Dirty Dancing

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Dirty Dancing is back (and we’re loving it)!

The famous Patrick Swayze film of the 80’s, waltzed back into Manchester last night, to a room filled with predominantly females, and all round die-hard Dirty Dancing fans, who certainly weren’t disappointed.

Set in the 60’s, the stage show sees 17-year-old Frances “Baby” Houseman at Kellerman’s holiday camp with her family. After befriending the staff, she quickly finds herself developing a crush on the gorgeous dance instructor, Johnny Castle (played famously by Patrick Swayze in the film). When Johnny’s dance partner, Penny, has to miss an important performance, Baby gets thrown in at the deep end and steps in. The rest is history.

Adapting a well-known classic such as this one onto stage seems like a mammoth task, but in this instance it certainly paid off. The show is an almost seamless copy of the film; from the music to the costumes and not forgetting those iconic film quotes.

From, ‘come here lover boy,’ to ‘I carried a watermelon,’ this show has it all. But nothing got a bigger reaction from the audience in Manchester than, ‘Nobody puts Baby in a corner’, which got more squeals of delight than the numerous times that Lewis Griffiths (Johnny) took his top off – it even had some people jumping out of their seats!

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Griffiths seriously was a force to be reckoned with throughout the entire show, as he played the moody, and at times mean, Johnny Castle. Leaping and spinning his way across the stage, the audience were exhausted just watching him. With his smoldering looks, and athletic body (that certainly didn’t go amiss), he was the perfect person for the role and lived up to the memory of Swayze.

Katie Eccles took on the lead role of “Baby,” skilfully portraying the character’s journey from a naïve teenager, that can barely put one foot in front of the other, to a mature and raunchy dancer. As suspected the dancing majorly outweighed the acting, but when you’re being flung into the air like a rag doll and your head is millimeters away from the ground, Eccles can be forgiven.

The show’s set design is very cleverly constructed with a revolving stage that allows each scene to flow seamlessly from one to the other. The use of lighting and sound effects were also key factors within the show – a clap of thunder and the use of strobe lighting transported us into a thunder storm, a clever device to lead us into the famous lake scene.

A projection of a lake is used for the scene were Johnny is teaching Baby that all important lift, a true moment in the film that captures the couple’s relationship. However, whether or not this was the intention, in the show this scene is turned into a more comical feature. Admittedly, it seems somewhat difficult to portray a lift in water, without there actually being any water.

The show is filled with all the iconic songs from the film’s soundtrack, including “Hungry Eyes”, “Hey! Baby” and “Love Man” with the powerhouse Sophia Mackay astounding the audience by belting out song after song with such ease. A special mention must also go to Carlie Milner who played a perfect Penny Johnson, with legs that seemed to go on for days and awe-inspiring flexibility that made the women in the audience green with envy.

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From catchy music that we all know and love, to thrilling dance moves, and sizzling sexiness, this show is the definition of a feel good show. There’s no doubt that you’ll leave with a smile on your face and humming the songs in your head for at least the next few days.

Rightfully greeted with a standing ovation, the entire cast really did look like they were having ‘the time of their lives!’

Dirty Dancing runs at the Palace Theatre, Manchester until 22nd July.

Review by Opening Night guest writer Francesca Eagleton

 

 

Bishop Paul new Liverpool Pride Parton

Liverpool Pride announced this week that their new Patron for 2017’s festival which takes place over two packed days this month will be The Bishop of Liverpool, the Rt Rev Paul Bayes.

Bishop Paul, says he is delighted to back the region’s established annual celebration of all things LGBT+, and is looking forward to taking part in this year’s festivities.

The festival which takes place on Saturday 29 July and Sunday 30 July, in its eighth consecutive year. 2017 sees an exciting star-studded line-up in a bid to make the free event a colourful and vibrant celebration of all things LGBT+.

Thousands of people are expected to take to the streets for the annual Liverpool Pride March on Saturday 29 July as it weaves its way around the city centre. Bishop Paul will be among those invited to speak at the Muster outside St George’s Hall ahead of the parade beginning.

As well as headliners Atomic Kitten taking to the main Barclays Festival stage there will be a busy line-up of Pride Community events across the city including exhibitions, workshops, music, literature, theatre and Pride at the Pictures, something for everyone to enjoy.


