Month: July 2024

Bluey’s Big Play

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Reciewed by Jodie, Bridie and Hetty Crawford

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️


It would be quite the understatement if I were to say that we are fans of Bluey in our house. With a five year old and a seven year old to keep entertained each day of the schools holidays, Bluey can often be our saviour and the reality is that us adults love it as much as our kids do. So the excitement levels that we all felt when we heard we would be reviewing Bluey’s Big Play, were through the roof.

I honestly couldn’t think of a better way to spend a morning than watching this show. It has all the ingredients of a classic Bluey episode: a story with a strong emotional undertone, a lesson to be learnt, some questionable dance moves and some of the greatest Dad jokes of our time. 

I wasn’t sure how this firm family favourite of ours was going to translate onto the stage and the answer is that it does so perfectly. 

These puppets are so engaging! You stop seeing the puppeteers (who do an amazing job by the way) and you just get fully engrossed in the lovable, familiar characters. 

The show tells the story of a scenario that I’m sure we are all faced with as parents, at times. Dad wants nothing more than to sit down and check through an article on his phone, in peace and quiet. But, Bluey and Bingo have other plans. They conspire to steal and hide Dad’s phone so that he has no choice but to play with them. Dad is determined to get his phone back and we are taken on an adventure of laughter, music and dance with our favourite canine family. Until, eventually the phone is found and returned to Dad, who realises that actually there will be plenty of time for sitting on his phone later. Cue – an epic Bluey finale for us all to get involved in. 

My children loved this production so much and, I’m not ashamed to say it, so did I! 

This is the perfect show for fans of this Aussie cult classic. We will be talking about this show for the remainder of the school holidays and I’m pretty sure that there’ll be a return visit, even if it’s just to get involved in the giant game of keepy uppy! 

It also needs mentioning that the Lowry is such the perfect venue for this kind of production. It’s such an accessible space that is managed so brilliantly. It’s always a joy to take the children along to a show here. 

This is an absolute “ripper” of a show, as our friend Bandit would say! For real! And yes, I’m “cereal”!

Bluey’s Big Blue House is on at The Lowry until Sunday 11th August tickets are available here.

Blackstock Market

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Having opened its doors back in April this year when an incredible 2,000 punters flocked to the venue on it’s very first day, Blackstock Market has continued to go from strength to strength.

The brainchild of Hot Water Comedy Club founders Paul and Binty Blair, this stunning entertainment venue offers something for everyone, there’s comedy nights, live music, sports screenings, mouth-watering street food and extensive drinks options. Future months will bring even more with the opening of Liverpool’s largest roof-top terrace, additionoal theatre spaces as well as podcast studios which will all compliment the already enormously successful 590 seat purpose-built auditorium, the new home of Hot Water Comedy Club.

Phase 2 recently saw the opening of a stunning bespoke bar, Whisky & Water which houses more than 320 whiskies, boasting the premier whisky collection inside the UK. The atmospheric bar looks stunning and gives off a gorgeous speakeasy vibe with the addition of two secret rooms which are set to open over the coming months. The first, which will be accessed through a hidden entrance, will transport guests back to the Prohibition era with classic cocktails while the second will be a basement jazz bar offering a cosy space to enjoy live music up close at ticketed events. This brand-new bar which opens Wednesday to Sunday 5pm until midnight really does feel special, the staff know their stuff while the clientele as with the rest of Blackstock Market are all about the good vibes.

Heading into the impressive auditorium you’re spoilt for choice with comedy offerings, on our visit the laughs came thick and fast from MC Phil Chapman, comedians Garry Little, Tony Carroll and Simon Wozniak. There’s an extensive mixture of free and ticketed show both throughout the week as well as multiple weekend shows, if you’re brave enough, you could even give the Monday night open mic night a try.

The recent addition of family friendly comedy shows Hot Water’s Comedy For Kids which take place on Sunday’s at 2pm add another brilliant string to Blackstock Market’s bow. With 50% of the venue still to open in further phases, Blackstock Market is fast becoming the most-loved destination venue in the city, you can guarantee we’ll be back, make mine a Whisky Sour with a dash of comedy on the side!

