Family

The Boy at the Back of the Class

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Reviewed by Gill and Stan Selkirk

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

The Boy at the Back of the Class is a well-loved book for many school children. This award-winning book by Onjali Q. Raúf has been adapted by Nick Ahar and is now a 2026 Oliver Award-winning stage show. It tells the story of Ahmet, a refugee boy from Syria. Even though the book is aimed at children this play can absolutely be enjoyed by all ages.

We follow Ahmet played by Serkan Avlik as he tries to settle into his new school in a different country. He is welcomed by a very caring girl called Alexa played by Sasha Desouza-Willock and her friends “The A Team” as they try and help this new boy, who sits quietly at the back of the class. They learn he is a refugee, which is a word they are not familiar with, after learning more about his heartbreaking situation they make it their mission to help reunite Ahmet with his family.

Despite most of the children being welcoming and trying to find ways around the language barrier using games and sharing snacks, Ahmet still must deal with awful treatment from the school bully Brendan played by Max Jordan, some of the parents, and even a teacher.

The story is told through the children’s eyes. Which gives it a refreshing innocence. It challenges why things are accepted by so many in the current world we live in. At no point during this production did I feel it had been dumbed down for children. 

It manages to be accessible, thought provoking and interesting for all. Even with the difficult topic the creators still managed to include plenty of giggles for all the audience. More political moments, are handled well and clearly show the responsibility politicians and the press have in how they portray refugees. 

The brilliantly talented cast are played by adults which works extremely well. Together as the friends Alexa, Michael, Josie and Tom all provide plenty of humour without losing the more serious message in the story. Alexa is also our narrator, she does this with a child’s innocence but allows her incredible determination for justice to shine through as she switches from directly addressing the audience back to the story seamlessly, fidgeting throughout, like many 9-year-old children but then can switch to play the adult characters perfectly.

Jonny Walker is the over-enthusiastic American Tom, who is full of energy and positivity, even managing to continue his performance upside down exercising. Natasha Lewis plays Mum and Mrs Khan, she does this brilliantly with care and compassion being the sort of teacher we all would want. 

Petra Joan-Athene plays star-crazy friend Josie, as well as some of the adult roles, easily switching between her many personas. Serkan Avlik plays Ahmet, our title character in such a way we instantly warm to him, and we are all in his corner, his sadness and fear at the beginning is all-encompassing but we slowly see him become a happier and more confident person as the show goes on. 

Direction by Monique Touko ensures the energetic pace means the audience attention is held throughout thanks to this well told story; incorporating Ahmet talking to the audience making us feel like we are even more invested in the outcome of this story, we see the situation through his eyes and the genuine struggle of many refugees, allowing us to see them as individuals with their own stories rather than the way they are shown often in the media. 

Set design is by Lilly Arnold and adds wonderfully to the storytelling. The backdrop is the kind of PE apparatus that many school children still know and adults remember. This backdrop is easily adaptable, making way for many scenes and works incredibly well along with some great sound effects even transforming to the gates of Buckingham Palace as well as the classroom.

Nick Ahad’s stage adaptation of this best-selling novel has been done beautifully. It manages to be funny and incredibly moving (tissues needed at the end) and portrays such a difficult subject with humanity.

Stan Selkirk – aged 10

I saw The Boy at the Back of the Class at The Lowry and I really enjoyed it. Some bits were funny and made everyone laugh, but other parts were serious and made me feel a bit sad for Ahmet. It taught me a lot about refugees and how hard life can be for them, and it also showed how important it is to stand up to bullying.

The show made me think about how even small acts of kindness can help someone. I liked how the kids in the story tried to help instead of just talking about it. Even though I don’t think I could travel to Buckingham Palace I always try and be kind and help others and I hope as I get older, I can do this more to change the way people treat refugees like Ahmet.

The whole show was produced well – the acting, the set, everything. When it finished, I felt like I’d learned something important and I kept thinking about it afterwards.

We talked about it driving home last night and all thought things need to change, and we all need to be part of this. I learnt that we shouldn’t worry about asking questions and what words mean to help us understand and change things for the better, I hope I can do this more as I get older. 

The Boy at the Back of the Class is on at The Lowry until Saturday 18th April tickets and further information are available here.

Matilda The Musical

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Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐⭐

The touring production of Matilda the Musical has arrived in Manchester for a month-long stay at the city’s Palace Theatre. From the moment you enter the auditorium, this show draws you in. Rob Howell’s brilliant set design of wooden blocks and stacked books reimagines the space as the cast burst into opening number Miracle, bringing this beloved Roald Dahl classic to vibrant life.

