Musical Theatre

Saturday Night Fever

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Opening Night verdict ⭐️⭐️⭐️

Reviewed by Nikki Cotter

Based on the 1978 film starring John Travolta in THAT white 3 piece suit, Saturday Night Fever strutted into Manchester last night for a week’s stay at the city’s Palace Theatre.

Set in the backstreets of Brooklyn, Saturday Night Fever is a coming of age story combined with a jukebox musical of the Bee Gee’s greatest hits.

Tony Manero (Richard Winsor) lives for his Saturday nights at the local discotheque; the perfect escape from his dull job and not so harmonious home life with his abusive father and downtrodden mother. Dancing is the one thing that gives Tony purpose, credibility and a means of escape. When a dance competition is announced Tony must decide who to compete with, local girl Annette (Anna Campkin) or new girl on the scene Stephanie (Kate Parr).

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While there have been several touring versions of Saturday Night Fever this is the first I’ve seen where the Bee Gee’s classics such as Stayin’ Alive, You Should Be Dancing, Jive Talkin’ and More Than A Woman are delivered on stage by a tribute group. Taking on the formidable challenge of becoming the Gibbs brothers are Edward Handoll, Alastair Hill and Matt Faull. The trio are note perfect in their delivery of the iconic soundtrack & could easily fool you into thinking it’s a real Bee Gee’s recording being played.

Experienced actor and dancer Richard Winsor struts his way around the stage as the infamous Tony, confident and cool he also manages to portray the angsty sensitive side of the determined dancer with ease. His skills as a dancer highlighted beautifully during his emotional solo during Immortality.

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There is a huge amount of talent on stage; the strong ensemble cast deliver Bill Deamer’s high-energy choreography with at times jaw-dropping commitment. The music too is superb and the show certainly looks the part as Gary McCann’s industrial set of moving stairs and walkways add authenticity to the piece while the colourful 70’s costumes take us right back to the period. The show however feels at times like something is missing, while the production touches on some real issues including suicide and drugs they aren’t ever developed or explored in any real way, we never really get to know anyone well enough to emotionally connect or even really care much about their journey which seems like a missed opportunity which could have taken this show to the next level.

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That said Saturday Night fever knows its audience and delivers spectacular dance routines complete with multi-coloured dancefloor and spinning disco balls with perfection. If you’re looking for some seriously sizzling dance routines and stunning vocal arrangements then you won’t be disappointed.

Catch Saturday Night Fever at Manchester’s Palace Theatre until Saturday 26th January tickets available here.

 

 

 

John Barrowman’s FABULOUS tour coming to The Lowry

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Singer, actor, showman and recent jungle celeb John Barrowman is taking a new all-singing, all-dancing show on the road, and it comes to The Lowry later this year.

In this new show, Barrowman – who last year was seen in panto at the Opera House, will celebrate his 30 years on stage and screen by showcasing some of his favourite songs, and sharing stories from his fabulous life and career.

Barrowman is a singer, actor, dancer, presenter, judge and author. Most recently, he made the final three in ITV’s I’m A Celebrity Get Me Out of Here 2018.

John Barrowman’s Fabulous tour will come to Salford’s The Lowry on Monday, July 1 and tickets go on sale on January 23.

Speaking about the tour he said: “I can’t believe it’s been 30 years from my West End debut in Anything Goes to my Australian jungle adventures in I’m A Celebrity, and there’s been lots of fabulousness in between.

“I’m thrilled to celebrate this amazing milestone with my Fabulous tour. I’m looking forward to meeting fans and sharing some of my favourite moments with you all.”

Born in Glasgow, John moved to the USA as a child, and now splits his time between Palm Springs in the USA, Cardiff and London.

