A Christmas Carol

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Review by Matthew Forrest

Panto season is in full swing at this time of year, but fairytales and jolly japes aren’t everyone’s cup of tea, so if you’re looking for something a little different to get your festive juices flowing, then the MAP Repertory Company’s take on A Christmas Carol offers the perfect alternative.

Charles Dickens’ A Christmas Carol, has made captivating reading for young and old alike for just short of 175 years when the novel was first published in 1843. There have been countless film adaptations of this classic tale,  all offering something a little unique and this version is no different.

Told with various cast members acting as narrator, we are introduced to Mr Ebenezer Scrooge and his dutiful, down trodden  employee Bob Cratchit as they are busy working on Christmas Eve. We get a look into the blackheart of Scrooge as he berates his employee for want Christmas Day off, as well as mocking his nephew Fred, for his merriment and positive outlook  over the festive season. What follows is Scrooge’s road to redemption as he encounters four spirits who look to save the old misers soul before it’s too late.

This is a highly original attempt at this old classic that doesn’t always hit its mark but is a great deal of fun regardless. The cast all work their socks off playing muliple roles and are clearing having a ball, the show is a blend of music and comedy, with a great deal of joy coming from the introduction of the puppet Tiny Tim. What sets this apart from other productions is the way they used the space at 53Two venue, all aspects are covered with various cast members popping up in the theatre. The soundscope is brilliant especially during the scenes with the ghosts, made all the more immpressive by the limited budget of the play.

With a running time of just under hour, Map rep company have tried to cram as much story in as possible, which doesn’t quite work in parts: the biggest problem being the introduction of the tension between Scrooge and his nephew is left unresolved. In addition Scrooge’s scaving encounter with the charity workers isn’t mentioned until after he has his epiphany: so when Scrooge shows his charitable side it has very little impact as it was seen without context.

This is a fun, smart  show, suitable for all the family that will provide a spring in the step as we march towards Christmas,packed with fine performances, comedy, Christmas  carols and lashings of good cheer it’s well worth watching.

On at 53Two until Saturday 23rd Dec, tickets available here.

 

 

 

The Marriage of Kim K


A combination of a musical about the failed marriage of Kim Kardashian and Mozart’s ‘The Marriage of Figaro’ really shouldn’t work but somehow Northern music/theatre duo Leoe & Hyde have created a little piece of magic here, ensuring a monster hit for fringe production, The Marriage of Kim K.

At the centre of the story we have Amelia, (played superbly by Amelia Gabriel) and Stephen (portrayed wonderfully by director and composer of the piece Stephen Hyde), a couple who are poles apart in their ideas on what makes for a relaxing night in front of the TV, something which ultimately affects the harmony of their whole relationship. Amelia will happily watch, and watch, and watch reality TV Queen Kim Kardashain while Stephen’s idea of heaven is immersing himself in the works of Mozart, regardless of whether he understands what is being said or not.


As our couple sit centre stage fighting for control of the TV remote a look into the life of Kim K begins to take place stage left whilst The Marriage of Figaro emerges to our right. The staging of this piece is wonderfully creative, with witty lyrics and outstanding orchestration, sharp observations are played out to great effect.

As Kim (played brilliantly by Yasemin Mireille), becomes increasingly bored of life with Kris (portrayed superbly by the hilarious James Edge) we see perhaps that reality TV isn’t too different from real life as Amelia and Stephen become increasingly frustrated and fed up with each other. Cut to the Marriage of Figaro and life isn’t too rosy here either as Count Almaviva (played by the charismatic and comedic Nathan Bellis) is increasingly testing his Countess (portrayed beautifully by Emily Burnett) with his dalliances and downright bad behaviour. We soon begin to realise that life is pretty similar for us all, whether you’re from revolutionary France, glamorous LA or sat on your sofa scrapping over the TV remote here in the UK.


The whole cast deliver outstanding performances, Leoe Mercer has gifted each character with witty and well observed lyrics which offer many laugh out loud moments as we realise just how absurd life can be whether that be as a grand Countess or a struggling composer, and how deep down we’re not so different after all, allowing the three very different stories to perfectly intertwine. The addition of a live orchestra really makes this a stand out piece, Stephen Hyde’s score adapted from Mozart’s The Marriage of Figaro is beautiful and sets perfectly the pace and flow of the on stage action.

Together Leoe & Hyde have created an absolute gem of a show, witty, beautifully crafted and superbly delivered. Book your tickets here www.marriageofkimk.com/tickets.html