At the heart of the story is Matilda, a bright and brilliant girl who finds herself saddled with quite possibly the worst parents in the world. Despite having their very own child genius the Wormwood’s are far too busy with their own selfish and silly pursuits to notice, thankfully Matilda’s teacher Miss Honey soon realises how gifted she is, taking her under her wing despite terrifying Head Teacher, Miss Trunchbull’s treacherous tactics to thwart them.

Taking on the role of Matilda at tonight’s performance is an impressive Mollie Hutton.  She perfectly captures Matilda’s defiant spirit, proving that no matter how small you are or how grim your situation, you have the power to rewrite your own story. Her voice is pitch perfect as she delivers each vocal with just the right amount of mischievous spark.

Richard Hurst makes for a tremendous Miss Trunchbull, his physical comedy is spot-on as he stalks the stage to hilarious effect. Tessa Kadler is excellent as sweet teacher Miss Honey, while Adam Stafford and Rebecca Thornhill as Mr and Mrs Wormwood are as wonderfully grotesque as you’d wish for and deliver some of the best comedic highlights.

Special mention must also go to the incredibly talented ensemble of children and adults who deliver Peter Darling’s choreography with absolute precision. Their infectious energy drawing the audience in more and more with every scene. They create a truly heart-warming moment during the inventively staged When I Grow Up, while their punchy precision during Revolting Children provides a perfect, high-energy final group number, with Carter-J Murphy shining in the role of Bruce.

This touring production seamlessly brings West End magic to Manchester, entertaining wholeheartedly while also delivering key messages about courage, kindness and the importance of standing up against injustice while Tim Minchin’s music and lyrics tick every box. This is a witty, joyous, mischievous masterclass in musical theatre that will appeal to young and old alike, ensuring we all feel a little bit taller by the end of the night.

Matilda The Musical is on at Manchester’s Palace Theatre until Saturday 25th April tickets are available here.

Beauty and The Beast

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Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐

Tony Peers Productions are back at Warrington’s Parr Hall for their annual Panto production; this year they’re treating audiences to a classic favourite, Beauty and The Beast.

This family friendly production will entertain both young and old alike with its traditional panto elements combined with a talented cast which includes superb performances from TV’s Anne Hegarty and Jake Quickenden.

The familiar story of Belle needs no introduction allowing the fun to quickly begin as panto favourite Daniel Dean packs in the comedy from the start as the loveable but unlucky in love Pee Wee Potts. His scenes with Mervyn Francis as his Mum, Dame Polly Potts have the audiences in stitches, gifting then with plenty of opportunities for shouts of ‘It’s behind you!’.

Taking on the role of Belle is an impressive Charlotte Buxton, who somehow manages to still deliver a performance of ‘My Heart Will Go On’ that Celine Dion would be proud of despite the slapstick chaos unfolding around her.

Anne Hegerty gives a great performance as Fairy Rose marking her second panto appearance at Warrington’s Parr Hall. Add into the mix a scene stealing performance from Jake Quickenden who has the audience in the palm of his hand as a dishy but devilish Gaston and you really have got the recipe for a fabulously fun night at the theatre.

This is an engaging production which will entertain all ages, there’s gags a plenty, brilliant bops and if you’re unlucky a spraying from a super soaker or two!

The traditional sets are simple allowing the cast to take centre stage here, aided beautifully by local dancers from Felicia Burns School of Dance.

There’s plenty to enjoy about this production from the talented cast to the glittering costumes. The audience interaction and local references allow the cast to playfully connect with the audience while the silliness and slapstick ensures the laughter never stops. Panto is unique in offering a great opportunity for families to enjoyed live theatre in a relaxed and accessible way, guaranteeing special memories are made for another year.

Beauty and The Beast runs at Warrington’s Parr Hall until Sunday January 11th, with concessions and family tickets available. Tickets and further information can be found here.

The Enormous Crocodile – The Musical

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Reviewed by Jodie Crawford

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

The Enormous Crocodile is a joyful, high-energy production that brings Roald Dahl’s much-loved story to life in a way that completely captivates both children and adults alike. From the moment it begins, the show is bursting with colour and imagination, making it a wonderful outing for the whole family.

The story follows the mischievous (and very hungry) Enormous Crocodile, who decides he’s bored of eating fish and comes up with a series of “clever tricks” to try and catch a child for his lunch. Disguising himself in increasingly ridiculous ways, he believes he’s unstoppable but his plans are repeatedly foiled by a group of sharp-eyed jungle animals who work together to protect the children. The tale is playful and funny, with a reassuring message about kindness, and teamwork.

