Panto cast announced!

Panto

Casting for this year’s festive panto, Dick Whittington has been announced!

John Barrowman and The Krankies will lead the cast in the Opera House’s magical production which will run from Saturday 9 December to Sunday 7 January 2018 with tickets on sale now….oh no they’re not…..oh yes they are!

John Barrowman Panto promo image

John Barrowman will swap the West End for Manchester as he takes on the lead role of Dick and will be joined for some comedy capers by legendary duo and family favourites The Krankies!

Produced by Qdos Entertainment, the world’s biggest pantomime producer, the show will also include a spectacular 3D sequence, which will see audiences travel on a very special adventure alongside Dick Whittington and his trusty cat!

The Krankies Panto Promo Image

Michael Harrison, Managing Director of Qdos Entertainment’s pantomimes said “We’re absolutely delighted that the ultimate showman, John Barrowman, will be leading the cast of this year’s Manchester Opera House pantomime. John is always a favourite with panto audiences, which is no surprise given his immense talent. We’re also thrilled that panto-legends The Krankies will be spending another season with John, their timeless comedy is loved by audiences of all ages.”

Panto fans can see the show at Manchester’s Opera House between Saturday 9 December 2017 to Sunday 7 January 2018

Tickets: From £12 available here http://www.atgtickets.com/shows/dick-whittington/opera-house-manchester/

 

Flare 2017 launch

Flare

Flare International Festival of new theatre which is taking place across the city between 4th -8th July announced an inspiring and innovative full programme line up this afternoon.

Acting as a platform for some of the most talented national and international theatre makers and featuring around 60 of the best new international artists Flare 17 promises to be a unique and exciting celebration of new theatre. The full programme includes performances, workshops, feedback sessions as well as parties for both performers and audiences alike.

Artistic Director Neil Mackenzie explained the importance of programming international work, “It is our aim as an international festival and as advocates of emerging experimental theatre to bring together the international community of radical theatre artists to inform and enrich theatre practice in this country”

Flare 17 will take place at various venues across the city including HOME, Royal Exchange Theatre, The Lowry, Contact, Martin Harris Centre and 70 Oxford St and will present an ambitious programme of work from across Europe. Highlights announced today include:

PARTY-web

Party by Spanish/Brazillian artists Beaches – An immersive dance and audio show for 10 spectators at the time. Alluding to elements of our collective memory and popular culture, the piece creates a utopian simulation of a night out, one that functions as a detonator for hacking the senses of the spectator, blurring the limits between reality and representation.

BlindCinema_Britt-Hatzius_1

Blind Cinema by Britt Hatzius – In the darkness of a cinema space, the audience sits blindfolded. Behind each row of audience members is a row of children who, in hushed voices, describe a film only they can see. Accompanied by the soundtrack (which has no dialogue), the whispered descriptions are a fragile, fragmentary and courageous attempt by the children to make sense of what they see projected on the screen. In focusing on that which lies beyond the sense of sight, the attention switches between the world of the film, guided by the whispering voice, and the shared physical space of the cinema. For these performances the children will come from St Brigid’s RC Primary in Beswick, and Beaver Road Primary in Didsbury.

grand-applause-web

Grand Applause by Guillem Mont de Palol & Jorge Dutor – An extraordinary on-stage exhibition of performance and visual art, presented in the form of the opera – Carmen. In the opera, Don José falls in love with Carmen who becomes infatuated with the bullfighter Escamillo. Don José’s love quickly turns to violent jealousy. He tracks Carmen down and kills her.

On a stage that is wired for sound, Grand Applause offers a stirring soundtrack, a live chorus and a choreography of artworks, by three artists: Norberto Llopis in the role of Carmen, Luis Urculo in the role of Don José and Bernhard Willhelm as the toreador Escamillo. After their huge hit #losmicrófonos at FLARE15, irrepressible theatrical mavericks Guillem Mont de Palol and Jorge Dutor are back, but on a much bigger scale…

Flare Molar

Molar by Quim Bigas Bassart – A much acclaimed and highly energetic interactive solo performance about happiness, and the way we move and are moved. A favourite at festivals across Spain, this is a performance that reflects on the commercialisation of human emotion, and is presented for free in the Great Hall of the Royal Exchange in Manchester.

