Fantastic Mr Fox preview

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The brand new adaptation of Roald Dahl’s much loved classic Fantastic Mr Fox arrives at the Lowry next week and promises to be a gloriumptious treat for the whole family!

Although Mr Fox is smart, clever and of course completely fantastic, does he underestimate how determined the farmers are to get their revenge? Can he hatch a cunning plan to save his friends and family? And can rabbit keep quiet for long enough not to give the game away? You’ll simply have to watch to find out!

We sat down with composer Arthur Darvill (familiar to many as Rev. Paul Coates in Broadchurch) to hear more about the show and find out what audiences can expect from this dahlicious family theatrical feast!

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Arthur felt it was a real privilege to write music for this new production. “It is a pinch yourself moment. When re reading the book I thought I love this book but I don’t know if I can do this, which I think is a good reaction to have. Throughout the writing process, it has been about honouring what Dahl wrote and making sure the music tells the story in the best way we can tell it.”

A massive Roald Dahl fan, Arthur remembers reading Fantastic Mr Fox in his cabin bed when he was a child growing up back in Birmingham. “I read it in one go, in one night and just absolutely loved it. It had a drastic impact on the way my world was shaped. Dahl made the most disgusting things in life seem like the most joyous. He also had a great sense of justice, which can only be a good thing.”

Arthur expanded on what he wanted to capture about the story and its characters via the music; “There are a definite group of characters in Fantastic Mr Fox; humans and animals. I wanted to give them both a very different sound to start with and as the story develops, these sounds slightly cross over depending on what is happening. The farmers have a dirty earthly English sound and the animals are freer. Mr Fox is arrogant at times and Mouse sings about cheese, which is very sweet.”

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We asked Arthur what he hoped audiences would take away from the show? “I hope audiences take away melodies that they can sing on their way home. This show is so much fun and the right people get their comeuppance. It is not black and white. You will go home discussing the moral content of the story whilst laughing at the jokes. It’s a perfect family show for all ages”.

You can catch Fantastic Mr Fox which is adapted by Sam Holcroft and directed by Maria Aberg, from Wednesday 5th July until Sun 9th July at the Lowry theatre, Salford. Tickets available via the following link; https://www.thelowry.com/events/fantastic-mr-fox

 

 

The Hound of the Baskervilles

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If you’re looking for a riotous romp through the mysterious Devonshire moors without having to leave the comforts of the city, then get yourselves down to Manchester’s newest pop-up theatre, The Reading Room where you’ll find Northern Rep putting their hilarious stamp on Arthur Conan Doyle’s much loved classic, The Hound of the Baskervilles.

This fun-filled murder-mystery spoof follows legendary super sleuths Sherlock Holmes and Dr Jane Watson as they attempt to solve the curious case of the death of Mr Charles Baskerville as the threat of the curse of a bloodthirsty hound looms large over Baskerville’s heir Henry. Unbeknown to our crime solving duo the secret to cracking the case may well be being kept from them by Charles’ very own family, despite this our detecting duo press on determined to return to Baker Street triumphant!

Incredibly all parts in this innovative production are played by just two actors who rotate performances, the highly versatile and hugely talented Christopher Brown and Angela Hazeldine perform this evening with Thea Beyleveld and Michael Justice also performing during the run. They differentiate characters by giving them superbly exaggerated accents from as far as Texas to Taunton and many, many places in between as well as props befitting each character. The duo blister through the piece with hilarious consequences, both are engaging, superbly silly and hugely entertaining, with the action becoming increasingly outrageous as we meet more and more characters from the moors.

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The emphasis here is on comedy and boy do the two cast members deliver; they play off each other beautifully as the sharp script gifts our duo with some real genuine moments of laugh out loud humour. Of course no spoof would be complete without occasional trips and line-fluffs which only adds to the controlled chaos of this delightful production, there are cheeky innuendos a plenty as canes are caressed and overgrown bushes penetrated, ooh err!

