Quiz

Reviewed by Matthew Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

If there are two types of television programmes we love: the classic quiz show and a good courtroom drama are right up there, well imagine the two combined, but live on stage. Add into the mix the fact that it’s a real life incident focusing on one of television’s most infamous moments and you have the recipe for writer James Graham’s Quiz.

First performed in 2017 and later adapted for the small screen in 2020, Quiz is part way through a nationwide tour, and has arrived at the Lowry’s Lyric Theatre this week.

This is the story of Charles Ingram or the “Coughing Major” as he was dubbed, who along with his wife Diana, and fellow contestant, Tecwen Whittock were found guilty of cheating on, Who Wants to Be a Millionaire?  following the army officer’s appearance in 2001.

The action takes place in the courtroom and at first looks at the case for the prosecution, whilst at the same time examining the genesis of the ‘millionaire’ format, that would go on to be a global phenomenon. During the trial we learn of an underground quizzing network designed to infiltrate the show’s rather lax vetting procedures, as well as several recreations to incidents from the show involving the Ingram’s and their extended family.

Following the interval we are treated to the case for the defence, where we see the Ingram’s prepare for Charles’ Who Wants to Be a Millionaire?  appearance, helped by his wife Diana, a quiz enthusiast, who encourages her husband to entertain the audience in order to remain in the millionaire hot seat. We get to see the toll the accusations and trial has on the couple, as the pair are ridiculed and abused by the press and public, as well as more direct action against them in their family home.

Writer James Graham’s has created a funny, entertaining and at times poignant show, dripping with nostalgia. It’s a mixture of great one liners and pitch perfect, absurd visual gags, the Ingram’s swatting up session being one of many highlights.

It also offers up a brutal critique on ruthless television executives and the treatment of their contestants and their audiences.  We are also given a brief history of the origins of reality television which for better or worse have become a firm fixture of our viewing habits.

The show is anchored by three superb central performances. Rory Bremner is in great form as ‘millionaire’ host Chris Tarrant, mimicking Tarrant’s facial expressions, mannerisms, and diction to perfection. On this performance alone it’s easy to see why Bremner is still regarded as one of the nation’s most revered impressionists. His casting certainly adds star power and some heft to proceedings.  Lewis Reeves gives an equally impressive turn as the awkward, shy major, at times, it’s a measured, subtle performance which helps garner sympathy and also helps to throw some shade on the trial verdict.

There is also an impressive turn from Charley Webb, making her stage debut, as Diana Ingram. Webb gives Ingram warmth and depth, playing her more as a loving wife and quiz fanatic rather than the criminal mastermind, some media outlets would have you believe at the time. It’s a surprising interpretation, but certainly one that pays dividends and more than adds to your enjoyment.

Directors Daniel Evans and Seán Linnen have created a slick, fast paced production that always entertains and engages. There is a nice touch with an interactive keypad, as we are invited to take part in the quiz ourselves, but more importantly give our judgement on the Ingram’s. The quiz element of the show certainly brought out the competitiveness of the audience in Salford, as at various times answers could be heard muttered throughout the theatre, adding to the show’s charm and authenticity.

Robert Jones’ unique stage design sees the courtroom setting seamlessly morph into television studio, complete with the Who Wants to Be a Millionaire? hot seat and dazzling studio lights, adding to the flow and tempo of the production.

This is a joyous, entertaining take on a story that for a time gripped the entire nation offering something a little different. If the question is, should you go to watch Quiz? then the response is clear “YES, and that’s my final answer!”

Quiz is on at the Lowry’s Lyric Theatre until 28th October. Tickets available at here.

South Pacific

Reviewed by Matthew Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

Credit: Johan Persson

Rather surprisingly that hottest place in Manchester last night wasn’t the mythical island of Bali Ha’i central to the plot of South Pacific (this was due the fabulous air con at the Manchester Opera House), however make no bones about Daniel Evans’s revival of this Roger and Hammerstein classic is one of the hottest tickets in town!

From the much-praised Chichester Festival Theatre production, South Pacific is a dual love story. The first involves a French plantation owner and an American nurse; the second an American GI, and a native Tonkinese woman. All four find themselves on an island in the South Pacific, with the spectre of World War 2 hanging over them. However, it’s not war that threatens their relationships, but their past lives, clashes of culture and most certainly current prejudices that stand in the way of true love.

Credit: Johan Persson

Cards on the table I’ve never seen South Pacific, so seeing racism tackled in such a forthright manner was quite unexpected, especially when the prejudice came in the guise of the production’s ‘heroine’, nurse Ensign Nellie Forbush. When Oscar Hammerstein penned the lyrics to ‘You’ve Got To Be Carefully Taught’ over 70 years ago he hoped that the subject of racial equality would have improved but sadly we’re not quite there yet.

With such a weighty subject matter the production requires some powerhouse performances and lucky for us that’s exactly what we get. Julian Ovenden is in sublime form as plantation owner, Emile de Becque. Charming, charismatic, and tortured, his rendition of ‘This Nearly was Mine’ is the highlight of the night from a show jam-packed with highlights. Opposite him is the equally excellent Gina Beck as Nurse Forbush, a performance packed with energy, like a 4tth of July firework set she draws your attention throughout, radiating warmth and joy which makes the characters prejudices all the more shocking.

Credit: Johan Persson

In addition, there are some fine supporting performances Joanna Ampil puts in a great comedic turn as Bloody Mary, the personification of a survivor, doing all she can to protect herself and family. Whilst Rob Houchen as Lieutenant Cable and Sera Maehra as Liat, bring something wonderfully different to the second love story. Houchen with his delicate vocals on the aforementioned, ‘You’ve Got To Be Carefully Taught’ is superb while Maehara opens the production with a beautifully haunting dance routine, which then feature throughout.

As well as Amil’s Bloody Mary, there is additional light relief from Douggie McMeekin’s scene stealing, Luther Billis, a dodgy GI, with a lot of fingers in a lot of pies, think Dad’s Army’s Private Walker and you’re on the right track.

Credit: Johan Persson

Of course, being such a classic South Pacific has some big ensemble numbers in its arsenal, from the hugely infectious ‘There is Nothin’ Like A Dame’ to the bright and breezy ‘I’m Gonna Wash that Man Right Outa my Hair’, that will have you itching to sing along.

Director Daniel Evans’ South Pacific has a contemporary feel to it and is all you could want from a night at the theatre, fantastic performances, great show tunes and more importantly a social commentary on racism, which sadly still blights society today. 

South Pacific is on at Manchester’s Opera House until Saturday 23rd July tickets available here.