The Toyboy Diaries

The ToyBoy Diaries at Hope Mill Theatre. Credit Anthony Robling 2

Opening Night Verdict ⭐️⭐️⭐️⭐️

As part of their pledge to champion new musical theatre, the award-winning pairing of Aria Entertainment and Hope Mill Theatre deliver their first offering of 2018 in the form of The Toyboy Diaries, a new British Musical based on the best-selling memoirs of Wendy Salisbury.

Directed by Tania Azevedo with music & lyrics by Andy Collyer, The Toyboy Diaries is an sharp, fresh & outrageously funny musical. Twice-divorced Lily (Johanne Murdock) has reached a point in life where she yearns for adventure, her children have flown the nest, she’s been jilted by a younger lover and at forty something she’s entirely done with the mundane. So with the hilarious encouragement of friend and neighbour Penny (Nicola Blackman) Lily sets about placing a personal ad & is soon reaping the rewards and in some cases dodging the bullets of her broadsheet biog.

The ToyBoy Diaries at Hope MIll. Credit Anthony Robling 1

Spanning the chapters of her life over approximately 15 years between her early 40s and 50s we live out an animated & hugely entertaining series of sexual encounters as seen through Lily’s eyes, some shockingly funny, some seriously sexy and some downright dirty but all with one thing in common, our sassy heroine is loving and living life to the full.

While there are many tongue in cheek moments, the writing ensures while we laugh with Lily we also care deeply for her, she is a woman of a certain age who proves there’s no shame in seeking out new experiences and taking life by the balls (quite literally). Johanne Murdock is an absolute joy as Lily, strong, self-assured and utterly fearless she shines in the role and captivates entirely. Present on stage for the entirety of the production her energy and enthusiasm is infectious.

Sidekick to Lily is loyal friend and neighbour Penny played brilliantly by Nicola Blackman. Always on hand to offer advice, even if it’s not wanted, and quick with the witty one-liners, Penny goes on her own journey of self and indeed sex discovery.

Matt Beveridge, Sharif Afifi and Alistair Higgins take on the roles of the multiple and varied toyboys, all are exceptional, hugely versatile with great characterisation and impressive comedic performances they each give their all in this production, morphing into various lovers with ease and believability. Incredibly hardworking in addition to playing various lovers they pop up mid scene to cha cha and harmonise around Lily and Penny almost like a glorious Toyboy Greek chorus adding a little flamboyance to each scene.

The ToyBoy Diaries at Hope Mill Theatre 2. Credit Anthony Robling 3

Composer Andy Collyer has gifted the production with an immensely expressive and poetic score which has a beautiful Sondheim feel about it. The cast deliver the lyrics with heart and precision, accompanied by musical director Andrew Griffiths talented band. Designer Jason Denvir has transformed the intimate space at Hope Mill with his innovative and multi-functional set, allowing characters to move from scene to scene with ease.

The Toyboy Diaries is not Shakespere, nor is it trying to be, it’s a great fun night out and unquestionably wonderful to see a woman of a certain age showed in such a self-assured and refreshing way. I felt myself grinning from ear to ear the whole way through. The show paints women in a wonderfully strong and empowering light. Lily knows what she wants and is not afraid to go and grab it, as the character says herself her legs might be in the air but her feet are firmly on the ground. It feels liberating to see such a strong female lead unashamedly celebrating who she is and what she stands for. A perfect tonic to beat the January blues.

On at Hope Mill Theatre until Saturday 10th February its sexy, sassy & will undoubtedly convince you to seize the day! Tickets available here.

The Band head to The Lowry!

 

The Band Q

Due to overwhelming public demand, Tim Firth’s smash-hit new musical, The Band, featuring the music of Take That, will return to the North West with a stop at The Lowry from Wednesday 16th until Saturday 26th January 2018.

The show which we gave a well-deserved five stars. is produced by David Pugh & Dafydd Rogers and Gary Barlow, Howard Donald, Mark Owen, Robbie Williams takes audiences us back to 1992 when for five 16 year old friends The Band is their absolute everything, they live, breathe, eat & sleep the music. Fast forward 25 years and life is somewhat different for our ladies as they attempt one last time to meet their teenage crushes. The winning of concert tickets to Prague soon becomes a journey of self-discover as they not only attempt to reconnect with each other but remember and realise the hopes and dreams of their 16 year old selves.