Visually, the show is an absolute treat. The costumes are incredible, they are bold, inventive, and full of personality.  They add so much to the storytelling. The Enormous Crocodile himself is particularly impressive and delightfully dramatic, prompting plenty of excited reactions from the younger audience members. 

The audience engagement is another standout feature. The incredible cast interact brilliantly with the audience, keeping children fully involved and entertained throughout. The pacing is spot on, the atmosphere is warm and lively, and there’s never a dull moment. We loved the monkey nut scene!

All in all, this production is a real family treat. It is imaginative and memorable. A fantastic way to enjoy live theatre together and a show we would all happily recommend to any family.

 A truly brilliant family theatre experience!

The Enormous Crocodile is on at The Lowry until Sunday 4th January tickets are available here.

Robin Hood

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Reviewed by Jodie Crawford

Opening Night verdict ⭐⭐⭐⭐⭐

Robin Hood: The Magical Panto Adventure at the Manchester Opera House is everything a great panto should be: loud, proud, joyfully chaotic, and absolutely hilarious. From the very first moment, it’s clear you’re in safe hands with a production that understands its audience and fully leans into what panto does best. This is a great northern night out, with bells on!

The chemistry between Jason Manford and Ben Nickless is once again pure magic. Year after year they somehow manage to outdo themselves, delivering effortless laughs, perfectly timed chaos, and that wonderful sense that anything could happen at any moment. Their interaction with each other, and with the audience, is the heartbeat of the show. I fear the day when they decide to hang up their Panto boots as it’s hard to imagine a Christmas without them on stage together.

And honestly? It doesn’t matter in the slightest that the plot is inconsistent because it’s completely irrelevant. This panto has all the ingredients that matter. The ghost scene? Brilliant. The “in the gap” scene? Predictably unpredictable. The bloopers, singalongs, cheeky asides, and bang-on cultural references, from the last 12 months, all land perfectly, keeping the audience crying with laughter from start to finish. There are as always, some fabulous surprises in there too!

The ensemble cast is outstanding, bringing energy, polish, and warmth to every scene, while the costumes are the best I’ve seen at an Opera house panto:  vibrant, inventive, and a visual feast that add to the magic at every turn. A huge shout-out also goes to Adam Strong as the Sheriff of Nottingham, who delivers a pitch-perfect performance, gloriously dastardly, fabulously over-the-top, and exactly what a panto villain should be.

This is truly a show for all generations. I took a nine-year-old and a seven-year-old and judging by the laughter (and the conversations afterwards), those memories will last a lifetime. Let’s just say they will forever laugh when they get to page nine… #iykyk

Manchester should be incredibly proud of this panto. It’s a tradition done right, packed with heart, humour, and festive magic. I highly recommend this show. A guaranteed crowd-pleaser and a reminder of just how brilliant panto can be and should be.

Robin Hood is on at Manchester’s Opera House until Sunday 4th January tickets available here.

Dick Whittington

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Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐⭐

Regal Entertainments Ltd have pulled out all the stops Christmas to bring St Helens Theatre Royal audiences their biggest and best panto to date, the brilliant and side-splittingly funny Dick Whittington.

Matthew Wolfenden has left the Dales for the festive season to discover if the streets of London (via St Helens) really are paved with gold. Accompanied by his trusty cat Tommi (played superbly by Jenna Sian O’Hara), Dick heads off with a heart full of hope and a knapsack full of dreams as the adventures quickly begin. Wolfenden is clearly having a ball in this role, he’s charming, confident and gifts us all with some gorgeous vocals.

This is the first time Regal Entertainments Ltd has produced Dick Whittington and it does not disappoint, it is fast-paced, outrageously funny and utterly fabulous.

Theatre Royal favourite Lewis Devine is on hand to ensure there’s just the right amount of chaos, piling on the silliness and slapstick throughout as the nice but dim Idle Jack. The audience lap up his humour; he’s razor sharp with his comebacks and second to none when it comes to audience interaction. Devine’s scenes with Tim Lucas as King Rat are nothing short of genius. Lucas like Devine never disappoints and as King Rat he well and truly earns his title as a panto legend, he is utterly brilliant. He knows just how far to go with the innuendo and has the audience crying with laughter with his incredible performance, he ensures we all absolutely love to hate him as the devious Cockney King Rat, lapping up the boos and revelling in the villainy.