He rose to fame starring as Billy Crocker opposite Elaine Paige in the musical Anything Goes at the National Theatre in 1989. He has since starred in West End productions of Miss Saigon, The Phantom of The Opera and Sunset Boulevard – reprising the role of Joe Gillis on Broadway. He was Olivier Award-nominated for his role in The Fix, and most recently in the West End he appeared as Albin/Zaza in La Cage Aux Folles in 2009. A range of screen roles includes perhaps his most famous, Captain Jack Sparrow from Doctor Who and Torchwood.

Tickets go on general sale at 10am on Wednesday January 23. To get tickets head to ticketmaster.co.uk or seetickets.com they’re priced between £25-£55 plus a booking fee.

Jerry Springer – The Opera heads to Manchester’s Hope Mill Theatre

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Newly formed production company Northern Ricochet today announced their first project, bringing an all new production of the award-winning musical Jerry Springer – The Opera to Manchester; almost 15 years since it was last performed in the UK.

This new revival will entertain audiences over a four-week run this summer from Thursday 8th until Saturday 31st August with tickets going on sale today at 10am.

Jerry Springer – The Opera proves nothing is off limits with its tap-dancing KKK members, provocative dancing stripper as well as the ultimate battle of good versus evil between God and the Devil.

The original show caused a storm when it first opened in the UK back in 2002 with this new revival promising the same raucous energy not to mention chaos and debauchery.

The show will be the first from new production company Northern Ricochet formed by James Baker (Parade, Yank), Tom Chester (Parade, Mamma Mia) and Bill Elms (Epstein The Man Who Made The Beatles, Twopence To Cross The Mersey). The trio aspire to passionately produce quality theatre in the north, for the north whilst using northern creatives, actors and voices.

James Baker said: “Jerry was ground-breaking and placed a mirror up to the audience. A mirror of reflection and a possibility for us to learn something. The big question is, have we learned anything? Sadly not, and I’d argue we’re even more divided than before. Prejudice still remains within race, sexuality and equality. Just because we don’t see it, doesn’t mean it doesn’t exist. I think we’ve just got better at pretending all is more harmonious. We’ve become even better actors than those in the Jerry show. Reality has become even more blurred. It’s time to hold that mirror back up. We are bringing you a fresh version of Jerry. One that is again a provocation but also a reflection of our times. We aim to create a movement.” 

Tickets for Jerry Springer The Opera are on sale now and can be booked here.

Facebook: /JerrySpringerManchester

Twitter: @JSTOMANC #JERRYJERRY

The Band

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

The fastest selling musical theatre tour of all time returned to the North West last night to a sell-out audience and a thundering standing ovation; confirming this life-affirming, laugh out loud production first seen at Manchester’s Opera House back in September 2017 is back for good….well until Saturday 26th January at least.

The Band offers a heart-warming trip down memory lane taking us back to 1993 when for four 16 year old friends their favourite boyband was literally their everything. They lived, breathed and worshipped at the TV when Top of the Pops came on, anything for their idols who provided the soundtrack to their lives and for one a much needed escape from reality. We then fast forward 25 years to a place where life has moved on, friendships have diminished but somewhere deep down a love for The Band continues to flicker and could be the key to bringing the girls back together again.

What comes next is an emotional, relatable and incredibly funny journey of not only self-discovery but also a much longed for opportunity to reconnect with each other and remember the hopes and dreams of their sixteen year old selves.

The Band opened to four and five star reviews last time it was in Manchester almost eighteen months ago; I loved it then and can confirm it’s even slicker now. While its charm and relatability remains there’s an added joy that comes from the deepening of the cast’s on stage chemistry, for this story to touch audiences the characters absolutely had to be believable, they feel authentic, lovable and even more real than they did before.

The five actresses playing the younger girls are outstanding, their delivery of uncomplicated and innocent friendship entirely believable. Full of life and boundless energy Faye Christall, Rachelle Diedericks, Katy Clayton, Lauren Jacobs and Sarah Kate Howarth tell their story with all the energy and enthusiasm of a sixteen year old on the cusp of life’s adventures. Jubilant, frivolous and here for the fun, then packing an emotional punch when tragedy strikes, each character is beautifully developed and unique from the next.

