From Ibiza to the Norfolk Broads

From Ibiza

Opening Night verdict –

It was, of course, the immortal allure of David Bowie that drew us like a siren’s call to ‘From Ibiza to the Norfolk Broads’… an irresistible opportunity to hear his music; to listen to his voice (albeit brilliantly mimicked by comedian Rob Newman); to see his otherworldly face projected front and centre stage…

So, inhabiting protagonist Martin’s world – where Bowie shines perpetually like an ephemeral ‘Diamond Dog’ – takes no leap of the imagination at all. We first encounter him aged seventeen, and he is a broken bird of a boy: gripped by an eating disorder, he is prone to occasional self-harm and leads a reclusive, dead-end existence with his alcoholic mother.

Martin’s father left the family home when he was two years old, so when he stumbles across his estranged patriarch’s treasured collection of Bowie albums and memorabilia, an obsession is born.

On the morning of Martin’s eighteenth birthday, he is gifted an envelope; left to him by his erstwhile father, it contains a map of London that treads in Bowie’s footsteps.

Galvanised by the hope that it may ultimately lead to his father’s whereabouts, Martin scrapes together enough money to head to the capital – beginning his quest outside the wrought-iron gates of Stockwell Infants School, where David Robert Jones was the small boy with anisocoria eyes and a huge future…

First thing’s first, this is a ‘one-man show’ in the truest sense – a tour de force solo performance by the impressive Alex Walton [After the Blue, ISM, London Calling, Macbeth], who is seemingly inhabited by a cast of thousands. You see him morph from all-knowing narrator to angst-ridden teenager to wizened record store owner within seconds. Each character is as fully formed and believable as the last – leaving you with the impression of having been entertained by a whole company, rather than a single performer.

Walton’s emotional range is vast – taking him from an overexcited karaoke performer in a rough pub to the victim of an all-too-real panic attack in a greasy kebab house within minutes. (Anyone who has experienced crippling fear and breathlessness when anxiety strikes could find this a particularly triggering scene, although credit must be paid to him for a startlingly accurate portrayal.)

Curiously, although Bowie’s spectre engulfs the production from start to finish, anyone expecting a musical of smash hits is going to be sorely disappointed. His music is purely incidental – utilised to hint at Martin’s mental state, rather than a succession of rousing choruses taken from the hit parade. (Expect to hear snippets from Bowie’s more experimental side of his oeuvre.) Likewise, Set & Costume Designer Andie Scott delivers a pared-back aesthetic, which merely hints at Bowie – providing no more than window dressing to Walton’s considerable talent.

Writer & Director Adrian Berry (Artistic Director of Jacksons Lane Theatre in London) is to be especially praised for delivering a truly innovative narrative and production that is heart-breaking and humorous in equal measure, as well as avoiding all temptation to conclude with a definitive ending. Part of the great joy of this experience is walking away from the theatre and ruminating over what the final scenes mean for Martin, his father and the Thin White Duke himself.

Hugely acclaimed at last year’s Edinburgh Fringe – playing to sell-out audiences – the show is currently on tour nationally, with concluding performances at Jacksons Lane Theatre (6-10 March 2018). For tickets, click here.

Reviewed by Michelle Ewen

MTA Nominations 2018

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Nominations for this year’s Manchester Theatre Awards have been announced, celebrating the best work on stage and off within the city in over 20 categories, with winners being announced at a red carpet event at the Lowry theatre on Friday 9th March which will be hosted by local funny man Justin Moorhouse.

With some interesting choices and some considerable omissions, our personal pick and who Opening Night will be backing when we head to the ceremony will be;

Performance in a Fringe Production – Amie Giselle-Ward, Little Women – The Musical,

Best NewcomerHope Mill Theatre, Scott Hunter, Yank!, Hope Mill Theatre,

Best Opera La Cenerentola , Opera North, The Lowry,

Studio Production – From Ibiza to the Norfolk Broads, The Lowry

Best Performance in a Studio Production – Alex Walton, From Ibiza to the Norfolk Broads, The Lowry

Target Live Award for Best Visiting Production The Lowry, La Strada, The Lowry

With four incredible selections for Best Musical it will be a hotly contested category, we adored each production but would loved to have seen additional nominations for Hope Mill Theatre’s spectacular Pippin and Tim Firth and Gary Barlow’s uplifting audience favourite The Band.

