Interview | Jonathan O’Boyle | Aspects of Love

With music by Andrew Lloyd Webber and lyrics by Don Black and Charles Hart, Aspects of Love has been wowing audiences at Manchester’s Hope Mill Theatre. Now as it approaches its final week of performances we caught up with Director Jonathan O’Boyle to hear a little more about his experience directing his third production at the award-winning Ancoats theatre.

Opening Night: How familiar with Aspects of Love were you before joining this production? Is it a show you’ve always wanted to work on?

Jonathan O’Boyle: I’ve always loved the score of Aspects, but I’ve never seen it on stage. I grew up listening to mix tapes of musicals, several being Andrew Lloyd Webber compilations. So invariably Love Changes Everything was on there. I grew up seeing his work and when I trained as an actor, I wanted desperately to be in one of his shows. Now, as a director, it’s an honour to be working on one of his shows. Aspects has a fantastic story and a brilliant score. To me, it’s his most narrative, actor driven show and this really appealed to me. We treated it like a play, where the characters just happened to be singing rather than speaking.

ON: How do you approach directing a new and reimagined production of a classic show like Aspects of Love?

Jonathan: I wanted it to be intimate. Now, I know everyone always says ‘intimate and stripped back’ but that’s really what I wanted and how I saw the show. The audience at the Hope Mill is so close to the action they can touch the actors. This influenced the design. I wanted the audience to be on stage with actors. Many of the locations in Aspects happen to be in cafes, so we decided to have a couple of the front rows of seats at cafe tables as if they were part of the action.

We then approached the rehearsals as if we were working on a play. We looked at character, character backstories, timelines and what the characters wanted and how they went about achieving this. This really deepened the actors connection to the material.

ON: Did the intimate space the production would be presented in play a major part in your directing decisions?

Jonathan: Absolutely. You have to respond to the space you’re directing in, and the Hope Mill is a very specific space with its own unique challenges. I think about the space at every stage of the process, from the casting to the design to the lighting rig to the sound design. Every choice I make has to be for the theatre.

ON: The reviews have been absolutely phenomenal, people are really responding to the show, this must be very gratifying to the cast and creative team?

Jonathan: It’s been incredible yes. We’re all thrilled with how it’s gone down. I’m so proud of the brilliant cast and creative team. We had a joyous rehearsal process (one of my favourite so far) and we said – if no one gets it, at least we had a great time rehearsing it! Thankfully, the audiences are responding to it in the way I’d hoped. I’m in constant awe of the cast and their talent.

We never presume it’s going to be good. In fact, I never know what the audiences are going to make of it or how it’s going to be received until we get an audience in the room. I trust my instinct and hope it resonates with people.

ON: This is your third production at Hope Mill Theatre – what makes this space/team so appealing to direct in?

Jonathan: I love the theatre and the team there. They’re all so welcoming and it’s always a pleasure being back. I’m from Derbyshire myself but my parents grew up in Salford and Rochdale, so I’ve been going to Manchester all my life. I love the vibe and the people there, so Manchester feels like my second home.

ON: Your previous shows at Hope Mill – Hair and Pippin – have both transferred to London. How much of a challenge was restaging them for London? Do you have a favourite of the three?

Jonathan: It is challenging re-staging for a different venue, primarily because the space is never the same and there are often idiosyncrasies that pop up here and there. What’s so brilliant though, is revisiting the material with the company and developing the show even further. You’re able to improve on things from the first time and the actors often find a deeper connection with the show and their characters.

They’re all so different! They had different challenges and were very different in tone. It’s hard to pick between them because I loved all three companies.

ON: What’s next for you?

Jonathan: I’m currently directing the UK Tour of Rain Man starring Mathew Horne and Ed Speleers. Then later in the year I’ll be directing the UK premiere of Ken Urban’s A Guide for the Homesick at Trafalgar Studios and Peter Pan at The Park this Christmas.

Catch Aspects of Love at Hope Mill Theatre until 9th August tickets available here.