Chantelle Morgan returns for the festive season having rightfully won the role of Snow White after a star-studded search last year and proves once again what a talent she is. Her strong vocals and likeable personality are perfect for the role of Dick’s love interest Alice, daughter to the buxom businesswoman Felicity Fitzwarren played superbly by Richard Aucott. Aucott’s costumes are incredible each one bigger and bolder than the last.

Rachael Wood sparkles as the delightful Fairy Bow Bells while the Senior Dancers elevate this production even further as they deliver Nazene Langfield’s choreography with perfect precision.

This wonderful production ticks every single box when it comes to entertainment, in addition to the knock-out cast and stunning costumes there’s an amazing 3D sequence which will thrill audiences young and old, taking us on an unforgettable underwater adventure.

The song choices are excellent with something for everyone from KPop to ABBA, it’s pure pop perfection. Mark Goggins’ script with additions from David Phillips Davis feels bang up to date, littered with plenty of modern cultural references and trends it really is a crowd pleaser.

Dick Whittington is an absolute Christmas Cracker, packed full of laughs, bursting with talent and brilliant entertainment from start to finish. This crowd pleaser of a panto gives every single person at St Helens Theatre Royal the opportunity to feel part of a truly joyous collective experience. If you’re looking for five-star theatre at fantastic family friendly prices this festive season, then look no further than St Helens Theatre Royal where Dick Whittington will thrill young and old alike.

Dick Whittington is on at St Helens Theatre Royal until Sunday 11th Jan tickets are available here.

13 Going on 30

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

Based on the iconic 2004 film starring Jennifer Garner and Mark Ruffalo, 13 Going on 30 introduces us to 13-year-old Jenna Rink who, following on from her not so successful 13th birthday party wakes up as her 30-year-old self, a highly motivated New York magazine editor. Successful she may be, but she soon realises that life as a high-flyer isn’t all it’s cracked up to be. At 13 she wished to be thirty, flirty and thriving yet the reality isn’t quite as fulfilling as she hoped for. In a desperate bid to figure out who she really is Jenna tracks down an old friend which sends her on a path of self-discovery, lucky for us she’s taking us along for the ride.

Lucie Jones is perfectly cast as Jenna, kooky and charismatic with soaring vocals she takes the role and truly makes it her own. Her Jenna is warm, witty and enormously likeable. The pairing of Lucie Jones and David Hunter as Matt is perfection, they bounce off each other brilliantly and have you rooting for them from the start. Hunter is a joy as Matt, retaining the witty sarcasm Ruffalo gave us in the film while ensuing the character brings a genuine charm and vulnerability to this uplifting production. Their relationship feels entirely believable and as an audience we fall just a little bit in love with them both.

Of course, every good story needs a little jeopardy, and we have that in the form of Grace Mouat as Lucy Wyam, a mean girl from Jenna’s high school days who now works alongside her at Poise magazine. As a faux friend Mouat is deliciously devilish, her razor-sharp comebacks are hilarious while her sour-faced sass slays.

Both young Jenna, Amelia Minto and young Matt, Max Bispham at tonight’s performance are absolute knockouts, immensely talented and totally mesmerising on stage. Long and successful careers no doubt lie ahead of this talented duo. A special mention must also go to the young company who are incredible throughout, their energy and talent is unrivalled.

While the film soundtrack brought us absolute bangers from Pat Bentar’s Love Is a Battlefield to Madonna’s Crazy for You, the musical mostly uses original music and lyrics from Alan Zachary & Michael Weiner. Opening number Wanna Be is superbly delivered by the young company, (Team Thirteen at tonight’s performance) while Too Late is the perfect Act 1 closer giving us beautifully moving moments as we see the younger and older versions of Jenna and Matt perform together.

One song we absolutely couldn’t lose from the film soundtrack gladly remains giving us the iconic Thriller scene. Choreographer Jennifer Weber adds to the beloved original choreography making this a real stand out moment in the show that could even afford to go a little bigger, really taking this scene to the next level.

 

The original songs are melodic and warmly uplifting, while the nostalgic amongst us may well go away wishing a sprinkling more of the original soundtrack would have made an appearance new audiences won’t feel anything is missing.

Book writers Josh Goldsmith & Cathy Yusp have done a great job of staying true to the film while adding depth and creativity for theatre audiences. 

Director Andy Fickman has done a brilliant job of ensuring this talented cast deliver each scene with real heart and precision.

13 Going on 30 is like a cosy hug with your favourite fluffy pillow, uplifting, joyful and a whole lot of fun. It’ll remind you that life is all about the connections we make along the way while thoroughly entertaining you from start to finish.

