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Mary Poppins: Place Theatre, Manchester

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Reviewed by Matthew Forrest

Opening Night verdict ⭐⭐⭐⭐⭐

First things first, I have a confession to make: I have never watched the 1964 film adaptation of Mary Poppins. I mean, of course, I have seen some scenes featuring the big song and dance numbers and I have watched The Simpsons parody episode featuring Shary Bobbins several times, but I’ve never actually sat through the film from start to finish. Now we have that unpleasantness out of the way, and you can lift your jaw off the ground, please allow me to continue my review.

So, not having the full picture of what to expect actually worked in my favour. Because nothing could have prepared me for how magical and grand this production is. Based on author P.L. Travers’s original books, the stage adaptation of Mary Poppins is co-produced by Disney and Cameron Mackintosh, with book by Downton Abbey creator Julian Fellows, together they have created an enchanting spectacle that will cast a spell over the whole family.

Set in early 20th-century London, we are introduced to the Banks family—father George (Michael D. Xavier) is a hard working junior officer for a major London bank. He has very little time for his devoted wife, Winifred, (Lucie-Mae Sumner) and they have two children Jane and Michael (played at this evening’s performance by Katie Ryden and Charlie Donald).

The Banks children have a reputation for causing mischief in the local area, and seeing off the many Nannies previously employed to look after the pair. However, the arrival of the enigmatic Mary Poppins, (Stefanie Jones) whose no-nonsense, unconventional methods soon add a touch of sparkle to the Banks family.

Mary Poppins along with her trusted friend, the ever chipper chimney-sweep Burt (Jack Chambers) take the children on a series of adventures involving dancing statutes, singing toys, tap dancing chimney sweeps and a spot of word invention, which teaches the children a few valuable lessons and provides the love and attention they lack from their father.

What an absolute joyous experience this production is! Director Richard Eyre along with co-director/choreographer Matthew Bourne, and co-choreographer Stephen Mear have crafted some spectacular set-pieces. The colour explosion from “Jolly Holiday” looks glorious, whilst the dazzling roof-top dance of Burt and his fellow chimney sweeps during “Step in Time” is magnificent: the magnitude and scale, with the huge ensemble cast showcase what the show is all about: high end production values, performed by creatives at the top of their game.


The musical numbers sound terrific under musical director Isaac McCullough’s skillful baton. The Sherman’s brothers penned, “Supercalifragilisticexpialidocious”, “A Spoonful of Sugar”, and “Let’s Go Fly A kite” sound as good as you want them to be, whilst new songs penned by George Stiles and Anthony Drewe give the production a contemporary feel, the pick of the bunch being touching, “Being Mrs Banks”, beautifully sung by Lucie-Mae Sumner.

Stefanie Jones is in sparkling form as Mary Poppins: it’s a sassy turn which beautifully shows the complexity of the character. Her vocals throughout are outstanding and her physical performance as the super-nanny is captivating. She has a true star quality which fills the stage. The same can also be said of Jack Chambers: it’s a performance full of charm, charisma and athleticism, a full on song-and-dance tour-de force highlighted in the previously mentioned “Step in Time”.

Michael D. Xavier is impressive as the uptight, repressed Mr Banks. His performance has a contemporary quality which adds more layers to the production. Lucie-Mae Sumner is the perfect foil, with her sweet, strong, yet mildly eccentric Mrs Banks, ready to show she is more than just a wife, but a strong, capable woman. Finally Katie Ryden and Charlie Donald are a fun watch throughout and more than hold their own with their fellow adult-actors, with both showcasing great comedic timing.

Bob Crowley’s enchanting dolls house set design looks gorgeous and sets the tone of the show perfectly, whilst some very clever stage trickery shows just how magical, and unique Mary Poppins truly is.

Mary Poppins is a testament to the enduring appeal of its source material, offering a theatrical experience that is both timeless and innovative. With stellar performances, imaginative design, and memorable music, it’s a fantastic showcase for how good live theatre can be……as the song says – Practically Perfect!

Mary Poppins is at Manchester’s Palace Theatre till 17th May, tickets are available here.