Meanwhile a host of Liverpool landmarks will be lit in rainbow colours as part of the Come Out of the Shadows initiative, helping make Liverpool the most visibly LGBT+ city in the UK.

Bishop Paul said: “Ever since the tragic death of Michael Causer, Liverpool Pride has stood for the struggle for justice as well as the celebration of LGBTI+ life in our city and region. I am privileged to identify with Pride’s contribution to tackling prejudice and promoting awareness of the richness of our LGBTI+ community. As a Christian, I really believe that Jesus wants a community where all are included and free from fear. “Now we all know that the Christian church in general, and the Church of England as part of that, can get itself into a twist over inclusion and equality issues. I myself have been advocating in the church for LGBTI+ inclusion, and all Christians have to agree that homophobia and hate crime are evil and are to be resisted.

“At the recent meeting of our General Synod the Church of England made some clear and positive statements resisting so-called conversion therapy and exploring services of welcome for trans people who want their true identity to be recognised before God.

“When I came to Liverpool three years ago and met LGBTI+ Christians across Merseyside, and in particular our Open Table LGBTI+ Christian community, I saw again the real joy we can know as a church when we are open and welcoming to all.” 

Liverpool Pride’s Lucy Day added: “We are all delighted that the Bishop is to be a patron of Liverpool Pride, and we welcome him to the Liverpool Pride family. We’re very much looking forward to him joining us at Pride weekend this month.

“Pride respects people of all religious beliefs.”

Keep up to date with Liverpool Pride announcements and plan your festival weekend at:

Website www.liverpoolpride.co.uk

Facebook: LiverpoolPride

Twitter: @LiverpoolPride

 

The Salford Belles

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Jack Land Nobel’s darkly comedic soap opera The Salford Belles is headed to Hope Mill Theatre from tomorrow as part of The Greater Manchester Fringe this month.

First staged as The Barnsley Belles by the Yorkshireman Company back in July 2013 and now given a Salfordian twist by LS Theatre Productions, The Salford Belles promises to be a little like an episode of Coronation Street screened way, way after the watershead!

We meet Queenie, Mary and Martha who are all are at their wits end after a lifetime of cooking, cleaning, caring and conspiring. They are all desperate for change – but at what cost? Join The Salford Belles in this hilarious dark comedy and discover what goes on behind closed doors when the washing’s brought in from the rain and the curtains are drawn.

Catch the show from Monday 17th July until Saturday 22nd at Hope Mill Theatre, tickets available via the link below;

http://www.greatermanchesterfringe.co.uk/index.php#startlisting

 

 

The Marriage of Kim K


A combination of a musical about the failed marriage of Kim Kardashian and Mozart’s ‘The Marriage of Figaro’ really shouldn’t work but somehow Northern music/theatre duo Leoe & Hyde have created a little piece of magic here, ensuring a monster hit for fringe production, The Marriage of Kim K.

At the centre of the story we have Amelia, (played superbly by Amelia Gabriel) and Stephen (portrayed wonderfully by director and composer of the piece Stephen Hyde), a couple who are poles apart in their ideas on what makes for a relaxing night in front of the TV, something which ultimately affects the harmony of their whole relationship. Amelia will happily watch, and watch, and watch reality TV Queen Kim Kardashain while Stephen’s idea of heaven is immersing himself in the works of Mozart, regardless of whether he understands what is being said or not.


As our couple sit centre stage fighting for control of the TV remote a look into the life of Kim K begins to take place stage left whilst The Marriage of Figaro emerges to our right. The staging of this piece is wonderfully creative, with witty lyrics and outstanding orchestration, sharp observations are played out to great effect.

As Kim (played brilliantly by Yasemin Mireille), becomes increasingly bored of life with Kris (portrayed superbly by the hilarious James Edge) we see perhaps that reality TV isn’t too different from real life as Amelia and Stephen become increasingly frustrated and fed up with each other. Cut to the Marriage of Figaro and life isn’t too rosy here either as Count Almaviva (played by the charismatic and comedic Nathan Bellis) is increasingly testing his Countess (portrayed beautifully by Emily Burnett) with his dalliances and downright bad behaviour. We soon begin to realise that life is pretty similar for us all, whether you’re from revolutionary France, glamorous LA or sat on your sofa scrapping over the TV remote here in the UK.