Tickets and full listings are available now via www.flarefestival.com

 

Casanova

Cass a

Set against the backdrop of 18th Century Venice and Paris, we meet passionate, adventure seeker, Casanova, a man consumed by his desire to experience life at its fullest and most satisfying without question.

Hugely respected for their narrative based work, critically acclaimed Northern Ballet breathe life and skilful artistry into this new production created by award-winning choreographer Kenneth Tindall. Together with Ian Kelly, Tindall devised the original scenario for this fresh and enthralling piece from sections of Casanova’s memoirs, revealing more of the man than just the legendary lover we are all so familiar with. We meet Casanova on a more human level and see how his priest training is thwarted due to the constant distractions of both his mind as well as his body.

Cas f

Tindall’s stunning and innovative choreography captivates from start to finish, sensual and thrilling the powerful scenes featuring the corps de ballet move from contemporary to classical with ease, the two marry beautifully together. Tindall’s choreography is electrifying, the traditional pas de deux are there and are entirely fizzing with emotion and sensuality, as Casanova (Giuliano Contadini) is seduced by M.M (aristocratic nun and mistress to Cardinal de Bernis) in a staged seduction the passion between them is intense, they move as one and thrill with their skill and precision. In contrast to this as Casanova dances with his true love Henriette (Hannah Bateman) we see a new tenderness and real depth of heartfelt desire, stark contrast to the frenzied passion we have witnessed before. Giuliano Contadini is sublime as Casanova, dashingly handsome and physically perfect with just the right amount of cheeky swagger.

Cass c

The striking set and costumes designed by Christopher Oram are partnered perfectly by Alastair West’s stunning lighting design, atmospheric and dramatic it is truly spectacular, we see shafts of light streaming through church windows breathing fresh hope of liberty, more than the strict life of the church to a young and curious Casanova. The original score by modern classical, film and television composer Kerry Muzzey, is delivered superbly Northern Ballet Sinfonia.

Special mention must go to the brilliance of the staging during the prison of the Inquisition scene; a corner of a giant gilt frame is lowered towards Father Balbi (Jeremy Curnier) as he is tortured by the Inquisition in order to force a confession naming Casanova, enormously powerful and visually absolutely magnificent.

Cass d

Northern Ballet once again prove just how exciting and dynamic as a company they truly are. Casanova is utterly mesmerising, the piece literally smoulders as bodies slip and slide together flawlessly. Tindall has created a perfect work, creating a ballet that pushes the boundaries and delivers dance in a wholly stunning and accessible form. As the piece draws to a close and Casanova’s life flashes before him we are able to reflect on this truly remarkable production, an absolute must see.

Cass b

On at the Lowry until Saturday, tickets available here http://www.thelowry.com/events/casanova

Bucket List

(c) Alex Brenner

Following an award winning Edinburgh Festival Fringe run, the internationally acclaimed Theatre Ad Infinitum bring their latest powerful piece Bucket List to the Lowry.

The all-female cast tells the story of Milagros, a spirited Mexican orphan who tragically sees her mother murdered during an anti-corruption protest. Milagros is left with only a bloodied list of names, names of those responsible for her mother’s death. Milagros soon realises her only option to make them pay and find her vengeance is to destroy them, one by one.

(c) Alex Brenner

Ad Infinitum’s style of story-telling is exceptional, physical, effusive and hugely powerful. The piece at 90 minutes straight through with no interval flows rapidly and packs a punch, raising a fist of defiance to the powers that be. The ensemble cast successfully take on a number of roles; once you get into the flow of how this innovative company share their tales you are soon scooped up and hooked by their charismatic and emotive style.

(c) Alex Brenner

(c) Alex Brenner (info@alexbrenner.co.uk)

Director Nir Paldi perfectly illustrates through her cast the desperation and frustration of living in a place where poison not only flows through the rivers but right to the core of the establishment. The cast made up of Tamsin Clarke, Charli Dubery, Luisa Guerreiro, Orian Michaeli, Deborah Pugh, Shamira Turner portray this tangled web of hurt and pain magnificently, there are many light-hearted moments of joy as we see Milagros childlike, innocent as she has fun with her young friends before the brutality of real life takes over. An interesting and clever narrative of a chess game flows through the piece, offering tactical advice on how best to make the next and most deadly move whilst offering up the suggestion we are all just pawns in a bigger and much more terrifying game.