101 Dalmatians

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Reviewed by Jodie Crawford

Opening Night verdict ⭐️⭐️⭐️⭐️

101 Dalmatians – The Musical, is a new-ish musical, based on the stage adaptation of the original novel. Now, I’ve not read the book and I’m ashamed to say I haven’t seen the modern film adaptation. But, I have seen the 1961 animated film (in fact we watched it last week in preparation). While the plot is loosely similar, it’s actually adapted in a way that makes much more sense on stage! 

The show begins as we meet a filthy, abandoned wild dog who is dropped off at the Puppy Love Dogs home, here he is cleaned up and welcomed to the fold. This is where we first hear the main number of the show “Take Me Home” (which we all went home singing at the end of the night) as we see some dogs matched to new owners, but not our friend, the newly named Pongo. Pongo is overlooked, but he clearly has a connection with one special worker at the dogs home, Danielle (Jessie Elland). Eventually, Danielle agrees to take him home and before long they meet another Dalmatian , Perdi (Emma Thornett) and Perdi’s owner/human Tom (Samuel Thomas). It’s love at first sight and soon the four are set up together at home, as a family. 

Soon Perdi falls pregnant with puppies and we meet the one name that sends shivers down the spines or any Disney fan: Cruella De Vil (Kym Marsh). Cruella wants the puppies- to- be to be hers so that she can make a fine outfit of them, designed by our very own, wannabe designer, Tom. The young couple don’t have much to their names and the offer of money temporarily tempts them, but when the fifteen puppies arrive there is no way that they want to let them go. And here the adventure begins as the game of cat and mouse commences. Who will be triumphant? Will the puppies survive or will they be on the catwalk at fashion week? 

This production is great fun. I was concerned it would be a bit much for my 5 year old with all the talk of skinning Dalmatians, but she loved it. There’s something for everyone. It’s a wonderfully joyful family show, and what a great time for it to be here in Manchester during the school holidays. I expect the theatre will be full every night. 

The whole production is very clever, the puppetry is just stunning. Linford Johnson as Pongo was captivating for me. He and the puppet somehow act as one and it’s mesmerising. All of the puppeteers give a stellar performance, with some of the finest vocals I’ve ever heard from an ensemble. The colour matching outfits of the ensemble, the hairstyles and small attention to detail is really captivating.  

It was obvious that much of the crowd were there for Kym Marsh, as Cruella, and she didn’t disappoint. The crowd were showering her in applause before she even let out one note, and that must be terrifying, having so much expectation on you, but she delivered over and over again. And the audience just loved her, quite rightly so. 

There is much to laugh at in this production, and Jasper (Danny Hendrix) and Casper (Charles Brunton) give us much of the humour. They’re slapstick, it’s not subtle, but it works and they were just brilliant. 
Samuel Thomas and Jessie Elland are a perfectly suited duo in their roles of Danielle and Tom. Two very sweet characters, who made us love them as much as they loved each other. 

While at times it can feel a bit Panto, (which I’m a huge fan of by the way), it works. It’s a family show, that is a bit silly, and possibly about 20 minutes longer than it needs to be, but it’s just wonderful in so many lovely ways. 

A well deserved standing ovation for a wonderful cast, accompanied by an incredible band (led by Leigh Stanford Thompson), and produced with a clever use of puppetry. Manchester is going to love this show this summer!

101 Dalmatians is on at Manchester’s Palace Theatre until Saturday 10th August tickets available here.

Disney’s Aladdin

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Reviewed by Jodie Crawford

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Photography by Deen Van Meer

There really isn’t anything more Disney than this incredible production of Aladdin. It has all the key ingredients of a magical Disney tale, with bells on, and maybe just a little bit of glitter thrown in! 

This stage adaption has a plot true to the original Disney film. With our main characters: Aladdin (Gavin Adams) The Genie (Yeukayi Ushe), Jafar (Adam Strong), Jasmine (Desmonda Cathabel) , Sultan (Jo Servi) and the hilarious Iago (Angelo Paragosa) coming together to tell us the tale of poor street urchin Aladdin being tricked by Jafar, meeting a Genie and falling in love – with a few magnificent musical numbers, many jazz hands, beautifully choreographed ensemble pieces, sword fights, magical carpets and big belly laughs (even the wicked ones).

