Hushabye Mountain

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

First performed at the Crewe Lyceum in 1999, Hope Mill Theatre’s streamed revival of Hushabye Mountain brings the Jonathan Harvey penned play to a new audience at a time when living through a pandemic is something we can all relate to.

The strong opening where we see Danny pass from his earthly life to the sounds of his mother Beryl singing one of his childhood favourites ‘Feed The Birds’ sets the scene for this heartfelt piece where the brutality of the HIV/AIDS epidemic rips through the very heart of each character, leaving its unflinching and tragic mark.

As Danny sits in limbo waiting for confirmation that he can officially ‘pass on’; his friends and family left behind reflect and reforge their relationships and lives without him.

Though the timeline moves about considerably from Danny’s life pre-diagnosis to after his passing Nick Bagnall’s strong direction ensures clarity allowing the audience to closely follow events as they unfold and reflect in real time with the characters.

Despite the heavy subject matter Harvey’s wit and skill for creating characters with true grit and huge heart shines through. This stellar cast pour themselves into this piece and the reward for the audience is deeply moving.

Nathan McMullen floods Danny with life, making his diagnosis all the more tragic. He draws you in & quickly establishes the character as someone you’d always have at the top of any guest list, fun, flirty and bursting with heart. His fears are displayed openly and honestly as reality hits and his dreams fade.

The scene between McMullen & Layton Williams where Danny makes plans for his funeral is devastating in its impact. Beautifully delivered by both and although heartbreaking is peppered with wit, genuine affection and buckets of love. Williams gives a superb performance as Connor, a role very different from what we’ve seen him in before, he convinces entirely.

Similarly the hospital scene between Matt Henry as Lee and McMullen as Connor is powerful in its poignancy as the reality of what is to come hits home.

Jodie Prenger as Beryl, Connor’s Mum gives a truly memorable performance. Through her seemingly manic ramblings we see a mother searching for atonement from the guilt she feels after Connor’s farther forced her to cut ties with Connor when he came out. Her mind has been destroyed by the overwhelming guilt she feels as she appears as Mary Poppins and Judy Garland, two of Connor’s favourite icons, we’re transported to a happier time for them both where we imagine them watching Hollywood classics accompanied by snuggles on the sofa. Not physically able to protect her baby anymore her song now gently sends him peacefully to sleep.

This strong cast lift Harvey’s words and deliver them with heartfelt commitment shining a light on the complexities of love and loss. There is also hope as combination therapies begin to make an impact while Jonathan Harvey’s wit is never far away, shining through the tension and tragedy.

Powerful theatre bursting with heaps of heart.

Streaming until 20th June tickets available https://hopemilltheatre.co.uk/events/hushabye-mountain

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