Bill Elms

Something About Simon

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Opening Night verdict ⭐️⭐️⭐️⭐️

Reviewed by Nikki Cotter

Gary Edward Jones has one of those rich, warm voices you could happily listen to for hours; gentle, melodic and comforting he is a natural storyteller who has channeled his passion for performance into a real labour of love.

Often told he bears a resemblance to the legend that is Paul Simon, Jones decided three years ago there could be something special for audiences in an evening of music and storytelling punctuated with well crafted delivery and so Something About Simon was born.

Partnering up with musical director Jon Fellowes and communications director Bill Elms the trio have produced a piece that’s been touring the UK to great acclaim ahead of its current Edinburgh Fringe run.

Elfin Bow’s simple set sets the scene nicely, there are two microphones and four large black and white cut-outs: a reel to reel tape recorder, a gramma phone, an ABC TV camera and a railway bench.

Jones launches into the instantly recognisable Sound of Silence to open the show; from the off he delivers a masterclass in musicianship as he interweaves anecdotes and stories about the legendary singer with beautifully delivered pitch perfect renditions of fan favourites as well as offering audiences an opportunity to hear some lesser known pieces.

Jones expertly guides us through Paul Simon’s musical journey from learning his craft in the folk clubs of North West England, his strained relationship with long term musical partner Art Garfunkel as well as his turbulent marriage to Carrie Fisher. Witty and warm Jones drops in little nuggets about his own life and love for music along the way.

With each different song comes a guitar change allowing further opportunity for Jones’ musical talents to shine as he strums and plucks complex rhythms with ease.

The second mic which has remained unused for the majority of the show: a nod perhaps to Art Garfunkel takes centre stage during final song ‘Wristband’ which Jones delivers with his own unique twist giving a fascinating example of how he uses technology to build up layers of the song through recording rhythms, beats and beautiful harmonies.

Something About Simon is a hour of great entertainment, beautifully delivered music paired with Jones’ natural warmth and clear affection for the songs translates into an uplifting and engaging piece. It feels a little like a big hug on a cold day, comforting, welcoming and entirely uplifting.

Catch Something About Simon at Edinburgh’s Assembly George Square Studios until 26th August tickets available here.

Jerry Springer The Opera

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Newly formed theatrical company Northern Ricochet – made up of James Baker, Tom Chester and Bill Elms – don’t do things by halves. Taking the bold step of reviving controversial musical Jerry Springer The Opera as their first company production, they’re sending a clear message to the theatre world that there is a new, ambitious, creative and proudly Northern kid on the block.

Auditions were held in the North – including an open-call casting whilst the opportunity for local in-training actors to make up the onstage choir was offered. The result of this is a sensational piece of theatre packed full of humour, hilarity and genuine heart.

Written by Richard Thomas and Stewart Lee, Jerry Springer The Opera debuted at the National Theatre in 2003 – winning four Olivier Awards including Best New Musical and courting controversy at every turn. This revived production staged in the intimate Hope Mill Theatre allows the audience for Jerry Springer The Opera and Jerry Springer the talk show to become one as audience members sit on opposite sides of the theatre while the cast perform in-between them – giving this production an immersive and atmospheric feel.

James Baker directs the show in such a bold way that as an audience we’re whipped into a “Go Jerry” frenzy before the main man has even stepped foot on stage. The company do an excellent job of building the bubbling excitement ahead of our host’s grand arrival – led brilliantly by Warm Up Man Tom Lloyd, who whets our appetites for what’s to come: reminding us exactly who are the good guys and who we should be reserving our biggest boos for.

Once the infamous Jerry (Michael Howe) makes his grand entrance, we see him play host to three sets of guests who are all too willing to reveal their deepest darkest secrets via soaring profanity-laden arias and wickedly brilliant ballads. Bickering bubbles into bitch fights – leaving security guard Steve (Kai Jolley) to step in and calm the chaos.