This production is mesmerising, it’s like nothing I’ve seen before. You are taken to a whole new world (couldn’t help it – sorry) where you can forget all your worries and just be transported to the land of Agrabah and enjoy the ride – specifically the carpet ride. 

Act one introduces us to the lives of our characters and we are treated to some wonderful musical numbers  – including favourites from the original movie like Arabian nights . 

The show stopper of Act 1 is, without doubt, Yeukayi Ushe (Genie) performance of Friend Like Me I don’t want to spoil it for anyone, but this number is a feast for the soul: glamour, costumes, dancing, the set design, and more enthusiasm than I have ever seen on stage. Yeukayi Ushe, take a bow Sir – you are incredible. Hands down the star of this show for me! 

Act 2 treats us to more ensemble magic with Prince Ali and everyone’s favourite A Whole New World – the melody, the lyrics, the carpet. I found myself sitting with a great big, wide smile plastered on my face – there is something so comforting about hearing a song that you loved as a child brought to life on stage. 

This production is colourful in every way, the set changes are phenomenal – I will never understand how they can store so many set structures backstage for this show. The use of technology was clever in the small touches on the back drops in several different scenes. Everything is so carefully constructed by the set design team, there is so much attention to detail everywhere from the props to the costumes. If there is stronger word for “vibrant” I would use it – but vibrant is what it is, from start to finish. Everything comes together so perfectly and much of that is thanks to the fabulous ensemble, and the choreography. Both are flawless. 

I have to say that I feel the real love story in this tale is not that of Jasmine and Aladdin, but of Aladdin and the Genie. Their friendship is a rollercoaster ride and in the end their bond is stronger than they could ever have imagined and quite frankly, it was beautiful to watch. 

Special mention has to go to the orchestra led by the talented Dave Rose – every single note spot on and seamlessly woven into the plot. 

I took my seven year old to see this and I will never forget the smile on her face, the squeals of delight and the awe in her eyes. As we left the auditorium she whispered to me “This has just been the most magical night, I won’t forget it, ever” and yes I did have to wipe a little tear away. So thank you cast, crew, orchestra, costume, production team, and everyone else involved – including the wonderful lady from front of house who was so very kind and sang to us all so beautifully during the interval, while selling ice creams- you all made my little girls dreams comes true. Her last words before she fell asleep to me were “It’s just like when we went to Disney- can we go again tomorrow”. Well no, we can’t – but if you’re quick, you might be able to snap up a ticket before it completely sells out – you’ll regret it if you don’t – trust me! 

Aladdin is on at Manchester’s Palace Theatre until Sunday 7th July tickets available here.

Unfortunate – The Untold Story Of Ursula The Sea Witch

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

Malifcent and Cruella have both had their moments in the spotlight, so now feels like the perfect time to spill the tea on Disney’s most iconic villain, the queer queen herself, Ursula.

This is a deep dive like no other and a musical parody you won’t forget in a hurry as Ursula’s mysterious past is explored in the most hilarious way. It’s camp, colourful and completely outrageous.

Shawna Hamic takes on the titular role and succeeds entirely. She’s sassy, self assured and super fun with a hint of vulnerable where necessary. She blasts out powerhouse vocals with ease and quickly makes you realise perhaps you were wrong about Ursula all along.

Her scenes with Thomas Lowe as Triton are superb. They bounce off each other brilliantly ensuring this sharp script gets the quality delivery it deserves. They’re deliciously OTT, Hamic delivering Ursula’s cool, effortlessly while Lowe camps it up as Triton, all hair flicks and wanting sighs, hamming it up to perfection.

Allie Dart as Sebastian and multiple other characters is incredible, she delivers and then some. Such a brilliant actor, she doesn’t miss a beat in this fast paced parody. Her scenes with Jack Gray are a joy, their interpretations of Ursula’s faithful eels Flotsam and Jetsam are hilarious, a real highlight of the show as they weave effortlessly through Melody Sinclair’s brilliant choreography.

