Wizard of Oz Interviews | Part 1 | Kelvin Fletcher

Kelvin Fletcher

Following on from the huge success of Peter Pan last year Selladoor Productions return to Blackpool with an iconic musical adventure as we see Dorothy click her heels together and arrive at the legendary Opera House.

This highly acclaimed adaptation from The Royal Shakespeare Company promises to be a magical treat for all the family featuring timeless classics: We’re Off To See The Wizard, Ding Dong The Witch Is Dead!, The Merry Old Land Of Oz and Over The Rainbow, add to this lavish sets and spectacular costumes and you really do have the prefect festive treat.

We were lucky enough to catch up with cast members Kelvin Fletcher (Tin Man), Holly Tandy (Dorothy), Scott Gallagher (Cowardly Lion) and Kate Milner-Evans(The Wizard) ahead of opening night on 7th December to hear a little more about what audiences can expect from this theatrical adventure.

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Opening Night: How are rehearsals going?

Kelvin: Absolutely brilliant, it’s been such a whirlwind. We’re doing full run-throughs now and tech rehearsals are getting closer, the whole process has been amazing for me, a lot of new firsts, coming into musical theatre, I’ve never done this sort of thing before, anything I have been a little bit anxious about the team who have been great have reassured me and offered some brilliant advice. I feel like I’m really growing in confidence every day, we’re all really looking forward to getting to Blackpool now and performing in front of an audience.

ON: We all know you so well from Emmerdale, how is acting on stage different to TV acting?

Kelvin: Day to day it’s very different, yes I’m used to acting but acting on stage is so much more expressive, especially in musical theatre with such larger than life characters. It’s been wonderful really to get a chance to do things I know are in my repertoire but that I’ve never had chance to express before. I’m also really excited for people to see this different side of me, a very different side to what they’re used to seeing; it will be a lot of fun for everyone including me.

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ON: As the Tin Man you have one of the most restrictive costumes in the show, how are you finding that?

Kelvin: First couple of dances I thought it would be best to try and be quid rigid with my movement but then I was struggling a little to get the fluidity of the dance so I decided to do it the opposite way and master the dance first then add the rigidity of the Tin Man. This is the great benefit of rehearsals it allows us to try different ideas and see what works best. Then of course there’s the silver makeup which looks amazing but I’ll definitely need help with that, I managed to leave some on the other day and caught myself in the mirror still wearing a bit of guy liner!

ON: Will your family be making the trip to Blackpool?

Kelvin: Yes, they are so excited, when I first started acting it was on the stage, that’s where my love for acting blossomed so it will be nice for us all really to get back to where it all started and it couldn’t be a better show, a big flamboyant musical like this is just so exciting for us all.

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ON: How does it feel knowing you’ll be performing at the Winter Gardens?

Kelvin: I’d never actually been despite knowing how iconic it is, it’s got such a great reputation, so to be performing there is going to be unbelievable. It’s such a great space, it’s huge, we can’t replicate the size of the set in the rehearsal space because it’s so huge which gives a sense of the sheer scale and spectacle of this production.

ON: We know you’re used to working with animals from your Emmerdale days but how about on stage?

Kelvin: I keep thinking to myself “If the dog doesn’t run at that particular point what will we do?” ha ha but I don’t have a lot of interaction with the dog to be honest it’s more Holly, as if playing Dorothy isn’t tough enough! The dogs are so well trained thought that no doubt they’ll be as good as gold and more than likely steal the show!

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ON: How are you finding the singing?

Kelvin: Our Musical Director has been amazing, I’ve never had any singing training before so I’ve just been like a sponge really taking on any piece of advice. We’ve all got numbers throughout and mine’s a lovely little number which starts off with some dialogue then breaks out into a song, I really can’t wait. Then of course there are lots of great songs throughout, choreographed dances, there’s so much going on it really will be spectacular.

The Wizard of Oz opens at Blackpool’s Opera House on Friday 7th December until Sunday 30th December tickets available here.

Meet the cast of The Rise and Fall of Little Voice

Little Voice

The Octagon Theatre Bolton have celebrated their 51st birthday by announcing casting for their upcoming production of Jim Cartwright’s timeless comic tragedy in Bolton’s iconic Albert Halls.

