Ideal

Reviewed by Matt Forrest

Opening Night verdict ⭐⭐⭐

Back in 2005, Ideal burst onto our screens. A pitch-black sitcom that quickly gained both commercial success and critical acclaim. Created by actor-writer Graham Duff and set in Salford, the show revolved around Moz, a small-time cannabis dealer played by Johnny Vegas. Over seven series, viewers were treated to a cavalcade of wonderfully bizarre characters who dropped by Moz’s grimy flat to score weed, hang out, or both. With its surreal tone and dark humour, Ideal became a cult classic.

In 2011, the BBC abruptly cancelled the show, a move that left its loyal fanbase frustrated. But in 2024, at the Bay International Film & TV Festival in Morecambe, Duff and Vegas made a surprise announcement: Ideal would return in 2025 as a brand-new live show.

Premiering this week at The Lowry, Ideal is officially back and I’m happy to report that it’s lost none of its twisted, unhinged charm. This isn’t a nostalgia-driven rehash of old episodes. It’s a fresh new story, with a few familiar faces along for the ride.

Moz hasn’t changed a bit. He’s still dealing weed and drifting through life in his rundown flat. The revolving door of oddballs is still spinning, there’s Colin (Ben Crompton), a petty criminal just out of prison and struggling to reintegrate into normal life; Brian (Graham Duff), Moz’s loud, flamboyant, and razor-tongued best friend; and Judith (Joanna Neary), the jittery and slightly deranged neighbour, who also happens to be Moz’s ex.

One notable addition is Liza (Lucy Farrett), Moz’s younger, attractive yet possessive new girlfriend. She appears devoted, but jealous, especially toward Moz’s past flames.

Meanwhile, Moz’s old rival Psycho Paul (Ryan Pope) and the ominously silent Cartoon Head (complete with trademark mouse mask) have launched a new venture: a body disposal service called “Dead & Gone,” catering to Salford’s criminal underworld. Trouble arrives when Brian’s sister, Tania (Emma Fryer), turns up with a corpse, which may contain some hidden diamonds.

A party at Moz’s to celebrate Colin’s early release takes a dark turn when one of the guests is later found dead. Can the killer be found?

Duff’s script is sharp and unapologetically odd, delivering rapid-fire laughs through a heady mix of silliness, unease, and outright grotesquery. As expected, the dialogue is peppered with biting one-liners and absurd exchanges.

Performance-wise, Johnny Vegas is as gloriously shambolic as ever — chaotic, loud, but endearingly watchable. Ben Crompton shines as Colin, and his interplay with Vegas is a highlight. Their shared scenes often veer delightfully off-script, to the audience’s clear delight.

Ryan Pope delivers a brilliant performance as the braindead hardman, while Emma Fryer is an absolute treat as the Salford femme fatale. Their chemistry and comic timing are a joy to watch, especially as they compete to out-‘Manc’ each other with their dry deadpan delivery. Joanna Neary puts in an outstanding comedic performance; her twitchy, awkward portrayal of Judith practically steals the show.

Tonight’s performance was affected by some technical issues.There were clearly microphone and sound problems during the first half of the show, which were thankfully resolved after the interval. Scene transitions also lacked polish and could have been smoother, hopefully, these will be addressed as the run continues.

One malfunctioning prop left Vegas and co-star Lucy Farrett in a somewhat compromising situation, but Vegas managed to turn it around with a fun adlib.

Fans of the show will, of course, love it, but even those unfamiliar with the characters can enjoy it, as Duff’s script stands strong on its own. It pulls off the impressive feat of being accessible to both longtime fans and newcomers alike.

Hopefully, the technical issues can be resolved for the rest of the run, as they occasionally distract from what is otherwise a consistently entertaining and often hilarious night out.

Ideal is on at the Lowry Saturday until 13th September. Tickets available here

Here & Now

Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐

Set in seaside superstore, Better Best Bargains, Here and Now follows the lives and loves of four co-workers and firm friends Caz, Vel, Robbie, and Neeta all set to a camptastic back catalogue of Steps classics. From 5,6,7,8 to One for Sorrow there’s nothing tragic about this feelgood musical, from the moment the first bop begins you know you’re in for a fun time. With Claire, H, Faye, Lee and Lisa all involved in the creative process this really is a celebration of their iconic hits and has clearly been crafted with love and careful consideration.

The story centres around Caz whose husband has walked out on her just as they’re on the verge of adopting, she makes a vow with her besties Vel, Robbie and Neeta to have a summer of love that they’ll never forget. Deep in the throes of heartbreak Caz meets Max who adds a little jeopardy to proceedings by offering her all she dreams on the condition she blackmails store manager Patricia, which unbeknown to Caz will devastate her friendships as a result.

Rebecca Lock is outstanding Caz, she truly shines on stage and gives the character depth and genuine likeability. Her vocals are rich while her acting is nuanced and heartfelt, she is a true leading leady and heads up this talented cast with gentle confidence and perfect control. Her delivery of Heartbeat is a real showstopper and a tender moment of calm amidst the sparkle and glitter.

Blake Patrick Anderson beautifully portrays the character of Robbie, showing sensitively how deeply abandonment issues can run. His pairing with River Medway as Jem is joyful, River brings a lightness to Jem that scoops not only Robbie up but every audience member too.

Rosie Singha hits every mark as loveable Neeta, desperately in love with co-worker Ben (Ben Darcy) but lacking in confidence to tell him how she truly feels while Jacqui Dubois is great fun as Vel, displaying some brilliant comic timing. Special mention must also go to Finty Williams who gives us the iconic and hilarious store manager Jackie, très bien!

The hits come thick and fast and unlike many other jukebox musicals never feel shoehorned in. Their placing is just right, giving this entertaining show perfect pacing and so much to enjoy. The classics are given the attention they deserve while the beloved ballads allow the quieter moments to truly shine.  

This is the epitome of feelgood, every creative element has been carefully considered resulting in a slick, stylish and hugely entertaining show. The talented ensemble take the legendary Steps routines we all know and love to the next level while Adam Fisher’s sound design ensures no beat it missed. This super fun show will ensure audiences head home happy, remind of us of just how many brilliant bops this iconic band have brought us while feeling joyful for the true friendships life brings our way.  

Here & Now is on at Manchester’s Opera House until Saturday 13th September tickets available here.