West Side Story

07RET WestSideStory - Andy Coxon (Tony) & Gabriela Garcia (Maria) - image Richard Davenport of The Other Richard

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Expectation has been at an almighty high since West Side Story was announced as part of the Royal Exchanges Spring/Summer 2019 season. So successful of late has the theatre been at reimagining classic musicals the run had almost sold-out before the first preview even took place.

This epic tale based on Shakespeare’s Romeo & Juliet sees star-crossed lovers Tony and Maria fighting to be together in 1950’s Manhattan where warring gangs make the rules and stepping into enemy territory is strictly taboo. As a story there is everything from love and conflict to hope and heartbreak as the Sharks and Jets fierce rivalry shapes their very existence.

011RET WestSideStory -The Jets - image Richard Davenport of The Other Richard

Since it first premiered in 1955 Jerome Robbins choreography is something that’s always come as part and parcel of any West Side Story production. So iconic in its style it’s hard to imagine the Sharks and the Jets moving in any other way. Step forward Aletta Collins who not only takes on the challenge of reimagining the instantly recognisable choreography but does so in the most beautifully inspired way.

There are still enough elements of the original choreography to keep the traditionalists amongst us happy but these elements are now combined with a pulsating fusion of Latin, street, lindy hop, jazz and even a touch of northern soul to create the most vibrant melting pot of movement.

05RET WestSideStory - Gabriela Garcia (Maria) & Andy Coxon (Tony) - image Richard Davenport of The Other Richard

Director Sarah Frankom ensures this new choreography is allowed to take centre stage as moments of breath-taking beauty unfold; highlighted perfectly during the switch from punchy ensemble piece to the stillness of Tony and Maria’s first meeting which bursts with joyful innocence. A genuine moment of calm & purity during the heady tension of the dancehall scene.

The cast are outstanding and as an ensemble work together to perfection, fuelled by hatred, fear, anger, love and loss, they fizz with pent up emotion. The era is unspecific making it feel just as relevant today as it did 62 years ago as we seemingly are once again in the midst of a swathe of violent knife crime.

03RET WestSideStory - Andy Coxon (Tony) - image Richard Davenport of The Other RichardCROPPED

Andy Coxon finds the true heart of Tony, delivering a powerful and emotive performance; his rendition of Maria a real highlight while fellow lead Gabriela García is completely captivating as Maria. Her operatic vocals are note perfect and pure. Their duets are sublime while the innocence of their love is blissfully uplifting.

Jocasta Almgill is superb and sassy as streetwise Anita, Fernando Mariano makes for a passionate and proud Bernardo while Michael Duke as Riff is convincing and committed.

The cast make full use of Anna Fleischle’s innovative design which is skilfully lit by Lee Curran. They weave, jump and balance on Fleischle’s vertical geometric sets, one minute gone, the next high up emerging from the shadows. The balcony scenes in particular during Tonight really showing off the impressive staging of this piece as each character vies for the audience’s attention, from all sides of the theatre’s intimate space.

West Side Story ©The Other Richard

The eleven piece orchestra powerfully deliver Leonard Bernstein’s classic score with new arrangements by Jason Carr giving it a modern and fresh feel. Led by Tom Chester the score is packed with emotion and fundamental to the impact of this piece.

The Royal Exchange have created something truly special here, the standing ovation a clear indicator that this production marks another success for the innovative Manchester theatre makers. Bold, inspired theatre at its best.

West Side Story is on at the Royal Exchange until Saturday 25th May tickets can be found here.

Interview | Neil McDermott | The Sound of Music

Neil McDermott Headshot

Manchester’s Palace Theatre is soon to be alive with the sound of music as Bill Kenwright’s critically acclaimed production heads into town.

The five star production sees Lucy O’Byrne returning to the iconic role of Maria, a performance which led to Lucy being described asquite possibly the best Maria since Julie Andrews herself” (The Scotsman).  Joining Lucy as Captain Von Trapp will be former EastEnders actor and West End star Neil McDermott.

