Interview | Layton Williams | Hushabye Mountain

Hope Mill Theatre recently announced it will be working with Stream.Theatre to stream a new online production worldwide of Hushabye Mountain by acclaimed writer Jonathan Harvey.

Directed by Nick Bagnall, this online production stars Layton Williams as Connor, Matt Henry as Lee, Jodie Prenger as Beryl, Nathan McMullen as Danny, Amy Dunn as Lana and Harrison Scott-Smith as Ben.

We caught up with Layton Williams during rehearsals to hear a little more about this innovative production which will be streamed live on Saturday 5th June, and then available online on 11th, 12th and 13th June 2021 (7:30pm) and 18th, 19th and 20th June 2021 (7:30pm with a 2:30pm Saturday Matinee).

ON) Can you tell us about Hushabye Mountain, and how you became involved with the piece?

LW) It’s a show about relationships, it’s about pain, it’s about love, it’s about loss and we’ve all got these experiences we can tap into. I worked with Jonathan Harvey many, many years ago on Beautiful People which was a TV show we did when I was a kid so it’s really fab that Johnathan was my fist TV experience and now he’s giving me my first play experience.

I have always known I’d jump at the chance to work with Jonathan again, it’s been about 14 years since I first did, and I really wanted to push myself and do something different, so people see me in a way they’ve never seen me before. Especially in this current climate, to have the opportunity to be creative again got me really excited and honestly this was a no brainer for me, I was absolutely buzzin’ when they gave me the job.

ON) How does it feel to be back in a rehearsal room after such a difficult year for the industry?

LW) Amazing! Being in a rehearsal room, starting with a read through, then getting scenes up on their feet to getting our voice recorders out and doing some singing, some harmonies it feels like I’m back by popular demand and I love it! Honestly, it’s just so nice to be creating and it feels like we’ve got such a free reign to be creative with what we’re doing, although the play has obviously been done before it really feels like we can put our own artistic stamp on it. I’m really having a fab time.

ON) Director Nick Bagnall appeared in the original production, which we imagine is of huge benefit for the cast in really getting to the heart of the piece?

LW) It’s brilliant, what’s so good is that he’s really generous with the whole cast and how we do things plus we’ve had Jonathan in the room for a few days too so between the two we’re really in good hands. We’ve really got such a good team here, who we can really be vulnerable with which is just great. I just can’t wait to get out there and give it my all.

ON) The play focuses on the absence left by Danny following his death from AIDS, while you play Connor his partner left trying to navigate life, this feels a timely piece on many levels.

LW) There’s been so much heartbreak and so much loss, friends, family everywhere you look there’s been loss. So to go through that journey creatively could be overwhelming but the great thing about Jonathan is that he does bring that humour to the piece, one minute we’ll be in intense high emotion the next someone will come in pretending to be Mary Poppins, cracking one liners, and that’s what real life is, you’re laughing, then you’re crying.

Although I wasn’t around when the AIDS crisis happened, I’ve made sure I’ve educated myself, I played Angel in RENT previously who dies from AIDS and this is the other side of things taking on a completely different viewpoint. Hopefully, we’re on the other side of this pandemic now, and how lucky we are to be moving towards the other side.

Being aware, educating ourselves more, getting tested, spreading the word and knowing the hardship people went through and remembering those who were lost. This feels like a really beautiful way to both respect and remember the lives that were lost.

ON) This new adaptation from Hope Mill theatre will premiere as a live streamed event, for you as an actor does that pose different challenges to performing in front of a live audience?

LW) It’s quite nerve wracking when you start thinking about it, but I’m trying to think if this was a normal situation it would be live in front of an audience so not really dissimilar to what we’re used to. In just one sitting we can reach many people, that’s a real plus, we’re really gonna knuckle down and give the audiences the best piece we can. Also I’m from just down the road so to bring something so close to my heart to my hometown does feel really special. I feel like all the stars have aligned to be honest.

ON) After several postponements due to the pandemic things seem increasingly hopeful that the Everybody’s Talking About Jamie tour will resume at The Lowry later this year, how will you feel being back in Jamie’s red heels and in front of a home crowd?