River Medway as the flame haired Ariel is hilarious. Ditsy, dim and desperate for a fumble ensuring the audience understand completely why Ursula sent her down the path she chose. Of course where there’s a whiff of Disney there’s always a Prince Charming, step forward Jamie Mawson as Eric. Mawson hams it up perfectly as the brattish, flute playing royal. Every line and every lyric exaggerated to level ten, he is a scream.

The cast are supported by a talented ensemble who bring further sass to this brilliant piece, they hold nothing back and make you feel like you’re part of this inclusive party.

There are bops and bangers, all delivered by a top notch cast. At two and a half hours this is a fairly long parody which might pack a little more punch with a slightly shorter running time but this really is a minor quibble.

Unfortunate is bold, brilliant theatre. Outrageous, unapologetic and a whole heap of fun.

Unfortunate – The Untold Story of Ursula The Sea Witch is on at The Lowry until Saturday 2nd March tickets available here.

Unfortunate: The Untold Story of Usual the Sea Witch

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Reviewed by Matthew Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

There is a famous Monty Python sketch called The Fish Slapping Dance, whereby Michael Palin slaps John Cleese in the face with two tiny fish, whilst performing an absurd little jig, only for Cleese to retaliate with a massive slap to Palin’s face with a huge trout! Now I know this isn’t the normal way to begin a review but after watching Unfortunate: The Untold Story of Ursula The Sea Witch, you’ll feel like you’ve been walloped over the head by something bigger than a giant trout! Vulgar, absurd, and hilarious, this in-your-face musical parody is as crude as it is fun and I loved it, and dare I say so would the Python team too!

With cinematic releases from Disney such Maleficent and Cruella, told from the point of the villain proving to be a huge commercial successes, Fat Rascal Theatre’s march on the Mouse-eared media Megalodon with their alternative take on everyone’s favourite sea witch, is also proving to be a huge audience favourite.

In this retelling, the action rewinds 20 years:  Ursula, is a sassy, no nonsense strong woman, who heads to Atlantica in the hope that a marriage with the Kings son, Triton will save the kingdom. However the course, of true love doesn’t run smoothly, first some body shaming aimed at our straight talking heroine, followed by being framed for murder, sees  Ursula exiled from Atlantica

Fast Forward 20 years, Triton returns to his former lover, in need of her help with his daughter, Ariel. Ariel is his only living heir and will inherit the kingdom, however it’s fair to say Ariel isn’t quite ready to be a reigning monarch, more interested in men, and what they have between their legs than ruling the sea. Will Ursula’s plan work and make Ariel, become the princess those Disney bigwigs want her to be?

This production is an absolute riot from start to finish: catchy, no nonsense show tunes with big laughs, not just there because they have to be but there because they enhance the plot. Stand out numbers include the crude, but hilarious, Where the Dicks Are, the scene setting Nasty, and my personal favourite, We Didn’t Make it to Disney.

The cast more than matches the excellent written material.  Allie Dart-Munro as Ursula, gets the balance of sass and vulnerability just right. Whilst George Whitty as Triton, has a tremendous singing voice, hitting all the right notes. His is a dead-pan performance when compared to his co-stars. Miracle Chance is exceptional as Ariel, a gift at comedy, a real ‘jesters’ performance. Whilst Jamie Mawson as Eric, the handsome prince of the story is as OTT as he is ridiculous.

There is great support from Danni Payne and Jack Grey who play multiple characters and puppets including Sebastian the lobster, now sporting an Irish descent.

My only gripe really is the sound mix seemed off during the first half, with some of the lyrics lost in the mix, it was rectified following the interval, but I’m sure there were more laughs to be had if I could hear the gags.

With strong messages about body positivity, water pollution, the environment and #MeToo blended with a great deal of risque songs, and more ‘knob’, gags then the average Graham Norton monologue, this is highly entertaining and fun night at the theatre, just leave the kids at home with a babysitter and the subscription to a popular child friendly streaming platform would be my advice.

Unfortunate: The Untold Story of Ursula The Sea Witch is at the Lowry till Saturday 10th September, tickets available here.