Director Thomas Moore has used the intimate space of the reading room to great effect. The beautifully crafted 30 seater venue within Manchester’s Great Northern Warehouse is the perfect setting for bringing the melodrama and magic of the piece to life. You don’t have to be a Sherlock Holmes fan to get enormous pleasure out of this farcical whodunit, the show’s spontaneous feel makes it accessible to all as the cast charmingly address the audience apologising for apparent mistakes. The Hound of the Baskervilles is an absolute riot, cheeky, chaotic and jolly good fun, with the fabulous Mrs Hudson on hand to wet your whistle it’s an absolute must-see!

On at The Reading Room, Great Northern until Saturday 16th September https://www.northernrep.co.uk/thebaskervilles

 

MOAT

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Manchester Open Air Theatre returns this summer with something for everyone in the form of five classic tales; Macbeth, The Jungle Book, The Importance of Being Earnest, Peter Pan and Hamlet.

Presented by Northern Rep, Manchester Open Air Theatre (MOAT) will bring each production to life in a pop-up 500 seater outdoor theatre in Manchester’s beautiful Chorlton Park between Monday 31st July and Saturday 2nd September.

Incredibly the 5 very different productions will be presented over the 5 weeks by the same core company of actors, stage managers, designers and director, an exciting challenge no doubt for the hugely talented Northern Rep Company, (who are currently performing The Hound of the Baskervilles at The Reading Room, Great Northern, tickets available here www.northernrep.co.uk/thebaskervilles )

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Thomas Moore, artistic director said “Following last year’s hit summer season; Plays in the Park, we can’t wait to bring Manchester Open Air Theatre to Chorlton Park this summer. This season has something for everyone. The Jungle Book and Peter Pan are going to be a treat for both little and big kids. We have two of the greatest dramas of all time; Macbeth & Hamlet. And to top it off we have the hilariously outrageous The Importance of Being Earnest. Don’t miss what is going to be a brilliant summer.” Listings are as follows;

Macbeth – Mon 31 Jul – Sat 5 Aug. Recommended for ages 13+

The Jungle Book – Mon 7 – Sat 12 Aug. Recommended for ages 3+

The Importance of Being Earnest – Mon 14 – Sat 19 Aug. Recommended for ages 13+

Peter Pan – Mon 21 – Sat 26 Aug. Recommended for ages 5+

Hamlet – Mon 28 Aug – Sat 2 Sep. Recommended for ages 13+

Tickets for all productions are £20

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In addition to the great theatre on offer, the MOAT season will run alongside the inaugural Manchester Wine Festival, which Northern Rep is thrilled to be bringing to Chorlton Park . Offering the opportunity to try around 80 wines from old favourites to new kids on the block Manchester Wine Festival 17 is the perfect event for both newbies and experts. With Chorlton Park easily accessible via the Metrolink (St Weburgh’s Road and Barlow Moor Road stations are a 3 minute walk away) MOAT is a great opportunity to enjoy some quality theatre accompanied by quality wine in the beautiful and unique setting of Chorlton Park.

For more information and to book tickets head to www.manchesteropenairtheatre.com

Shirley Valentine

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It’s an incredible 30 years since playwright Willy Russel introduced the world to Shirley Valentine and what better way to celebrate than to bring her out of the kitchen for an anniversary tour.

The play which has travelled the world winning a string of awards as well as being made into a film starring Pauline Collins which earned both BAFTAs and Academy Award nominations is as iconic as the Liver Birds. 40 something Shirley is trapped, drowning in a life which has lost all its spark, where the most important job she has is getting her husband’s tea on the table and her best conversations are with the kitchen wall. Downtrodden and deflated Shirley is tired with what life has become until one day out of the blue she’s offered the opportunity to inject some adventure, in the form of 2 weeks in Greece with her single pal Jane.

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Taking on the role of Shirley in this one woman piece, is Jodie Prenger, she finds the warmth and humour within as she delivers a heart-warming and gratifying performance. Possessing all the grit, determination, humour and vulnerability of the Shirley we all know and love as well as ramping up the humour with her skilful and entertaining depiction of the various characters which inhibit Shirley’s world. She glides with ease from one character to the next, breathing fresh life into the pages of Russel’s much loved work. Prenger is a force to be reckoned with, commanding the full attention of a packed out Lowry theatre, she delivers a wholly believable and deeply touching performance, audience laughter is closely followed by thoughtful reflection as Prenger finds the true heart of Shirley as her desperation for more becomes painfully clear.