LW) We’re gonna be back, hopefully in September, it’s a whole different show to Hushabye Mountain but one which I think people in Manchester and Salford will love. I feel like I’ve warmed up the muscles now with this piece and I’m just itching to go, it’s a show that’s really close to my heart and I’ve got unfinished business with, it’s time to wrap this tour and go out with a bang!

Hushabye Mountain runs 5th-20th June online tickets £15-£17 (+£1.50 booking fee)

There will also be an opportunity for audiences to watch a screening at Hope Mill Theatre on Saturday 12th June. Tickets are £25 and include a drink on arrival, popcorn, a post-show Q&A and a seat at Hope Mill Theatre to watch Hushabye Mountain in the very space it was created.

Tickets can be booked via https://hopemilltheatre.co.uk/events/hushabye-mountain

Critically-acclaimed outdoor show C-O-N-T-A-C-T comes to Salford & Manchester in May

Aria Entertainment and WEF Productions have announced that the critically-acclaimed
outdoor production C-o-n-t-a-c-t will run for six weeks from Tuesday 18 May – 29 June 2021.


This immersive, two-hander outdoor performance featuring a captivating 3D sound design will
run in partnership with The Lowry in two locations – Salford Quays and central Manchester following a hugely successful run in London in autumn 2020.

This innovative production opened to 4* reviews from The Guardian and the i, with The Times
calling it “a tantalising vision of a new kind of theatre.” It will be one of the first live theatre show to open in Manchester & Salford following theatre closures last year.

Originally created by Samuel Sené and Gabrielle Jourdain and premiering in France with
French production company Musidrama last summer in a world where social distancing became
the ‘new normal’, this timely story of a moving and unexpected encounter explores the themes
of mental health and anxiety through the eyes of Sarah as she is approached by someone she
believes to be a stranger. She discovers that he can hear her thoughts but how? Who is this
man? Dive into her mind in this unique sensory and immersive new show and experience
theatre like never before.

The show runs for 50 minutes without an interval and audiences download the audio from the
app which is a completely new piece of technology synchronizing the spectators and actors,
allowing the show to play with theatrical concepts and a new form of dramaturgy. Audiences of
no more than 17 per show will purchase their tickets online and will then receive a link to
download the app and exact location details.

The show complies with the safety and hygiene measures arts as set out by the government. This pedestrian performance is an outdoor promenade experience for small groups of up to 17 and adheres to strict social distancing
between audience members. It is also an audio experience which involves no direct speaking of
any actor in the play.

Tickets can be purchased via The Lowry’s website Contact | What’s On | The Lowry


An Evening With Bruce Dickinson in Salford

Legendary Iron Maiden lead singer BRUCE DICKINSON is today delighted to announce a very special one man show for Summer 2021 – which comes to The Lowry on August 4.

‘An Evening With Bruce Dickinson’ is Bruce’s first-ever UK spoken word tour and follows sold-out shows across Europe and Australia.

This unmissable six-date tour – peppered with anecdotes from Bruce’s extraordinary life both on and off-stage, and delivered in his own inimitable anarchic style – visits Brighton, Salford, Bradford, Nottingham, Birmingham and London in August.

‘AN EVENING WITH BRUCE DICKINSON’ – FEATURING Q&A

 SIX 2021 UK SHOWS ANNOUNCED ON SPOKEN WORD TOUR

LIVE NATION today announces a very special Evening With show by IRON MAIDEN singer, BRUCE DICKINSON on his first-ever UK spoken word tour.

THE SUMMER 2021 DATES ARE:

AUG 1       BRIGHTON               THEATRE ROYAL

AUG 4       SALFORD                 THE LOWRY

AUG 5       BRADFORD              ST GEORGE’S HALL

AUG 8       NOTTINGHAM          THEATRE ROYAL

AUG 9       BIRMINGHAM           THE ALEXANDRA

AUG 10     LONDON                   O2 SHEPHERD’S BUSH EMPIRE

Tickets go on general sale at 10am, Thursday April 29 via ticketmaster.co.uk

Immersive drive-in cinema SecretCity comes to Manchester

Reviewed by Nicky Jones

As one of the first live events to happen in Manchester after the third national lockdown,
it was a welcome treat to attend SecretCity’s Opening Night!