13 Going on 30 is on at Manchester’s Opera House until Sunday 12th October tickets are available here

The Addams Family

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Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐

With hints of Halloween creeping into every supermarket home section despite the 30-degree temperatures outside it feels somewhat fitting that the spooky, ooky Addams family should also make an appearance, arriving at Salford’s Lowry theatre for one gloriously ghoulish week.

Written by Marshall Brickman and Rick Elice with original music and songs from Andrew Lippa, this musical comedy is packed with humour, heart and kooky theatrical flair.

The story is centred around the unconventional teenage love story of sadistic, gothic, Wednesday Adams (played by a brilliant Maria Garrett on as cover for tonight’s performance) and All-American Lucas Beineke (played by a charismatic Jacob Fowler). As the two families come together over dinner at the Addams family mansion, it’s here that the fun and games really begin.

Garrett takes the role of Wednesday and runs with it, passionate and intense with an loveable warmth, her punchy performance is perfection. Her delivery of ‘Pulled’ is every bit as spine tingling as Diego Pitarch’s captivating set design. Her pairing with Jacob Fowler as love-interest Lucas works wonderfully, the two combined give us heavenly harmonies and wicked chemistry.

The rest of the kooky clan are equally as impressive with Alexandra Burke as a sensuous, sophisticated Morticia while Ricardo Afonso hits every mark as a scene stealing Gomez, his vocals are without doubt are some of the best you’ll ever hear while his comedic timing is second to none.

Clive Rowe is a delightfully loveable Fester, while fan-favourite Lesley Joseph as Grandma Addams and Nicholas McLean as Pugsley, pack in the humour delivering their witty one-liners to perfection. Special mention must also go to Kara Lane as Lucas’ mother Alice Beineke who shifts deliciously from ‘normal to ‘unhinged’ right before our eyes at the close of Act One. While Dickon Gough returning to the role of Lurch is spooktacular.

The ensemble of seven skilled performers who make up the Ancestors fill the stage with enthusiasm and energy, helping to cleverly move the story on and bring the undead to glorious life, adding wonderfully to this already strong cast and cementing the true meaning of family by the end of Act Two.

While the Addams Family may have been around for almost 90 years there’s nothing ancient about this quirky, uplifting show. Matthew White’s direction combines nostalgia with fresh energy resulting in an enormously entertaining production. Add to this a cast at the top of their game and you’ve got a captivating, contemporary adventure for young and old alike, creepy, kooky and most fabulously spooky!

The Addams Family is on at The Lowry until Saturday 16th August tickets available here.

Sherlock Holmes

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Opening Night verdict ⭐⭐⭐⭐

The game is afoot at  Grosvenor Park Open Air Theatre 2025 as Chester Storyhouse bring an all-new adventure by ever-popular sleuth Sherlock Holmes to life.

From misdirection to missing valuables, criminal masterminds to secret codes, ‘The Chester Conundrum’ is everything you’d want from an adventure featuring the deer stalker donning detective – ably assisted by his right hand woman Dr Jo Watson.

Written with wit and imagination by Molly Taylor and directed with pacy fun by Ellie Taylor, the open air theatre is the perfect setting for such an enjoyable summer romp.

The scene is set in modern day Chester (no musty Victorian parlours for our ‘Sherly’) at a popular ‘Crime Con’ convention (it’s fun to spot the various other famous crime icons including Poirot, Kojack and yes, Velma from Scooby Doo!)

Dr Watson (a sparky Alyce Liburd) is one of the guests at the convention, organised by a childhood friend (Eddy Westbury) who also doubles up as a delightfully daffy Duke of Westminster.

Organisers hope her partner Sherlock Holmes (a snarky and sardonic Ethan Reid) will also make an attendance – and they aren’t disappointed, although I won’t spoil the manner of his arrival.

But the duo’s Crime Con appearance sparks a madcap mystery featuring, among other things (and minus any spoilers that would ruin the fun) a missing painting, a grisly murder, a supremely silly bust-up in a Liverpool Irish boozer and even a mass karaoke session.

And of course, this being the open air theatre, some audiences members are also recruited to play a part in proceedings – which they gamely did, getting lots of laughs.

The cast are all first rate – we particularly enjoyed Howard Chadwick’s exasperated police detective DCI Chadwick, Victoria Brazier’s dotty Mrs Hudson and Jessica Jolley’s Scouse crimelord. And Lauren Chinery and Hannah Baker were also excellent in their various roles.

