The Stretch

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

Following on from its success as part of JB Shorts 19, MAP Productions have reworked and extended The Stretch from its original 15 minutes into an hour-long piece as they examine the lasting & devastating impact one moment of madness can have.

We follow Lee (James Lewis) through his long 10 years in prison, joining him on a brutal and soul-destroying journey as he visually charges before us from strong self-assured new kid on the block to defeated & destroyed shadow of his former self, broken by the brutality of life on the inside.

Through atmospheric lighting & inspired design the arches of 53Two have been transformed into a menacing & moody environment adding an almost immersive feel to proceedings. The cast make full use of the multi-layered set, lurking in the shadows as new boy Lee is led in to serve his time before powerfully making their presence known.

Joe Ainsworth’s script is melodic and pacy as with each year that passes hope fades and survival instinct takes hold before the reality of abandonment & isolation takes over.

4 - Photo by Sean Mason

James Lewis gives a superb performance as Lee, honest and real in his portrayal he takes us on an incredibly raw and deeply poignant journey. His measured performance transitions from witty and light to heartbreakingly raw as he becomes increasingly broken by the failing prison system.

The ensemble add depth and authenticity to this production, taking on various roles depicting individuals on both the inside and outside of the prison walls and the impact Lee’s one monumental mistake has on them.

Simon Naylor’s fluid direction creates pace and adds poignancy to the quieter more emotional moments allowing them the impact they deserve.

The Stretch offers powerful performances which movingly highlight the tragic repetitive cycles happening daily in prisons around the country if not the world. A brave and honest account of one man’s devastating descent into hopeless institutionalisation. Affecting and important theatre.

The Stretch is on at 53Two until Friday 15th March, tickets available here

Tickets £10 with unwaged tickets available for every performance. Please bring proof of being in receipt of Universal Credit, Job Seekers Allowance or Income Support to the box office when collecting tickets.
Tuesday 12th March performance is BSL interpreted

 

 

 

 

The Full Monty

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

FM

The Full Monty arrived back in Manchester this week and judging by the whoops and excited cheers from the audience when Gary Lucy and Co take to the stage their return is very welcome.

Adapted from Simon Beaufoy’s 1997 film of the same name, The Full Monty tells the story of six out of work Sheffield steel workers, bored, broke and battling various issues of their own.

Gary Lucy as Gaz is behind on his child maintenance, his custodial problems worsening by the day. Best mate Dave’s (Kai Owen) confidence is rock bottom and his relationship with wife Jean (Liz Carney) is suffering. After stumbling upon a Chippendales night at the local social club Gaz sees an opportunity to earn a quick buck and hopefully prove to son Nathan (Fraser Kelly) he’s not a complete failure.

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Right from the off it’s clear what the audience are here for; they want a reet good laugh and of course ‘that’ infamous scene at the end of the show. Each teasing flash of flesh is lapped up as this story familiar to many begins to play out. Fans of the film will be glad to know the adaptation has been respectfully done, characters remain the same ones they fell in love with back in the 90’s and the northern witty one-liners come thick and fast.

Designer Robert Jones has translated the industrial disused steelworks into an effective and efficient set, doubling up as offices, social clubs and performance space with ease.

What starts off as feel-good escapism soon deepens into something more as we see friendships grow, self-respect return and important issues raised. Beaufoy’s script doesn’t shy away from sensitive themes; suicide, sexuality and self-worth are all covered here but done so in a typically northern no-nonsense fashion where problems are faced with a laugh and a joke but at all times a genuine warmth.

FM 1

Heading up the cast Gary Lucy is clearly an audience favourite although his accent takes a trip across the Pennines on more than one occasion the audience lap up his cheeky banter as Gaz the Lad. Fraser Kelly as son Nathan is convincing and committed, leading you to question just who is raising who here. Kai Owen as Gaz’s best mate Dave gives a warm and relatable performance while both Joe Gill as Lomper and Andrew Dunn as Gerald shine in their respective roles. Louis Emerick as Horse proves despite a dodgy hip he’s still got the moves while James Redmond as Guy proves he’s packing more than just a girder down there!

The Full Monty is an entertaining night out, a heart-warming story delivered in a fun and feel-good way with more than enough laughs to send you home smiling.

Catch The Full Monty at Manchester’s Opera House until Saturday 23rd February tickets available here.