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Russel’s familiar themes of loneliness and inequality are just as relevant today as they were when he originally penned Shirley. His writing is sharp and poignant, offering humour, depth and a fine understanding of the way many women see the world. Director Glen Walford makes great use of the material allowing Prenger to take this piece and really make it shine. Designer Amy Yardley’s kitchen set in Act I is impressive, allowing Shirley to cook up her chips and egg without missing a beat of the mighty monologue she delivers.

This is a fun, feel-good and thought-provoking production which like Shirley really gains momentum when our heroine chases her dream and starts to really live. A wonderful revival, which will make audiences fall in love with Shirley all over again.

On at The Lowry until Saturday tickets available here https://www.thelowry.com/events/shirley-valentine

Teletubbies Live!

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Time for Teletubbies! Time for Teletubbies!

The World Premiere of the first EVER Teletubbies stage show will take place in Manchester this November!

Everyone’s favourite colourful characters, Tinky Winky, Dipsy, Laa-Laa and Po will take to the stage at the Palace Theatre in celebration of their 20th anniversary and we have all the details you need in order to join them!

Teletubbies Live promises to be a show filled with love, laughter and Teletubbies favourites including the Tubby Phone, Noo-ooo and Sun baby. Young audiences will be invited to join in the fun as they enjoy regular much loved features of the TV show as well as brand new songs by from BAFTA award-winning composer Mani Svavarsson.

Produced by leading children’s theatre team Fiery Light, in partnership with licensor DHX Brands and specially adapted and created by Richard Lewis, who has also created and directed the super popular Peppa Pig Live shows, Teletubbies Live is the perfect way to introduce little ones to the magic of the heatre as this colourful and mesmerising show plays out before them.

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Tickets go on sale on Wednesday 28th June and the Palace theatre will be marking the event with a FREE family friendly launch party from 10am-12 noon where you can meet Tinky Winky, Dipsy, Laa-Laa and Po! There will be giveaways, face-painting, photo opportunities, cupcakes and babycinos as well as EXCLUSIVE ticket offers!

Anyone who buys tickets at the event for Teletubbies Live will be entered into a free prize draw to win some fabulous Teletubbies merchandise! So don’t delay head down to the Palace Theatre, Oxford St, Manchester at 10am on Wednesday June 28 to join in the fun and be the first in line to get your tickets! For more information head to; www.Teletubbieslive.com

 

 

The Lady Boys of Bangkok

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Yes, the Lady Boys are back in town with their lavish new production –  WHO RUNS THE WORLD! Performed by 16 of Thailand’s most alluring Lady Boys at the specially created Thai Pavilion, the show has pitched up in Manchester, Chester Road until 24th June.

© Dean Martin Photography 2015 - www.deanmartinphotography.com

credit: Dean Martin photography

It’s the perfect way to forget what is going on in the real world for a couple of hours and enjoy pure cheeky fun with an abundance of sequins and campness! The Lady Boys of Bangkok is of course, (as you get from the title), performed by gorgeous showgirls like no other showgirls – they are all male Thai nationals. Each one is absolutely stunning with never ending legs, chiselled cheekbones and made up to perfection. I defy any woman not to feel envious and any man to not question his sanity that these ‘women’ are actually men!

WHO RUNS THE WORLD sees the ensemble strut their stuff through a number of risqué routines, lip-syncing their life out of pop classics from divas like Beyonce, Arianna Grande and Rhianna. They also play homage to the theatre with cleverly crafted sections from The Lion King, Grease and Chicago.

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No expense is spared when it comes to the costumes, there’s rhinestones a plenty and flamboyancy is obviously the theme with huge feather head dresses and cage-like dresses that have your jaw dropping at the splendour.