The electrifying drama will be performed by a company of talented actors including Kate Elin-Salt who performed Little Voice in the Octagon Theatre’s acclaimed 2012 production. Further casting includes Sally George, Mark Moraghan, Ted Robbins, Sue Vincent and Akshay Gulati.

Little Voice escapes her dreary life through singing stunning impersonations of her favourite hits. In fear that her mother might blow a fuse, LV escapes in her attic room through her father’s old vinyl collection – she loves the great divas: Bassey, Garland, Piaf, Springfield, Holliday. Get ready for a stunning collection of hits including Big Spender, Over the Rainbow and Non, Je Ne Regrette Rien performed live on stage.

Little Voice will be directed by Ben Occhipinti will run from Thu 24 January – Sat 2 February 2019 at the Albert Halls, Bolton as the Octagon’s town centre theatre undergoes a multi-million pound redevelopment. Tickets available here.

    

 

 

 

Benidorm Live

Opening Night verdict ⭐️⭐️⭐️⭐️

Reviewed by Matthew Forrest

The last time I was in Benidorm I was chatted up by a septuagenarian and managed to throw up all over myself: not the best holiday experience I’ve ever had, that was some 17 years ago, and I vowed never return. Last night I broke that promise to myself (of sorts) and I’m rather glad I did because Benidorm Live arrived in Manchester for a week-long run and it’s a fantastic, fun night out.

After 10 series and cultivating a huge fanbase show creator Derren Litten decided to turn the much-loved sitcom into a live show. Featuring fan favourites, Hotel Manager, Joyce Temple-Savage (Sherrie Hewson), oily barman Mateo (Jake Canuso), fiery rep Sam (Shelley Longworth), loveable swinger Jacqueline (Janine Dutvitski), and, ‘Blow and Go’ stylists and best friends Liam (Adam Gillen) and Kenneth (Tony Maudsley).

The show carries on where the TV series left off with The Solana Hotel facing a takeover: which could see many of the employees facing the sack. The arrival of stuck-up couple Sophie (Tricia Adele-Turner) and Ben (Bradley Clarkson) leads Hotel Manager Joyce to believe that they are undercover spies sent by the potential new owners. She orders the staff to give them the five-star treatment which of course doesn’t go quite as planned.

The live show is like an extension of the TV series with a bit more razzmatazz: packed with innuendo, stinging one-liners, and a fair few lewd jokes, swinger Jacqueline getting all the best lines: Janine Dutvitski is clearly having a ball and pretty much steals every scene she’s involved in.

There are a few song and dance numbers which look like they’ve come straight out of a jukebox musical, that is of course if said musical had been hammering the Blue WKD’s!

Series regular Asa Elliot demonstrates what a gifted singer he is throughout; whilst Jake Canuso get to show off his dancing skills and what a snaked -hipped performer he is: his entrance to the show is quite the snake-hipped spectacle indeed.

Following the interval, the show moves to the Neptune Bar, (which features heavily in the TV series) for a cabaret evening, providing a great opportunity for all the feature characters to get their moment in the spotlight: the highlights being a sensational singing performance from Shelley Longworth and a performance of comedy gold from Adam Gillen.

All plot strands are tied up neatly here with the entire cast uniting for a fantastic version of Y Viva Espana which is the perfect climax to the evening: camp, brash, loud and lewd just like a trip to Benidorm really. This an entertaining, fun evening out and the perfect way to fend of the winter blues!

Benidorm Live is at the Place Theatre until 1st December. Tickets available here.

Craig Charles to funk up Salford next week

Craig Charles with BBC Phil - Copy

The Red Dwarf, Coronation Street star, BBC Radio 2 and 6 Music presenter brings two very special nights of live music, DJ sets and entertainment to The Lowry on Tuesday 4th & Wednesday 5th December.

The ultimate funk and soul party, Craig Charles Funks Up Christmas commences the two-night residency featuring an exclusive Craig Charles DJ set and a fantastic bill of special guest performances. Then on Wednesday 5th December he joins the BBC Philharmonic and acclaimed singer Curtis Stigers for BBC Philharmonic Christmas. The concert & performance is being recorded for BBC Radio 2’s Friday Night is Music Night show.