Happening at EventCity throughout summer 2021, we were given chance to have an early experience and watch the 2020 remake of The Secret Garden at the drive-in cinema.

Arriving into SecretCity, we were greeted by an immersive Alice in Wonderland enchanted tunnel, complete with a water pistol armed dancing mushroom and a zebra on stilts.

As we followed the journey round, we saw an Alice in Wonderland scene with a vibrant butterfly who threw a giant beach ball our way! This was a fantastic welcome, and really set the tone for the rest of the event.

Before the film, a DJ set was blasted out of speakers and on radio waves – perfect for a party in the car!

The SecretBar was a huge hit with attendees, including a popular beer garden area for catching up with friends. The drinks were flowing and plenty of hot food was on offer to warm us up.

Spectacular aerial artists and roaming performers put on a stunning show throughout the build up to the film.

Popcorn in hand, we headed back to the car for the film to begin. A light show and pyrotechnics were a feast for the eyes in the last few moments before the film began, whilst the DJ encouraged the audience to flash their car lights and honk their horns!

Various films are being shown throughout the summer on the UK’s biggest LED outdoor screen, but the stunning remake of The Secret Garden was the perfect choice for opening night.

There are plenty of photo opportunities at SecretCity – so dress up and enjoy a night out from the comfort of your own car!

Fancy it?
Tickets are £35 per car, available to purchase on: https://parknpartymcr.co.uk/secret-city/

What’s on the schedule?
Wonder Woman (1984) | Thursday 15th April | 9pm
Bridesmaids | Wed 21st April | 8:30pm
Onward | Saturday 24th April | 4pm
Greenland | Sunday 2nd April | 8pm
Mulan (2020) | Saturday 7th May | 4pm
The Greatest Showman | Sunday 8th May | 4pm

Jack and the Beanstalk

Reviewed by Daisy Eagleton and Mum Michelle Eagleton

Opening Night verdict ⭐️⭐️⭐️⭐️

Daisy’s verdict, aged 10:

With phenomenal outfits and magical sets, this Jack and the Beanstalk Pantomime brought the excitement of the theatre to our family home.

Things such as: close-up shots and virtual interaction made this pantomime morespectacular than ever! Who would have thought a virtual pantomime would be better than a pantomime at the theatre?

The story opens with Fairy Mary (Jenna Sian O’ Hara) hilariously narrating about the life of Jack Trott and his family. As soon as the show started I was amazed by the beautiful and bright costumes worn by the cast, especially evil Mrs Fleshcreep’s glittering red gown and Princess Jill’s first intricate gold dress.

My favourite character was Simple Simon, Jack’s brother, played by Reece Sibbald. His jokes were so funny and his silly humourmade me and my 6 year old brother laught out loud – Mum and Dad were even laughing at some of them too. 

I loved the part when Jack Trott and Princess Jill went to school in Act 1 it was hilarious plus it featured the song: ‘Naughty Children’ from Matilda and ‘Savage Love’ which got my family dancing. Jack (Timothy Lucas) was a great singer and I also though his Mum Dame Trott (Jamie Greer) was brilliant and very cheeky!

This show was all-round amazing and I wouldn’t change anything about it.


Mum’s verdict:

St Helen’s have put on a great Easter panto here which we thoroughly enjoyed. The sound and visual quality was top class and despite us not being in the theatre watching it, it managed to capture the essence and still have us interacting with the characters at full voice.

There were some fab performances by all the cast, especially Simple Simon (Reece Sibbald) who my kids adored. A moment of pure escapism where we could laugh at toilet humour and regional one liners, plus listen to music from an array of eras – Tom Jones to Rick Astley!

If you are after just under 2 hours of entertainment over the Easter break then give this show a go, It is guaranteed to get you excited for when the Theatre Royal re opens its doors, which fingers crossed could be in the near future.

Jack at the Beanstalk is available online until Sunday 11th April tickets available https://www.sthelenstheatreroyal.com

RuPaul’s Drag Race UK Queen’s sashay into Manchester!

Join the queens of RuPaul’s Drag Race UK for an evening of endless eleganza extravaganza as this brand-new tour takes in 19 theatres and venues across England, Scotland and Wales including a date at Manchester Opera House on February 12.

