The Choir of Man

Reviewed by Matt Forrest

Opening Night verdict ⭐⭐⭐⭐

“There’s a lot going on” is a phrase I occasionally use when out for a night at the theatre, but never have I used it to describe an interval. You see during the break at last night’s performance of, The Choir of Man, the stage of the Opera House, was turned into a makeshift bar, where audience members were invited up to have a drink and chat with fellow attendees. It was later that the cast joined the 50 or so audience members on stage and those still seated for a raucous rendition of Bon Jovi’s  “Livin’ on a Prayer”. This perfectly sums what this production is all about: community, connection and having a bloody good night out!

The premise for the show is a snapshot into the life of a local boozer, The Jungle, here, the bar’s resident poet Nimi (Oluwalonimi Owoyemi) introduces us to some of the Jungle’s patrons who have formed an all-male choir. These include resident bore, Aaron (Aaron Pottenger), no nonsense Barman, Niall (Niall Woodson) and the heart broken romantic, Sam (Sam Walter).

Also in the gang is Handyman and local fixer, Jack (Jack Skelton), practical joker Ben (Ben Mabberly), Gustav (Gustav Melbardis) a Latvian born piano playing maestro, the pub’s hard man, Levi (Levi Tyrell Johnson), and finally guitar strumming giant Rob (Rob Godfrey) referred to simply as the ‘Beast’.

At the start of the night, we are introduced to each of the guys and later a brief history of who they are and where they come from, all backed up by performances of some big pop classics.

Those expecting your more traditional musical theatre, best think again this is more a concert, backing up the vital message of community, stressing the importance of community hubs.  With that said the musical numbers are delivered with a great deal of energy, and warm humour ensuring you get swept along for the ride in this joyous couple of hours.

Each of the cast get their moment in the spotlight, with highlights including a unique version of Paul Simon’s classic “50 Ways to Leave Your Lover”, with Jack Skelton tap shoes providing the percussion. A cheeky version of Katy Perry’s “Teenage Dream” from Rob Godfrey on guitar to a very game audience member. Whilst barman Niall leads the cast in a suitably silly version of “Escape (The Piña Colada Song)”. Mightily impressive is the exceptional narration by Oluwalonimi Owoyemi’s as it’s entirely in prose and verse, and is an absolute treat.

You wish at times for a bit more storytelling, as some of the characters back stories seem undeveloped and could do with a bit more fleshing out, which may soften some of the more ‘laddish’ elements to the show.  Despite the rambunctious nature of the show, it is equally impressive with the slower numbers, at this performance were treated to version of Sia’s “Chandelier”, with the boys accompanied by five local choirs, which was excellent and followed by the guys doing a spine-tingling rendition of the tradition folk song “The Parting Glass”.

Ultimately, The Choir of Man is a vibrant, feel-good celebration of friendship, music, and the spaces that bring people together. It invites you not just to watch, but to join in, sing along, raise a glass, and leave with a renewed appreciation for the simple joy of shared experience.

The Choir of Man is at the Manchester Opera House until 9th May tickets are available here.

Only Fools and Horses: The Musical – The Opera House, Manchester

Reviewed by Matt Forrest

Opening Night verdict: ⭐⭐⭐⭐

Undoubtedly the most famous Reliant Regal in the world has rolled into Manchester this week, for a two week stop, as Only Fools and Horses: The Musical arrived as part of a UK tour.

Often voted Britain’s best loved sitcom, the show has countless fans who love it, whilst those that don’t will still have some reference point as memorable scenes are seldom far from our TV screens. So it almost seemed inevitable that it would receive the musical treatment and in 2019 writers Paul Whitehouse and Jim Sullivan (son of the TV show mastermind John Sullivan) created Only Fools and Horses: The Musical which had a very successful West End run and now embarks on its first UK tour.

We are transported back to Peckham at the end of 1980’s. Del Boy (Sam Lupton) is attempting to wheel and deal his way, rather unsuccessfully to becoming a millionaire. However, younger brother Rodney (Tom Major) is sick of being the family lackey for Del and Grandad (Paul Whitehouse). Both Del Boy and Rodney are in need of a change: Del, tired of seeing everyone settle down, joins a dating agency in a bid to find love. It is here that he meets aspiring actress Raquel (Georgina Hagen) and the two instantly hit it off.

Rodney needs £2000 in order to secure a flat for him and fiancée, Cassandra (Nicola Munns). However things don’t run so smoothly for the brothers as Del’s penchant for exaggeration catches up with him and the involvement of local gangsters, Danny (Peter Watts) and Tony Driscoll (Darryl Paul) throws a massive spanner in the works.

Whilst it may have initially seemed a foolhardy venture, Whitehouse and Sullivan have played it safe by drawing on two of the show’s most cherished episodes Dates and Little Problems for the plot. They have also cherry picked some of the most memorable gags, one liners, and set pieces from the TV show’s 22 year broadcast back catalogue to fill out the show. It’s a smart move as these gags still stand the test of time now. The pair have managed to strike the right balance between comedy, pathos and sentimentality which was always the beating heart of the series.