(It’s worth noting that not only do the cast play all the instruments that help bring the story to life, they also double up in the theatre’s other summer outdoor production Pride & Prejudice – in case you want to see them in alternative guises.)

It’s particularly nice to see two young actors, Morgan Lewis & Alex James Mason making their professional debut thanks to the Storyhouse Young Company training scheme – which the audience was encouraged to donate to on the night.

Packed with local gags and insider jokes, slapstick physical comedy but with moments of real menace – as well as all the twists and turns you’d expect from a Sherlock mystery, this is a crime caper that fully lives up to the Sherlock name.

The Adventures of Sherlock Holmes is on at Grosvenor Park Open Air Theatre until Sunday 31st August tickets available here.

Mary Poppins: Place Theatre, Manchester

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Reviewed by Matthew Forrest

Opening Night verdict ⭐⭐⭐⭐⭐

First things first, I have a confession to make: I have never watched the 1964 film adaptation of Mary Poppins. I mean, of course, I have seen some scenes featuring the big song and dance numbers and I have watched The Simpsons parody episode featuring Shary Bobbins several times, but I’ve never actually sat through the film from start to finish. Now we have that unpleasantness out of the way, and you can lift your jaw off the ground, please allow me to continue my review.

So, not having the full picture of what to expect actually worked in my favour. Because nothing could have prepared me for how magical and grand this production is. Based on author P.L. Travers’s original books, the stage adaptation of Mary Poppins is co-produced by Disney and Cameron Mackintosh, with book by Downton Abbey creator Julian Fellows, together they have created an enchanting spectacle that will cast a spell over the whole family.

Set in early 20th-century London, we are introduced to the Banks family—father George (Michael D. Xavier) is a hard working junior officer for a major London bank. He has very little time for his devoted wife, Winifred, (Lucie-Mae Sumner) and they have two children Jane and Michael (played at this evening’s performance by Katie Ryden and Charlie Donald).

The Banks children have a reputation for causing mischief in the local area, and seeing off the many Nannies previously employed to look after the pair. However, the arrival of the enigmatic Mary Poppins, (Stefanie Jones) whose no-nonsense, unconventional methods soon add a touch of sparkle to the Banks family.

Mary Poppins along with her trusted friend, the ever chipper chimney-sweep Burt (Jack Chambers) take the children on a series of adventures involving dancing statutes, singing toys, tap dancing chimney sweeps and a spot of word invention, which teaches the children a few valuable lessons and provides the love and attention they lack from their father.

What an absolute joyous experience this production is! Director Richard Eyre along with co-director/choreographer Matthew Bourne, and co-choreographer Stephen Mear have crafted some spectacular set-pieces. The colour explosion from “Jolly Holiday” looks glorious, whilst the dazzling roof-top dance of Burt and his fellow chimney sweeps during “Step in Time” is magnificent: the magnitude and scale, with the huge ensemble cast showcase what the show is all about: high end production values, performed by creatives at the top of their game.


The musical numbers sound terrific under musical director Isaac McCullough’s skillful baton. The Sherman’s brothers penned, “Supercalifragilisticexpialidocious”, “A Spoonful of Sugar”, and “Let’s Go Fly A kite” sound as good as you want them to be, whilst new songs penned by George Stiles and Anthony Drewe give the production a contemporary feel, the pick of the bunch being touching, “Being Mrs Banks”, beautifully sung by Lucie-Mae Sumner.

Stefanie Jones is in sparkling form as Mary Poppins: it’s a sassy turn which beautifully shows the complexity of the character. Her vocals throughout are outstanding and her physical performance as the super-nanny is captivating. She has a true star quality which fills the stage. The same can also be said of Jack Chambers: it’s a performance full of charm, charisma and athleticism, a full on song-and-dance tour-de force highlighted in the previously mentioned “Step in Time”.

Michael D. Xavier is impressive as the uptight, repressed Mr Banks. His performance has a contemporary quality which adds more layers to the production. Lucie-Mae Sumner is the perfect foil, with her sweet, strong, yet mildly eccentric Mrs Banks, ready to show she is more than just a wife, but a strong, capable woman. Finally Katie Ryden and Charlie Donald are a fun watch throughout and more than hold their own with their fellow adult-actors, with both showcasing great comedic timing.

Bob Crowley’s enchanting dolls house set design looks gorgeous and sets the tone of the show perfectly, whilst some very clever stage trickery shows just how magical, and unique Mary Poppins truly is.