In what promises to be the funkiest party of the year, the evening will include performances from soul legends The Real Thing performing their multi-million selling number one singles: You To Me Are Everything, Can’t Get By Without You and Feel the Force.

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Plus, direct from the USA, disco stars Odyssey will play a hit filled set including: Use it Up and Wear It Out, Native New Yorker, Inside Out and the iconic disco anthem Going Back to My Roots.

Also on the bill, original Northern Soul singer Lorraine Silver, who shot to fame performing in the iconic Soul Clubs like Wigan Casino and the Twisted Wheel, will be performing her northern soul classics: Long After Tonight Is All Over and Lost Summer Love.

Following rousing performances in front of thousands of festival goers in London’s Hyde Park, Glastonbury and The Big Chill Festival, The Craig Charles Fantasy Funk Band complete the special guest line up.

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The following evening on Wednesday 5th December audiences can enjoy the highly anticipated world premiere of Scary Fairy Saves Christmas – the latest instalment in Craig Charles’ series of fairy tales as part of the line-up for BBC Philharmonic Christmas.

In conjunction with composer Iain Farrington, (Horrible Histories, Wallace and Gromit, 2012 Olympic Opening Ceremony) Scary Fairy features a larger than life cinematic score as Craig presents the third instalment of his modern-day series of fables.

This ingenious fable in rhyme takes audiences on a whirlwind adventure full of humour and childhood nostalgia with many twists and turns, reflecting the world in which we live in today and tackling modern day taboos with Craig Charles’ customary razor-sharp wit.

The evening, hosted by Angelica Bell, will also include BBC Philharmonic, conductor Clark Rundell and special guest Curtis Stigers perform a select programme featuring wintry delights including Stigers hits: I Wonder Why and Never Saw A Miracle, combined with the festive groove of seasonal classics such as Let It Snow and Have Yourself a Merry Little Christmas.

Tickets for Tuesday 4th December can be booked here while tickets for Wednesday 5th December can be booked here.

 

Interview| Lucy Moss | Six the Musical

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Not one but SIX queens are coming to reign over Salford this festive season proving there is much more to each and every one of them than just a forgettable name in an ancient rhyme.

Smash hit musical SIX arrives at The Lowry for a strictly limited 2 week run from Tuesday 4th until Sunday 16th December as the six wives of Henry IIIV take to the stage in a sassy and sensational sisterly retelling of their forgotten stories. Prepare for their feisty and fabulous her-storical her-stories in full, feel-good glittering glory.

Opening Night were lucky enough to catch up with writer Lucy Moss (one half of writing team Moss and Marlow) ahead of the show’s arrival to hear a little more about this infectious production that’s currently taking the theatre world by storm.

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After meeting at Cambridge University Lucy Moss and Toby Marlow knew pretty quickly they wanted to write a show together; Lucy explained how the disparity of meaty theatrical roles for females was something they thought needed taking on: “In musical theatre particularly the majority of the female songs are about how much the character loves their husband or how sad they are because the man they want to love them doesn’t love them enough. We really wanted to create something that had more interesting and also funnier parts for women, it’s crazy really because it was just created as something for fun and our biggest worry was that our friends would think it was really bad. It’s been so cool it really has.”

Lucy added: The was a slot within the university musical theatre society to take a show to the Edinburgh fridge so Toby applied and came up with the idea of doing a show a bit like a pop concert with microphones and dance routines, I almost never thought it would happen but now we’re here about to go on tour and it’s been incredible.”

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What is striking (and utterly brilliant) about Six is walking into a traditional theatre setting and seeing an all-female cast accompanied by an all-female backing band, sending out a very strong and positive message to theatre goers, we are in effect seeing the ultimate girlband on stage. Lucy explained: “We really wanted to tell the stories from the women’s perspective rather than it being just about Henry and how they died which is what we’ve all heard before, we wanted to tell more about their lives and their experiences. The message of the show and its growth very much coincided with the #metoo movement so I think the themes felt very relevant to a lot of people when the show first started taking off and it’s just snowballed from there.”

If you think you’ve heard earworms before then you ain’t heard nothing yet, prepare to be humming the SIX soundtrack for the rest of time as each track is as catchy as the last and could give any pop princess a run for her money, Lucy explained: “We definitely based the Queens on different pop divas so for example Catherine of Aragon is based on Beyoncé, Anne Boleyn is based on Lily Allen, Catherine Parr is Alicia Keyes and so on.”