Bedknobs and Broomsticks

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Reviewed by Matt Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

Confession time foks, I’ll lay my cards on the table from the get go, I haven’t seen the 1971 cinema release of Bedknobs and Broomsticks. Sure I’ve seen The Beautiful Briny Seasequence from old Disney compilation programmes they used to put on TV way back when. So I went into the live theatre show not really knowing what to expect in the way of plot, themes, or production, and I’m happy to say I was not disappointed, this was the perfect piece of escapism theatre, much needed for young and old alike.

Set during the blitz, the show opens with a fantastic 10 minute speech free sequence that sees the Rawlins’ siblings, Charlie, Carrie, and Paul orphaned during an air raid and moved from London out to the countryside. The children are understandably traumatised by recent events and apprehensive about the future. Here they encounter Mrs Hobday (Jacqui Dubois), who informs the children that they are to be placed in the care of the rather mysterious and eccentric Eglantine Price, (Dianne Pilkington).

Miss Price seems to be the recipient of lots of packages, including a broomstick, from a professor Emelius Brown (Charles Brunton), in London. Eglantine has a spell that she believes will end the war, and the needless killing war brings, but she’ll need the help of the children and the Professor. So begins an adventure that will take the children back to London, under the ocean, and to the mysterious island of Nepeepo. Can this quintet end the war as well as find something they all need,  a family.

This is a production of the highest quality, from the hugely entertaining, song-and dance routines, mesmerising puppetry to magical set pieces. In addition some beautiful costumes and set designs capped off with some wonderful performances, it’s truly a feast for the eyes and ears!

Dianne Pilkington is perfectly cast as witch in training, Eglantine Price, her turn on A Step in The Right Direction, sets up a performance that is fun yet vulnerable and quirky, which in less capable hands could become irritating, but Pilkington manges this perfectly. The chemistry between her and Charles Brunton, develops naturally and doesn’t seem forced. Brunton is equally as good as the charming yet unlikely hero Emelius Brown.

It can often be distracting when an older actor plays a teenager in productions and at first I must admit I was a little taken back by Conor O’Hara as eldest sibling, Charlie, however O’Hara provides much needed depth to the role. He reminded me of a young Jim Dale, which very much played to the nostalgic element of the production, and is certainly no negative criticism.

There are plenty of song and dance numbers throughout, with stand out numbers, being the full company rendition of Portobello Road, which showcases the fantastic work of all the ensemble cast, and the stunning costume design of Gabriella Slade. Whilst Emelius and Eglantine highlight the exceptional puppet designs of Kennth Macleod.

However it’s not just big show stoppers that Bedknobs and Broomsticks gets right, the downbeat soulful, Nobody’s Problem, by our heroic fivesome, sets up the final act perfectly.

What elevates this production to the next level is the magical input of Jamie Harrison, flying beds, unruly brooms and a truly magical, jaw-dropping and well crafted finale.

With the current situation in the world, a great deal of the plot seems to resonate more than it would in normal times (whatever that is these days) and packs more of a punch. However this is a good old-fashioned romantic adventure story, filled with charm, whimsy and hope, which will enthral, enchant and entertain children (and adults) of all ages.

Bedknobs and and Broomsticks is on in the Lyric Theatre at The Lowry until 19th March 2022 tickets available here.

Bedknobs and Broomsticks

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

If there’s one thing theatre audiences love, it’s a Disney adaptation. From full-scale productions such as the long-running Lion King to the newly opened five-star smash, Frozen, right through to magical musical numbers and glittering finale scenes in local pantos; Disney’s influence runs right through British family theatre and is often the first theatrical experience many children have.

Latest adaptation, Bedknobs and Broomsticks flew into Manchester’s this week, stopping at the Palace Theatre on it’s World Premiere UK tour, amazing to think despite celebrating it’s 50th anniversary there’s never been a full-scale production before!

While the lesser recreated of the Sherman Brothers penned Disney hits (Mary Poppins, The Jungle Book, Chitty Chitty Bang Bang) it’s charm and appeal have made it a firm favourite for fans, while it’s classic score is still a childhood staple. Yes, the plot is a bit bonkers at times, but for many that’s a huge part of this cult classic’s charm.

