Don Giovanni | Opera North

Don Giovanni 01_credit Bill Cooper

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Reviewed by Michelle Ewen

Scandalously entertaining, Don Giovanni is a five-star romp through the ages which left us both wooed and wowed at The Lowry!

Presented by Opera North, Don Giovanni tells the story of a time-travelling lothario who leaves a trail of broken hearts – and even a corpse – in his wake before finally facing retribution.

With the Time’s Up movement empowering victims of sexual harassment and violence, Mozart’s work circa 1787 remains as relevant today as it did in the eighteenth century and, thanks to its stunning staging and raucous puppetry, this production feels thoroughly modern and provocative.

DON GIOVANNI_OPERA NORTH Don Giovanni; William Dazeley, Leporello; John Savournin, Donna Anna; Jennifer Davis, Don Ottavio; Nicholas Watts, Donna Elvira; Elizabeth Atherton, Zerlina Kathryn Rudge, Masetto; Ross McInroy, Co

Mozart presents us with three female leads: Donna Anna (Jennifer Davis), who Don Giovanni molests before killing her father Il Commendatore (James Platt); Donna Elvira (Elizabeth Atherton), who Don Giovanni has previously seduced and promised to marry; and Zerlina (Kathryn Rudge), whom he is intent on bedding on her wedding day to Masetto (Ross McInroy).

Slipping back and forth in time, Don Giovanni manages to stay one step ahead of all three women with the help of his long-suffering servant Leporello; indeed, it is only when Don Giovanni defiantly asks the statue of the murdered Il Commendatore to dine with him that his past transgressions look set to finally catch up with him…

William Dazeley has all the prerequisite charisma and acting chops to carry the title role of Don Giovanni, yet it is his partnering with John Savournin as Leporello that delivers the greatest satisfaction. Fully indulging in Mozart’s brand of nudge-nudge wink-wink bawdy comedy, Dazeley and Savournin are a riot, as well as bona fide masters of gesticulating rudely with their canes.

DON GIOVANNI_OPERA NORTH Don Giovanni; William Dazeley, Leporello; John Savournin, Donna Anna; Jennifer Davis, Don Ottavio; Nicholas Watts, Donna Elvira; Elizabeth Atherton, Zerlina Kathryn Rudge, Masetto; Ross McInroy, Co

The black, lowbrow comedy they indulge in offers the perfect counterbalance to Donna Anna’s palpable grief, which the brilliant Jennifer Davis portrays so believably. Whether she’s being roughly molested, lying prostrate on the floor or flopping in anguish against her ever-patient fiancé Don Ottavio (Nicholas Watts), Davis’ vocals never falter – making this a stunning Opera North debut for the graduate of DIT Conservatory of Music and Drama in Dublin.

As the flirtatious Zerlina, Kathryn Rudge is delicious – simultaneously reassuring her husband-to-be Masetto, while actively encouraging Don Giovanni’s panting advances. Her vocal theatrics during a simulated sex scene had the audience in stitches!

Praise too for James Platt, who lends just the right amount of gravitas to the role of Il Commendatore – making for a sensational last act.

DON GIOVANNI_OPERA NORTH Don Giovanni; William Dazeley, Leporello; John Savournin, Donna Anna; Jennifer Davis, Don Ottavio; Nicholas Watts, Donna Elvira; Elizabeth Atherton, Zerlina Kathryn Rudge, Masetto; Ross McInroy, Co

While the Opera North cast and chorus are to be congratulated on their first-class performances, it is Alessandro Talevi’s direction, Madeleine Boyd’s set and costume design, Matthew Haskins’ lighting and Victoria Newlyn’s choreography that takes the staging to a whole other level.

The device of inserting a Punch and Judy-style stage ‘window’ into the curtain was ingenious – especially when the actors’ lower bodies were replaced with identical miniature puppets. These were, without doubt, some of my very favourite scenes in the whole production.

And what is an opera without music? Hearty congratulations to the Opera North orchestra, which was expertly led by Christoph Altstaedt – breathing new life into the familiar and seducing us with every note.

Don Giovanni has one final performance at The Lowry on Friday 9th March at 7pm with a bookable free pre-show talk at 6pm, tickets available here.

The Marriage of Kim K


A combination of a musical about the failed marriage of Kim Kardashian and Mozart’s ‘The Marriage of Figaro’ really shouldn’t work but somehow Northern music/theatre duo Leoe & Hyde have created a little piece of magic here, ensuring a monster hit for fringe production, The Marriage of Kim K.

At the centre of the story we have Amelia, (played superbly by Amelia Gabriel) and Stephen (portrayed wonderfully by director and composer of the piece Stephen Hyde), a couple who are poles apart in their ideas on what makes for a relaxing night in front of the TV, something which ultimately affects the harmony of their whole relationship. Amelia will happily watch, and watch, and watch reality TV Queen Kim Kardashain while Stephen’s idea of heaven is immersing himself in the works of Mozart, regardless of whether he understands what is being said or not.


As our couple sit centre stage fighting for control of the TV remote a look into the life of Kim K begins to take place stage left whilst The Marriage of Figaro emerges to our right. The staging of this piece is wonderfully creative, with witty lyrics and outstanding orchestration, sharp observations are played out to great effect.

As Kim (played brilliantly by Yasemin Mireille), becomes increasingly bored of life with Kris (portrayed superbly by the hilarious James Edge) we see perhaps that reality TV isn’t too different from real life as Amelia and Stephen become increasingly frustrated and fed up with each other. Cut to the Marriage of Figaro and life isn’t too rosy here either as Count Almaviva (played by the charismatic and comedic Nathan Bellis) is increasingly testing his Countess (portrayed beautifully by Emily Burnett) with his dalliances and downright bad behaviour. We soon begin to realise that life is pretty similar for us all, whether you’re from revolutionary France, glamorous LA or sat on your sofa scrapping over the TV remote here in the UK.


The whole cast deliver outstanding performances, Leoe Mercer has gifted each character with witty and well observed lyrics which offer many laugh out loud moments as we realise just how absurd life can be whether that be as a grand Countess or a struggling composer, and how deep down we’re not so different after all, allowing the three very different stories to perfectly intertwine. The addition of a live orchestra really makes this a stand out piece, Stephen Hyde’s score adapted from Mozart’s The Marriage of Figaro is beautiful and sets perfectly the pace and flow of the on stage action.

Together Leoe & Hyde have created an absolute gem of a show, witty, beautifully crafted and superbly delivered. Book your tickets here www.marriageofkimk.com/tickets.html