Bucket List is passionate and incredibly moving, intricate and brilliantly delivered, physically charged theatre at its best. On at the Lowry until Thursday 27th April tickets available here; https://www.thelowry.com/events/bucket-list

Casanova – Preview

Internationally and critically acclaimed company Northern Ballet brings the World Première tour of Casanova to the Lowry’s Lyric theatre next week, inviting audiences to unmask and be seduced by history’s greatest lover, the passionate, scandalous and oh so seductive Giacomo Casanova.

Consumed by his desires, which ultimately lead to him living a life of scandalous and hedonistic excess resulting in his imprisonment and exile, Casanova is a deliciously sensual piece which will thrill and enthral audiences in equal measure. Well known for their bold and dynamic works Northern Ballet have once again put their innovative and unique stamp on a classic story breathing life and spectacular artistry into this new piece. We are delighted to bring images from the rehearsal rooms to you today which truly illustrate the visual delight which awaits Lowry theatre goers next week.

Choreographed by award-winning Kenneth Tindall, most recently nominated for Best Classical Choreography and the Emerging Artist Award at the 2015 National Dance Awards, the production will be set to an original score by modern classical, film and television composer Kerry Muzzey, played live by the superb Northern Ballet Sinfonia, whisking theatre goes to 18th century Venice, where this thrilling piece will awaken our senses and delight in its magnificence.

This sumptuous spectacle which will be performed at the Lowry from 3rd – 6th May, is the first of an unprecedented three full-length World Premières to be held by Northern Ballet in 2017 which also include the much anticipated World Premières of The Boy in the Striped Pyjamas and The Little Mermaid, further evidence of Northern Ballet’s dedication to pushing the boundaries when it comes to delivering dance in its most stunning of forms.

Buy your tickets now for what will be undoubtedly one of the most visually spectacular events of the year. Tickets are available via the following link; https://www.thelowry.com/events/casanova

 

 

Wonderland

Wonderland Promo Image 2 Kerry Ellis

Not to be confused with the Blur frontman, Damon Alban’s musical that kicked off Manchester International Festival two years ago, Frank Wildhorn and Jack Murphy’s Wonderland is a new musical adaptation of two of Lewis Carroll’s classics – Alice’s Adventures in Wonderland and Through The Looking Glass.

Having already enjoyed a stint on Broadway the show is on its UK and European premiere tour with an impressive cast that includes West End leading lady Kerry Ellis, musical theatre veteran Dave Willetts and former Coronation Street star Wendi Peters.

On paper Wonderland should be a sure-fire hit – it’s based on one of the most popular children’s stories of our time, the music is by a multi-award winning composer and you have Ellis, the woman who made Wicked’s Elphaba a hit in the UK at the helm.

Unfortunately it does not live up those expectations.

Wonderland

Gregory Boyd and Jack Murphy have created a book for stage that sees Alice no longer a little girl but a 40 year old single Mum disillusioned with the cards life dealt her and wanting to escape the ‘real world’. Cue a visit to their high-rise block of flats from the White Rabbit (Dave Willetts) who takes her, her teenage daughter Ellie (Naomi Morris) and geeky love-struck neighbour Jack (Stephen Webb) down the lift shaft – a modern day rabbit hole –  into the frantic world of Wonderland.

Whilst Grace Smart’s costumes perfectly evoke the essence of Carroll’s creation with a melee of colours and craziness about them, Andrew Riley’s set however is sparse and changes very little throughout the performance with just additional props wheeled on, such as the Looking Glass and Mad Hatters’ Tea party table. I wanted a magical world to unfold beneath my eyes and be dazzled at the grandeur but it all felt a little flat.

There was magic however when it came to the performances. Kerry Ellis is just incredible to watch and her vocals exquisite, so too was Natalie McQueen as the Mad Hatter giving her just the right amount of zaniness and proving a perfect match for Ellis in their powerhouse duet This Is Who I Am. Wendi Peters also went down a treat with audiences for her portrayal of the Queen of Hearts and her number Off With Your Head left you wishing she had more time on stage to fully develop her character.

Wonderland Promo Image - Wendi Peters

Wonderland’s main flaw is that it makes you feel like you are watching a pantomime – there’s lots of fluff and not enough jeopardy to take the show seriously as a musical, which in reality is competing against the likes of other new creations such as Hamilton and Groundhog Day. At times I half expected the characters to address the audience and get them involved in the action. The production would be the perfect vehicle for Christmas time with its sickly sweet message of ‘not being afraid to be who you are inside’ being drummed down your throat at every stage but for now it needs more work on making the songs memorable and the story slick enough to turn it into a real contender.