Film fans will be happy to hear that this stage adaptation remains largely faithful to the film with some padding out of backstories which works beautifully.

Set in the 1940’s, evacuees and siblings Charlie, Carrie and Paul have been sent to the countryside after losing their parents during an air raid in London. Miss Eglantine Price takes them in and they soon discover all is not as it seems as apprentice witch Price reveals she just needs one final spell from former tutor Professor Emelius Browne in order to use her magic in a bid to help the war effort. With the help of an enchanted bedknob their adventures begin!

Additional songs by Neil Bartram fit well with the much-loved classics, Portobello Road, The Beautiful Briny, The Age Of Not Believing and my personal favourite Substitutiary Locamotion with new addition Negotiality feeling like it’s been there all along.

Jamie Harrison’s impressive set and dazzling illusions really add to the magic of the piece. The bed really does fly as does Miss Price who swoops up into the air on her broomstick and as for the final battle scene, well seeing really is believing!

Gabriella Slade’s costumes are stunning, intricate, elaborate and utterly gorgeous while there’s a wonderful use of puppetry weaved into the production. Designer Kenneth MacLeod has created some spectacular puppets while the cast bringing them magically to living, breathing life. Norton the Fish portrayed fabulously by Rob Madge deserving of a spin off show of their own! While actors being turned into rabbits right before your eyes is a whole lot of fun! This really is physical theatre at its finest.

Dianne Pilkington is sublime as Miss Englantine Price, witty, charismatic and with a voice that’s pure perfection. Charles Brunton compliments her wonderfully as Emelius Browne, his eccentricities and magic skills endearing him to the audience immediately.

Conor O’Hara gives eldest child Charlie true depth as he demonstrates powerfully the influence war has on the life of a child. His journey as Charlie breathing fresh ideas into to this classic tale.

The quieter moments are given the time that they deserve to be impactful while the big full ensemble numbers really take the entertainment levels up a notch. The Portabello Road scene and the Beautiful Briny dance competition are a joy and leave you wishing there were a few more full ensemble numbers to enjoy. I must also mention how wonderful it is to see such a representative cast on stage, more of this please!

The ensemble work hard in this show, moving sets and becoming scenery throughout. This took a little getting used to and on occasion felt like there was a little too much to look at. The pace of Act 1 slows a little at times while Act 2 burst into gorgeous, glittering life and before you know it the bows are being taken.

This is a beautifully crafted show, technically brilliant, superbly designed and wonderfully delivered. There’s peril, romance, incredible puppetry and thrilling magic. Film fans will come away happy while an army of new fans no doubt will be gained. An enchanting production which will delight young and old alike.

Bedknobs and Broomsticks is on at the Palace Theatre until Sunday 24th October tickets available here.

Disney on Ice – 100 Years of Magic

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Reviewed by Kate Goerner

Opening Night verdict ⭐️⭐️⭐️⭐️

From the hundreds of children dressed as their favourite Disney idol to the myriad of swirly flashy things lighting up the inside of Manchester Arena – it was definitely Disney on Ice time!

The always-popular ice spectacular is a staple of the family entertainment calendar, offering people the chance to get a glimpse of their Disney favourites without having to go to Paris or Florida. Throw in dazzling skating skills, gorgeous costumes and plenty of iconic Disney songs and you have all the elements for a magical night out.

This year’s Disney on Ice show is called 100 Years of Magic and sees a loose plot of Mickey, Minnie, Donald and Goofy trying to decide on a movie to make – drawing inspiration from Disney‘s back catalogue of celluloid smashes.

Perhaps less Princess-centred than Disney on Ice shows I’ve seen before, 100 Years of Magic includes tributes to some absolute classics like Beauty & The Beast, Aladdin (why have one ice skating Genie when you can have 20!) The Lion King and more.

Of course there is the chance to see all the Princesses and their Princes skate as well as a fabulous extended section that gives the delighted audience Frozen in about 20 minutes – this is a real highlight with goosebumps galore as Elsa twirls and swoops across the ice to Let It Go. And it even snows!