The Gangs of New York

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Reviewed by Matt Forrest

Opening Night verdict ⭐⭐⭐⭐⭐

Images by Mark McNulty

Storyhouse and Grosvenor Park Open Air Theatre productions have become somewhat of a must for theatre lovers during the summer months. With its purpose built theatre set in the beautiful picturesque surroundings of this Victorian park, it is the perfect setting for live theatre.

The venue has hosted some fantastic productions over the years which have included Little Women and The Great Gatsby. Continuing with the theme of adapting celebrated works of literature, one of this year’s offerings is The Importance of Being Earnest, the other is a far more daring prospect: the world premiere of The Gangs of New York, based on the factual book of the same name by celebrated American journalist, Herbert Asbury.

Set in the mid 1800’s, we are introduced to John Morrisey (Oisín Thompson) and Hellcat Maggie (Hanora Kamen) , a pair of Irish immigrants fresh off the boat arriving in America. It would appear that they have a certain skills set which will help them to survive the mean streets of New York, Maggie, is a light-fingered pickpocket, whilst Morrisey is equally as good with his hands as a boxer.

Almost immediately Morrisey’s growing reputation draws the ire of local gangland chieftain, William Poole (James Sheldon) a.k.a ‘Bill the Butcher’, as he puts it “a true American ”. Poole’s love of violence is only matched by his hatred for all immigrants landing in America hoping to make a better life for themselves. Soon the pair enter into a blood feud, which threatens to cost both of them not just their business ventures, but their lives as well.

As a huge fan of the 2002 Martin Scorsese, Gangs of New York, I was intrigued to say the least by how the production was going to unfold, and I’m more than happy to say it does not disappoint. The story doesn’t just focus on the prejudice and bigotry that many immigrants faced, but also the seedy criminal underworld of New York. Crooked cops, and bent politicians are all thrown into the mix, rather sadly it would appear that 1840’s USA isn’t too different from modern society.

At its core writer Kieran Lynn’s adaptation focuses on two love stories: Morrisey and Suzie Smith (Yolanda Ovide), a young women, from a wealthy family who has ambition to be more than just some rich man’s trophy wife. Whilst the other is the forbidden romance between Maggie and Lew Baker (Lucas Button), a local beat police officer, indebted to Bill the Butcher. It’s a bold move and one that pays dividends as you firmly invest and care about what will become of them all.

Director John Young’s production despite its weighty subject matter is filled with energy and a surprising amount of humour, there are sly, on point one liners which hit the mark throughout. In addition, the glorious in-the-round setting allows for some audience interaction, with some (un)willing audience members dragged up to be part of the show.

Throughout there are various cast members playing all manner of musical instruments, and performing songs giving an authentic folk/roots feel to the production. These light touches mean that when an act of violence does take place, it’s all the more brutal and comes as a bit of a shock.

The cast are in fine form throughout, Oisín Thompson gives a performance packed full of charisma. James Sheldon has a commanding stage presence, full of menace and rage. Hanora Kamen puts in a turn full of sass and grit, whilst Yolanda Ovide gives a restrained, measured performance, as one of the few voices of reason. Lucas Button is equally impressive as the troubled police officer, with a performance full of nervous energy and subtle comic timing, his arc is the one that underpins the entire production.

It’s a bold, brave choice to adapt this weighty, historical book for the stage, but one that rewards its audience with an entertaining and surprisingly fun watch. It’s a production performed by a super talented ensemble cast of actors and musicians, in an as perfect (weather permitting) setting as you’re going to get, live theatre doesn’t get much better than this!

The Gangs of New York is on at Grosvenor Park Open Air Theatre until 31st August tickets are available here.

A Chorus Line

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Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐

Created by Michael Bennet in 1975, A Chorus Line lifts the curtain on the sacrifices performers make in a bid to book a job within the chorus of a Broadway show. Using real life interviews with Broadway dancers as it’s source material, A Chorus Line offers audiences a wholly authentic glimpse into both the audition process and the lives of the performers we so often see on stage yet know very little about beyond their beaming smiles at the curtain call.