Acclaimed for their amazing production values, expect the unexpected in this glittering tour featuring UK Season 2 Finalists Tayce, Bimini Bon Boulash, Dundee’s Ellie Diamond and WINNER Lawrence Chaney from Glasgow, along with stars from Drag Race UK.

Ben Hatton, Director of Theatre Touring for Cuffe and Taylor, said: “We are thrilled to be working with the Voss Events Team for what will be Drag Race’s biggest ever UK theatre tour.

“RuPaul’s Drag Race is an exciting show and is always a huge hit so we look forward to presenting a series of outrageously entertaining shows.”

Tickets start at £35 and there are exclusive VIP options where guests can enjoy a private meet and greet with the queens before the show!

Tickets go on general sale 10am Friday 26th March RuPaul’s Drag Race UK Tickets | Opera House Manchester in Manchester | ATG Tickets

The Picture of Dorian Gray

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Reviewed by Nikki Cotter

Created by the same team behind the recent reimagining of Jonathan Coe’s What a Carve Up! which quickly became a standout piece of 2020, The Picture of Dorian Gray is an impressive retelling of Oscar Wilde’s famously tragic tale.

In this modern take, gone is the classic portrait in favour of the ultimate smartphone filter, wholly irresistible to wannabee influencer, Dorian Gray; whose obsession with social media adoration becomes his all-consuming downfall.

Writer Henry Filloux-Bennett’s decision to reimagine Gray as a snapchatting, insta-loving, subscriber-hungry, Youtuber is inspired, tapping into a digital world so many of us spend far more time transfixed by than we would care to admit. The guarantee of popularity, opportunity, and a seemingly endless stream of likes is just too much to resist.

Interviewer Stephen Fry attempts to piece together how Gray’s untimely demise came about via detailed Zoom interviews paired with atmospheric staged flashbacks, while Lady Narborough (Joanna Lumley) largely navigates us through the story.

In addition to Fry and Lumley the all-star cast of Alfred Enoch, Emma McDonald, Russell Tovey and Fionn Whitehead add depth and quality to this haunting production.

The dark side of social media becomes a strong thread as the stark reality of internet trolling and cancel culture claims the life of Sibyl Vane, while the pandemic is cleverly weaved through the narrative as Gray’s life behind his screen begins to spiral so does his need to hide his face from the real world via a mask, an attempt to hide the physical manifestations of his ugly actions.

Gray’s declining mental health dangerously threatening to leak through his picture-perfect profile. Gray’s transition from fresh-faced blogger to anxiety ridden sunken-eyed social media monster is both exceptional and utterly terrifying.

Inspired and chillingly brilliant this production captivates entirely.

You can stream The Picture of Dorian Gray until 31 March tickets available via Barn Digital | Visit The Barn Theatre Today in Cirencester

The Lollipop Man

Reviewed by Matt Forrest

Over the last year, the majority of us have had spare time on our hands. Some of us have got fitter, some of us have tackled the bookshelves that feature prominently on our zoom quiz backgrounds, and some of us have done sweet FA. However, one thing I can pretty much guarantee, is that at some point over the last 12 months most of us will have been sucked into a good TV murder mystery. It may have been one of Netflix’s countless true crime documentaries, the BBC’s Line of Duty, or ITV’s The Bay; at some point we’ll have been shocked or screaming at the telly, uttering that immortal line, “I knew it was him!”

Well the good people at Unsolved Online Creations, have tapped into our blood lust with their first offering, The Lollipop Man? The brainchild of Stacey Harcourt and John O’Neill, this interactive, online murder mystery, provides something a little different to ease the lock down blues while putting our newly found amateur sleuthing skills to good use.

Set at the turn of the millennium in Salford, local lollipop man Martin Morris, is found brutally murdered by the Irwell, with a list of subjects as long as his luminous stick. Suspects include, the dead man’s daughter, Kayla Morris (Stacey Harcourt), or maybe local thug, Paul Cheadle, (John O’Neill) or could it be a lifelong friend of Martin’s, Mandy Newton (Fiona Boylan)?  These are just three of the eight suspects.

Each suspect gives their accounts of this fateful night, spread over several nights on the Unsolved Online Creations, Youtube channel, (https://bit.ly/3bsOWYj) these come in the form of short police interrogation interviews. In addition, new evidence is also released containing clues (or red herrings) as to whom the culprit might be.