Mary Poppins is a testament to the enduring appeal of its source material, offering a theatrical experience that is both timeless and innovative. With stellar performances, imaginative design, and memorable music, it’s a fantastic showcase for how good live theatre can be……as the song says – Practically Perfect!

Mary Poppins is at Manchester’s Palace Theatre till 17th May, tickets are available here.

Chitty Chitty Bang Bang

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Reviewed by Matt Forrest

Opening Night verdict ⭐⭐⭐⭐

Formula One, a sport I have zero interest in, apparently kicks off its new season this coming weekend, and whilst I certainly won’t be watching there is however one former Grand Prix winner’s arrival into Manchester that I have been most looking forward to: I am of course referring to Chitty Chitty Bang Bang.

The Ian Flemming penned family favourite is back on the road bringing with it a ton of magic, some big musical numbers and a whole lot of fun for all the family.

Set in 1919 we find the rather eccentric widowed father, Caractacus Potts trying to forage enough money to save a bent and broken race car from the scrap heap. The car has become the beloved plaything of his two children Jeremy and Jemima. In order to raise the funds must put his brilliant(ish) inventor mind to work, and come up with an invention that will not just change the world, but also the Potts, bank balance as well. Caractacus reluctantly accepts the help of Truly Scrumptious, the daughter of a local sweet and confectionery maker in order to get an appointment with her father. Whilst the meeting doesn’t go according to plan, it soon becomes clear that there is a spark between the pair.

It’s not just money troubles however blighting the Potts family. They find themselves in great danger from the evil Baron and Baroness Bombast of Vulgaria who also have designs on the famed race car: dispatching a couple of dodgy spies, the power of the Vulgarian navy, and the truly terrifying Childcatcher. The Vulgarians will stop at nothing to achieve their goal, even going as far, as kidnapping Grandpa Potts. However, Chitty Chitty Bang Bang has more than few surprises under her bonnet to help Caractacus and company save the day.

From start to finish, what an absolute joy this production is. There are some fine performances throughout: Former Strictly winner Ore Oduba, channels his inner showman, bringing a touch of sparkle as the eccentric Caractacus Potts. As you might expect he has some slick dance moves, but he had a tremendous voice to match, perfectly showcased in the spectacular number Me Ol’ Bamboo.

Liam Fox brings plenty of warmth and humour, as the caring old soldier, Grandpa Potts. Whilst Ellie Nunn puts in a feisty turn as Truly Scrumptious, it’s pleasing to see the character has been updated from the film, to be more spirited. Nunn has a stunning voice, and her vocals on the touching Lovely, Lonely Man are beautiful.

Every good story needs a good villain, and thankfully Chitty Chitty Bang Bang, has one of the most terrifying: The Childcatcher, played here with sleek brilliance by Charlie Brooks. Brooks does villainous so well, stalking the stage like a cat ready to pounce on her prey as she tries to weed-out the children. She gets to deliver some truly iconic and chilling dialogue, which she does so menacingly  well.

What director Thom Southerland has done such an excellent job of is enhancing the humour and ridiculousness of Chitty Chitty Bang Bang. He weapons for this are four solid comedic performances from  Adam Stafford and Michael Joseph as the inept spies Boris and Goran, bringing a whole load of silliness in the first half of the show. Later it’s the turn of Martin Callaghan and Jenny Gayner as the Baron and Baroness to ratchet the fun up to 11. All four inject a great deal of absurdity and fun to proceedings. 

Of course, the star of the show is the car itself, which looks immaculate, her arrival along with the beloved Chitty Chitty Bang Bang song drew lots of spontaneous clapping and singing from the audience. Morgan Large has done a great job bringing the car to life, as well as other fun little props and touches that litter the production. Some of the set transitions I do feel could be slicker and at times can be distracting but this is a minor quibble for over all a production that sparkles

There is something for everyone here, bold musical ensemble numbers like the aforementioned Me Ol’ Bamboo and Toot Sweets, superbly choreographed, whilst the slower Hushabye Mountain and Doll on a Music Box work effectively well.

The evening comes to an end with a touching speech from Liam Fox, paying tribute to friend/co-star, James Lee Williams: The Vivienne, which is a classy touch and highlights the love and warmth of what this production is all about.

This is an always entertaining retelling of a classic, and one that children of all ages will enjoy. I’m pleased to say this old car has passed its MOT with flying colours.

Chitty Chitty Bang Bang is at the Palace until 16th March tickets available here.