This Leicester Curve production with Director Nikolai Foster at the helm has taken this much-loved story and executed a beautiful, memorable revival.

A Chorus Line is a complete ensemble show, there are no real leads, a stripped back set and few costume changes ensuring the characters and their stories are at the absolute heart of this piece. The whole cast are on stage for almost the entirety of the production as they deliver their own individual stories that go way beyond blood, sweat and tears in a bid to make it to the illustrious Broadway stage.

Opening impressively with I Hope I Get It the standard is quickly set for this revamped production. As numbers get cut the chorus line of hopefuls under the watchful eye of director Zach (Adam Cooper), take their moment in the spotlight, giving us a glimpse into their lives beyond the stage, their struggles to get there and the life experiences which have shaped their personalities.

Ellen Kane’s exquisite choreography is integrated superbly within the individual testimonies, it feels fresh, punchy and exhilarating. This is further enhanced by Howard Hudson’s stunning lighting design, which is at times breathtaking. The addition of close-up filming at times which is then projected largely onto the back of the stage could be polarising for audiences, for me it didn’t feel necessary and at times proved to be a distraction rather than an enhancement.

This cast are undoubtedly excellent, each has a unique ability to draw you in. From Chloe Saunders brilliant and witty delivery of Dance: Ten; Looks: Three to Manuel Pacific’s emotive personal disclosure scene as wannabe star Paul San Marco, each character feels authentic and believable.

Returning to the production are audience favourites Carly Mercedes Dyer as Cassie, and Adam Cooper as Zach, they are joined by an immensely talented cast who each showcase their skills both physically and vocally. Jocasta Almgill as Diana Morales gives a powerhouse performance with her knockout rendition of What I Did For Love. Amy Thornton, Lydia Bannister and Kate Parr are equally as affecting during At the Ballet while Redman Rance showcases Kane’s choreography to perfection during, I Can Do That.

This cleverly crafted revival feels fresh and exciting and takes the audience on a journey of exhilarating highs and painful lows as we feel for each and every auditionee. The devastation for those who don’t make it is swiftly followed by elation for those who do, that’s showbusiness as they say.

Running straight through at 1hr 50mins we are rewarded with a thrilling finale as the familiar intro for One begins. Stories of struggle and sacrifice make this dazzling finale seem all the more magical as the cast high-kick in unison while the pyrotechnics illuminate the stage in a finale that will long live in the memory.

A Chorus Line is on at The Lowry until Saturday 27th July tickets available here.

Hairspray

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Reviewed by Matt Forrest

Opening Night verdict ⭐⭐⭐⭐

Based on the 1988 cult classic by John Waters, which featured Rikki Lake and Debbie Harry, Hairspray transports us to 1960’s Baltimore focusing on the Turnblad family, who are the living embodiment of the American dream: a happy family, with both parents running and owning their own business, and a child who dreams she can be anything she wants.

In 2002 writers Mark O’Dohnell and Thomas Meehan took to adapting Hairspray for Broadway, which led to a West End run, several UK tours and even a glitzy Hollywood remake starring John Travolta and Queen Latifah.

Right from the opening number, Good Morning Baltimore, we are treated to a snapshot of what life is like across America in 1962, with racial inequality sadly rife. Our guide on this journey is high school misfit Tracy Turnblad (Alexandra Emmerson-Kirby) constantly at odds with the school authorities due to her massive hairdo!

Tracy has dreams of being a TV star, with her only insight into this world coming in the form of popular teen magazine show, “The Corny Collins Show”,  a music and dance show catering for the tennagers of Balitmore, evening boasting of “Negro Day”.