Runs at the Palace Theatre, Manchester until Sunday 30th April

*Britain’s Got Talent’s Rachael Wooding will guest star as Alice for the Sunday matinée performance in Manchester.

 

 

Ghost

Ghost 1

Bill Kenwright Productions brings Ghost the Musical to the Lowry stage this week as the last stop on its UK and Ireland tour which began at the New Wimbledon Theatre back in September 2016.

Based on Bruce Joel Rubin’s much loved 1990 film, starring the legendary Patrick Swayze, Demi Moore and Whoopi Goldberg, with music by Eurythmics’ Dave Stewart, and lyrics from Grammy Award winner Glen Ballard, Ghost the Musical tells the tragic love story of Brooklyn residents Sam (Andy Moss) and Molly (Kelly Hampson) whose lives are torn apart when Sam is tragically murdered in the street in a robbery gone wrong. As Sam watches the scene of his death from a distance he realises he has become stuck between two worlds, torn away from his idyllic life and one true love, Sam soon realises this was no tragic accident and his beloved Molly too is in danger, he must find a way to connect and ultimately protect her. His method of protection takes on the form of the outrageous, hilarious and hugely entertaining psychic and spiritual healer, Oda Mae Brown (Jacqui Dubois).

Ghost 4

Kelly Hampson covering the role of Molly tonight on behalf of the indisposed Carolyn Maitland (get well Carolyn) does a fine job, her voice is sweet and strong and the chemistry between her and Sam (Andy Moss) endearing, she embodies the grief of losing her lover tenderly and with real heart. Moss makes for an enormously likeable Sam, fun, playful, and full of life, making the scenes where he realises he has died all the more poignant. His commitment to protecting his love from danger is hugely moving while his interactions with Oda Mae (Jacqui Dubois) are simply brilliant. Dubois was born to play Oda Mae Brown, bold, brash, outrageous and full of attitude she is a joy to watch with razor sharp comic timing Whoopi Goldberg would be proud of.

Ghost 3

The staging of this production allows for some clever effects and the strong supporting cast directed by Bob Thomson deliver fine performances with special mention to both James Earl Adair and Gerry Lee Netley who play the hospital ghost and subway ghost superbly.

Ghost 2

Ghost is a highly entertaining show, with beautiful music and solid performances, you will most certainly laugh, quite probably cry and as soon as you get home will be digging out that old DVD when you remember just how much you love this beautiful story. An engaging and beautifully delivered production.

On at the Lowry until Saturday 29th April, tickets available here!

https://www.thelowry.com/events/-ghost-the-musical

 

Running Wild

RW

War Horse author Michael Morpurgo has created yet another stunning story which has now been adapted for stage, this time aimed at a younger audience.

Running Wild tells the tale of 9-year old Lilly (Jemima Bennett) who is struggling to come to terms with recent death of father, a soldier in Afghanistan. To ease her loss her Grandma suggests she takes a trip with her Mum to Indonesia for Christmas to make new memories and get the chance to ride her favourite animal, the elephant. When a tsunami hits the island though tragedy strikes again and Lilly is whisked off into the jungle on the back of Oona the elephant and about to face some of the biggest challenges of her life.

RW 1

Morpurgo based Running Wild on real life events he read about in a newspaper back in 2004, when a tsunami hit Sri Lanka killing over 300,000 people. Out of all that tragedy came a shining light – an uplifting story of a little boy who got stranded in the jungle after the elephant he was riding on charged off as soon as the quake hit, saving the boys’ life in the process.

RW 3

In the stage adaption by Samuel Adamson the boy in the book becomes a girl, played during this Children’s Touring Partnership production by three alternate young actresses. Jemima Bennett played Lilly on the night we saw Running Wild and gave a polished performance as the feisty tomboy. Bennett takes on the huge role with a professionalism beyond her young years, and demonstrates Lilly’s sheer determination to survive everything the jungle throws in her way.

RW 2

There’s a plethora of spectacular puppets on display created by former War Horse Puppetry designers and directors Fin Caldwell and Toby Olie; from Sumatran tigers, to crocodiles and Orangutans. All of them are beautiful crafted and expertly handled by the talented team of puppeteers that bring them to life onstage and give them a heart and soul.

