Reviewed by Nikki Cotter
Opening Night verdict ⭐⭐⭐⭐
After seeing this brand-new production of Andrew Lloyd Webber’s multi-award-winning musical over the summer, I was thrilled to hear that regional theatre fans would also get to experience the magic originally created at Regent’s Park Open Air Theatre.
Directed and choreographed by Regent’s Park Open Air Theatre Artistic Director, Drew McOnie, this reimagining, inspired by T.S. Eliot’s Old Possum’s Book of Practical Cats, sees the strays and defiant felines of London gather under the Jellicle moon in the hope they will be the chosen one.
From the spine-tingling first bars of Lloyd Webber’s iconic overture, we are introduced to a curious collection of fabulous felines, each entirely unique and utterly fascinating. The physical characterisation here is remarkable; every stretch, prowl, twist, and curl is beautifully measured. Each cast member inhabits their character entirely, whether they are centre stage or as part of the impressive ensemble, every single second on stage is utilised to perfection.
Sami Fendall’s incredible costume and wig design combined with Guy Common’s make up design seals each cat’s individual personality, adding character and a strong sense of identity, further elevating the productions visual impact. Add to this Jessica Hung Han Yun’s lightening design and Adam Fishers pitch perfect sound design and you’ve got an absolute feast for the eyes and ears.
The harmonies delivered by this ultra talented cast are sublime, when you consider they’re gifting us with vocal perfection all while effortlessly delivering Drew McOnie’s stunning choreography you really do realise you’re experiencing something incredibly special. This ensemble cast works together beautifully; each unique character draws you in, steadily building anticipation for their individual moment in the spotlight.
Rachael Wooding reprises her role as Grizabella, the dishevelled, forgotten feline, shunned by the other cats yet desperately craving love and affection. Unseen and unwanted, her rendition of Memory is absolute perfection. She truly connects with the audience, her performance feels raw, honest and resonates hugely, a striking reminder of the value society places on youth and beauty and the quiet heartbreak felt upon realising those things are swiftly fading away. Her voice is perfection, her delivery of audience favourite, Memory is faultless while her interactions with Syllabub, played beautifully by Josie Chambers-Sims offer hope.
Other stand-out moments for me were Jaydon Vijn’s strutting, sexy Rum Tum Tigger, Matthew Caputo’s adorable Skimbleshanks, (more cats with moustaches please), Danny Nattrass and Briana Craig’s eye-wateringly flexible Mungogerrie, Jack Wilcox’s authoritative Munkustrap and Rumpleteazer and Jet Yau’s insanely talented Mr Mistoffelees. Every single cast member however deserved enormous praise, they are truly phenomenal.
Cats is a glorious celebration of creativity, theatricality and incredible skill. It’s joyful, moving and captivating from the moment it begins. Immersing the audience in an unforgettably thrilling experience. This reimagined production both reminds us of the joy the original production brought while introducing a new generation of fans to the magic of musical theatre.
Cats is on at Manchester’s Palace Theatre until Saturday 21st November tickets available here.