The whole cast deliver outstanding performances, Leoe Mercer has gifted each character with witty and well observed lyrics which offer many laugh out loud moments as we realise just how absurd life can be whether that be as a grand Countess or a struggling composer, and how deep down we’re not so different after all, allowing the three very different stories to perfectly intertwine. The addition of a live orchestra really makes this a stand out piece, Stephen Hyde’s score adapted from Mozart’s The Marriage of Figaro is beautiful and sets perfectly the pace and flow of the on stage action.

Together Leoe & Hyde have created an absolute gem of a show, witty, beautifully crafted and superbly delivered. Book your tickets here www.marriageofkimk.com/tickets.html

 

 

 

Brazilica Carnival hits Liverpool!

Brazilica Parade Crowd Scene - smallA carnival atmosphere will take over the streets of Liverpool this weekend as Brazilica prepares to bring Rio-style colour and music to the city centre!

The 10th annual Brazilica – the UK’s biggest Brazilian Samba Carnival – is a fabulous three-day festival of all things Latino, promising pulsating samba rhythms, fantastic food, entertaining and thought-provoking film, and not forgetting of course dazzling carnival costumes!

One of the absolute highlights of the entire festival is the Carnival Parade, which takes place this Saturday 15 July. Thousands are expected to line the streets to watch the parade as it makes its way from Abercromby Square to Williamson Square, filling the air with colour, music and fun as it passes by in a blaze of feathers, sequins and energetic samba bands.

Starting from Abercromby Square at 8pm, the parade will turn on to Oxford Street and then left on to Hope Street. It will then turn right by the Philharmonic pub and will then follow Hardman Street downhill before moving onto Bold Street. The Parade will then continue into Church Street, before finishing in Williamson Square – a new location for 2017.

The entire Parade will be led by the newly-crowned Carnival Queen, who will be chosen during a hotly-fought competition evening at PANAM on the Albert Dock the night before.

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Details of the parade have been released and will include music and dance from more than a dozen amazing Samba bands including Grupo Sambafriq, Katumba, Paraiso School of Samba, G.R.E.S. Cidade Brilhaute, Manchester School of Samba, Liverpool Samba School, Baque Ogun, Oxiris Wirral School of Samba, Som de Meio, Arco Iris, Karamba Samba, Batala Mersey and Worldwide Samba Drummers & Preston Samba Dancers, ensuring the parade will capture true Brazilian flare, colour and carnival spirit! Meanwhile the samba party will continue until the early hours with the official Brazilica After Party taking place at Camp and Furnace on Saturday 15 July from 10pm – 4am, featuring carnival DJs and live music. Entry £5.

Maeve Morris, festival director, said: “This is the 10th anniversary of Brazilica and we can promise Liverpool a fantastic carnival atmosphere all weekend, with a non-stop party on the main stage at our new location at the Pier Head Village down on the marvellous Mersey waterfront.

“The Carnival Parade on Saturday evening is always a real highlight of Brazilica, and I promise this year will be no exception with a host of brilliant samba and carnival bands and some truly fantastic costumes on display making it a must-see event.”

For details of the full Brazilica 2017 programme be sure to check out the Brochure: http://bit.ly/2tuw3LF

Keep up to date with all Brazilica Festival activity at:

http://www.brazilicafestival.com

http://www.facebook.com/brazilicafestival

Twitter – @BrazilicaFest

A Strange New Space

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A Strange New Space is a highly entertaining, one-woman show at Sale’s Waterside Arts Centre that provides an excellent introduction to theatre for younger children. Tessa Bide takes us on a fantasy voyage of the imagination while simultaneously conveying the sadness and solitude of the child refugee, Amira, as she makes a parallel journey away from home into the bewilderment of a refugee centre.

Tessa has personal knowledge of the harrowing stories of child refugees from her experience working at several charities, camps and squats in Athens and she has plans to tour this production in Greece and other countries affected by the refugee crisis. Tessa’s intimate knowledge of child refugees is revealed in her lively and moving narrative that is at times sad but never sentimental thanks to the plucky and likeable Amira at the centre of the story.

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It is extraordinary how Bide creates such a wide variety of environments through her expert use of mime and physical theatre; brilliantly complemented by the subtle use of lighting, sound effects and well-imagined original music. Amira takes us with her on rockets, through space and into gloomy caves in this highly polished and professional production, with excellent transitions between the inner world of the child and her attempts to adjust to and escape from her outer reality.