Amidst the snarling and sniping Jerry expertly stirs the pot – gently probing his simmering guests and pushing them that little bit further… giving the audience that extra bit more. Things go a tad too far and Act II finds Jerry hosting the ultimate showdown: the Devil versus Jesus. Should Jerry refuse to host this clash of the titans, he’ll burn in Hell forever in a most uncomfortable and ‘barb-baric’ way!

This cast is without doubt one of the most impressive you’re ever likely to see. The ensemble pieces literally raise the roof off Hope Mill Theatre. Each voice is sheer perfection – coming together to create the most beautiful of sounds. Add to this perfectly judged comedic timing delivered with vibrant energy and you have an irresistibly entertaining piece of theatre. Every member of this cast gives their all – each offering something uniquely special and truly memorable.

Michael Howe embodies Jerry Springer perfectly, with every knowing shake of the head, contemplative hand on the chin and nuanced raise of an eyebrow; he is Jerry to a T.

Tom Lloyd makes for a fabulously extra Warm Up Guy while his Satan in Act II is deliciously devilish. David Burilin’s Jesus is pouty and petulant while Matt Bond’s God really hasn’t got time for this shit.

Cici Howells’ voice is sublime as both Shawntel and Eve while Andrew Patrick-Walker has moves Ru Paul herself would be proud of.

With such strong voices and powerful performances the score could easily become lost; however, Tom Chester ensures his band of six are perfectly pitched. The music – together with the rich mix of voices – really is heavenly.

This production has been brought bang up to date and feels frighteningly in-line with the chaotic times we live in. Hillbilly Chucky wears a ‘Make America Great Again’ cap while gun control statements are made alongside caricatures of Trump. The desire to feel superior and the joy in public humiliation raises questions about just how civilised we really are.

Yes it’s profane, yes it’s irreverent but every profanity is worth it for the absolute pleasure this production brings. You’ll shriek with laughter one minute and be stunned into silence by the sheer talent on display the next in this joyful and vivid piece. Cleverly crafted and outrageously naughty, this wild romp of a production will both amuse and impress as once again Jerry reminds us all to “Take care of yourself and each other”.

Jerry Springer The Opera is on at Hope Mill Theatre until Saturday 31st August tickets available here.

Jerry Springer – The Opera heads to Manchester’s Hope Mill Theatre

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Newly formed production company Northern Ricochet today announced their first project, bringing an all new production of the award-winning musical Jerry Springer – The Opera to Manchester; almost 15 years since it was last performed in the UK.

This new revival will entertain audiences over a four-week run this summer from Thursday 8th until Saturday 31st August with tickets going on sale today at 10am.

Jerry Springer – The Opera proves nothing is off limits with its tap-dancing KKK members, provocative dancing stripper as well as the ultimate battle of good versus evil between God and the Devil.

The original show caused a storm when it first opened in the UK back in 2002 with this new revival promising the same raucous energy not to mention chaos and debauchery.

The show will be the first from new production company Northern Ricochet formed by James Baker (Parade, Yank), Tom Chester (Parade, Mamma Mia) and Bill Elms (Epstein The Man Who Made The Beatles, Twopence To Cross The Mersey). The trio aspire to passionately produce quality theatre in the north, for the north whilst using northern creatives, actors and voices.

James Baker said: “Jerry was ground-breaking and placed a mirror up to the audience. A mirror of reflection and a possibility for us to learn something. The big question is, have we learned anything? Sadly not, and I’d argue we’re even more divided than before. Prejudice still remains within race, sexuality and equality. Just because we don’t see it, doesn’t mean it doesn’t exist. I think we’ve just got better at pretending all is more harmonious. We’ve become even better actors than those in the Jerry show. Reality has become even more blurred. It’s time to hold that mirror back up. We are bringing you a fresh version of Jerry. One that is again a provocation but also a reflection of our times. We aim to create a movement.” 

Tickets for Jerry Springer The Opera are on sale now and can be booked here.