Playing the wide-eyed teens 25 years on are four outstanding actresses; hilarious, surprising and above all entirely relatable. Their journey of reconciliation perfectly embodying the reality of fragmented friendships; Rachel Lumberg, Alison Fitzjohn, Emily Joyce and Jayne McKenna more than do justice to Tim Firth’s uplifting script and through the duration of the evening have the audience both fighting back the tears and roaring with laughter. There is heartache, celebration, great humour and above all great heart.

BBC’s Let It Shine stars AJ Bentley, Curtis T Johns, Harry Brown, Nick Carsberg and Yazdan Qafouri deliver some stunning harmonies and slick choreography as the members of The Band.  The musical arrangements add something new to Take That songs we’ve heard so many times before, there’s a deeper significance to the lyrics as the boys intertwine them subtly into scenes to both powerful and even at times comedic effect.

Jon Bausor’s multi-layered set transforms from teenage bedroom to busy airport with ease while directors Kim Gavin and Jack Ryder ensure the cast utilise every inch of the expansive set.

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The Band musical really is the perfect package, a beautiful story delivered in a real and honest way. While you will more than likely laugh as well as cry you will undoubtedly leave feeling uplifted, deeply moved and enormously entertained.

Cathch The Band at The Lowry until Saturday 26th January tickets available

Stephen Schwartz Q&A at Hope Mill Theatre

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Katy Lipson of Aria Entertainment and Joseph Houston and William Whelton of Hope Mill Theatre today announce An Evening With Stephen Schwartz, which will take place in Manchester on Sunday 17th February.

A drinks and finger buffet will begin at 6pm followed by a showcase of the multi-award winning lyricist and composer’s best loved works as well as Schwartz’s first ever UK panel discussion about his life and his work.

With a back catalogue which includes the critically acclaimed shows Wicked, Pippin and Godspell as well as contributing to the lyrics for the films Pocahontas, The Hunchback of Notre Dame as well as songs from The Prince of Egypt this will be a night not to be missed!

All proceeds from ticket sales will go towards Hope Aria’s 2019 season which opens with Schwartz’s RAGS from 2nd March until 6th April.

Tickets for the Hope Mill Theatre event which include a drinks reception and buffet are priced at £45 and can be purchased here.

 

 

 

Rocky Horror

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

Walking through Spinningfields surrounded by swathes of burly blokes in stockings and suspenders on a foggy January night can mean only one thing…Rocky Horror is back in town!

An incredible 46 years since it first opened, Richard O’Brien’s cult classic shows no sign of age as this fresh and feisty production bursts into vibrant life. There’s an electricity in the air as from the minute the lights go down as usherette Laura Harrison introduces the show in unique Ricky Horror style.

After running into a spot of car trouble conservative kids Brad (Ben Adams) and Janet (Joanne Clifton) end up seeking help at a creepy castle in the middle of nowhere. This is where the fun well and truly begins as the virginal duo meet Frank N Furter and his debauched servants for a night they’ll never forget.

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Guiding us through the mayhem is Corrie’s Beverley Callard in the role of Narrator; she gives as good as she gets with the notoriously sharp audience heckling and the love Manchester has for her is wonderful to see.

Ben Adams and Joanne Clifton as Brad and Janet are superbly cast. The duo who recently starred in Flashdance together and only this week announced they’ve written their own musical really are a match made in musical heaven. Their chemistry is electric as they change from innocent stiffs to naughty nymphs; with strong acting skills and great comedic timing not to mention powerful voices, their transformation will thrill the most diehard of Rocky Horror fans.

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Stephen Webb whips the audience into a frenzy with his fabulously flamboyant Frank N Furter, the antici………pation for his entrance brings squeals of delight as he struts round the stage with ultimate sass. Special mention must also go to Kristian Lavercome, as Rif Raf, Laura Harrison as Magenta, Miracle Chance as Columbia, Callum Evans as Rocky and Ross Chisari as Eddie/Dr Scott each shine in their roles bringing this production to the next level and complementing the leads perfectly.