This is a fun, innovative way to spend some time each week. Like any good murder-mystery, it keeps you on your toes. We’re three weeks in and I’m still non the wiser. You can pick it up any time, as all videos are on Youtube: I only started last week and am hooked.

It is a bold attempt to do something fresh. The performances are solid throughout, nothing fancy or OTT, just believable and intriguing enough to draw you in. The police questions that move the action forward can be a little jarring at times, and I wish more time and care had been spent on how they are delivered, but this is a minor quibble for what is an ambitious project, which on the whole wants to create conversation, debate and, most of all, a community and the chance to use the internet for something other than a zoom quiz!

The Lollipop Man? is online and can be found at: https://unsolvedonline.blogspot.com

Hope Mill Theatre’s Play Reading Club celebrates 3rd Birthday

Hope Mill Theatre’s Play Reading Club has celebrated its third birthday having gone from strength to strength during the past year providing a way for theatre-lovers to connect during the ongoing pandemic.

Established in early 2017 the drop-in group, which meets from 11am to 1pm on the last Friday of every month, now has over 40 participants, who enjoy reading aloud a play together.

Participants read a wide variety of different plays by different playwrights, from William Shakespeare to Arthur Miller and anything from adaptions to new plays by Manchester-based writers. 

Open to professional performers and non-professionals alike, the group is a positive way for people to come together socialise, enjoy culture and make friends.

Prior to the current Covid-19 pandemic the group would meet at the theatre and enjoy tea and coffee before sitting down and reading a play. When Hope Mill was forced to close its doors in March 2020, the theatre took the group online and since last March has been meeting monthly via Zoom. 

In 2020 the Ancoats venue also took their Play Reading Club out into the wider community and hosted a session with charities Mood Swings and Mary and Joseph House allowing their users to participate in, in a safe and fun way – something the venue plans to repeat in the future with other local charities.

Originally the venue charged a small fee for the session, but thanks to a grant from I Love Manchester as well as funding from the Culture Recovery Fund, the group is now free of charge with participants invited to make a voluntary donation if they wish.

Hope Mill has just appointed a new group facilitator to run the sessions, Janelle Thompson, a Manchester-based actress, who said: “I am absolutely delighted to be joining the team and facilitating this wonderful, long standing project. I’m really looking forward to reading new works and seeing old favourites in a different light.”

Joseph Houston, Artistic Director, of Hope Mill Theatre, said: “It has been incredible to see how our Play Reading Club has grown since opening Hope Mill. It has always been, and continues to be, a great asset to our organisation and our charitable aims to inspire, connect and challenge the local community. I am glad that we have managed to maintain the group though the pandemic and have received much-needed funding to make it free for participants.

“Of course there are challenges, and not all of our users are able to access the group online. As soon as it is possible and safe to do so we will be hosting our Play Reading Group live again from the venue. 

“It’s amazing to see such an amazing group of people from a range of different backgrounds, ages, races, genders and localities coming together to read a range of works from the world of plays – it is truly inspiring. You don’t have to be a professional actor to attend, although some participants are. It’s about the reading and listening and exploring plays, rather than the performance.”

Members of the Play Reading Club explain its appeal; says Kathy Holland: “It’s a wonderful opportunity to read outside the box and try something new, whilst also celebrating and supporting the arts” while first-timer Charlotte Bennett added: “I’ve not tried anything like this during any of the lockdowns but I’m not sure why I haven’t as that was brilliant. More funding needs to be put into groups like this – they are amazing for people’s mental health, socialisation and confidence.”

The next Play Reading Club is on Friday 26th February at 11am (over Zoom) and Our Country’s Good by Timberlake Wertenbaker. For more information on Hope Mill Theatre and the Play Reading Club visit https://hopemilltheatre.co.uk/events/hope-mill-theatres-play-reading-club.

The Secret Society of Leading Ladies

Opening Night verdict ⭐️⭐️⭐️⭐️

Reviewed by Nikki Cotter

Almost a year since theatres went dark due to the Coronavirus pandemic the innovation and commitment to making art for audiences continues to shine.