 

The nominations are as follows;

Actress in a Leading Role

Karen Henthorn, Spring and Port Wine, Oldham Coliseum

Lisa Dwyer Hogg, People, Places & Things, HOME

Nina Hoss, Returning to Reims, Manchester International Festival

Janet Suzman, Rose, HOME

 

Actor in a Leading Role

Cliff Burnett, Hard Times, Oldham Coliseum

Jason Merrells, Uncle Vanya, HOME

Kenneth Alan Taylor, The Father, Oldham Coliseum

Ashley Zhangazha, Guys And Dolls, Royal Exchange

 

Actress in a Supporting Role

Alison Halstead, The House of Bernarda Alba, Royal Exchange

Kate Kennedy, Twelfth Night, Royal Exchange

Kerry Peers, The Father, Oldham Coliseum

Katie West, Uncle Vanya, HOME

 

Actor in a Supporting Role

Tom Michael Blyth, Hard Times, Oldham Coliseum

David Fleeshman, Uncle Vanya, HOME

Andrew Sheridan, People, Places & Things, HOME

 

Actress in a Visiting Production

Ria Jones, Sunset Boulevard, Palace Theatre

Laura Pitt-Pulford, Nell Gwynn, The Lowry

Natalie Radmall-Quirke, The Weir, Oldham Coliseum

Sheridan Smith, Funny Girl, Palace Theatre

 

Actor in a Visiting Production

Danny Mac, Sunset Boulevard, Palace Theatre

Graham McDuff, Thoroughly Modern Millie, Palace Theatre

Sean Murray, The Weir, Oldham Coliseum

 

Ensemble

Oh What A Lovely War, Oldham Coliseum

Operation Black Antler, HOME

The Suppliant Women, Royal Exchange

 

Performance in a Fringe Production

Rosie Fleeshman, Narcissist in the Mirror, Greater Manchester Fringe

Amie Giselle-Ward, Little Women – The Musical, Hope Mill Theatre

Alexandra Maxwell, The Loves of Others / Freak, Greater Manchester Fringe

Danny Solomon, Days Of Wine And Roses, 53TWO

 

Performance in a Studio Production

Rhodri Meilir How My Light Is Spent, Royal Exchange

Lucy Jane Parkinson, Joan, Contact

Keisha Thompson, Man On The Moon, Contact

Alex Walton, From Ibiza to the Norfolk Broads, The Lowry

 

Robert Robson Award for Dance

Debut, Acosta Danza, The Lowry

English National Ballet double bill, Palace Theatre

Ghost Dances, Rambert Dance, The Lowry

Leviathan, James Wilton Dance, Contact

 

Design

Jenny Melville (set) and Lysander Ashton (video), Paul Auster’s City of Glass, HOME

Bunny Christie, People, Places & Things, HOME

Alex Lowde, Persuasion, Royal Exchange

Yael Bartana, What If Women Ruled the World?, Manchester International Festival

 

Fringe Production

Bad Advice, Greater Manchester Fringe

Gypsy Queen, Hope Mill Theatre

The Marriage of Kim K, Greater Manchester Fringe

Moth, Hope Mill Theatre

 

Musical

Funny Girl, Palace Theatre

Jim Steinman’s Bat out of Hell the Musical, Opera House

Sunset Boulevard, Palace Theatre

Yank!, Hope Mill Theatre

 

New Play

Gypsy Queen, writer Rob Ward, Hope Mill Theatre

How My Light Is Spent, writer Alan Harris, Royal Exchange

Narcissist in the Mirror, writer Rosie Fleeshman, Greater Manchester Fringe

Narvik, writer Lizzie Nunnery, HOME

 

Newcomer

Gemma Dobson, Rita, Sue and Bob Too, Octagon Theatre Bolton

Scott Hunter, Yank!, Hope Mill Theatre

Vinay Lad, The Railway Children, The Lowry

 

Opera

Cendrillon, Royal Northern College of Music, RNCM

La Cenerentola, Opera North, The Lowry

Opera North Little Greats, Opera North, The Lowry

The Snow Maiden, Opera North, The Lowry

 

Production

The Father, Oldham Coliseum

People, Places & Things, HOME

Rose, HOME

The Suppliant Women, Royal Exchange

 

Special Entertainment

Dick Whittington, Opera House

Running Wild, The Lowry

The Toad Knew, The Lowry

Under Glass, Clod Ensemble,The Lowry

 

Studio Production

From Ibiza to the Norfolk Broads, The Lowry

Joan, Contact

Man On The Moon, Contact

Swansong, The Lowry

 

Target Live Award for Best Visiting Production

La Strada, The Lowry

My Country; a Work in Progress, HOME

Nell Gwynn, The Lowry

The Weir, Oldham Coliseum

 

Youth Panel Award

There is a Light/BRIGHTLIGHT, Contact Young Company

Singin’ in the Rain, RNCM Young Company

Tis Written in the Stars, Oldham Theatre Workshop, Oldham Coliseum