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As well as being massively entertaining, seriously just wait until you see it, SIX is also impressively educational as each Queen becomes so much more than just a name, we asked Lucy out of all the fierce Queens did she have a favourite? “My favourite Queen’s story is Anne of Cleves because she’s the only one who has a happy ending really, yes she got divorced but she ended up living in this really fancy palace in Richmond, drinking mead, going hunting and outlived every one of them even Catherin Parr who survived, she absolutely lived her best life til the end of her days.”

From starting off as a small fringe production the rise of Six fever really has been incredible. “We had absolutely no idea the show was going to do anything more than the fringe, I was excited then at the thought of somebody maybe coming to see it and inviting us to do one night at a fringe venue in London, that was like, in my wildest dreams and now were here it’s so cool, we’re definitely super hyped to come to the Lowry.”

Six the musical opens at The Lowry on Tuesday 4th December and runs until Sunday 16th December to ensure you have a spectacular Sixmas book your tickets here.

 

 

 

Matthew Bourne’s Swan Lake

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Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Reviewer Kate Goerner

Some shows are so iconic that a single image immediately identifies them, and 23 years after the all-male swans first leapt onto the stage in a flurry of feathers, Matthew Bourne’s Swan Lake has certainly earned this status

Taking the classic score by Tchaikovsky, and reimagining it with a male central pairing and corps, Bourne – who directs as well as choreographs – shook up the traditional concept of classical ballet with this piece when it premiered in 1995.

He admits that not everyone in the dance world welcomed the bold move but it was worth every ruffled feather!

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Now updated for 2018, the production has lost non of its impact, and indeed looks and feels as fresh as ever.

The production opens on the bedroom of a restless prince (Dominic North, whose youthful appearance belies his experience in this role). The forced perspective of Lez Brotherston’s Palace set trapping the young royal figuratively and literally – tight bed covers restricting him just as his royal role does.

The society scenes that follow are a witty joy – we even have a royal corgi – with lots of little winks and nods for the audience. There’s so much to see, this is definitely a show that would lend itself to repeat viewings to take everything in.

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We follow the Prince and his mother the Queen – an arch Katrina Lyndon giving off perfect ‘Princess Margaret in The Crown’ vibes – going about their royal business.

Trying to conform, the Prince hooks up with party girl Carrie Willis (a real scene stealer of a performance) and they go on a date to the theatre – there is some ‘classical’ ballet in the show – of sorts!

Things don’t go well and the Prince finds himself in a deserted moonlit city park – when the swans arrive, lead by Will Bozier (authoritative and reminiscent of the great Adam Cooper)

What follows is some seriously strong dancing in all senses of the word, which culminates in the mesmerising pairing of North and Bozier. Seeing the Prince shake off his doubts and realise at that moment he is free to be himself is a genuinely joyous and touching moment.

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The male company dancers as swans are menacing and magnetic – they even hiss – yet are incongruously vulnerable too. The physicality displayed is done justice by Bourne’s unique choreography – all stamps, jumps and bird-like angles.

Act II brings the sexually-charged Palace Ball scene, with Bozier doubling as the Stranger. Leather trousers replace’s Odette’s black tutu, but the edgy menace remains.

The scene gives the whole company a chance to shine – as things whirl towards the chilling conclusion of the ball, and the poignant final scene.

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The Lowry audience were straight on their feet at the end, and indeed probably would have stayed there for a while longer if the curtain hadn’t been brought down. I’m not sure I can recall a warmer and more enthusiastic response to a dance show.

A very special evening watching a very special production. At The Lowry until Saturday December 1 – one not to be missed. Tickets available here.

Interview| Kinky Boots Cast | Callum Francis | Joel Harper-Jackson |Paula Lane

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Based on the 2005 hit screenplay by Tim Firth, the musical which first opened on Broadway in 2012 has become a worldwide sensation receiving an incredible 13 Tony Award nominations, winning 6 including Best Musical and Best Score. In 2016 following it’s West End premiere the awards kept on coming with an incredible three highly prized Olivier Award wins.