Soon fate intervenes for Tracy, after befriending Seaweed (Reece Richards), a black dancer on the show, who teaches Tracy some killer dance moves which help her to land a  part of her favourite show. Here she meets her crush, teen heartthrob, Link Larkin (Solomon Davy). Tracy becomes an instant hit with the audience, however not everyone is pleased about the new TV sensation with, the show’s bitchy producer, Velma Von Tussle (Gina Murray), and her dim daughter Amber Von Tussle (Allana Taylor), doing everything in their power to halt Tracy’s meteoric rise in popularity.

There is so much to admire about this production, from its messages about body positivity and its strong core themes of tackling prejudice and bigotry head on.  Packed full of catchy tunes including the delightful Mama, I’m a Big Girl Now, and the huge, joyous finale You Can’t Stop the Beat.

The production is littered with great performances, with newcomer Alexandra Emmerson-Kirby giving a star making debut as Tracy.  Equally impressive is Freya McMahon as Tracy’s best friend Penny Pingleton, again on debut, with both showcasing superb comic timing and great vocals.

Gina Murray is deliciously devious as the vile Velma Von Tussle, played with no redeeming qualities whatsoever, yet still a captivating watch. Whilst Allana Taylor, as daughter Amber,  equally as hideous as her mother, who’s little comic touches are a treat to watch.

Reece Richards, gets to showcase some excellent dance moves throughout, spearheading Drew Mconie’s excellent choreography. The choreography throughout is bang on point, all the more impressive from the huge ensemble cast. Full of energy and vibrancy it really is the heartbeat of the show.

For me the show’s standout moment was the comedic yet beautifully touching duet between Tracy’s parents Edna (Neil Hurst) and Wilbur (Dermot Canavan) on the song, You’re Timeless to Me. The pair have great chemistry with one another, occasionally breaking into the odd unscripted aside, making it all the more special.

My only wish was that more thought was given to the staging and set. The costumes all look fabulous, but their staging and set design are somewhat lacking and don’t represent the high production values the rest of the production has.

Tackling weighty issues, such as equality and acceptance, whilst shining a light on the struggle of the Civil Rights Movement and  the importance of plus sized role models appearing in the mainstream media, Hairspray is a constant joy from start to finish, and a great reminder that theatre can tackle and address some of the biggest challenges we face, but also have a lot of fun at the same time!

Hairspray is on at Manchester’s Palace Theatre till 27th July tickets are available here.

& Juliet

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Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐⭐

After bursting onto the musical theatre scene back in 2019, & Juliet has gone from strength to strength. There’s been a hugely successful West End residency, an on-going Broadway run, a recently announced US tour, a critically acclaimed Aussie offering and now a triumphant return to where it all began for the start of its first ever UK tour.

This joyful jukebox musical featuring Max Martin’s biggest bops rewrites The Bard’s tragic tale introducing some much-needed herstory, style and sass to proceedings.

After Anne Hathaway (Lara Denning) tells hubby William Shakespeare (Matt Cardle) that his penned ending isn’t exactly a barrel of laughs, she sets about rewriting Juliet’s (Gerardine Sacdalan) story herself, opening up a whole new world for the star-crossed lover. As Juliet (with a little help from Hathaway) realises she wasn’t the only recipient of Romeo’s sweet nothings, she takes herself off on a road trip of self-discovery with nurse Angelique (Sandra Marvin), bestie May (Jordan Broatch) and ‘other best friend April’, Anne Hathaway, who cleverly writes herself into the story.

What follows is an absolute masterclass in musical theatre, from knock-out vocals to killer choreography, & Juliet has it all. This wonderfully diverse cast fuelled with classic pop hits and an infectious energy make this a sparkling night to remember.

The book, penned by Emmy Award-winning Schitt’s Creek writer David West Read is as witty as you’d expect with micro-storylines introducing us to brilliantly written characters. While Jenn Webber’s iconic choreography perfectly emulates the nineties and noughties biggest bangers.

As Hathaway and Shakespeare, Lara Denning and Matt Cardle weave in and out of the narrative guiding us as both authors of the piece and players in the story, with Ann ultimately redesigning her own destiny too.