James Whiteside compliments the thrilling action with his atmospheric lighting design which evokes the mood changes of each scene perfectly. Whiteside effectively uses frantic flashes of strip lighting to signify danger and beautiful firefly-esq lights that highlight moments of serenity.

RW 5

Running Wild isn’t a sugar coated ‘George of the Jungle’ story you might expect it to be, in parts it is quite upsetting and, for the younger children in the audience, a bit scary (I’d advise to ignore the guidance of age 6+ to be safe and take those aged 8 upwards). However, it is also a play that excites with its adventure and manages to leave both children and adults with some important moral messages about our society today and our relationship with animals.

Runs at The Lowry, Salford until 22nd April. Tickets available here; http://www.thelowry.com/events/running-wild

 

 

Cyrano

Cyrano 3

Northern Broadsides together with New Vic Theatre, Newcastle-under-Lyme bring their swashbuckling tale of the legendary Cyrano De Bergerac to the Lowry this week in a newly adapted production from award-winning playwright Deborah McAndrew. Delivered in verse and littered with delightful blasts of baroque music director/ composer Conrad Nelson’s Cyrano is a gloriously fun interpretation of Edmond Rostand’s romantic comedy about unrequited love.

Husband and wife team McAndrew and Nelson stage this European classic with wit and regional charm and although we are in Paris amidst the golden age of the musketeers it is warm Northern voices which deliver the verse. A hint of “Robin Hood Men in tights” in its bold and clever comedy this new adaptation is bright and brilliant.

Cyrano 2

Christian Edward makes for a charismatic and commanding Cyrano, entirely confident and cool unless his massive conk gets a mention. Retired to his fate that he’ll never find love with a hooter so large Cyrano becomes third wheel in the fledgling relationship of the blindingly beautiful Roxanne (Sharon Singh) and the ever so handsome Christian (Adam Barlow). Cyrano releases his inner longings for Roxanne onto parchment which she is led to believe comes from the hand of the perfectly formed Christian, who sadly flunked school when it came to prose. It is only many years later Roxanne learns the truth and realises the man she loves has been nose to nose with her for her entire life, quite literally.

Cyrano 4

Edwards is exceptional as Cyrano, instantly likeable with bucket loads of swagger he is proud and combative but really loveable at heart. Throughout the piece we see drunken poet Ligniere (Michael Hugo) act almost as a narrator, vocalising the woes of our characters and commentating on the pains that are the Parisian nobles, Hugo is brilliant fun, entertaining and very witty. Francesca Mills takes on multiple roles and is exceptional in all, quick witted and engaging she makes for an excellent pick-pocket sidekick to our hero Cyrano.

Cyrano 1

Northern Broadsides have succeeded in making their Cyrano both cheeky and passionate, the entire ensemble cast work brilliantly together, with laughs a plenty as well as tender and touching moments Cyrano has got it all, wit, vigour and the most impressive hooter you’ll ever see!

On at the Lowry until Saturday 22nd April tickets available here; https://www.thelowry.com/events/cyrano

Boris – The Musical

Main_BoristheMusical_HeatherIsobel

Established in June 2016 as a response to the Brexit referendum, Blowfish Theatre brought their satirical comedy-musical about the rise, fall and unfortunate rise again of politiclown Boris Johnson to a packed out Dance House theatre last night.

Directed by Kyle Williams and writer Laurence Peacock, Boris – the Musical is a great fun show which gently illustrates just how bonkers the world of politics truly is whilst offering many, many laughs along the way.

2_BoristheMusical_HeatherIsobel

David Burchhardt, is excellent in the role of Boris, his portrayal is weirdly accurate even down to the hideous blond thatch, he greets audience members on their way into the theatre in true bumbling and bombastic Boris style. He is energetic and engaging as he commentates on his life story being acted out on stage. We follow Boris through his days at Eaton and Oxford with a visit to the Bullingdon Club as this political romp illustrates just how ridiculous our political leaders really are. We meet snooty and condescending ‘Dave’ Cameron as well as the painfully ambitious Michael Gove, continually waiting in the wings for political puppet Johnson to stuff up.