With superb direction from Kim Gavin and Jack Ryder, The Band has quickly become the fastest selling touring musical of all time as the show continues to delight audiences across the country.

Ticket information can be found here.

First look – The Toy Boy Diaries

TB Matt Beveridge and Johanne Murdock in rehearsals for The ToyBoy Diaries 2 credit Claire Bilyard

Highly anticipated new British musical comedy, The Toyboy Diaries which runs from Thursday 18th January to Saturday 10th February at Hope Mill Theatre, offers a first look at the production today with these newly released images from the rehearsal rooms.

Charting the hilarious and sometimes heart-breaking ups and downs of mid-life dating, The Toyboy Diaries is the first of 2018’s five in-house musicals from the hugely successful collaboration between Joseph Houston and William Whelton, co-founders of Hope Mill Theatre and producer Katy Lipson, of Aria Entertainment.

TB Sharif Afifi and Johanne Murdock in rehearsals for The ToyBoy Diaries credit Claire Bilyard

The production, which is adapted from the best-selling memoirs by Wendy Salisbury follows twice-divorced Lily as she inadvertently finds herself under a much younger man, which then opens the door to a whole new world of inappropriate relationships.

The lead role of Lily will be played by Johanne Murdock who was recently seen as Brutus in Julius Caesar and Lady Macbeth in Macbeth (Guildford Shakespeare Company). The production also features Olivier Award-nominee Nicola Blackman (Destiny Rides Again, Babe the Sheep Pig, Gilgamesh and Just to Get Married) as Lily’s best friend Penny.

TB Matt Beveridge and Johanne Murdock in rehearsals for The ToyBoy Diaries 1 credit Claire Bilyard

Matt Beveridge (The Frontier Trilogy, Titanic – Toronto and House of Therapy – Off Broadway). Sharif Afifi (Mamma Mia: Here We Go Again, Wonderland – UK Tour) will play ToyBoy 2, while Alistair Higgins (Dreamboats and Petticoats – UK Tour, Sweeney Todd – Brighton, Charlotte’s Web) plays ToyBoy 3.

TB Johanne Murdock in rehearsals for The ToyBoy Diaries credit Claire Bilyard

The Toyboy Diaries will be directed by Tania Azevedo, with a book by Simon Warne, music and lyrics by Andy Collyer.

Tickets are available here.

 

 

Peter Bergin is Peter Pan!

PAN-CharacterShot(Pan-Peter1)-001

Peter Bergin who trained at Rose Bruford, will take flight in Blackpool as he takes over the role of Peter Pan from Jake Quickenden who will soon be appearing on ITV’s Dancing On Ice.

Featuring a live band, lavish set and spectacular costumes, JM Barrie’s classic story has been wowing audiences at Blackpool’s Winter Garden’s since December 16th. Read our ⭐️⭐️⭐️⭐️ review here.

Also appearing are TV star Jennifer Ellison as the villainous Captain Hook, Blackpool’s own Maureen Nolan as Mrs Darling and Radio Wave’s Breakfast Host Scott Gallagher as Hook’s hapless sidekick, Smee.

The show runs until Sunday 7th January, offering audiences just a handful more opportunities to capture this magical family, musical adventure!

Tickets can be purchased here.

Peter Pan

 

Pan a

Opening Night verdict ⭐️⭐️⭐️⭐️

Promising to be a ‘musical adventure’ Selladoor Worldwide bring J.M. Barrie’s classic Peter Pan to Blackpool’s Opera House this festive season.

Starring X Factor, I’m A Celeb and soon to be Dancing On Ice favourite Jake Quickenden as Pan with Liverpool legend Jennifer Ellison as the villainous Hook and Maureen Nolan as Mrs Darling, Peter Pan is a magical, feel-good, re-telling of an all time classic.

Designer Jessica Curtis sets the action beneath a large eye catching & atmospheric draped tipi, a simple but effective set which lends itself well to scene changes and captivates audiences imaginations as we fly with Pan, Wendy, John and Michael through their bedroom window to Neverland.

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Quickenden is on fine form as he makes his stage debut, he is hugely likeable and makes for a charismatic Pan, showcasing his vocal talents beautifully in each of the crowd pleasing musical numbers which include Uptown Funk, Can’t Stop The Feeling and We Are Family.

Ellison’s Hook perfectly compliments Quickenden’s Pan, she is fierce, feisty and boy does she know how to play a baddie……oh yes she does! She has the audience in the palm of her hand from the off as she revels in the boos and delights in the hisses, a glint of devilment in her eyes, she’s all about having fun with this role and giving the audience the great time they came for.