And then there’s Trevor…the Lancashire addition to the group, known to audiences up and down the country as ‘the little guy’. Trevor is hilarious with his ‘Benny Hill’ style solos playing up his ‘northern roots’ and the fact he is so far removed from the other 16 performers onstage.

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It’s all huge fun and the audience love it as they holler, sing along to the cheesy tunes and get up on their feet to dance along. If you want something that will put a smile on your face you can’t go wrong with The Lady Boys of Bangkok and after a years’ absence from our great city Manchester is glad to have them back.

Top Tip: Look out for special discounts on their website and 241 nights. Plus, if you want to make a night of it there’s Thai cuisine available in the Pavilion and two bars on site to put you in the party mood.

The Lady Boys of Bangkok 2017

 Who Runs the World! Tour

The Sabai Pavilion, Chester Road Car Park, 2 mins from Deansgate Station, M15 4NP

Fri 9th June – Sat 24th June 2017

http://www.ladyboysofbangkok.co.uk

 

 

 

The Hound of the Baskervilles

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Northern Rep bring Arthur Conan Doyle’s much loved classic, The Hound of the Baskervilles, to Great Northern Warehouse’s new space, The Reading Room, this week.

Northern Rep invite audiences to join Sherlock Holmes and his trusted sidekick Dr Watson as they travel from the streets of London to the Devonshire Moors in an attempt to solve the mystery of, The Hound of the Baskervilles. The intimate city centre setting allows Northern Rep to deliver an evening of fast-paced action as two hugely talented actors take on every role in this riotous romp. Sherlock Holmes and Dr. Watson have never been so funny as they poke fun at the mystery and melodrama of the Moor!

Thomas Moore, Artistic Director of Northern Rep, said: “I’m thrilled to be bringing one of Sherlock Holmes’ and Dr Watson’s most famous adventures to Manchester in its own purpose built theatre: The Reading Room. We’ve been working hard over the past few months converting a secret corner of The Great Northern Warehouse into an intimate 30 seat theatre that will host The Hound of the Baskervilles. Expect riotous performances from Mr Holmes and Dr Watson as Mrs Hudson takes care of all of your refreshment needs from your seat!”

Presented by Northern Rep, adapted and directed by Thomas Moore, and performed in pairs by four cast members – Thea Beyleveld, Christopher Brown, Angela Hazeldine and Michael Justice – who rotate performances. The Hound of the Baskervilles opens on Friday 16th June. Ticket information can be found here; www.northernrep.co.uk/thebaskervilles

Tickets £12 (Previews from Friday 16 – Monday 19 June tickets £6)

120mins including interval.

The Addams Family preview

Credit: Matt Martin

The Addams Family, photo credit for images: Matt Martin

They’re creepy, kooky, and all together ooky and are heading to the Lowry for two weeks of fiendish fun this August. From the writers of multi-award winning Jersey Boys with music and lyrics from Tony Award nominated Andrew Lippa, The Addams Family are in for a shock when they realise Wednesday Addams (Carrie Hope Fletcher), the ultimate moody teenager, has grown up and has a truly shocking secret that only her Father Gomez (Cameron Blakely) knows; she’s fallen in love with a normal boy! So begins a riotous evening of spooktacular fun as the Addams’ host a dinner for Wednesday’s normal boyfriend and her ever so conservative parents.

We caught up with Carrie Hope Fletcher who plays Wednesday and Les Dennis who plays Uncle Fester ahead of their arrival in Salford to hear all about the witty and wicked show critics are describing as ‘gloriously ghoulish!’

credit: Matt Martin

Les Dennis as Uncle Fester

While both actors are hugely experienced in all aspects of entertainment with Les starting his career back in 1971 at the tender age of 17 on the iconic Opportunity Knocks and Carrie treading the boards in the West End as a child actor in Les Mis, Mary Poppins and Chitty the both know exactly how best to develop their characters and put their stamp on this production. Les explained how he wanted to bring his own Fester to the production, “I wanted him to be childlike and have a sense of fun, in the breakdown it said a tenor voice and also a vaudevillian so I knew straight away he had musical roots”

Carrie is a huge fan of the movies, in particular Christina Ricci, describing the challenges in taking on such an iconic role Carrie said; “It’s difficult to take on board bits of a character you really loved and think can’t be lost because they’re so iconic while trying to make it yours at the same time. When I was in Les Mis playing Eponine, Trevor Jordan said to me ‘The character has got to find you as much as you have got to find the character’ which is something that has always stayed with me”.

credit: Matt Martin

Oliver Ormson as Lucas and Carrie Hope Fletcher as Wednesday.