Using online platforms, theatres across the country have been creating incredible and varied content offering theatregoers access to performances despite the current challenges.

The Barn Theatre have taken this online streaming approach a step further with their latest offering, ‘The Secret Society of Leading Ladies’. This impressive piece of theatre marries an online concert with ‘Choose Your Player’ computer game style technology allowing audiences to curate their very own theatre experience.

Conceived and directed by the Barn Theatre’s Ryan Carter, the concert offers a showcase for the archetypes of Female Musical Character, one moment you are in blissful harmony with princesses and dreamers the next divas and infamous villains demand your attention, the choice is entirely yours.

I chose to begin my experience with the sublime voice of Jarnéia Richard-Noel singing a defiant and celebratory version of ‘I Didin’t Plan It’ from Waitress, next up was a note perfect performance of the beautiful ‘Journey To The Past’ from Anastasia by Lauren Byrne. After Byrne’s emotive number I decided to introduce some sass with Ellie Mitchelle’s delicious performance of When You’re Good to Mama’ from Chicago.

Next came a real highlight of the experience for me with Jocasta Almgill’s personality packed performance of ‘Everybody’s Girl’ from Steel Pier, hugely entertaining and fantastically delivered. My final selection was Emma Kingston’s stunning version of ‘Dyin Aint So Bad’ from Bonnie and Clyde, her striking vocals left me wanting more, thankfully the finale of ‘Big Finish’ gave me just that with a superb ensemble number where each of the leading ladies had the chance to take centre stage, uplifting, joyous and entirely fitting to bring this glittering showcase to a close.

The performances alone are knockout, the variety a joy but in addition to this the ladies interact with each other in between numbers cementing this format as one of the most innovative you’re likely to see. A truly unique and hugely entertaining offering.

The Secret Society of Leading Ladies is running online from Monday 22 February until Sunday 7th March, tickets available via https://barntheatre.org.uk/barn-at-home

Beauty and The Beast

Beauty and the Beast Production Image (8) - credit David Munn Photography

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Reviewed by Nikki Cotter

Regal Entertainments and St Helens Theatre Royal’s usual run of family-favourite pantomimes throughout the year came to an abrupt halt when the Coronavirus pandemic closed theatres across the country back in March. The creatives rallied together producing an innovative virtual show: Rapunzel: The Lockdown Panto, back in April and now through lots of hard work, commitment and Covid compliance bring Beauty and The Beast to the stage, opening the doors of the Theatre Royal to audiences once again.

Directed by Chantelle Nolan and written by Liam Mellor, Beauty and The Beast tells the famous fairy-tale of a prince cursed to live as a monstrous beast, the only thing that can break the curse is…of course true-loves kiss! But just how does a furry monster find true love, especially when we are all social distancing!

Beauty and the Beast Production Image (1) - credit David Munn Photography

Regal Entertainments have well and truly pulled out all the stops to ensure their first live show in a long 9 months is an unforgettable one. The script is positively jam-packed with Covid gags with Boris Johnson getting a hilarious ribbing while Joe Wicks, Chris Witty and even the track and trace app all feature.

French Frank and Pretty Polly played by Scott Gallagher and Jamie Greer respectively are a perfect comedy duo, guiding us through the ups and downs of life in the village of Petit Pois as they try and save their master (Andrew Geater) from a hairy ending. They bounce off each other brilliantly, the quick-witted pair are clearly having a ball being back in front of an audience, throwing themselves full throttle into the slapstick silliness as well as offering plenty of cheeky gags for the grownups.

Beauty and the Beast Production Image (5) - credit David Munn Photography

Timothy Lucas as a scene stealing Gaston is an absolute joy, self-obsessed, pumped up and completely outrageous he has the audience in the palm of his hand from his first swivel-hipped lunge onto stage. His mother the Cruella De Ville-esque Madam Botox (Abigail Middleton) is as detestable as her air-head son, the two make a perfectly ghastly pair of pantomime villains.

Olivia Sloyan makes for a superbly sassy Belle while Andrew Geater’s charm shines through as the reclusive Beast. Jenna Sian O’Hara acts as narrator in her role as Fairy Rose, her no nonsense Northern attitude sees her giving as good as she gets in an unforgettable 12 Days of Covid which leaves the audience roaring with laughter (behind our Covid compliant masks of course).