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The strong supporting cast work incredibly hard doubling up as both the Lost Boys and Hook’s motley crew to great effect. Director Kirstie Davis ensures each character is clearly defined as they work together seamlessly, each and every cast member full of energy and enthusiasm, engaging the audience entirely. With an additional creative element of puppets taking on the role of Nanny the Dog and the ticking crocodile, both really add to the magic of the piece. Special mention must also go to Grace Osborn as Wendy, strong and sassy, her duet of Breakaway with Quickenden is a real highlight of the show.

The promise of a musical adventure is entirely accurate, while there are some of the fun elements of panto with audience interaction and great humour delivered by local Radio favourite Scott Gallagher as Smee, Robert Marsden’s adaptation of Peter Pan is a step up from the cheeky gags of panto and is more a musical dramatisation of a classic tale. Act One allows the audience to settle into the production before a fast paced all action second act keeps everyone engaged as they will Pan to win the day as he battles to save Wendy, John and Michael from walking Hook’s plank.

PP 1

The production has something for everyone, an engaging story, well chosen musical numbers, lots of humour as well as strong individual performances. Let your heart be warmed by this magical adventure, highly entertaining, well delivered and jolly good family fun.

On at Blackpool’s Opera House until Saturday 7th January tickets available here.

New Dirty Dancing Tour!

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Dirty Dancing – The Classic Story On Stage will be returning to theatres in 2018!

The all new tour will open at Brighton’s Theatre Royal on Thursday 20 September 2018 before touring to Dartford, York, Stoke, Hastings, Southend, Birmingham, Preston, London (New Wimbledon Theatre) Plymouth and Oxford – with further dates to be announced.

Full of heartache, passion, sensational dance routines and all the classics including ‘Hungry Eyes’, ‘Hey! Baby’, ‘Do You Love Me?’ and the ever popular  ‘(I’ve Had) The Time Of My Life’ this fan favourite returns due to popular demand having played to sold out audiences in 2016/17 taking an incredible £13 million in ticket sales!

Full casting is yet to be announced but you can guarantee this smash hit musical based on the iconic 1987 movie starring the incredible Patrick Swayze and Jennifer Grey will guarantee an unforgettable night out.

* Pictures used feature previous cast*

2018 TOUR DATES

Thu 20 – Sat 29 September

Brighton Theatre Royal

www.atgtickets.com/brighton

0844 871 7650

On Sale Tuesday 19 December 2pm

 

Mon 1 – Sat 6 October

Dartford Orchard Theatre

www.orchardtheatre.co.uk

01322 220 000

On Sale Friday 15 December 9am

 

Mon 8 – Sat 13 October

York Grand Opera House

www.atgtickets.com/york

0844 871 3024

On Sale Tuesday 19 December 2pm

 

Mon 15 – Sat 20 October

Stoke Regent Theatre

www.atgtickets.com/regent-theatre

0844 871 7649

On Sale Tuesday 19 December 2pm

 

Mon 22 – Sat 27 October

Hastings White Rock Theatre

www.whiterocktheatre.org.uk

01424 462 288

On Sale Friday 15 December 9am

 

Mon 29 October – Sat 3 November

Southend Cliffs Pavillion

www.southendtheatres.co.uk

01702 351 135

On Sale Friday 15 December 9am

 

Mon 5 – Sat 10 November

Birmingham New Alexandra Theatre

www.atgtickets.com/birmingham

0844 871 7647

On Sale Tuesday 19 December 2pm

 

Mon 12 – Sat 17 November

Preston Guild Hall

www.prestonguildhall.co.uk

01772 804 444

On Sale Friday 15 December 9am

 

Mon 19 – Sat 24 November

London New Wimbledon Theatre

www.atgtickets.com/new-wimbledon-theatre

0844 871 7646

On Sale Tuesday 19 December 2pm

 

Mon 26 November – Sat 1 December

Plymouth Pavilions

www.plymouthpavilions.co.uk

0845 146 1460

On Sale Friday 15 December 9am

 

Mon 3 – Sat 8 December

Oxford New Theatre

www.atgtickets.com/oxford

0844 871 3020

On Sale Tuesday 19 December 2pm

 

FURTHER DATES TO BE ANNOUNCED

Beautiful The Carole King Musical

Beautiful

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Since first premiering on Broadway in 2014, Beautiful The Carole King Musical has gone on to open in London, Tokyo & Sydney winning multiple awards along the way. Manchester audiences are lucky enough to have the show at the city’s Palace Theatre for the next four weeks offering festive theatregoers an wonderful alternative to traditional Pantos available at this time of year.

