Jerry Springer The Opera

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Newly formed theatrical company Northern Ricochet – made up of James Baker, Tom Chester and Bill Elms – don’t do things by halves. Taking the bold step of reviving controversial musical Jerry Springer The Opera as their first company production, they’re sending a clear message to the theatre world that there is a new, ambitious, creative and proudly Northern kid on the block.

Auditions were held in the North – including an open-call casting whilst the opportunity for local in-training actors to make up the onstage choir was offered. The result of this is a sensational piece of theatre packed full of humour, hilarity and genuine heart.

Written by Richard Thomas and Stewart Lee, Jerry Springer The Opera debuted at the National Theatre in 2003 – winning four Olivier Awards including Best New Musical and courting controversy at every turn. This revived production staged in the intimate Hope Mill Theatre allows the audience for Jerry Springer The Opera and Jerry Springer the talk show to become one as audience members sit on opposite sides of the theatre while the cast perform in-between them – giving this production an immersive and atmospheric feel.

James Baker directs the show in such a bold way that as an audience we’re whipped into a “Go Jerry” frenzy before the main man has even stepped foot on stage. The company do an excellent job of building the bubbling excitement ahead of our host’s grand arrival – led brilliantly by Warm Up Man Tom Lloyd, who whets our appetites for what’s to come: reminding us exactly who are the good guys and who we should be reserving our biggest boos for.

Once the infamous Jerry (Michael Howe) makes his grand entrance, we see him play host to three sets of guests who are all too willing to reveal their deepest darkest secrets via soaring profanity-laden arias and wickedly brilliant ballads. Bickering bubbles into bitch fights – leaving security guard Steve (Kai Jolley) to step in and calm the chaos.

Amidst the snarling and sniping Jerry expertly stirs the pot – gently probing his simmering guests and pushing them that little bit further… giving the audience that extra bit more. Things go a tad too far and Act II finds Jerry hosting the ultimate showdown: the Devil versus Jesus. Should Jerry refuse to host this clash of the titans, he’ll burn in Hell forever in a most uncomfortable and ‘barb-baric’ way!

This cast is without doubt one of the most impressive you’re ever likely to see. The ensemble pieces literally raise the roof off Hope Mill Theatre. Each voice is sheer perfection – coming together to create the most beautiful of sounds. Add to this perfectly judged comedic timing delivered with vibrant energy and you have an irresistibly entertaining piece of theatre. Every member of this cast gives their all – each offering something uniquely special and truly memorable.

Michael Howe embodies Jerry Springer perfectly, with every knowing shake of the head, contemplative hand on the chin and nuanced raise of an eyebrow; he is Jerry to a T.

Tom Lloyd makes for a fabulously extra Warm Up Guy while his Satan in Act II is deliciously devilish. David Burilin’s Jesus is pouty and petulant while Matt Bond’s God really hasn’t got time for this shit.

Cici Howells’ voice is sublime as both Shawntel and Eve while Andrew Patrick-Walker has moves Ru Paul herself would be proud of.

With such strong voices and powerful performances the score could easily become lost; however, Tom Chester ensures his band of six are perfectly pitched. The music – together with the rich mix of voices – really is heavenly.

This production has been brought bang up to date and feels frighteningly in-line with the chaotic times we live in. Hillbilly Chucky wears a ‘Make America Great Again’ cap while gun control statements are made alongside caricatures of Trump. The desire to feel superior and the joy in public humiliation raises questions about just how civilised we really are.

Yes it’s profane, yes it’s irreverent but every profanity is worth it for the absolute pleasure this production brings. You’ll shriek with laughter one minute and be stunned into silence by the sheer talent on display the next in this joyful and vivid piece. Cleverly crafted and outrageously naughty, this wild romp of a production will both amuse and impress as once again Jerry reminds us all to “Take care of yourself and each other”.

Jerry Springer The Opera is on at Hope Mill Theatre until Saturday 31st August tickets available here.

West Side Story

07RET WestSideStory - Andy Coxon (Tony) & Gabriela Garcia (Maria) - image Richard Davenport of The Other Richard

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Expectation has been at an almighty high since West Side Story was announced as part of the Royal Exchanges Spring/Summer 2019 season. So successful of late has the theatre been at reimagining classic musicals the run had almost sold-out before the first preview even took place.

This epic tale based on Shakespeare’s Romeo & Juliet sees star-crossed lovers Tony and Maria fighting to be together in 1950’s Manhattan where warring gangs make the rules and stepping into enemy territory is strictly taboo. As a story there is everything from love and conflict to hope and heartbreak as the Sharks and Jets fierce rivalry shapes their very existence.

