only many years later Roxanne learns the truth and realises the man she loves has been nose to nose with her for her entire life, quite literally.

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Edwards is exceptional as Cyrano, instantly likeable with bucket loads of swagger he is proud and combative but really loveable at heart. Throughout the piece we see drunken poet Ligniere (Michael Hugo) act almost as a narrator, vocalising the woes of our characters and commentating on the pains that are the Parisian nobles, Hugo is brilliant fun, entertaining and very witty. Francesca Mills takes on multiple roles and is exceptional in all, quick witted and engaging she makes for an excellent pick-pocket sidekick to our hero Cyrano.

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Northern Broadsides have succeeded in making their Cyrano both cheeky and passionate, the entire ensemble cast work brilliantly together, with laughs a plenty as well as tender and touching moments Cyrano has got it all, wit, vigour and the most impressive hooter you’ll ever see!

On at the Lowry until Saturday 22nd April tickets available here; https://www.thelowry.com/events/cyrano

Babe, The Sheep-Pig

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Based on the best-selling book by legendary children’s author Dick King-Smith, which inspired the Oscar-winning 1995 film, Babe, The Sheep-Pig is brought to life on the Quays stage in the most enchanting and charming of ways in Polka theatre’s delightful new production.

Babe arrives at the Lowry as part of an extensive UK tour which will see our little piglet entertain audiences from Salford to Southend with many stops along the way. Directed by Michael Fentiman whose previous productions include The Taming of the Shrew and Titus Andronicus (RSC), and The Lion, The Witch and The Wardrobe (Kensington Gardens). Babe is a story of perseverance, friendship, understanding and bravery. When Babe arrives at Hogget’s Farm as a proposed addition to Christmas dinner he is taken under the wing of loyal sheep-dog Fly and soon discovers a talent for herding, (once he eventually works out his own unique way of encouraging the sheep on the farm to do things his way). But as cute as our little piggy is can he make it in a dog’s world? Will Babe be the hero of the hour when his farmyard friends are in trouble? Will Mrs Hogget find an alternative pork free recipe for their festive feast? That we won’t tell you, you’ll have to head down to the Lowry to find out!

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We will tell you however how truly enchanted we were by this beautiful production, the stunning hand-crafted puppets, created by award-winning puppet designer Max Humphries (Chief Puppet Designer, Cirque de Soleil) and Dik Downey, were expertly brought to life by the talented cast who delivered a masterclass in puppeteering and performance, the children in the audience were truly captivated.

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Madeleine Girling’s stage design sweeps you away to a countryside farm as cast members reside on the stage dressed as fluffy sheep, baah-ing and chomping on hay. The incredible puppetry direction by Matthew Forbes really makes you feel that the residents of Hogget’s Farm have come to life before you, so good is their fluidity and characterisation you soon begin to believe you really are down on the farm. The joy this production brings to its young audience is utterly heart-warming, the small cast deliver this production with heart and soul and the importance of true kindness and real friendship shines through. Babe will warm your heart, fill you with joy and remind you of just how much good there is in the world.

On at the Lowry until Saturday 15th April https://www.thelowry.com/events/babe