Les too is a huge fan of the family telling us, “As soon as my agent said they wanted me to read for Fester I said, absolutely! I’ve grown up with the series, then watched the films with my kids recently as they wanted to know more about the Addams Family, but I really wanted to try and bring my own Fester, I love playing him, he’s such fun and he’s the one character who gets to talk to the audience and of course he champions the love affair”.

Both Les and Carrie are clearly having a huge amount of fun touring with this weird and wonderful production which sees the famous cartoon creations of Charles Addams turned into a musical comedy. Carrie describes working on the show as an absolute scream, stating she has never seen a cast as in love with a show as this one; “We have as much fun back stage as we do on stage, it’s just as crazy” Les added, “If you’re anywhere with Cameron Blackley (Gomez) it’s going to be fun and can’t be anything but crazy, he is just life and soul!” Carrie added “On stage he is absolutely brilliant as Gomez and backstage he is basically Gomez without the Spanish accent! It’s such a wonderful company, the cast, the crew, everyone just has so much fun and I think that comes across on stage too, we all hang out together, we all get on so well and we are just having the best time”

credit: Matt Martin

Cameron Blakley as Gomez and Samantha Womack as Morticia.

We asked Les and Carrie which were their favourite numbers in the show, Les particularly loves Happy Sad which Gomez sings, “I think any Dad that has a young daughter and has that heartbreak of her growing up and losing her that song will literally have them in tears, it’s a beautiful song”, Carrie picked a line out that she really loves singing “In Crazier Than You, there is a line I love singing, ‘I’m gonna cut you with my love and with my knife’ for me it just sums up Wednesday completely, loving and terrifying all at the same time”.

The Addams Family opens at The Lowry on 29th August and runs until 9th September, book now for this fabulous family treat, tickets are available via www.theaddamsfamily.co.uk/tourdate/the-lowry-salford/

 

 

Gangsta Granny

 

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Being massive fans of David Walliams children’s fiction, we approached the Birmingham Stage Company’s adaptation of Gangsta Granny with excitement and a little trepidation. What if they didn’t translate Walliams’ clever story and capture his imaginative and laugh-out-loud storytelling to their stage production. It quickly became apparent that the cast were going carry it off and their on-stage interpretation didn’t disappoint.

Ben is an eleven-year-old boy (played by young adult Ashley Cousins) with flamboyant, ball room dancing parents (Rachel Stanley and Benedict Martin). They mean well, but this dancing duo are caught up in their own drama and don’t really have time for Ben or his Granny. As a result, Ben and Granny (played last night by Louise Bailey) are unenthusiastically forced together every Friday night. Ben thinks his granny is the most boring person in the world. She relentlessly feeds him cabbage based meals, even inventing cabbage mouse for desert and their weekly games of Scrabble are the highlight of her week.

Ben would rather do anything than spend time with Granny.

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That is, until he uncovers a secret, suggesting that perhaps Granny is not quite as boring as he thinks. As a result, Ben and Granny embark on an exciting adventure, one that will bring them together and will form an unlikely bond that can’t be broken. Not only do they come within a hairs’ breath of stealing the Crown Jewels, they also meet Her Royal Majesty, the Queen, who treats them with an improbable lenience.

Director Neal Foster and his team should be applauded for their inventive use of space, sound, light and costume design. They worked wonders recreating many different scenes from the book and managed to stay true to the original tale, despite the on-stage constraints. Granny’s recounts of her youthful escapades were wonderfully illustrated by imaginative and elaborate costume design and took the audience on a hilarious journey through her many adventures and encounters.