011RET WestSideStory -The Jets - image Richard Davenport of The Other Richard

Since it first premiered in 1955 Jerome Robbins choreography is something that’s always come as part and parcel of any West Side Story production. So iconic in its style it’s hard to imagine the Sharks and the Jets moving in any other way. Step forward Aletta Collins who not only takes on the challenge of reimagining the instantly recognisable choreography but does so in the most beautifully inspired way.

There are still enough elements of the original choreography to keep the traditionalists amongst us happy but these elements are now combined with a pulsating fusion of Latin, street, lindy hop, jazz and even a touch of northern soul to create the most vibrant melting pot of movement.

05RET WestSideStory - Gabriela Garcia (Maria) & Andy Coxon (Tony) - image Richard Davenport of The Other Richard

Director Sarah Frankom ensures this new choreography is allowed to take centre stage as moments of breath-taking beauty unfold; highlighted perfectly during the switch from punchy ensemble piece to the stillness of Tony and Maria’s first meeting which bursts with joyful innocence. A genuine moment of calm & purity during the heady tension of the dancehall scene.

The cast are outstanding and as an ensemble work together to perfection, fuelled by hatred, fear, anger, love and loss, they fizz with pent up emotion. The era is unspecific making it feel just as relevant today as it did 62 years ago as we seemingly are once again in the midst of a swathe of violent knife crime.

03RET WestSideStory - Andy Coxon (Tony) - image Richard Davenport of The Other RichardCROPPED

Andy Coxon finds the true heart of Tony, delivering a powerful and emotive performance; his rendition of Maria a real highlight while fellow lead Gabriela García is completely captivating as Maria. Her operatic vocals are note perfect and pure. Their duets are sublime while the innocence of their love is blissfully uplifting.

Jocasta Almgill is superb and sassy as streetwise Anita, Fernando Mariano makes for a passionate and proud Bernardo while Michael Duke as Riff is convincing and committed.

The cast make full use of Anna Fleischle’s innovative design which is skilfully lit by Lee Curran. They weave, jump and balance on Fleischle’s vertical geometric sets, one minute gone, the next high up emerging from the shadows. The balcony scenes in particular during Tonight really showing off the impressive staging of this piece as each character vies for the audience’s attention, from all sides of the theatre’s intimate space.

West Side Story ©The Other Richard

The eleven piece orchestra powerfully deliver Leonard Bernstein’s classic score with new arrangements by Jason Carr giving it a modern and fresh feel. Led by Tom Chester the score is packed with emotion and fundamental to the impact of this piece.

The Royal Exchange have created something truly special here, the standing ovation a clear indicator that this production marks another success for the innovative Manchester theatre makers. Bold, inspired theatre at its best.

West Side Story is on at the Royal Exchange until Saturday 25th May tickets can be found here.

Jerry Springer – The Opera heads to Manchester’s Hope Mill Theatre

Newly formed production company Northern Ricochet today announced their first project, bringing an all new production of the award-winning musical Jerry Springer – The Opera to Manchester; almost 15 years since it was last performed in the UK.

This new revival will entertain audiences over a four-week run this summer from Thursday 8th until Saturday 31st August with tickets going on sale today at 10am.

Jerry Springer – The Opera proves nothing is off limits with its tap-dancing KKK members, provocative dancing stripper as well as the ultimate battle of good versus evil between God and the Devil.

The original show caused a storm when it first opened in the UK back in 2002 with this new revival promising the same raucous energy not to mention chaos and debauchery.

The show will be the first from new production company Northern Ricochet formed by James Baker (Parade, Yank), Tom Chester (Parade, Mamma Mia) and Bill Elms (Epstein The Man Who Made The Beatles, Twopence To Cross The Mersey). The trio aspire to passionately produce quality theatre in the north, for the north whilst using northern creatives, actors and voices.

James Baker said: “Jerry was ground-breaking and placed a mirror up to the audience. A mirror of reflection and a possibility for us to learn something. The big question is, have we learned anything? Sadly not, and I’d argue we’re even more divided than before. Prejudice still remains within race, sexuality and equality. Just because we don’t see it, doesn’t mean it doesn’t exist. I think we’ve just got better at pretending all is more harmonious. We’ve become even better actors than those in the Jerry show. Reality has become even more blurred. It’s time to hold that mirror back up. We are bringing you a fresh version of Jerry. One that is again a provocation but also a reflection of our times. We aim to create a movement.” 

Tickets for Jerry Springer The Opera are on sale now and can be booked here.

Facebook: /JerrySpringerManchester

Twitter: @JSTOMANC #JERRYJERRY