Joseph and the Amazing Technicolour Dreamcoat

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Reviewed by Jodie Crawford

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Joseph and the Amazing Technicolor Dreamcoat has undergone a thrilling reimagining in this incredible production by Michael Harrison, David and Hannah Mirvish, and Jake Wine. This version is not just a revival; it’s an exhilarating adaptation that breathes new life into the beloved classic. From its vibrant choreography to its pitch-perfect performances, it’s a show that keeps audiences on the edge of their seats, from start to finish. This is a must-see production that will leave you smiling long after the curtain falls, and humming the tunes all the way home on the tram, like we did!

At the heart of this spectacular show is the story of Joseph, the dreamer whose colourful coat sets the stage for a rollercoaster of emotions, betrayals, and triumphs. Based on the biblical tale, it follows Joseph’s journey from being his father Jacob’s favourite son, to being betrayed by his jealous brothers, and ultimately rising to power in Egypt, thanks to his incredible ability to interpret dreams. The story is filled with humour, pathos, and delightful surprises, making it a timeless classic. This adaptation takes everything you love about the original and amplifies it with a burst of modern energy, a splash of humour, and eye-popping visuals that make it feel fresh and exciting for today’s audiences. This is a far cry from the first adaptation I saw in 1991 as a child!

One of the true highlights of this production is the brilliant performance by Christina Bianco as the Narrator. Bianco, an internationally acclaimed performer known for her stunning vocal range and ability to impersonate iconic singers, brings her unique magic to the stage. Her portrayal is a masterclass in musical theatre. With her effortless charm and impeccable comedic timing, Bianco shines in every moment she’s on stage. Her voice is absolutely flawless, effortlessly handling the musical’s demanding score, from the soaring ballads to the fast-paced, high-energy numbers. What makes her performance even more captivating is how she seamlessly engages with the audience, pulling them into the story with her infectious energy. If you’ve seen Bianco’s viral impressions of divas like Celine Dion and Barbra Streisand, you’ll recognize her ability to evoke laughter and applause, but here, she’s a storyteller at heart, and her voice radiates warmth and heart throughout the show.

But it’s not just Bianco’s performance that stands out—Joseph as a whole is a visual and auditory feast. The choreography, expertly executed, is nothing short of electrifying. From the lively “Go, Go, Go Joseph” to the energetic “Song of the King,” the dancers are bursting with enthusiasm, their movements sharp and graceful. The choreography pulses with the rhythms of the music, filling the theatre with an infectious energy that makes it impossible not to tap your feet. There is no genre left behind, it is an eclectic feast of rock and roll, and country to the hilarious French themed “Those Canaan Days”. The numbers are fast-paced and thrilling, incorporating elements of contemporary dance, jazz, and even a touch of acrobatics, ensuring the audience is constantly engaged.

The set design is another triumph. The colourful, clever backdrop brings to life the vibrant world of Joseph. From the moment the show begins, you’re transported to the dramatic landscapes of Egypt, the lively streets, and the dreamlike visions Joseph experiences. The use of colour is particularly striking, with the multi-coloured coats, bright lighting, and vivid scenery creating a fantastical atmosphere that enhances the whimsical nature of the show. The costumes are equally impressive, with each character’s attire matching their personality and adding an extra layer of storytelling. The entire stage design, from the props to the lighting, is visually stunning and designed to captivate audiences of all ages.

In addition to the standout performance by Bianco, the entire cast delivers powerhouse performances. The role of Joseph is perfectly executed, bringing charm and sincerity to the character’s journey. The ensemble is equally remarkable, with a talented group of actors who sing and dance their hearts out. Of particular note are the young children in the cast, whose incredible talent shines brightly. They bring a delightful sense of energy and joy to the show, and their flawless performances ensure that Joseph is a celebration for the whole family.

The show is bursting with heart, humour, and energy, and the audience couldn’t have loved it more. Every moment is filled with charm, from the hilarious jokes to the heartwarming songs. The laughter, applause, and cheers that echoed throughout the theatre were a testament to the production’s success. The adaptation is not just a trip down memory lane—it’s a thrilling, vibrant reimagining that feels just as relevant and entertaining today as it did when it first premiered.

Joseph and the Amazing Technicolor Dreamcoat in this new adaptation is an absolute triumph, it’s a performance that you will remember long after you leave the theatre. It is a modern masterpiece in its own right. This production is a reminder of the timeless appeal of Joseph, and it’s a show that everyone—no matter their age—will enjoy from start to finish. You simply cannot afford to miss it!

Joseph and the Amazing Technicolor Dreamcoat is on at Manchester’s Palace Theatre until Sunday 9th March tickets available here.