Annie

Reviewed by Sophie Rowley

Opening Night verdict ⭐⭐⭐⭐

The girl who taught us to believe that “…the sun’ll come out tomorrow” is back in Manchester. Based on the 1924 comic strip ‘little Orphan Annie’ by Harold Gray, Annie first opened on Broadway in 1977 and has been delighting audiences across the globe ever since. But what is it about Annie that continues to captivate theatre goers nearly 50 years later?

At its heart is the story of eleven-year-old Annie (Victoria Alsina), a sprinted, red haired orphan, whose determination and optimism never wavers despite the hardships she faces. Constantly escaping in search of the parents she longs to find, Annie’s dreams are repeatedly crushed by the cruel and embittered Miss Hannigan, played with gusto by La Voix. However, Annie’s greatest challenge may be winning over the wealthy Oliver Warbucks (Alex Bourne). With the support of Grace Farrell (Tanisha-Mae Brown) and the Warbucks household staff, Annie sets out to change his life – and perhaps her own – in the process.

Despite being set during the Great Depression this show is filled to the brim with energy and heart. Colin Richmond’s set design reinforces this contrast, instantly transporting the audience to 1930’s New York City. The Orphanage is presented as a bleak and unforgiving environment which reflects the harsh realities of the era as well as the difficult circumstances in which Annie lives. This is complemented wonderfully by the stark lighting and the worn threadbare costumes of Annie, the orphans and even Miss Hannigan. All these elements, together, create the perfect anthesis to Annie’s sunny disposition, allowing her optimism and resilience to shine through. A mindset that is highly welcomed by this 2026 audience.

Another element that is highly welcomed is the incredible cast of this production. Starting with the headline hero – Annie herself, Victoria Alsina, she fully embodies the role and thrives in her portrayal. Alsina combines humour, charm and attitude into her version of Annie that creates a fresh feel to this audacious orphan.

Alex Bourne delights as Oliver (Daddy) Warbucks, he begins as the tough loving business tycoon whose icy exterior slowly thaws as Annie’s charm takes over. Both Bourne and Alsina work wonderfully together and his character transition from prickly to paternal is heartwarming to watch.

As Grace Farrell, Tanisha-Mae Brown brings elegance and warmth to the character and plays a key role in Warbucks’ transformation. Her performance is complemented by Richmond’s clever costume design which remains faithful to the 1930s aesthetic while giving Grace a modern sophistication.

The villains are equally impressive. Christian Cooper and Amber Kennedy fully commit to their roles as Rooster and Lily and fully deliver as the scheming duo. Cooper makes Rooster as despicable as required, while Kennedy’s Lily is equally as detestable. The highly anticipated rendition of ‘Easy Street’ doesn’t disappoint and is a standout moment in the show filling the theatre with energy and excitement.

However, it is La Voix’s Miss Hannigan who steals the show. La Voix is the reason I wanted to see this show, and she certainly does not disappoint. She explores every facet of the character and transitions effortlessly between comedy, bitterness and vulnerability. At times Miss Hannigan’s treatment of the orphans cements her villainess character, yet by the end of the show, La Voix has charmed the audience so much that it is impossible not to fall in love with her.

I knew coming to watch this show that I was going to enjoy it. Annie is a timeless tale about hope, never giving up and trusting love will always win. Told primarily through a child’s voice it still managed to touch adult hearts which makes this show such a success. As mentioned throughout the talented cast and creative team make this production a triumph. Every set and costume choice allows the performers to fully embody their characters which in turn allows the audience to become completely immersed in the show. Director Nikolai Foster has successfully created a beautifully balanced production which, despite its occasional darker themes, retains the warmth and familiarity of your favourite film. I thoroughly enjoyed the show and am certain future audiences will too.

Don’t wait until tomorrow book now and let Annie enchant you – showing at the Palace Theatre Manchester until Saturday 20th June, tickets available here.

Annie

Annie 2

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

Nikolai Foster’s revival of family favourite musical Annie has gone from strength to strength since it first debuted at the West Yorkshire Playhouse back in 2011. With a sell-out UK tour in 2015/16 followed by an extended run in the West End plus a recent sell-out season in Toronto all safely tucked under its belt; Annie is back on the road for 2019 opening a new UK tour here in Manchester.

Set in New York during the Great Depression it is indeed a hard-knock life for 11 year old orphan Annie who finds herself living in miserable, gin-swilling Miss Hannigan’s all-girl orphanage. Consumed with a fierce determination to find her real parents Annie manages to escape the boozy clutches of Miss Hannigan when she is picked to spend Christmas at the residence of famous billionaire, Oliver Warbucks. However Miss Hannigan and her good-for-nothing brother Rooster aren’t quite done with orphan Annie and set about trying their best to get in the way of her happy ending.

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Based on Harold Gray’s Little Orphan Annie comic strips the original musical opened on Broadway in 1977, it is however the 1982 film starring Albert Finney, Bernadette Peters and Eileen Quinn that remains most firmly etched in many people’s minds. It was without doubt one of the most worn out VHS tapes in my house, my sisters and I knowing every line, my eldest sister can still be called upon to belt out a deafening rendition of ‘Rover, why not think it over?’ should the need arise. With clearly many other Annie fans at the Opera House tonight it’s a welcome relief to see that director Nikolai Foster’s production respects the audiences love for this piece and has kept the changes to a minimum. It is still packed full of unforgettable classics including Hard Knock Life, Tomorrow, Easy Street and Little Girls while Miss Hannigan remains gin-guzzlingly awful but has a new technicoloured vibrancy about it.

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Its colourful escapism is reflected in Colin Richmond’s intricate set and costume design, jigsaw pieces scattered across the set reflecting Annie’s journey as piece by piece her life and identity come together all beautifully lit by Ben Cracknell. Yes at times it is schmaltzy but heck if Annie can make the President of the United States sit up and listen just imagine what she could do if unleashed into Brexit negotiations!

A large part of what makes Annie so endearing is of course the kids in the show and they really do make this production. Taziva-Faye Katsande is a charming and confident Annie supported perfectly by Team Chrysler for this evenings press night, each girl is outstanding bursting with life and vibrant energy with little Orla McDonagh threatening to steal the show as Molly on what is her professional debut.

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Anita Dobson makes for a cranky and world weary Miss Hannigan while Alex Bourne as Daddy Warbucks transforms before our eyes from hardnosed business man to smitten adoptive father. The ensemble deliver Nick Winston’s inventive choreography with sass and style adding exuberant energy to the much-loved musical numbers.

Annie is feel-good family fun, a real celebration of courage and innocent optimism as well as a wonderful reminder to us all that when the hard knocks come we need to find our inner strength and fight back remembering what seems impossible today will look different tomorrow. Joyful family entertainment with a great story at it’s heart.

On at The Opera House until Saturday 16th February tickets available here.