Set designer Hugh Durrant wraps the stage in a giant celluloid movie reel which is lit to perfection by Nick Richings dynamic lighting while Nathan M Wright’s choreography feels fresh and inspired.

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The songs are catchy and some of the biggest ear worms you’ll ever hear while the story is so brilliantly bonkers you’ll be kept entertained from start to finish. With a superb cast and a chance to leap up mid-way through Act I and do The Time Warp you really can’t go wrong.

Frivolous, flirty and a whole lot of fun! Catch Rocky Horror show at the Opera House until Saturday 26th January tickets available here.

 

Interview | Joanne Clifton talks Rocky Horror

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Professional dancer, singer and actress Joanne Clifton is quickly gaining a strong reputation as one of the most versatile performers in the business as she continues to win rave reviews for her musical theatre performances. After appearing in Manchester recently as both Milly in Thoroughly Modern Millie and Alex in the iconic Flashdance, she’s now back to do The Time Warp at Manchester’s Opera House alongside her Flashdance co-star Ben Adams in The Rocky Horror Picture Show which opens tonight in the city.

We caught up with Joanne ahead of opening night to hear a little more.

Welcome back to Manchester Joanne, what a fun show to return with!

Absolutely, I am having so much fun it’s the craziest show to work on and I’m so excited to be back in Manchester, I can’t wait to perform and get back to my favourite places like Albert Schloss and Australasia too. I have really come to love Manchester, when I was doing Strictly with Ore I was training up here in Manchester and came to really love the city and he showed me so many amazing places. Plus working on this show is just so much fun, I really didn’t know much about it at all before I auditioned and I’ve come to love it so much.

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I guess you danced The Time Warp many times in your dance career, how does it feel performing it on stage in such an iconic show?

It’s brilliant, we get such a buzz from the audience too, I’ve probably been performing the Timewarp every Halloween since I was a little girl without every really knowing what it was so to perform it on stage with this incredible company is just wonderful. It’s such a loved show.

It certainly is a show which has cult following, how has that experience been for you?

In rehearsals our director Christopher Luscombe had told us to expect shouting out and gave examples of what we can expect at the usual parts where people shout out which we all found so funny but then when you are out of the rehearsal room and have a theatre full of people shouting out different things at unexpected times it’s something else. That’s what really makes this show so special, its fan base is amazing. Just looking out to the audience and seeing all the effort people have made and the different costumes they’re wearing, seeing different people dressed as your character and so many others is brilliant. I’ve noticed after seeing people being so daring with their costumes I’ve started getting a bit more daring with my clothes for press nights and things.

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Do you think the fact people can be adventurous and a bit more daring is part of the shows timeless appeal?

Yes, I think the message of just being who you want to be really is what we all want, what we’re all striving for and that message really speaks to people.

How is it working with Ben Adams again?

It’s great, we’re best mates so I knew we’d have loads of fun, we had a great time doing Flashdance and now this, it’s almost like we come as a package. We recorded a song from Flashdance which did really well and now we’ve recorded Damn It, Janet from Rocky Horror which is available on Spotify and Itunes, we’re also writing a musical together which we’re really excited about.

Your brother Kevin is about to star in Rock of Ages which we had in Manchester recently have you offered him any advice?

Not really advice as such but Kevin decided he wanted to try musical theatre after seeing how happy starring in shows has made me, we’ve both been performers from such a young age and we love doing that. Kevin had his first rehearsal this week and he couldn’t wait to ring me and tell me how much he loved it. It’s something that makes me so happy and seeing that convinced him to give it a try too.