Neil who was most recently seen in the city as Chief Weasel in the hugely successful The Wind in the Willows is delighted to be joining this production of The Sound of Music which has been receiving rave reviews across the country.

We caught up with Neil ahead of the show’s arrival at the Palace Theatre on Tuesday 13th March to hear a little more about his role, his thoughts on the show and his thoughts on Manchester.

ON – You’re playing Captain Von Trapp who goes on a real journey from when we first meet him compared to the end of the show, is it a fun role to play?

NM – It is a real emotional journey, he’s quite down and depressed at the beginning of the show, he’s lost his wife some time ago and is left to father the seven children and is finding it all very difficult. He’s trying to move on but finding that difficult emotionally and also at the same time there’s a continual threat from the Third Reich taking over Austria which is playing heavy on his mind as well. Maria then comes into the household and spends lots of time with the children and manages to free the Captain from his slumber/depression and they fall in love and he manages to re-find himself. It’s a great role to play as recently I’ve been playing lots of physical roles lots of comedy villains, so to get the opportunity to play the Captain is a great one and one that I was really pleased I was able to do.

ON – Is it more challenging to take on a role that people know well or to create something entirely new?

NM – Both are challenging in different ways, creating something new is a challenge as you want to make sure you create something new, exciting and interesting, creating something people know well you still have to create something new and fresh but I guess you’re dealing with the audience knowing the character from previous productions, perhaps the film or TV series in this case, a role is nothing if you don’t bring your own personality and sense of humour so my job is to tell the story as convincingly and as sensitively as I can with all the skills I possess. It’s a big role and a big challenge.

ON – Will the staging of the production be in keeping with the style of the film?

NM – The staging is beautiful, it’s not exactly like the film as the stage version is different in parts to the film, the stage version actually came before the film version and there are songs in the stage version which aren’t in the film version. There will be differences but you can tell it’s the same show, the show has a wonderful Austrian feel and our designers have really captured that beautifully as it was captured so well in the film too.

ON – The Sound of Music is such a fan favourite, what are your first memories of it?

NM – I actually played the part of Rolf 11 years ago now in the London Palladium version when Connie Fisher played Maria, so that was really my first memories of The Sound of Music; before I auditioned I watched the film then had a year of doing the show.

ON – With so many classic songs in the show are you able to pick a favourite?

NM – The Lonely Goatherd, it’s a song where Maria and the children are having fun, in the stage version they sing it when there’s lots of thunder and lightning outside so they use it as a song to cheer themselves up it’s a really fantastic song.

ON – As a lifelong Evertonian how is it working with Bill Kenwright?

NM – It’s very interesting for me, this was the first time for me auditioning for him and as you do with a Bill Kenwirght show when you get to that last stages you go up to his office and you see all the pictures and memorabilia of all the Everton players and managers, it’s quite something when you’re in that room and I suppose as an Everton fan I was almost more affected by that than I was the show! He’s a great guy and we’ve had lots of great chats about the show and about my character, he’s been really supportive of me, I’ve nothing but positive things to say about him.

ON – Do you have any pre-show rituals?

NM – I always make sure I prepare as well as possible, I make sure I warm up, both physically and vocally, I always keep a bit of ginger around and chew on that to a liven my vocal chords ahead of every performance.

ON – What are you most looking forward to about heading to Manchester?

NM – I’ve performed at the Lowry a couple of times but never at the Palace theatre, I’m really looking forward to it, it’s a beautiful theatre, a huge space. I always have a good time in Manchester, it’s a great city with a lot of great people and a lot of theatrical history, you can sense that when you perform for Manchester audiences, they really know what they are watching and have a good eye for good theatre, it’s a pleasure to perform for the Manchester public

ON – With Manchester being the final stop on the tour are you able to tell us where we can see you next?

Not at the moment, as we come to the end of the tour I’ll be out auditioning again, so there’s nothing I can tell you right now but of course I’m looking for something to do after this show.

On at the Palace Theatre from Tuesday 13th March until Saturday 17th March, tickets available here.