Telling the inspiring true story of Carole King’s incredible rise to fame from selling her first song as a teenager to her 70’s solo success headlining Carnegie Hall, Beautiful is an incredibly powerful, and enormously entertaining piece of theatre.

Beaut 1

The musical dedicates the perfect amount of time to King’s (Bronté Barbé) early career and skilfully explores the effect her relationship with writing partner & husband Gerry Goffin (Kane Oliver Parry) had upon their songwriting, this also extends to the influence of the couples competitive friendship with fellow songwriters Barry Mann (Matthew Gonsalves) and Cynthia Weil (Amy Ellen Richardson), both songwriting teams undeniably behind some of the sounds which without doubt helped shape popular music.

The back catalogue available to compliment Douglas McGrath’s book is almost embarrassingly brilliant having written for the likes of The Drifters, The Shirelles and Aretha Frankin the show features classic after classic including Will You Still Love Me Tomorrow, Up on the Roof, You’ve Lost That Lovin’ Feeling and You’ve Got a Friend to name but a few.

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Bronté Barbé as King is outstanding, sweet and soulful, she plays King with enormous heart and sensitivity, hugely likeable with a quiet inner strength that grows as her relationship with Goffin stumbles. Barb beautifully portrays a woman who knows her self worth and remains true to herself despite life’s challenges.

Kane Oliver Parry compliments Barbe perfectly, the chemistry between the two is fantastic as real life struggles take hold both deliver some exceptional acting. Special mention must also go to both Amy Ellen Richardson & Matthew Gonsalves, their partnership as Cynthia and Barry is a delight to watch.

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Beautiful further impresses with one of the best ensemble casts I’ve ever seen, slick, sharp and insanely talented each scene is a joyful celebration of incredible music. From the very first ensemble scene the sheer energy and talent on display gives a clear message that this show is something special.

Beautiful raises the bar for jukebox musicals and then some, in addition to the spine tingling performances is an enormously witty script which has the audience laughing out loud throughout. The care and attention given to this biography will no doubt ensure standing ovations night after night. Ultimately this is a story of hope and self belief whilst giving audiences a wonderful reminder of the incredibly emotional impact music can have, a truly joyful, must-see show.

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On at the Palace theatre until Saturday 6th January, tickets available here.

The Gruffalo

The Gruffalo 2

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Tall Stories Theatre Company arrived at the Lowry’s Quay’s theatre this week for their month long run of the glorious Gruffalo.

This beautiful musical adaptation Julia Donaldson and Axel Scheffler classic picture book brings the animals of the deep, dark wood to life as we follow mouse (Lauren Scott-Berry) on her search for hazelnuts, during her journey through the woods mouse meets a mixture of woodland folk (all played wonderfully by Alastair Chisholm) including a cunning Fox, a supposed wise old Owl and a hilariously hypnotic Snake. All fancy a little bit of mouse for dinner but the clever little creature outwits them with the threat of the Gruffalo (Aaron Millard), but we all know there’s no such thing as a Gruffalo is there?

The Gruffalo 1

Tall Stories which was founded in 1997 by joint artistic directors Olivia Jacobs and TobyMitchell have excelled in translating this children’s classic from page to stage, each and every child in the audience entirely captivated from start to finish. The tree actors work together beautifully as they enchant the young audience, characters are differentiated through a variety of voices, movements and simple but very effective costumes. The short book has been perfectly padded out to ensure an hour of quality entertainment including a dancing snake, a bossy old owl and if you’re lucky you may even get the Gruffalo sat beside you!

Gruffalo 1

The delight on the children’s faces for the entirety of the show is worth the tickets price alone, with wonderful audience interaction, a charmingly authentic set, sweet and simple songs the Gruffalo is the perfect family festive treat!

On at the Lowry until Sunday 7th January tickets available here.

Interview – Sting | The Last Ship

Sting

Undoubtedly one of the most successful UK artists of all time having sold millions of records, won every award & prestigious accolade imaginable including multiple Grammy’s, Brits, a Golden Globe, 4 Oscar’s nominations, an induction to the Hollywood walk of fame and a CBE to name but a few, Sting has now set his sights on musical theatre with the self-penned, The Last Ship. We were lucky enough to be invited to an intimate launch of the musical which docks at the Lowry Theatre from 3rd July 2018.