Richard O’Brien’s Rocky Horror Show tours the UK until 2nd November 2019. For tickets and venues visit http://www.rockyhorror.co.uk

 

 

 

 

 

An Evening of Eric and Ern

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Opening Night verdict ⭐️⭐️⭐️⭐️

Reviewed by Matthew Forrest

There are so many iconic images associated with Christmas: a piping hot turkey with all the trimmings, presents under the tree, pictures of drunken revellers plastered across the national press, and of course Eric Morecambe and Ernie Wise dancing a merry jig. The Morecambe and Wise Christmas specials have been engraved into the festive TV listing since 1969 the reason simply being that they’re just bloody funny!

Well if you need your Eric and Ernie fix this Christmas you can go one better and see the pair in the flesh as An Evening of Eric & Ern comes to the Lowry for the festive season. Staring the Olivier nominated Jonty Stephens and Ian Ashpitel as the comedy duo, they treat us to an evening of cabaret and familiar sketches which include, Eric’s Mr Memory, the pairs take on ventriloquism and the iconic Greig’s Piano concerto sketch.

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Adding a touch of glamour, as well as acting as a comedic foil to the pair is super talented singer Becky Neale who pops up throughout the evening, at one point belting out a fantastic version of the Mariah Carey hit All I Want for Christmas is You.

Despite an initial slow start, this is a hugely fun, trip down memory lane. All the classic gags are there, including those infamous well aimed barbs at Des O Connor. Stand out sketches include are of course the ventriloquist dummy which is brilliant in its simplicity and a beautiful rendition of the Stephen Sondheim’s Send in the Clowns by Neale which Eric and Ernie do there best to ruin.

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The main strength of the show comes in the performances of Stephens and Ashpitel. The physical resemblance is clearly noticeable from the outset, but it’s more about how the mannerisms and facial tics are matched to perfection. You can see the two actors have analysed their heroes to give a genuine, authentic performance which sucks you in. Add to that the undoubted chemistry between the two as well as some exceptional choreography from Nicola Keen and you have all the parts for a heart-warming night of comedy and nostalgia.

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The show inevitably closes with a rendition of Bring Me Sunshine, from all three performers as well as the audience; and like a nice mug of hot mulled wine, it sends you out into the cold winter’s night with a nice warm glow, a spring in your step, and the perfect way to start the Christmas celebrations.

An Evening with Eric and Ern is at the Lowry till 6th January. Tickets available here.

Hansel & Gretel

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Following on from the huge success of last year’s Peter Pan, Oldham Theatre Workshop bring another classic to life with their spin on the much-loved fairy tale Hansel & Gretel.

The intimate performance space at Oldham Library is transformed into an atmospheric wintry wood as we follow Hansel & Gretel on their unexpected journey; cruelly abandoned in the forest at the request of their wicked Stepmother they think their luck has changed when they stumble upon a little house made of gingerbread and sweets, how wrong they are!

Creatives Sarah Nelson and James Atherton once again prove to be a formidable team with this joyful and poetic production; the use of songs, puppets and imaginative storytelling all marrying beautifully to bring this Brothers Grimm tale to vivid and vibrant life. The original songs are both inventive and enormously catchy….munch, munch, nibble, nibble and combined with a melodic score add humour and depth to this wonderful piece.

The strong cast deliver the story with real style and delightful conviction. Natasha Davidson and Sam Winterbottom are excellent as Hansel & Gretel whose childlike innocence develops into strength and determination when the going gets tough as this story becomes a great example of good triumphing over evil.

Daniel Harkshead makes for a strong and loving father, battling between the love for his children and the manipulating ways of his bitter wife. Sophie Ellicot is outstanding as both the stepmother and the calculating witch; clearly having great fun with both parts and proving once again what a fine character actor she is.

Madeleine Edmondson quite literally shines as the moon, doubling up as narrator she guides us through this enchanting story beautifully, young and old enthralled with every line. While the addition of three young performers playing the woodland animals brings extra cute factor to this charming production.

Oldham Theatre Workshop once again excels at delivering accessible and enthralling theatre. This magical production will enchant people of all ages, taking you on a feel-good, heart-warming festive adventure which at only £8 per ticket proves to be a festive treat for the pocket too.