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Following the interval, the show stepped it up a gear with many more laugh out loud moments and lots of audience participation. Bens involuntary participation in a dancing competition, which was hosted by the hilarious Flavio and played by Devesh Kishore (he also played Raj, an endearing character that appears in most of Walliams’ novels), and the chaos that ensued, had the audience laughing and jumping from their seats in pantomime style.

All in all, this is a heartfelt cross-generational story told with great humour. Be warned, as with many of Walliams children’s stories, there is a sad twist in the tale, but fear not, this is dealt with sensitively and everyone left the theatre happy. According to the youngest member in our party it was “better than the book!”.

On at the Opera House until Sunday 11th June tickets can be found here http://www.atgtickets.com/shows/gangsta-granny-2017/opera-house-manchester/

Reviewed by Margot Power

Trainspotting: Live

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Credit: Geraint Lewis

It’s not often that a production leaves me wanting to go straight back and see it again but that is how I felt after watching Trainspotting: Live at The Lowry this week. The incredibly immersive offering, based on the cult Irvine Welsh novel, is punchy, powerful and fizzing with gritty realism. Co- directors Adam Spreadbury-Maher and Greg Esplin have delivered a genius piece of modern theatre which gives audience members the full ‘Trainspotting’ experience as soon as they walk into the auditorium.

Conventionality goes out of the window from the start – there’s no seat numbers on your tickets, instead you are given a glo-wristband where the colour denotes where you’re placed for the show. When you step inside the auditorium the action has already begun and all seven actors that make up the cast are dancing their tits off, glo sticks aloft and banging music playing at full blast. It’s like you are in an underground rave and the electricity and pumping bass lines hit you like a bolt!

Either side of the action are raised seating areas which mean you face each other side on and can witness every hilarious reaction to the crowd participation. It’s not the most comfortable way to watch a show but, as it’s just 75 minutes straight through and hugely transfixing, the numb posterior doesn’t detract you from the action. One thing to note seating wise though is if you are placed by the mid seating toilet then prepare yourself for a soaking as the infamous ‘worst toilet in Scotland’ scene becomes all too real.

Trainspotting: Live is certainly not for the fainthearted or the easily offended but if you have read the cult novel or seen the film you should be fully aware of what to expect. The beauty of this production is that every night of the run will bring with it a new element of audience related ad-libs, depending on the crowd, as the cast find new ways to offend and delight in equal measure. There’s full frontal nudity, needles, soiled sheets and even a used condom hurled out into the audience!

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The young Scottish cast should be applauded for the physicality of their performances, each one giving all of their energy to the roles, visibly sweating their way through scenes. It’s hard to pick out anyone from such a strong team but a special mention must go to Gavin Ross who plays the central character, Renton. Ross gives a stellar performance and revels in the part that Ewan McGregor made his own. Together the seven strong ensemble bring to life all the key characters and scenes alongside superb use of lighting, sound and a script which is every bit as edgy as the screenplay, immersing you into the dark world of drug addiction from the off.

20 years after Trainspotting hit our screens and asked us to ‘choose life’ 2017 saw the release of the follow up, T2, introducing a whole new generation to this powerful and evocative story. Trainspotting: Live just enhances this following further and I’m sure in its own right will become a cult classic amongst theatre goers and fans alike.

Rest assured you will not be disappointed in this breathtaking, rollercoaster of a show so get your tickets fast and don’t miss it if it stops at a station near you anytime soon.

Runs at The Lowry, Salford until Sat 11th June

https://www.thelowry.com/events/trainspotting

*Best availability for tickets, Thursday 8th June*

The Play That Goes Wrong

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Bursting onto the Lowry stage this week with a crash, bang and almighty wallop is West End smash hit and recent Broadway transfer, The Play That Goes Wrong.

Mischief Theatre have come a long way since their humble beginnings in an Inslington Pub and their original production continues to thrill as the company delivers the silliest and most calamitous night out at the theatre you’re ever likely to witness.