The pair have an incredible warmth and superb chemistry as they bounce off each other brilliantly. Their vocals blend beautifully while Denning receives a well-deserved mid-show standing ovation for her stunning rendition of Celine Dion’s That’s The Way It Is.

Gerardine Sacdalan is a smart and sassy Juliet, her powerhouse vocals more than do justice to the pop classics she so perfectly delivers, every note is pure pop perfection. From her first moments on stage you know this performance is going to be something special.

Jordan Broatch gives a beautifully executed performance as May with their delivery of Britney’s I’m Not A Girl, Not Yet A Woman packing an incredibly emotional punch while Kyle Cox as love interest Francois adds an unexpected yet brilliant twist to proceedings.

Sandra Marvin as Angelique is a scream. Her pairing with Ranj Singh (otherwise known as TV’s Dr Ranj) is pure joy, as she unleashes her inner urges the duo provides some of the biggest laughs of the night, it’s clear they’re having as much fun on stage as the audience is watching them.

Then of course there is Romeo who Jack Danson plays superbly. He’s a dorky douche bag who has made himself familiar with many a balcony, much to Juliette’s surprise.

The leads are supported by in incredibly talented ensemble who under Luke Sheppard’s direction really take this show to the next level. Their vocals are effortlessly on point through every complex piece of choreography, they are totally mesmerising.

& Juliet is a breath of fresh air, its infectious sense of joy will lift your spirit and warm your heart while it’s empowering themes will ensure you leave the theatre with a little more sass and sparkle than when you arrived. It’s well-researched historical references mixed with its celebratory themes, mega hits and hilarious script result in a truly gorgeous piece of theatre, the perfect night out for music lovers of all ages, poptastic!

& Juliet is on at Manchester’s Opera House until Saturday 20th July before heading across the UK and Ireland on tour tickets available here.

The Brit Fest – Ashley Show Ground

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Opening Night verdict ⭐⭐⭐⭐⭐

If there’s one thing us Brits love, it’s a summer festival, come rain or shine, if there’s a festival to attend, we’ll make a party of it whatever the weather. Thankfully Cheshire’s brand-new family friendly festival, The Brit Fest, was blessed with sunshine (mostly), a superb lineup and a little something for everyone to enjoy.

This three-day extravaganza hosted by presenters Jenny Powell and Mike Toolan was packed with top class musical acts, surprise special guests, creative workshops, fun activities and fabulous food offerings. The brainchild of brothers Anthony and Edward Prophet, The Brit Fest is a true celebration of music, community and culture.

paulvelasco@mac.com

Staged at Ashley Hall & Showground in Cheshire over the weekend of 5th, 6th 7th July and bringing acts as varied as Scouting For Girls and Bonnie Tyler to the stage it was clear to see the appetite for a family friendly festival right here in the heart of Chesire is huge and The Brit Fest well and truly delivered. The brilliant big names such as Kim Wilde and Heather Small were complimented by up-and-coming acts such as The Lottery Winners fresh from their Glastonbury set as well as a brilliant mix of fantastic regional talent.

With over 15,000 attendees joining the party over its inaugural weekend the festival looks set to become a permanent fixture in Cheshire’s social calendar with a return in 2025 officially confirmed.

paulvelasco@mac.com

With general entry and a VIP option available The Brit Fest offers choice and great affordability with both weekend and day tickets on offer. What we loved so much about the festival was the vast age range of attendees and the super friendly vibes, from babes in arms to their glorious grandparents everyone was made welcome at this innovative event. There is also the option to camp, glamp or even bring your own motorhome to the event with pitches just a short stroll from the main arena. The entertainment options went way beyond the music with a fairground, artisan market, a family cinema, comedians, and classic cars as well yoga and self-love workshops in the ‘Mindful Meadow’.

paulvelasco@mac.com

With such a successful first year we can’t wait to see where 2025 takes The Brit Fest when it returns on 4th, 5th and 6th July. This feel-good festival is the perfect summer celebration.

Sign up now via the link below to be the one of the first to know the 2025 line-up and also be in for a chance to win VIP tickets for next year’s event.

https://thebritfest.co.uk/