Facebook: /JerrySpringerManchester

Twitter: @JSTOMANC #JERRYJERRY

Lennon’s Banjo

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Lennon's Banjo cast in costume - credit Dave Jones

Opening Night verdict ⭐️⭐️⭐️⭐️

Lennon’s Banjo aims to shed some light on one of the biggest rock ‘n’ roll mysteries of all time, where on earth is the Holy Grail of pop memorabilia which John Lennon learnt his trade on that’s been missing since 1958?

The whereabouts of the mother of pearl backed banjo have never been revealed but one thing is certain, whoever discovers this missing musical treasure which without we may never have heard the Beatles would guarantee themselves instant fortune.

Writer Rob Fennah aims to shed some light on this missing part of Beatles history in his new comedy play, aptly titled, Lennon’s Banjo. The story follows Beatles tour guide Barry, a fab four fanatic who delights in sharing his knowledge to anyone who will listen but especially tourists who roll up for his magical mystery tour. One day he stumbles upon an unopened letter sent from John Lennon to Stuart Sutcliffe detailing where the missing banjo is stashed. Ever the artist the language in John’s letter is flowery and littered with jabberwocky style riddles which will need deciphering before the precious pop memorabilia can be located. Unfortunately for Barry he’s overheard discussing the letter by a double crossing, dodgy dealing Texan who fancies finding the infamous banjo for himself. Cue comedy capers galore as the race to discover the whereabouts of Lennon’s priceless relic begins.

Eric Potts heads up a strong cast at the loveable Barry, happy in his Beatles bubble he is trusting in nature which could very easily become his undoing. Potts is a superb comedy actor, he excels in the role and portrays Barry with such heart you find yourself willing him to succeed from the off.

Mark Moraghan and Jake Abraham as Joe and Steve, Barry’s begrudging buddies and local Beatles memorabilia shop owners add depth to the piece as they team up with hapless Barry in the race to find the musical treasure. There’s mickey taking a plenty and despite their apparent irritation with Barry and his endless Beatles facts the genuine affection for their pal shines through. The scenes between the three being a real highlight of the show as the banter and the put downs flow they are likeable, relatable and enormously entertaining.

Villains of the piece Travis and Cheryl portrayed brilliantly by Danny O’Brien and Stephanie Dooley add another layer to the story as their desperate and debt driven search for the illusive banjo becomes increasingly complex while the consequences of not delivering it get higher. The two have great chemistry and despite attempting to double cross an unwitting Barry are enormously likeable.

The strong cast deliver Rob Fennah’s witty script to perfection in this laugh out loud production, with wonderfully clear storytelling littered with humorous local references. Lennon’s Banjo is a fun and fast paced comedy romp. With bucket loads of scouse charm, enough Beatles facts to keep you entertained for days and appearances from Pete Best in certain performances Lennon’s Banjo will leave you grinning from ear to ear while considering lessons in jabberwocky.

On at the Epstein Theatre until Saturday 5th May tickets available here.

Cinderella

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Cinderella Image 11 - Credit David Munn Photograph

Panto isn’t just for Christmas at the Theatre Royal in St Helens with Regal Entertainments continuing their tradition of regular school holiday pantomimes with this Easter’s offering of Cinderella.

The theatre continues its run of attracting well-known names to St Helens with Lee Latchford-Evans from cult pop group Steps taking the role of Prince Charming.

A trained actor as well as singer, Latchford-Evans showed off an easy likeable charm as the Prince as well as a predictably good singing voice.

Georgina Parkinson was a sweet-voiced Cinders with funny man Lewis Devine returning as Buttons following his stint at The venue at Christmas, and proving just as popular with audiences this time.

Cinderella Image 1 - Credit David Munn Photography

Resident dame Si Foster (who also co-writes with Ben Ebgelen) and Mark Newall take on the role of Kendall and Kylie the Ugly Sisters – a brilliant double act who throw plenty of shade and wow in a series of tremendously tacky frocks and wicked weaves. Watch out for the Bags for Life gag – bravo!