After an incredible opening night at Manchester’s Opera House, earning 5 star reviews across the board and receiving one of the most enthusiastic standing ovations we have EVER seen, we were lucky enough to catch up with Kinky Boots stars, Callum Francis who plays Lola, Joel Harper-Jackson who plays Charlie and Paula Lane who takes on the role of Lauren.

Opening Night: With all three of you having connections to Manchester how did last nights opening night feel for you?

Paula: I’ll be honest I felt a little more nervous than usual last night, I’d said to Helen who plays Nicola, “You’re gonna have to give me a little pep talk just before the show” and she did and was great, some really wise words which really helped and then once I came on stage the love we got back from the audience was just unbelievable.

Callum: It was another level last night it really was.

Joel: I don’t well ever forget the reaction from Manchester, we all had friends and family in last night and the energy was just the best, it was incredible.

Callum: We’ve all been so excited to get to Manchester, it’s been so brilliant in all the other cities we’ve been to and now we’re here in Manchester we just all feel so lucky.

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ON: This is such a well loved show, is there a pressure in delivering the first ever UK tour?

Callum: Yes, I would say so but then I do feel that doing this show anywhere comes with a lot of pressure, the incredible message of acceptance is more than just playing a part in a show it’s a reponsibility, people comes and soon realise it’s much more than just a show. People are really learning something as well as having a great time. I think anywhere you do it be it the first tour, be it in the West End, the responsibility is still massive. There are some incredible fans out there, there’s one fan in particular who saw me in London, she travelled to Australia, she’s already been to three venues on this tour and is coming to Broadway to see the show, so you also want to get it absolutely right for those committed fans, old and new.

Paula: I actually see it slightly different in a sense as it’s a show which has won so many awards and clearly is a fantastic musical the mould is already there so we’re all already onto a winner, it can’t not be great because it’s such an incredible show to be involved in, it’s an honour.

Callum: This show has taken over the world, it might be coming to an end in certain places but there’s something about it that will be talked about forever. The show itself is an absolute legend along with the legends who put it together, it’s a brilliantly made show, brilliantly written with brilliant music, it’s just taken over.

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ON: Do you think the message of inclusivity is key to the success of Kinky Boots?

Callum: Yes I think so 100%, it’s still needed, the message of acceptance is still one that needs to be pushed.

Joel: We’ve come on a massive way, but there is still such a way to go, massively. Any person who comes along to the show who maybe has been dragged along by their wife and doesn’t really want to go, they are the people who need to hear this message and incredibly they are always the people who are up on their feet at the end of the show.

Callum: I had an audience in Melbourne where I was booed constantly, a lot of rugby guys in the audience who took the show to be more like a pantomime, they cheered for Don, absolutely loved Don and at the interval the rest of the cast were all checking if I was ok, and I told them all I was absolutely fine as I know how this show works and how different parts affect the audience and after Not My Fathers Son it changed and they were the ones up on their feet, cheering and then even went round to stage door asking for pictures, I literally saw a group of men completely change their minds in front of me, it was amazing and I had no doubt that that would happen by the end.

Paula: There was a stand out moment for me on our first night here in Manchester and I caught the eye of a young boy in the audience, aged maybe about 10 and his face at the end was just beaming. I think hearing that positive message of acceptance when you are so young is exactly what needs to happen.

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ON: It’s such an uplifting, high-energy show, we literally left the theatre beaming and that was just watching, how do you come down after such an energetic performance?

Callum: From an energy point of view we put so much into the show that we are tired at the end of the day which of course helps with relaxing afterwards.

Joel: I was so tired after last nights show but I just couldn’t switch off once I did go to bed, it was just such a buzz.

Paula: It’s really hard to come down but I’ve got two children who I need to FaceTime at a reasonable hour as they don’t understand working late and different bodyclocks, if they get up at 6am they get up at 6am.

Callum: When I was the understudy in London I actually used to bake when I got home. I used to get in, make something, pop it in the oven then go and shower and by the time it was done that had relaxed me and I’d then decorate what I’d baked in the morning.

Paula: Can you start baking again now?

Callum: Ha ha if I did it now you’d find I’m so exhausted you’d find my watch or something would be in it or my rings, glitter you name it ha ha.

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ON: Callum, you have some incredibly quick changes as you change from Lola to Simon, what’s your secret?