As well as the trademark catchphrases, much loved characters all pop up, including dodgy used car salesman Boycie (Craig Berry), complete with his trademark laugh, his long suffering wife, Malrene (Nicola Munns in a dual role) and everyone’s favourite dim-witted street sweeper, Trigger (Lee VG). 

The cast is superb. Sam Lupton is excellent as Del Boy, a performance packed full of charm and charisma. The main concern would be this impression of Derek Jason, playing Del Boy, but those fears soon disappear as Lupton puts his own stamp on Derek Trotter and you soon become immersed in his world. Tom Major is somewhat underused as Rodney, whilst it’s an impressive turn, you just wish there was more for him to do.

Paul Whitehouse brings a touch of star power to proceedings and is clearly having a ball as Grandad, lighting up every scene he’s in, but make no mistake this is Sam Lupton’s show from start to finish. 

The supporting cast are in great form throughout but special mention to Craig Berry and Lee VG, who are both outstanding as Boycie and Trigger.

Where the production struggles is the musical numbers are something of a mixed bag.  The Only Fools and Horses/Hooky Street mash up at the beginning perfectly sets the tone of the show, however some of the original songs are forgettable, especially when it comes to the more sentimental numbers. The songs that do work well are ones that have a bit of cheek to them like the Del Boy led Mange Tout and later Bit of a Sort. I also enjoyed the bonkers Gaze into my Ball, a send up of the future gentrification of Peckham. The Tadpole Song is anything but subtle, but no less enteraining. The undoubted music highlight was Gloria Acquaah-Harrison’s spine tingling rendition of Simply Red’s Holding Back the Years.

Whilst not perfect, this is an enjoyable, nostalgic trip down memory lane, which showcases some of Britain’s finest comedy writing. Gags and one liners a-plenty are performed by a great ensemble cast that will have you grinning throughout. 

Only Fools and Horses: The Musical is on at Manchester Opera House until 23rd November. Tickets available Here

The Wedding Singer

Wedding Singer

Based on Adam Sandler and Tim Herlihy’s monster hit movie The Wedding Singer arrives at Manchester’s Opera House full of hairspray and highlights for one week only.

Recreating the storyline familiar to film fans where loveable lead singer of wedding band ‘Simply Wed’ Robbie Hart (Jon Robyns) gets jilted at the alter by brutal bride Linda (Hannah Jay-Allan) who decides wedding singing just isn’t cool enough for her rock chick ways. Waitress Julia (Cassie Compton) helps Robbie eventually see past his misery and realise perhaps he hasn’t sung his final wedding song just yet!

Wedding Singer 2

The Wedding Singer bursts into life from the opening, full of high energy dance routines and powerful performances Chad Beguelin’s witty and sharp lyrics are an absolute joy. Chockfull of laugh out loud moments this production is cheeky, charming and full of sass! West End favourite Jon Robyns takes on the role of Robbie Hart and delivers it perfectly, his Somebody Kill Me had the audience howling with laughter, his woeful misery at being dumped reminding us all just how truly ridiculous love can be. His voice is smooth and strong and the chemistry between Robbie and Julia (Cassie Compton) is perfect. Former X Factor contestant Compton is sweet and soulful; her harmonies with Robyns are simply beautiful. The show also hosts another X Factor favourite, 2006 X Factor finalist Ray Quinn who is tremendous in the role of Glen, odious and arrogant Quinn steps into Glen’s 80’s loafers and braces with ease, sharp and snarling, looking like he’s just walked off the set of Wall Street with his slicked back hair and suitcase sized mobile phone.

Special mention must go to Ruth Madoc who plays Rosie, Robbie’s randy rapping Grandmother, Madoc is hilarious and looks like she’s having just as much fun performing as the audience are having watching the show. Her paring with George (Samuel Holmes) for Move That Thang is a scream. Holmes as George delivers witty one lines throughout the production and his specially written song for the Bar Mitzvah just has to be seen!

Wedding Singer 1

Director and choreographer Nick Winston has delivered a real treat of a production, with some stand out scenes that deserve special mention, All About the Green which opens act two packs a punch with some slick choreography and dynamic staging whilst Single in contrast is stripped back and simple but enormously effective, as the males of the cast share their woes whilst gathered behind the bar displaying some clever and entertaining choreography.

The Wedding Singer is a high energy, action packed, feel-good production, with a strong cast and a highly memorable score, it’s an absolute riot of an evening. Grab your hair crimper; slap on your best blue eye shadow and hot foot it down to the Opera House to party like its 1985!

Tickets available here http://www.atgtickets.com/shows/the-wedding-singer/opera-house-manchester/

theweddingsinger-sq