Samantha Palin is a warm and distractedly dotty Fairy Godmother, with big hair and bling that wouldn’t look out of place on a Real Housewife of Cheshire. And Andrew Geater is a dashing if somewhat snooty Dandini – they both have fantastic voices and get their moments to shine vocally.

I’m a sucker for the traditional panto transformation scene that usually closes Act 1 and the show certainly doesn’t disappoint here with a gorgeous mix of ballet, baby animals (courtesy of the charming juvenile dancers) and yes – real Shetland ponies! (One of these makes a hilarious reappearance in Act II that had my young co-reviewer in stitches and that I know he will be talking about for days to come.)

Cinderella Image 10 - Credit David Munn Photograph

All of the music is incredibly well chosen. From 80s anthems like Holding Out For a Hero and Love Lifts Us Up (Where We Belong) to musical theatre floor fillers like One Night Only and Fabulous Baby, every song was a total crowd pleaser.

And needless to say Step’s fans won’t go away disappointed with a medley of their biggest hits featuring to the audience’s total delight.

Add to this beautiful and vibrant costumes, charming sets and a brilliantly funny and topical script (anyone who has ever pleaded with ‘Alexa’ will appreciate one gag in particular) that will appeal to all ages, adds up to a warm and witty show that will leave you feeling fuzzy inside.

And with ticket prices starting at an incredibly reasonable £13 – this is a high quality family pantomime at applaudingly affordable prices.

A cracking treat for Easter!

On until Sunday 15th April, tickets available here.

Winter Wonderland

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Winter Wonderland 2016 promo

Event City’s mega 22,000sq m of exhibition space has been transformed once again into a fabulously festive Winter Wonderland which will undoubtedly thrill young and old alike.

Now in its 5th consecutive year, Manchester’s biggest attraction boasts more rides than you can shake a candy cane at, as well as shows, festive food and drink and of course no Wonderland would be complete without the big man himself, Father Christmas! There are even a couple of very special guests to entertain the little ones this year in the form of classic children’s favourite’s, Rainbow’s George and Zippy!

Winter Wonderland 2

With over 50 rides and attractions all under one roof you really are spoilt for choice, from an indoor circus to classic fairground favourites Winter Wonderland quite literally has something for everyone, with the added bonus that everything (apart from food and drink) is included in your ticket price, so no need to worry about limiting the number of rides you go on or searching for loose change, you can enjoy the rides as many times as you like from the minute you arrive!

For the littlest members of the family there’s a baby chill out zone including large soft play area as well as a meet and greet with Santa, numerous toddler friendly rides with flashing lights and beeping horns which kept my little visitor entertained long past her usual bedtime and although this is Christmas you can even take a trip to the seaside at the giant sandpit. A huge positive is that sessions are limited to avoid overcrowding, which further added to our enjoyment of this incredibly magical place.

Winter Wonderland

For older children and adults there’s all the favourite classic rides you’d hope to see, the dodgems, the waltzers, hilarious bucking broncos and an enormously fun cyclone (which I’d advise going on before you enjoy one of the delicious bubble waffles!)

If this wasn’t enough there are lots of fabulous shows at various intervals throughout each session, Rainbow Live with Zippy & George, a fabulous Christmas Circus, The Ice Princesses, Jedi Knight Training, an all-new Daisy & Ollie Show from Cartoonito, as well as an opportunity to enjoy a Christmas Melt-Down – fun and dancing on the main stage with Winter Wonderlands crazy DJ!

Winter Wonderland 1

With tickets prices, £20.50* (plus £1.50 Quaytickets booking fee) per ticket for adults and children aged 3-16 (under 3’s free) or £70 for a family of four, Winter Wonderland really is excellent value for money with each session lasting for four hours. My group and I left feeling festive and giggling about all the fun we’d had whilst planning our next visit to this magical place, an annual visit (or two) has quickly become one of our favourite Christmas traditions, with fun and lots of it guaranteed!

Open from 9th December 2017 until 1st January 2018, booking is highly recommended as some dates are already sold out, tickets are available here.