Sting may have come a long way since his childhood days spent in the shadows of the shipyard in Tyneside but he has never forgotten his roots. In writing The Last Ship Sting rediscovers the impact industrialisation & loss of identity has on a town and it’s inhabitants. As a child Sting thought of the shipyard as a dark and dangerous place, his biggest fear that he would end up there, unable to fulfil his dreams of being a singer. “Many years later I realised I owed a debt to my community, a community who’d had their incredible skills set thrown on the scrap heap, their dignity in working taken away, I wanted to explore what happens when you take this away, economics does not exist without community.”

Not strictly autobiographical but certainly very influenced by Sting’s childhood, lead character Gideon has turned his back on his hometown, leaving to become a sailor, after 17 years away her returns to reconnect with a lost love, however tensions between his past and his future flare as the once proud town he left is now a community in demise as the local shipyard is closing and fear for the economic stability of the town is overwhelming.

Sting 1

Of the story Sting said “I know how difficult it is to write an original story, many musicals are based on stories we already know, films, even cartoons but I wanted to take on that challenge, it was fun, it was hard-work, inspiring, challenging, disappointing, thrilling so many emotions, almost like a ship, there are so many moving parts and elements that need to come together, effectively you are the captain of the ship. It was hugely challenging but also so much fun.”

The musical has a very strong sense of regional identity, having lived away from the North East for so many years now Sting feels he is in the perfect place to look from the outside in, “I live an international life, I’m from a community but I live outside of it which to me feels like a good place to be impartial and give a voice to a community who maybe don’t have one.”

Giving his childhood community a voice is clearly a huge driving force behind The Last Ship as well as the emotional debt Sting feels he has to pay. “I was formed by the North East, my engine of ambition was created there, I was very lucky to be able to do what I did and it was only through good fortune when I left at aged 18/19 that I was able to, I am enormously grateful for the environment in which I was raised. It was rich and full of symbolism, the launching of a ship makes me tearful even now, something so enormous being launched by the hands of its makers, the workers of the town, happy and proud of what they have created yet at the same time anxious at when their next job might be.”

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Sting explained what drove him to take on the challenge of musical theatre, “I’m undoubtedly driven by curiosity, driven always by the thought of ‘What’s next?’ I never want to keep pressing the same buttons, creativity is an elusive animal, hunting creativity means putting yourself out of your comfort zone, I’m not driven by success but driven by my own curiosity, I’m an eternal student.”

After a runs on Broadway, Chicago, Salt Lake City and now Finland, Sting explained how the piece has been altered slightly for the UK and Ireland tour which opens in Newcastle in March. “I felt the show needed slightly refitting for this tour, it’s more political than it was on Broadway, the struggle of the men takes precedence here as opposed to the love story which was very much focussed on for Broadway. Once I’d started with the characters the songs then came very, very quickly, almost like it was stored up deep inside, a story just waiting to be released. I’ve never been so passionate about anything I’ve done.”

Directed by Lorne Campbell with set design by the Tony Award-winning 59 Productions The Last Ship promises to a powerful, emotional and inspiring piece of theatre. Steeped in the proud history of the North with a stunning score, melodic folk music as well as rousing ensemble numbers The Last Ship starring Jimmy Nail sails into the Lowry from Tuesday 3rd July 2018, tickets available here

 

 

Evita

Evita 3

Opening Night rating ⭐️⭐️⭐️⭐️⭐️

Reviewed by Matthew Forrest

It’s hard to believe that next year will see Evita celebrate it’s 40-year anniversary. The Andrew Lloyd Webber and Tim Rice collaboration became the first British musical to win the Tony award for best musical then in 1996 Evita received the Hollywood treatment when it was turned into a major motion picture starring Madonna, Antonio Banderas and Jimmy Nail. Even after all this time, the love and affection for this musical monster shows no sign of waning.

The musical charts the rise and fall of Eva Perón. From her humble rural upbringing, to her move to Buenos Aires in an attempt to become a star of stage and screen. She would meet and marry Colonel Juan Perón who would be elected president of Argentina. This is a classic tale of an ambitious young woman who desires fame, power and wealth, but at what cost to her physical health and to Argentina financially?