Bide is to be applauded for her pacing; for example, after a somewhat extended depiction of the child being processed in the refugee centre, she swiftly transitions into an entertaining puppet show with audience interaction. There are many tragic and joyous moments that are highly relatable for both the young and adult audience. As a wonderful actress, Tessa Bide has a rare talent for accessing the inner vision of a child in such a natural way, and A Strange New Space is a poignant reminder of how much we lose in terms of imagination when we ‘grow up’.

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For more information on the show and further tour dates head to http://www.tessabide.com/shows/a-strange-new-space-2/

Reviewed by Deirdre Warr

 

Fantastic Mr Fox

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Roald Dahl’s Fantastic Mr Fox, amazingly written 47 years ago, has aged well in this stage adaptation by Sam Holcroft for the Nuffield Sothampton Theatre and Curve Production. Although not originally intended to be performed on stage, and certainly not as a musical, this production bravely combines song, live music and a strong, funny script to re-tell the tale of Mr Fox, his motley crew and his arch enemy farmers, Boggis, Bunce and Bean.

The personification of Fantastic Mr Fox (played convincingly by Greg Barnett) and his fiercely loyal crew of woodland creatures contrasts colourfully with the hapless, selfish and at times dark characters of Boggis, Bunce and Bean, those mean-spirited farmers determined to put a stop to Fox’s antics.

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Mr Fox, a literary version of Robin Hood, who steals from the rich to give to his hungry comrades, has no faith in those friends, despite losing his tail (and balance along with it), and refuses to rely on them in his time of peril.

Despite the obvious challenges faced in staging this production, the creative team cleverly rejected the temptation to recreate wildlife scenes, and instead used modern day set and funky materials, giving the staging a contemporary feel. The costumes similarly drew on more modern materials including sportswear, headbands and fluffy leg warmers

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The cast worked hard, with Richard Atwill, Raphael Bushay, Gruffurd Glynn and Kelly Jackson all playing 2 roles, and completing some speedy costume changes. Although laced with humour, there were some ‘comedy gold’ moments provided by the excitable Rabbit (played by the very funny Sandy Foster) and Mole, played by Gruffud Glyn.

As well as being a story about good winning over bad, the audience is taken on a journey of discovery as Mr Fox realises that that with true friends around you, anything can be achieved and no problem is insurmountable. With tension building throughout the production, there were lots of laughs for the younger audience, and a few jokes too, to benefit the parents. Overall this is a perfect family show with a strong moral content, which will ensure that everyone is talking about it long after the curtain falls.

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On at The Lowry until Sunday tickets available here http://www.thelowry.com/events/fantastic-mr-fox

Reviewed by Margot Power

Matthew Bourne’s The Red Shoes

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Due to popular demand and for the 1st time in New Advenutres history, Matthew Bourne’s Olivier award winning production, The Red Shoes returns to the Lowry next week for the second time during its current season, offering audiences one final chance to catch the visually stunning and technically sublime production which has captivated audiences since its World Premiere at the Theatre Royal Plymouth in November.

Based on the academy award winning film by Michael Powell and Emeric Pressburger and of course the much loved Hans Christian Andersen fairytale, The Red Shoes tells the story of “Victoria Page”, the girl who yearns to become the greatest dancer in the world.

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New Adventures favourite, Ashley Shaw, most recently seen across the UK and internationally as “Aurora” in Matthew Bourne’s critically acclaimed Sleeping Beauty, takes on the role of Victoria and has enchanted audiences with her exquisite and breath-taking talent. The Red Shoes is an utterly captivating and timeless piece, a tale of heartbreak, passion and love as Victoria becomes Principal dancer in the new ballet ‘The Red Shoes’ but finds herself torn between two men, resulting in the most beautifully intense and incredibly emotive performances.

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Lifting this already superb production to an even higher level is the stunning new score arranged by New Adventures Associate Artist, Terry Davies using the magnificent music of golden-age Hollywood composer, Bernard Herrmann. The combination of this exquisite theatrical score and breath-taking performances from the New Adventures Company make this a show not to be missed.