Callum: Lint rollers gets glitter it off brilliantly. All of my changes are quick changes, I stand in the wing just before the alleyway scene, holding my bag and I’m like ‘ok, here we go, I’m about to begin and then I’ll stop in about 2 hours’ it’s so much fun though we all have such a laugh. During Everybody Say Yeah last night I caught both Paula and Joel’s eyes and it just felt so so good. The energy you put in you get back ten fold.

ON: The show features themes of family and acceptance, were your families always supportive of your career choices?

Joel: Not always, my Dad was builder with his own building company and similar to Charlie really my Dad wanted me to work with him and I was studying drama and he would tell me not to pursue anything in drama because it was too hard but thanks goodness I had my biggest fan who is my Mum who would say “Don’t you listen to your Dad you can do this”. But yesterday really was amazing as he said to me at the end of the show “I am so proud of you”.

Callum: He said that to me too, not about me ha ha but about Joel, he turned to me and said “You think he’s good don’t you? And I said yes I do and he said, yes so do I”.

Joel: Callum’s Dad is so proud of him too, he said back in the day Callum would go to parties when he was a child and he wouldn’t want to stay and socialise but last night he he said “And now look at my boy”.

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Callum: I’m so lucky I’ve been so brilliantly supported, I’m the youngest of five boys and my Grandparents, my Mum and Dad from day 1 have supported me. In 2004 I watched a show at the Palace theatre and thought to myself I think I could do that and within the year I got everything ready to move away, my Dad helped and said we’ll find the money and do whatever we need to do. He’s always been my champion. He’s absolutely desperate and I haven’t mentioned this to any of the producers but he’s desperate to be the Dad in the chair after Hold Me In Your Heart.

Joel: Oh yes how amazing would that be! I’m telling them, that would be so incredible.

Callum: My Grandad is 81 and his background on his phone is me in the red dress, he’s brilliant. I’ve been so extremely lucky.

Paula: I’m lucky too, my Mum is a nurse and I’d told her that’s what I had decided I was going to do and she said “look you can do that anytime I really want you to try and pursue this”. She’s seen me go from high to low, she’s seen me in some really dark places and then it just comes right. My husband is equally supportive and often says “Something will always turn up” and you have to have that belief in yourself.

Callum: You absolutely have to have that belief, even though it’s an amazing industry and we’re loving life right now it can be an extremely lonely one at the same time. But, I would absolutely still do it, even knowing how hard and how lonely it can be I would still do it.

Joel: The highs really make up for it.

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ON: Now about those boots….!

Callum: The blue heels are the hardest, Jerry the director and choreographer didn’t want any stilettos in the show until the finale apart from my blue ones because I’m teaching Charlie and the factory gang about stillettos, they had to be the 6 inch stiletto. But, because they are ankle boots they don’t have the full support of the full leg boots we wear at the finale so it is a challenge.

Paula: Due to timing/quick change I get the red shoes but they too are so hard to dance in, the amount of surface area on the floor is tiny. When Charlie spins me round I have to be careful I don’t just keep on spinning, one day if I’m a bit egar everyone’s gonna be looking saying ‘yep she’s still going!’ but at least I can style it out as ditzy Lauren.

Callum: The two hardest dance numbers have the hardest shoes to wear ha ha. Joel on the other hand was an absolute natural! He put them on and it was like he’d literally been born to wear then.

Joel: It was actually harder to look like I couldn’t walk in them. The falling over part is the biggest challenge to make it look realistic as I was so comfortable in them from the start!

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ON: Finally Callum we have to ask you how did you feel when you got the call about Broadway?

Callum: It’s an absolute dream come true, it’s so strange to be able to talk about it now. I’ve actually known since February and now the news is finally out, it feels incredible. I’ll be getting to make my Broadway debut with a part that has changed my life completely, it’s amazing I am so so lucky.

And we’re lucky enough to have the show in Manchester for a limited 3 week run. You can catch Kinky Boots at the Opera House until Saturday 1st December and take advantage of a final opportunity to catch Callum Francis as Lola before he heads off to Broadway. Tickets available here.

Kinky Boots – Opera House – Manchester until Saturday 1st December

http://www.kinkybootsthemusical.co.uk