3_BoristheMusical_HeatherIsobel

Liz Kearney and Polly Bycroft-Brown take on several roles in the production including Dave and Gove, both have great stage presence and strong vocals which really compliment Burchhardt ‘s bungling Boris. With songs such as Born to Rule, Super Mayor and a hilarious Sound of Music reincarnation in the form of How Do You Solve A Problem Like A Boris, Blowfish theatre offer a sharp observation of the calamity that is Boris Johnson and the absolutely absurd political landscape he currently resides in. A great fun and hugely entertaining piece, highly recommended.

Boris – The Musical will be returning to Manchester in July for three dates at the city’s Z-arts venue on 27th, 28th & 29th July before heading up to the Edinburgh Fringe festival tickets available here; www.boristhemusical.com

Jane Eyre

3

First staged at the Bristol Old Vic, where the story was performed over two evenings, director Sally Cookson brings her acclaimed production on tour, presenting Bronte’s much loved classic as a thrilling and inventive performance beautifully staged in the Lowry’s Lyric theatre.

6

While many will be familiar with the story of Jane Eyre for some it’s one of those novels that you may have always intended to read but never quite got there, it is the biography of orphan girl Jane Eyre (Nadia Clifford) and bares striking similarity to Brontë’s own life, raised in the North of England Jane is taken in by her Uncle after the heartbreaking death of her parents, much to the disgust of his cruel wife, Jane’s Aunt, Mrs Reed (Lynda Rooke). When Jane’s Uncle becomes unwell, he asks Mrs Reed to promise to raise Jane as her own, sadly although she provides a house for Jane to dwell in she certainly doesn’t offer the love and warmth of the promised home subjecting Jane to a life of misery and abuse from not just her Aunt but her Cousins as well. At 10 years old she shipped off to Lowood, a school for orphaned girls, where she continues to experience a cruel and unforgiving life, despite this Jane manages to form a strong bond with her school friend Helen Burns (Hannah Bristow), tragedy however is never far away and Jane suffers more gut-wrenching loss.

7

Eventually Jane becomes a teacher at Lowood but yearns for change and adventure, she advertises herself as a Governess and is soon summoned to Thornfield Hall to educate Edward Rochester’s (Tim Delap) French ward Adele. As the developing friendship between Jane and Rochester begins to build strange happenings within the house start to occur risking both the safety and the future of both Jane and Rochester.

9

The staging of this production is immediately striking upon entering the theatre; set designer Michael Vale uses wooden pallets to create various levels and platforms accompanied by multiple ladders and steps which are used to maximum effect by the cast. Aideen Malone’s lighting design is bold and dynamic, creating and changing the atmosphere dramatically throughout the production.

4

The small cast take on a multitude of roles throughout the play and are magnificent, their characterisation outstanding and utterly captivating. They strive to ensure we see Brontë’s work is just as relevant today as it was then; they deliver each and every character with commitment and style. The piece feels fresh and inspiring as the spirited and strong Jane fights for her own freedom and fulfilment. Jane is told early on in the play after being punished by her Aunt in the red room, “Perhaps you should learn to keep your passions under control” something we soon realise is a thing Jane in order to be true to herself could never do. Nadia Clifford is superb in the role of Jane, yearning for liberty and adventure her spirit is strong and her need for fulfilment, physically, spiritually and mentally never wavers. Clifford is mesmerising, charismatic and captivating you immediately warm to her and are desperate for her to succeed. Sally Cookson uses several cast members to verbalise Jane’s inner thoughts, this works beautifully, illustrating just how strong and determined Jane truly is as she battles with herself to do what she believes is right as heart-breaking as it may be.

8

Melanie Marshall as Bertha Mason, the ‘lunatic in the attic,’ is superb, frequently appearing through musical interludes her vocals are hauntingly brilliant and pack a real punch. The effect feels almost like a musical narrative, with hugely inventive and highly original song choices that flow beautifully from one scene to the next offering more depth to an already magnificent production. The entire cast give their all; they make for a tight ensemble and move fluidly from one role to the next, accompanied by on stage musicians who add a further creative layer to this inventive piece.

10

Jane Eyre is a truly exceptional piece of theatre, groundbreaking and utterly captivating. Brontë’s much loved masterpiece is delivered with freshness and intelligence, you can’t help but think how pleased she would be to see her Jane portrayed with such heart and soul. The National Theatre in partnership with Bristol Old Vic once again succeed in bringing a true masterpiece to life, full of passion, intensity and originality, an absolute must see.