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After it’s sell-out visit to the Lowry last December The Red Shoes returns for one week only from Tuesday 11th until Saturday 15th July tickets available here www.thelowry.com/events/matthew-bournes-production-of-the-red-shoes

 

Flare17 Launch & Double Bill

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Flare International festival of new theatre launched in spectacular style at HOME Manchester last night with a blistering performance from all girl rock band PINS followed by an address and recital from Manchester poet Tony Walsh’s now legendary ‘This is the place’ familiar to many after his emotional reading at the recent Manchester vigil.

Flare17 Artist Director Neil Mackenzie, announced to audiences how putting together the festival had reminded him of how extraordinary an art form theatre can be and reminded us all of the importance of celebrating the good of what not only theatre can be but also what it can offer to each of us. The festival which features 65 different artists from 7 different countries is an opportunity for audiences to invest their belief and trust in new experiences and absorbing performances.

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The first performances of the festival took on the form of an intriguing and absorbing double bill. Firstly One by BOG from the Netherlands, an award winning solo by Lisa Verbelen, in which she uses the melody of her own voice to examine everything around her, time, space, light, sound, people, thoughts, feelings, actions and demonstrates to audiences how everything which comes and goes is ultimately connected. With a rolling screen delivering the score for this four-voiced one woman choir, Verbelen engages the audience beautifully as she builds layer upon layer in this simple yet effective piece, proving both visually and audibly that movement is both constant and all consuming .

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The second piece of the double bill in stark contrast to One by Bog is the Leopard Murders by K.U.R.S.K. The piece recalls the story of George Ebrecht, grandfather of K.U.R.S.K. director Timo Krstin and former Nazi SS officer who post WWII joined the peace movement. Ebrecht as a failed artist found his forte as a hate speech writer and soon rose amongst the ranks of Hitler’s men achieving the status and success he had long desired. K.U.R.S.K examine the drive and ambition of Ebrecht and look at how this need for success and recognition can manifest itself in each of us, they cleverly examine the pushing of political arguments whether it be for the left or the right wing and how our own personal agenda can steer us down paths which seemingly offer the most rewards and recognition. There is an interesting element to the piece examining the genetics of families, can the opinions and passions of our forefathers be passed down through the generations and if so is there anything we can do to stop the unstoppable? Thought-provoking and engaging theatre.

Double Bill – One and Leopold Murders can be seen again this evening Wednesday 5th July at HOME for more information head to www.flarefestival.com

 

Waiting For God

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The new stage adaptation of the BAFTA nominated 1990’s BBC series is a slick, and frequently hilarious production that looks at growing old disgracefully in Bay View Retirement Village.

The most popular characters from the original series are here, reimagined for 2017, in an all-new script penned by the sitcom’s creator Michael Aitkens. Nichola McAuliffe as Diana and Jeffrey Holland as Tom Ballard steal the show with multi-dimensional and generous performances. McAuliffe in particular shows amazing range as she transforms from a crotchety and bitter ‘senior citizen’ to a passionate and wickedly naughty character and everything in between, with excellent support from Ballard as her love interest.

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There was plenty for the audience to enjoy with frequent snappy one-liners which were also balanced with a surprising depth of insight and depiction of tragedy which  were related in a very human way by the lead characters. Samuel Collings and Emily Pithon as Harvey Baines and Jane Edwards made a humorous double-act, if veering a little close to the farcical at times. The other supporting characters of Sarah Chase played by Joanna Bending and Geoffrey Ballard played by David Benson were presented with gusto and professionalism, each made a meaningful impression. Bending was particularly hilarious during the birth scene, and Benson showed excellent acting chops particularly masterfully during final tragic/comic speech depicting his wedding and marriage in a piece of acting that was both hilarious and moving.

Daft but laugh-out-loud funny moments in the chapel at the end of the play were a fitting end to a very enjoyable evening.

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On at The Lowry until Saturday 8th July http://www.thelowry.com/events/waiting-for-god

Reviewer – Margot Power

Fantastic Mr Fox preview

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The brand new adaptation of Roald Dahl’s much loved classic Fantastic Mr Fox arrives at the Lowry next week and promises to be a gloriumptious treat for the whole family!

Although Mr Fox is smart, clever and of course completely fantastic, does he underestimate how determined the farmers are to get their revenge? Can he hatch a cunning plan to save his friends and family? And can rabbit keep quiet for long enough not to give the game away? You’ll simply have to watch to find out!