Beauty and the Beast Production Image (2) - credit David Munn Photography

Choreographer Nazene Langfield has created some beautiful numbers for the talented senior dancers, sadly no juvenile dancers this year due to Covid restrictions but the seniors do a wonderful job of filling the stage adding real depth to the musical numbers. There’s some great song choices this year, many with a Covid twist which are an absolute stroke of genius and while the audience can’t participate in the usual way a TikTok dance off fills the gaps perfectly.

By the time of the final transformation scene, you’ll be wishing you could stay in your seat and watch it all over again. This hilarious production at a time when theatre making is more challenging than ever before is an utter treat, just what’s needed to lift spirits, create magical memories and remind us all just how precious the arts are. Kudos to all at St Helen’s Theatre Royal for creating a perfectly safe environment for families to enjoy some much-needed escapism.

Beauty and the Beast Production Image (9) - credit David Munn Photography

Beauty and the Beast is an absolute Christmas cracker, in the words of my Godson Freddie “The best one we’ve ever seen”

Beauty and The Beast is on at St Helens Theatre Royal until Sunday 3rd Jan tickets from £16 available via Ticketsolve – St Helens Theatre Royal

Interview | Rebecca Ledgard talks Noah Bear and Singing Medicine loop

SB

In a year where arts organisations and charities have been hit extraordinarily hard by lockdowns and restrictions on social interaction, new innovative approaches have been put in place to ensure their vital work continues.

No-one knows this more than the team at Singing Medicine who have created a limited-edition singing teddy bear to raise vital funds for their work supporting the health and wellbeing of ill children.  The bear, named Noah because of its meaning rest and comfort, plays the team’s signature song ‘Music Inside’ when the jacket button is pressed providing comfort to children while encouraging them to sing and play.

We spoke to Rebecca Ledgard, Director of Education, about how the pandemic has impacted and reshaped their approach helping vulnerable children in hospital.

Tell us about Singing Medicine and how it started?

We (Ex Cathedra) were running our Singing Playgrounds project for primary schools which is all about playing through singing. Sally Spencer, one of the singers in Ex Cathedra choir, was working on our community programme and had been involved in some of our Singing Playgrounds work. She was, and still is, a nurse in Birmingham Children’s Hospital. She said, ‘The children I work with need this too!’. We began to explore how we could include the children in the hospital in the Symphony Hall Singing Playgrounds workshops and soon decided actually we should create a special project where we took the singing play to them in their hospital beds.

Why is Singing Medicine important? How do we benefit from singing?

We think singing, and singing-play is really important! Sally describes singing in Ex Cathedra choir as her own singing medicine. We are all really passionate that all children should play and develop through singing and have the chance to enjoy singing. When we sing cortisol is reduced (stress) and feel-good hormones are released. It’s the body’s natural pain killer, all areas of the brain are stimulated, the deeper breathing aids healing and fights infection. And it’s just wonderful to sing with other people. It makes us feel good. When we started Singing Medicine we just wanted not to leave out children in hospital from our education and participation work, but we soon realised how enormously beneficial it was for them for being distracted, soothed and calmed, or stimulated and having fun, and being able to use their imaginations and make decisions through the singing games we create.

The choir has been visiting sick children weekly at the Birmingham Children’s Hospital for the past 16 years, how has the pandemic affected these visits?

The whole team (or nearly) happened to be together on Friday 13th March 2019 celebrating team birthdays when we found out we would not be able to go back on the wards for a very long time. Together there and then we discussed how the children would need Singing Medicine even more so now that they were about to become even more isolated – and we should not stop. We decided there and then that Singing Medicine mission, aims and values didn’t need to change, only how we got Singing Medicine to the children. We started to plan how we could make interactive singing films for the children as though we were still sat next to them.

What is the inspiration behind Noah Bear?

For years we dreamed of having a singing teddy to leave with the children when we left them but this seemed an impossibility. During lockdown Joanna Harrison (The Snowman) imagined and drew us a bear. Vada Recording Studios helped us with the recording to put inside and Louis Kennedy offered to make the singing bear in support of Singing Medicine. Noah Bear has been a real boost to us (we have also felt the impact of these difficult times) and he has inspired our creativity – he now has his own youtube playlist of singing games for the little children!