Our other favourite bit was a simply gorgeous tribute to Mulan featuring a beautiful solo to Reflections followed by the very talented full company of skaters performing a stunning martial arts-inspired routine to I’ll Make a Man Out of You. This was followed by the entrance of an impressive Chinese Dragon onto the ice – that drew gasps from the audience.

But probably the crowd-pleasing cameo of the night was from Toy Story 4 scene-stealer Forky, whose arrival on the ice brought cheers of joy from the youngster sat around us. Indeed the whole Toy Story section was clearly a hit with the young fans of Woody, Buzz and the ‘plastic’ effect wigs on the toys were a nice witty touch too.

But the whole show was fantastic – a welcome bit of Disney magic delivered on skates. We had an absolute blast!

Further information, tickets and tour dates can be found here.

Preview | Disney on Ice

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Writer Kate Goerner

The ever-popular Disney on Ice spectacular returns to the rink at Manchester Arena next month – offering a timely opportunity to get a bit of Disney magic in your life in these unsettled times!
So why not grab those Mickey Ears and prepare to celebrate 100 Years of Magic in this all-new arena show that’s led by the Mouse-ter of Ceremonies (ahem, sorry!) Mickey Mouse with Minnie and lots of other pals and princesses alongside him.
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The family friendly production will be skating into Manchester from the 9th to 13th October and features more than 50 performers, a sing-along score of Disney musical masterpieces, exhilarating choreography and beautiful costumes and sets.
The show is packed with iconic Disney characters from much-loved films that Disney fans young and old will love seeing in the flesh – with added ice theatrics!
Audiences will travel to the heart of Africa with Disney’s The Lion King, come along for an adventure in friendship with the gang from DisneyPixar’s Toy Story, and watch as Belle breaks the Beast’s curse in the tale of Beauty & The Beast.
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And OR COURSE no Disney on Ice show would be complete without a trip to the kingdom of Arendelle from Disney’s Frozen and journey up the North Mountain with adorable snowman Olaf and hunky Kristoff, as they help royal sisters Anna and Elsa discover that true love conquers all.
Over 14 tales are featured, with some absolute classic songs like Hakuna Matata, You’ve Got A Friend in Me, Let It Go, At Last I See The Light, A Whole New World and loads more.
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Producer Kenneth Feld said: “This is a show, more than any other, which is truly for everybody. When I sit with the audience, I see those that are grandparents, like I am, enjoying a lot of the classic Disney stories, while young kids and parents really respond to modern day favourites like Frozen.”

Disney on Ice: 100 Years of Magic is produced by live family entertainment specialists Feld Entertainment.

Tickets and more information are available here.
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Preview | Disney on Ice

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There’s no disputing the magic of Disney for little (and hey, who are we kidding, and big!) kids, and the regular visits by Disney on Ice bring a real element of enchantment to Manchester.

The popular arena shows give fans the chance to see some of their favourite Disney characters performing live on ice – bringing to life much-loved tales and songs from classic animated movies from over the years.

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This time round the show is billed Dream Big – and seems likely to make plenty of dreams come true for Disney fans, not least because the show brings the first appearance on skates by Moana, the most recent inspirational heroine from the House of Mouse.

Theatre fans will no doubt be aware that the Oscar-nominated Moana had songs co-written by Hamilton’s Lin Manuel Miranda, who is now clearly firmly part of the Disney family thanks to this, and his forthcoming role in Mary Poppins Returns.

Expect lots of excitement from Moana fans at seeing Disney’s latest heroine in Manchester – with Demi God Maui (brilliantly voiced by Dwayne Johnson in the movie) also promised to make an appearance.

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Also in the show – which features spectacular figure-skating, beautiful costumes and stunning sets – will be sections dedicated to classic tales including Beauty and the Beast, The Little Mermaid, Aladdin and more.

As well as – of course! – a suitably icy section dedicated to all things Frozen!

Opening Night also hears tales of a fire breathing dragon…….we can’t wait!

Disney on Ice presents Dream Big at the Manchester Arena from Wednesday 10th October until Sunday 14th October.

For more information visit www.disneyonice.co.uk