We sat down with composer Arthur Darvill (familiar to many as Rev. Paul Coates in Broadchurch) to hear more about the show and find out what audiences can expect from this dahlicious family theatrical feast!

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Arthur felt it was a real privilege to write music for this new production. “It is a pinch yourself moment. When re reading the book I thought I love this book but I don’t know if I can do this, which I think is a good reaction to have. Throughout the writing process, it has been about honouring what Dahl wrote and making sure the music tells the story in the best way we can tell it.”

A massive Roald Dahl fan, Arthur remembers reading Fantastic Mr Fox in his cabin bed when he was a child growing up back in Birmingham. “I read it in one go, in one night and just absolutely loved it. It had a drastic impact on the way my world was shaped. Dahl made the most disgusting things in life seem like the most joyous. He also had a great sense of justice, which can only be a good thing.”

Arthur expanded on what he wanted to capture about the story and its characters via the music; “There are a definite group of characters in Fantastic Mr Fox; humans and animals. I wanted to give them both a very different sound to start with and as the story develops, these sounds slightly cross over depending on what is happening. The farmers have a dirty earthly English sound and the animals are freer. Mr Fox is arrogant at times and Mouse sings about cheese, which is very sweet.”

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We asked Arthur what he hoped audiences would take away from the show? “I hope audiences take away melodies that they can sing on their way home. This show is so much fun and the right people get their comeuppance. It is not black and white. You will go home discussing the moral content of the story whilst laughing at the jokes. It’s a perfect family show for all ages”.

You can catch Fantastic Mr Fox which is adapted by Sam Holcroft and directed by Maria Aberg, from Wednesday 5th July until Sun 9th July at the Lowry theatre, Salford. Tickets available via the following link; https://www.thelowry.com/events/fantastic-mr-fox

 

 

The Hound of the Baskervilles

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If you’re looking for a riotous romp through the mysterious Devonshire moors without having to leave the comforts of the city, then get yourselves down to Manchester’s newest pop-up theatre, The Reading Room where you’ll find Northern Rep putting their hilarious stamp on Arthur Conan Doyle’s much loved classic, The Hound of the Baskervilles.

This fun-filled murder-mystery spoof follows legendary super sleuths Sherlock Holmes and Dr Jane Watson as they attempt to solve the curious case of the death of Mr Charles Baskerville as the threat of the curse of a bloodthirsty hound looms large over Baskerville’s heir Henry. Unbeknown to our crime solving duo the secret to cracking the case may well be being kept from them by Charles’ very own family, despite this our detecting duo press on determined to return to Baker Street triumphant!

Incredibly all parts in this innovative production are played by just two actors who rotate performances, the highly versatile and hugely talented Christopher Brown and Angela Hazeldine perform this evening with Thea Beyleveld and Michael Justice also performing during the run. They differentiate characters by giving them superbly exaggerated accents from as far as Texas to Taunton and many, many places in between as well as props befitting each character. The duo blister through the piece with hilarious consequences, both are engaging, superbly silly and hugely entertaining, with the action becoming increasingly outrageous as we meet more and more characters from the moors.

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The emphasis here is on comedy and boy do the two cast members deliver; they play off each other beautifully as the sharp script gifts our duo with some real genuine moments of laugh out loud humour. Of course no spoof would be complete without occasional trips and line-fluffs which only adds to the controlled chaos of this delightful production, there are cheeky innuendos a plenty as canes are caressed and overgrown bushes penetrated, ooh err!

Director Thomas Moore has used the intimate space of the reading room to great effect. The beautifully crafted 30 seater venue within Manchester’s Great Northern Warehouse is the perfect setting for bringing the melodrama and magic of the piece to life. You don’t have to be a Sherlock Holmes fan to get enormous pleasure out of this farcical whodunit, the show’s spontaneous feel makes it accessible to all as the cast charmingly address the audience apologising for apparent mistakes. The Hound of the Baskervilles is an absolute riot, cheeky, chaotic and jolly good fun, with the fabulous Mrs Hudson on hand to wet your whistle it’s an absolute must-see!

On at The Reading Room, Great Northern until Saturday 16th September https://www.northernrep.co.uk/thebaskervilles