When you squeeze him Noah Bear sings and then says, ‘Will you sing with me?’ and then continues to sing. We were sent a film of a little girl singing with Noah Bear which was wonderful!

Noah Bear sings a beautiful song. Did the Singing Medicine team compose it?

I composed it to use in one of our SingMaker workshops and Rob Challinor added his magic and brought it alive. We filmed children in the hospital singing the song, coincidentally and amazingly the week before lockdown working with the chaplaincy team.

When we were thinking what song we should put inside the teddy bear Music Inside seemed fitting because the lyrics are ‘Music in me bubbles inside. Music in me makes me smile. Music in me makes my heart sing. I’ve got music inside.’

What is your favourite thing about being a part of  ‘Singing Medicine’?

Everything! I get to work with a special group of people, who are joyous and creative and want to make a difference to children. The teamwork is wonderful.

What is one of your most unforgettable ‘Singing Medicine’ moments of the last 16 years?

Each team member has their own special memory that stays with them. I can’t forget how three of us were brought into a room where a large family had gathered, to sing to a child because the grandfather wanted Singing Medicine to be the last thing his grandchild experienced. He sang with us while his daughter rocked her child.

One of the last sessions before lockdown was a little boy sat in his leather jacket on his bed. He was very sick. He was from Syria and neither of us spoke each other’s language, although I attempted thank you at the end. We played a singing game and played some percussion and we laughed together too. He grinned and waved when we left.

Singing Medicine member Gemma always recalls the time we were asked to sing with a patient who had not spoken for 2 weeks after undergoing surgery. The patient was scared of hospital and everything that was going on there. The nurses explained that we would probably not get much response from them. However, we sang and played a jungle game and dad did an Oscar-winning performance of a monkey. The child’s tummy moved as though they were laughing. We then moved on to a picnic song and each adult took a turn as though they were all playing together and including the child.  When it came to their turn in the song, mum sang as though helping her, “have you brought the” and she got interrupted by the child at the top of her voice shouting “bananas!”. Other than one whispered “Daddy'” it was the first word she had uttered in 2 weeks.

There are also so many wonderful moments every visit though where a child sings and smiles and we laugh together. The others in the team talk of situations where they were able to distract a child with singing-play when something perhaps painful or horrible was happening to them, or the first time a child spoke after being in a coma and the joy and laughter and happy tears from parents and nurses dancing. It’s not uncommon for a child to sing even though they are not talking. There are so many I couldn’t single out just one.

SB 1

You’re based in the West Midlands but your work reaches far beyond this location. Can you give us some examples of this?

Birmingham Children’s Hospital is like our home but we have also delivered Singing Medicine to Great Ormond Street, Warwick, and Heartlands. We’ve also presented it in Auckland and Singapore.

And we are now online and so everyone can get involved around the world. Our interactive films are free to access and easily accessed via our YouTube channel Ex Cathedra Singing Medicine – YouTube

We also host a Facebook Live session every Friday at 10:30am (pandemic restrictions permitting) (1) Ex Cathedra – Singing Medicine and Singing Pathways | Facebook

Where can you buy Noah Bear? How can people get involved and support the work you do?

There are multiple ways people can get involved and support us. We would be really grateful if people bought their own Noah Bear for a child they know. Every child can benefit from singing with Noah Bear – singing through play. And the sale of every Noah Bear will bring financial support to enable us to keep bringing Singing Medicine to children in hospital – at the moment through our interactive singing films, and one day soon when we can go back onto the wards.

You can also find lots more merchandise to purchase and Christmas gifts to browse at www.bekindsingwithnoah.com

You can also make a donation to the project here: https://cafdonate.cafonline.org/9566#!/DonationDetails

Or Text: SING, followed the by the amount you wish to donate e.g. SING5 to donate £5 to 70470

What would Noah Bear’s wish for Christmas be?

That everyone realises how important singing is for children – all children, and just gets singing.

Website
www.bekindsingwithnoah.com

Facebook: /singingmedicine
Twitter: @singingmed & @RebeccaLedgard
Instagram: @excathedrasingingmedicine