Evita 2 Bob Tomson and Bill Kenwright’s Evita is full of life and energy: the story is so exhilarating, told at such a breakneck speed that you hardly have time to breath. Madalena Alberto plays Evita with a great deal of sass and attitude juxtaposed with beautiful elegance and grace. It’s little wonder the people of Argentina fell for her charms on the basis of this exceptional performance. Alberto’s rendition of Don’t Cry for me Argentina is simply spine-tingling. Alberto is supported by a great cast; Gian Marco Schiaretti is on fine form as Che, acting as our guide and the shows conscience his presence looms over the production providing humour and a certain degree of menace. In addition Jeremy Secomb is equally as good as Juan Perón; a stern imposing figure whom like the rest of us falls under Evita’s spell.

Evita 1 A special mention to for Cristina Hoey, whose rendition of Another Suitcase in Another Hall, very nearly steals the show. However what stood out most for me, was Bill Deamer’s fantastic and intricate choreography on the big ensemble numbers such as And the Money Keeps Rolling In (and out ) and A New Argentina: add into the mix the bright, colourful costumes and extravagant set design and you cannot help but be impressed by the energy and vibrancy of it all.

The action is pacey with much more humour than I anticipated. Overall this is a seriously quality production that has lost nothing from its transfer from the West End to a tour production. With stunning performances and incredible score Evita is a thrilling night out that will stave off the cold winter blues and certainly provide a hefty dose of Latino-heat!

Evita Evita is on at the Palace Theatre Manchester till the 9th December tickets available here

Doctor Doolittle heads to The Lowry!

Dr Doolittle

A brand new stage production of Leslie Bricusse’s family favourite Doctor Dolittle will be heading to The Lowry for Christmas 2018!

Produced by Music & Lyrics Limited who recently brought The Addams Family and Chitty Chitty Bang Bang to the Salford venue, Doctor Dolittle will stay for the entirety of the festive season opening on Tue 11th December 2018 and running through to Sat 5th January 2019.

This all new production which will feature stunning visual puppetry, a stunning soundtrack including Academy award-winning “Talk To The Animals” as well as the hilarious Pushmi-Pullyu and Dolittle’s trusty sidekick Polynesia the parrot.

Booking is now open for Lowry members with general sale soon to follow, more information can be found here

Crazy for You

Opening Night verdict ⭐️⭐️⭐️

Starring Strictly champion Tom Chambers alongside a fabulous Gershwin brothers score, the acclaimed Watermill Theatre production of musical comedy Crazy For You arrives at Manchester’s Opera House this week as part of a 2017/18 national tour.

Privileged New Yorker Bobby Child (Tom Chambers) has been sent to close down the theatre in deepest darkest Deadrock, Nevada. Banker Bobby however harbours a not so secret desire to tread the boards himself, cue thrills, spills and laugh out loud silliness as Bobby disguises himself as Hungarian theatre impresario Bela Zangler in order to put on a show and save the theatre.

Tom Chambers shines as Bobby Child, he has the strong physical comedy skills needed for the role as well as an impressive voice and impeccable dance ability. He bursts with charisma and boundless energy and seems to be having as much fun with the role as the audience are having watching him.

Leading lady Charlotte Wakefield as Polly is perfection. Full of sass and spark her warm characterisation is a joy to watch, she literally bursts with personality. The scenes between Wakefield and Chambers are magic, both incredibly skilled dancers they work their socks off throughout the entirety of the show.

The static set is put to good use with changing backdrops and ambient lighting, allowing scenes to change from NYC to Nevada convincingly.

Despite the 1990’s reworking of the show by Ken Ludwig the characterisation and storyline does however remain a little weak, so much so that things just seem to happen with no explanation, fiancé’s swap fiancé’s while hardened New Yorkers move to the Wild West and shack up with the local saloon owner without batting an eyelid. That said the excellent performances and big hitters such as I got rhythm and They Can’t Take That Away from Me are fantastic, all are delivered with high energy and great confidence from the cast of actor musicians.

The cast work incredibly hard, dancing one minute then playing the fiddle the next, all are enormously talented. While there may be less impact from the tap numbers due to actors doubling up as musicians the skilful multitasking roles they deliver entertain adequately.

Crown pleaser Tom Chambers delights with his charming and confident take on the character while Charlotte Wakefield delivers a confident and commanding performance any leading lady would be proud of. All in all Crazy For You is a light-hearted, uplifting and all round fun show.

On at Manchester’s Opera House until Saturday 2nd Dec, tickets available here