Cornley Polytechnic amateur dramatic club invite us to join them as they attempt to stage their bold new production, Murder at Haversham Hall, a 1920’s murder mystery which quickly becomes less whodunnit and more survival of the fittest.

The catastrophes begin immediately as the lights go up prematurely as our victim is still getting himself in place on the chaise lounge. Anything that could go wrong absolutely does in this riotous romp of farcical fun. The physical comedy is hilarious with gag after gag hitting you thick and fast, you just about regain your composure when another disaster unfolds and tears of laughter begin again. From missing props, to set malfunctions you can’t quite believe what you’re seeing as the cast press on with their ‘show must go on attitude’ and remain completely in character despite the chaos unfolding all around them.

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High praise must go to this hardworking ensemble cast, the teamwork involved to enable such slick delivery is impressive; their commitment to making things look so delightfully disastrous is incredible as the madcap mayhem leaves audiences exhausted from laughing so hard. Each person on stage gives their all in this high energy romp and together creates the most wonderful team. Special mention must go to Alistair Kirton as Cecil Haversham he is superb, so thrilled with his own performance any audience applause is too wonderful to ignore. Also Patrick Warner as Inspector Carter, his attempts to remain calm amidst the madness are hilarious. Making it all possible is Nigel Hook’ set which is superb, intricate and sophisticated with all manner of opportunities for disasters to unfold as every piece has its part to play.

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The Play That Goes Wrong is the perfect tonic; the company deliver the most seamless escapist fun, something so important in current times. It’s chaotic, silly, brilliantly bonkers and delightfully daft, an absolute must see!

On at The Lowry until Saturday 10th June https://www.thelowry.com/events/the-play-that-goes-wrong

Buddy

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Everybody knows the tragic story of Buddy Holly: one fateful night, February 3rd 1959, Holly along with the Big Bopper and Ritchie Valens perished in a plane crash. With that in mind, you may be expecting a melancholic affair from Buddy –The Buddy Holly Story and that couldn’t be further from the truth in what is truly an uplifting and entertaining piece of musical theatre.

The show takes a look at how Holly (Alex Fobbester) and his band The Crickets, started playing country-and-western music: when really their passion lay in ‘rock-n-roll’, and the struggles of initially getting anyone to take him seriously as a ‘skinny white-boy with thick rimmed glasses.’

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What follows is a series of set pieces as the band hit the recording studio and put down tracks such as That’ll Be the Day and Peggy Sue, followed by a history making performance at the Apollo Theatre in Harlem as Buddy Holly and the Crickets became the first white band to play the theatre.

Following the interval, the production takes a familiar turn as Holly finds love, gets married, and parts company with his band and manager, this seems standard fair for these types of theatre biographies which culminates with Holly’s final gig in Clear Lake, Iowa.

This is a fantastic production which provides an interesting and fun look at Holly’s career, as well as a snap shot of life at the time. Fobbester is on great form as Holly, playing him as a likeable but determined singer. His performance anchors the production and more than does justice to Holly’s legacy with sublime renditions of Rave on and Oh Boy. Fobbester is supported by a relatively small but hard working cast, who are a joy to watch: they are clearly having a ball and this shines through in their performance. Special praise for Thomas Mitchells as the Big Bopper and Matthew Quinn as the Clear Lake compere – who put in great comedic performances that very nearly steal the show.

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I must admit I’m a sucker for the old 50’s radio adverts and the production is littered with these which are comedy gold and a nice touch to a bygone era. The production offers nothing new in terms of storytelling: it’s a tried-and-tested music biography that countless other productions are doing, the difference here is that because of the tragic nature of Holly’s death, you can’t help but hope for a different outcome which you know you’ll never get.

Rave on took on a different meaning in Manchester and the UK following the Happy Mondays’ recording of a different song with the same title. Well Buddy –The Buddy Holly Story is claiming it back and judging by the audience members up dancing in the aisles they’re doing a great job!

Buddy –The Buddy Holly Story is on at The Palace Theatre, Manchester till June 3rd find tickets here http://www.atgtickets.com/shows/buddy-the-buddy-holly-story/palace-theatre-manchester/