Reviewed by Dan & Jacob Grimes
Opening Night verdict ⭐️⭐️⭐️⭐️
Direct from its London festive run at Park Theatre, Original Theatre’s hit comedy The Time Machine comes to Salford to help deliver some post-Christmas cheer to audiences.
Based (very loosely) on H.G. Wells original novel by the same name the play reads like a love letter to the genre with elements from every well-known time travel tale of the last century and a quarter cleverly woven into the piece. From Groundhog Day to Back To The Future via Quantum Leap the writers Steve Canny and John Nicholson are clearly superfans of this reference material. However, despite familiar anchor points throughout, the whole thing, when put together, was constantly surprising. Without giving too much away (which I’m not sure I could, even if I wanted to) you spend most of act one feeling like you have seen this before, with elements of high farce like in The Play That Goes Wrong or gentle parody like in The 39 Steps. Yet, you enter the interval wrong-footed and act two pinballs you through a trippy fever-dream, which comes across as a combination of a Royal Society Christmas Lecture and a Monty Python sketch.
Apart from being very funny, the play is also quintessentially British and taps into that madcap, nerdy, eccentricity that we wear like a cosy cardigan, replete with leather arm patches.
The staging was simple but effective, with heavy reliance on an intricate array of props which the actors dealt with skilfully. The costumes had a cobbled-together quality, with period jackets and bustles worn over jogging bottoms and trainers, which worked perfectly for the bargain basement vibe that I’m sure the director Orla O’Loughlin and the design team were aiming for.
Light and sound had a similarly lo-fi feel but were expertly cued in sync with the comedy. The whole thing, in fact, was harmoniously well-executed and just like Acorn Antiques or Les Dawson’s piano playing you were left admiring the skill required, from performers and creatives alike, to give something the illusion of shoddiness when it was impeccably tight.
The stand-out aspect of the production, by far, was the three talented performers. This was a true ensemble piece with George (George Kemp) portraying the instantly recognisable, public-school poseur, Amy (Amy Revelle), the highly-strung rep actor with irritatingly lefty sensibilities, and Michael (Michael Dylan), the comedic stooge, acting as the butt of the joke. Whilst each of the characters fit cosily into a recognisable stereotype, the actors had an earnestness to their delivery which only added to the comedy – especially as the bizarreness crescendos.
The supporting cast was played by the audience and be prepared, the fourth wall is well and truly knocked through. On this point, and this is primarily a personal preference issue, whilst some of the audience participants absolutely added to the delightfully bonkers feel by virtue of their pleasantly baffled demeanour, others (usually those a little TOO willing to volunteer) became a little grating. This always feels like the dice-roll when audience participation is encouraged and, credit to the performers, they did a grand job of weeding out the more insistent elements.
Overall, this was an incredibly enjoyable and unique theatre experience and if you are looking for a night of mind-bending quantum physics offset by some great gags, all-round silliness and reflections on existentialism then look no further.
Steven Canny and John Nicholson’s The Time Machine – A Comedy, runs at The Lowry, Salford, from Tuesday 23rd to Saturday 27th January 2024 tickets available here.
Opening Night 