Magical storytelling delivered with real heart, a delight for all the family.

Catch Hansel & Gretel at Oldham Library until 29th December tickets available here.

The Wizard of Oz | Blackpool Opera House

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

Following on from the magical Peter Pan last year Selladoor Family return to Blackpool for their second festive season with firm family favourite, The Wizard of Oz.

This iconic musical adventure sees Dorothy (Holly Tandy) swept up out of Kansas landing with a bump in the enchanting land of Oz. Dorothy’s abrupt arrival marks the end of the Wicked Witch of the East and the start of Dorothy’s journey to the mystical Emerald City in a bid to meet the Wonderful Wizard of Oz (Katie Milner-Evans) and ask for her help to return to her family back in Kansas.

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Selladoor have gone all out in this lavish production, Steve Howell’s sets are stunning and combined with Sarah Mercade’s beautiful costume design and Jack Weir’s atmospheric lighting offer some real wow moments; not only does the Wicked Witch fly through the sky but Glinda the good witch even arrives via floating golden bubble!

All the classic songs from the instantly recognisable score are there including We’re Off To See The Wizard, Ding Dong The Witch Is Dead! and Over The Rainbow which is delivered note perfect by X Factor sensation Holly Tandy who makes a strong musical theatre debut.

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Tandy is joined by a superb trio of friends as she journeys through Oz; Kieran McGinn makes for an exceptional Scarecrow, full of heart and charisma he brings an innocent charm to the role. Emmerdale favourite Kelvin Fletcher impresses as the Tin Man, proving to be a strong character actor who switches from farmhand to Oz resident with ease while Radio Wave’s Scott Gallagher is a delight as the Cowardly Lion, funny, engaging and undoubtedly the King of the Forrest.

Chloe Carrington covered the roles of Miss Gulch and The Wicked Witch in the particular performance we saw, owning the stage with every shrill cackle she is clearly having lots of fun with the part and more than rises to the challenge.

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No Wizard of Oz would be complete without a host of colourful Ozians and vibrant indeed they are with both the ensemble and the young company delivering outstanding performances; adding depth and richness to this impressive production with a slick delivery of Khiley Williams’ striking choreography.

If you’re looking for a festive treat then look no further, click your heels together three times and whisper, ‘there’s no place like the Blackpool Opera House’. This wonderful adaptation of an all-time classic will not disappoint, great cast, superb sets and stunning costumes ensure that this Wizard of Oz is wonderful indeed!

The Wizard of Oz is on at the Blackpool Opera House until Sunday 30th December tickets available here.

*Photography by Mark Dawson

Doctor Dolittle

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

At a time when talking to the animals seems much more appealing than talking current affairs, Doctor Dolittle’s arrival at the Lowry for the festive period couldn’t be more perfectly timed.

Writer Leslie Bricusse at the rip age of 87 has reworked his original book to bring the show more up to date adding relevance to the times we’re living in and also added an additional plot twist when it comes to the classic love story element of this tale; no spoilers here though, you’ll have to buy a ticket!

From the start Tom Piper’s bold set design transports us into the pages of a book as Dolittle’s magical journey begins. Larger than life books make for the basis of each scene as the story flows from page to stage and even across the seas.

After being taught to speak ‘animal’ by his trusty sidekick Polynesia (Vicky Entwistle), Doctor Dolittle (Mark Williams) sets sail on a nautical rescue mission in a bid to find and save the Giant pink Sea Snail. There are a few minor bumps along the way with things not quite appearing as they seem but nothing our determined Doctor can’t handle.

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Mark Williams brings an enormous warmth to the Doctor and carries off the role with great charm and charisma. Vicky Entwistle gives Polynesia a delightful Northern twang and gifts our feathered friend with heaps and heaps of personality.