Photo credits Brinkhoff/Mögenburg

On at the Lowry until Saturday 15th April https://www.thelowry.com/events/jane-eyre

Miss Saigon returns to Manchester!

Miss S 5Hot on the heels of yesterday’s exciting Matilda announcement Cameron Mackintosh has today announced that Miss Saigon will land at Manchester’s Palace Theatre on 21th March 2018 and will stay in the city for a total of 7 weeks until 12th May 2018, with tickets going on sale on 18 May. www.miss-saigon.com

Mackintosh also announced the principal casting of his acclaimed new production of Boublil and Schönberg’s legendary musical, Red Concepcion will play ‘The Engineer’, Sooha Kim ‘Kim’, Ashley Gilmour ‘Chris’, Zoë Doano ‘Ellen’ and Gerald Santos ‘Thuy’. At certain performances ‘Kim’ will be played by Joreen Bautista.

Here at Opening Night we’re thrilled to hear that Barnaby Hughes most recently seen in Hope Mill Theatre’s stunning production Yank! will be amongst the cast, huge congratulations Barnaby!

Miss S 6

Miss Saigon tells the heart-wrenching story of the last days of the Vietnam War, 17-year-old Kim is forced to work in a Saigon bar run by a notorious character known as the Engineer. There she meets and falls in love with an American GI named Chris but they are torn apart by the fall of Saigon. For 3 years Kim goes on an epic journey of survival to find her way back to Chris, who has no idea he’s fathered a son.

Since its London premiere in 1989, Cameron Mackintosh’s production of Alain Boublil and Claude-Michel Schönberg’s legendary musical Miss Saigon has become one of the most successful musicals in history.  The show has since been performed in 28 countries, over 300 cities in 15 different languages, has won over 40 awards including 2 Olivier Awards, 3 Tony Awards, and 4 Drama Desk Awards and been seen by over 35 million people worldwide.

Tickets will be in huge demand for this epic production, we are thrilled to say in Manchester the heat is most definitely on!

MISS SAIGON UK TOUR 2017/2018

www.miss-saigon.com

 

MONDAY 3 JULY – SATURDAY 22 JULY 2017

CURVE, LEICESTER

www.curveonline.co.uk – 0116 242 3595

ON SALE NOW

 

WEDNESDAY 26 JULY – SATURDAY 23 SEPTEMBER 2017

BIRMINGHAM HIPPODROME

www.birminghamhippodrome.com – 0844 338 5000

ON SALE NOW

 

WEDNESDAY 4 OCTOBER – SATURDAY 18 NOVEMBER 2017

BORD GAIS ENERGY THEATRE, DUBLIN

www.bordgaisenergytheatre.ie – +353 (1) 677 7999

ON SALE NOW

 

WEDNESDAY 29 NOVEMBER 2017 – SATURDAY 6 JANUARY 2018

WALES MILLENNIUM CENTRE, CARDIFF

www.wmc.org.uk – 029 2063 6464

ON SALE NOW

 

WEDNESDAY 17 JANUARY – SATURDAY 17 FEBRUARY 2018

FESTIVAL THEATRE EDINBURGH

www.edtheatres.com – 01315296000

ON SALE NOW

 

WEDNESDAY 21 FEBRUARY – SATURDAY 17 MARCH 2018

MAYFLOWER THEATRE, SOUTHAMPTON

www.mayflower.org.uk – 02380 711811

ON SALE NOW

 

WEDNESDAY 21 MARCH – SATURDAY 12 MAY 2018

MANCHESTER PALACE THEATRE

www.atgtickets.com/venues/palace-theatre-manchester/0844 871 3019

ON SALE 18 MAY 2017

 

WEDNESDAY 16 MAY – SATURDAY 23 JUNE 2018

THE BRISTOL HIPPODROME

www.atgtickets.com/venues/bristol-hippodrome/0844 871 3012

ON SALE 18 MAY 2017

 

WEDNESDAY 4 JULY – SATURDAY 4 AUGUST 2018

THEATRE ROYAL PLYMOUTH

http://www.theatreroyal.com/01752 267222 ON SALE 18 MAY 2017

 

WEDNESDAY 15 AUGUST – SATURDAY 15 SEPTEMBER 2018

NORWICH THEATRE ROYAL

www.theatreroyalnorwich.co.uk  01603 63 00 00

ON SALE 21 AUGUST