Mollie Melia-Redgrave is a delight as Emma Fairfax while Patrick Sullivan has a star quality magnetism which ensures their scenes together are an absolute joy.

Special mention must also go to Thom Ryan who takes on the role of young Tommy Stubbins, he shines on stage and brings a real youthful energy to proceedings.

The puppetry work here really is the star of the show with each and every scene bringing something bigger, bolder, more colourful and even more unbelievable than the last. Puppetry designer Nick Barnes really has pulled out all the stops while kudos must also go to puppetry director Jimmy Grimes and the incredibly hard-working ensemble cast who beautifully bring each fabulous creature to life; their skill as both performers and puppeteers highly impressive.

While the book has been updated and the score includes several new songs there are still occasions where the show stutters as the pace falls a little flat, some of the big numbers feeling like they need a little more oomph; luckily these dips are only temporary and before you know it another visual treat is playing out before you.

Doctor Dolittle is a charming piece of theatre with some breathtakingly magical moments while the message of protecting and learning from the animals remains strong throughout. A traditional and visually stunning production with an important message at it’s heart, delivered in an engaging and entertaining way.

Catch Doctor Dolittle at the Lowry until Saturday 5th January tickets available here.

Snow White | Epstein Theatre

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Snow White Image 2 - Credit David Munn Photography

Reviewed by Matthew Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

The Epstein Christmas panto is gaining quite the reputation for being the ‘must-see’ of the festive period in Liverpool, and this year’s offering of Snow White and the Seven Dwarfs is no different.

The story follows Snow White (Mia Molloy) and a chance meeting with Prince Valiant (Alex Patmore) which sets both their hearts a racing, however this raises the ire of Snow White’s wicked step-mother, Queen Kimberlina (Kim Woodburn).

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After escaping The Queen and one of her diabolical schemes: Snow White with help from Fairy Goodheart (Claire Simmo) seeks refuge with Seven Dwarfs, but this being a Scouse panto, these aren’t your typical fairy-tale little men. There is Snotty, Soft-Lad, and the rather posh, Wooly-Back, (he’s from the Wirral) to name but a few. Throw into the mix a very untraditional panto dame in the guise of Dame Debbie (Michael Chapman), loveable sidekick Muddles (Lewis Pryor), evil Henchman (Daryl Holden) and a special appearance by Derek Acorah as the Magic Mirror, some fantastic songs, and some brilliantly choreographed dance routines and you have the recipe for a perfect panto.

The show is a riot from start to finish, filled with jokes for children and adults of all ages. Never taking itself too seriously: the show is packed with moments of slapstick, as well as family friendly jokes, with hefty dose of cheeky innuendo that never becomes coarse or vulgar but will have the adults crying with laughter. This is Snow White with a Scouse twist, with plenty of gags and phrases that will resonate with locals,, it’s a fabulously festive treat, (I’ll be doing most of my Christmas shopping with Scally the Dwarf).

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Top billing for the show goes to Kim Woodburn and Derek Acorah, however there is so much more to this show than just the star names. The whole cast work there socks off throughout, with intricate song and dance numbers that include: Mr Blue Sky, Killer Queen, and Devil Woman.

Michael Chapman as well as playing Dame Debbie both wrote and directed the whole thing and should be immensely proud of his achievements. He is outstanding as the sassiest, most gangster panto dame you’ll ever see, and pretty much steals every scene he’s involved in. Lewis Pryor shows what a great all-round talented performer he is as the loveable Muddles, whilst Mia Molloy is perfectly cast as our heroine with a beautiful voice and great character acting.

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There are a couple of very few minor issues: the action seems to take a bit of a lull midway through the first act, and there were a few misplaced lines here and there but we can always forgive that in panto can’t we? Oh yes we can! All in all this is a fantastic, fun, family show, which will leave young and old entertained from start to finish as well as being excellent value for money. Now where did I leave my trainers!?

Snow White and The Seven Dwarfs is on at the Epstein Theatre until Wednesday 2nd January, tickets available here.