Aspects of Love

Kelly Price (Rose) & Felix Mosse (Alex) in Aspects of Love at Hope Mill Theatre. Credit Anthony Robling

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Reviewed by Nikki Cotter

Stripped back, elegant and intensely intimate Aspects of Love, Andrew Lloyd Webber’s romantic classic is given its North West professional premiere by award-winning pairing Hope Mill Theatre and Aria Productions and what a sensational premiere it is.

Based on the 1995 novella by David Garnett, Aspects of Love is a multi-layered and deeply fascinating exploration into the complexities of love. The story moves from one lustful entanglement to the next as intertwining relationships based around multiple characters within 3 generations of one family develop and change over a 17 year time scale. Love, lust, loss and obsession all feature in this spellbinding sung-through musical, the third of Hope Mill’s five in-house productions for 2018.

Kelly Price (Rose) & Felix Mosse (Alex) in Aspects of Love at Hope Mill Theatre 2. Credit Anthony Robling

17-year-old Alex is hopelessly smitten with glamorous actress Rose, Rose loves the thrill of attraction, desperately craving sexual freedom and adoration yet is terrified at the thought of loneliness . Despite a passionate affair Rose turns to Alex’s Uncle George for commitment who in turn introduces her to his long-standing lover, free-spirited Italian Sculptor Giulietta. Further complexities arise when years later Alex is reconciled with lover Rose whose 15-year-old daughter Jenny enthusiastically pursues him, much to the horror of protective father George.

Director Jonathan O’Boyle’s stripped back approach to this iconic musical ensures the storytelling and emotion of piece lie firmly at its heart. Conversations flow as witty song exchanges while melodic vocals develop into passionate protests. The intimate staging of this piece takes the intensity of each relationship to another level as the audience is carried along immersed in the fizzing action.

Kelly Price is sensational as Rose Vibert, passionate and demanding yet heart-achingly vulnerable, she gives an utterly compelling and deeply moving performance. Her delivery of Anything But Lonely is raw and heart-felt.

Felix Mosse is perfectly cast as Alex, displaying an incredible vocal rage, he is sensitive and entirely believable, guarded and intense yet simmering with passion and explosive rage. He judges the character perfectly and ensures the audience now have a new actor to associate with perhaps one of the most well-known songs in any musical, Love Changes Everything.

Jerome Pradon (George) & Kimberley Blake (Giulietta) in Aspects of Love at Hope Mill Theatre. Credit Anthony Robling

Jerome Pradon’s character acting as the worldly George authenticates his journey from decadent philanderer to aging father, afraid of what love may do to his precious daughter. His delivery of The First Man You Remember sung to daughter Jenny (the sweet and endearing Eleanor Walsh) captures the tenderness of the piece perfectly.

Kimberley Blake’s vivacious and alluring Giulietta is a joy to watch, her stunning vocals accompanied by slickly delivered choreography during post-funeral Hand Me The Wine and The Dice a real highlight of the show, pacy, passionate and full of sass.

Designer Jason Denvir has transformed the intimate setting with an expanse of shutter doors which are used to great effect as we glide through multiple cities bathed in Aaron J Dootson’s atmospheric shafts of light.

Kelly Price (Rose) in Aspects of Love at Hope Mill Theatre. Credit Anthony Robling

The stripped back orchestration of 2 pianos and percussion ensures Lloyd Webber’s soaring score is delivered beautifully; it’s melodic, dreamy and devastatingly dramatic.

Every aspect of this show has been crafted beautifully, scene changes are delicately choreographed while each ensemble member captivates and leaves an impact. The sheer quality of this production combined with the uniquely intimate setting of Hope Mill Theatre breathes new life into Lloyd Webber’s work. Slick, stylish and oozing with passion, Aspects of Love is another sure-fire hit for the mighty Hope Mill Theatre/Aria Productions pairing. An absolute must-see!

ON at Hope Mill Theatre until

Aspects of Love | Cast and Creatives announced

Aspects

An exciting cast and creative team has been announced for Hope Mill Theatre and Aria productions hotly-anticipated, intimate revival of Andrew Lloyd Webber’s romantic classic Aspects of Love, which runs as the award-winning Ancoats theatre from Thursday 5th July until Thursday 9th August.

The talented company of 10 includes both Olivier Award nominees and West End regulars as well as young talent making their professional debuts will be directed by Jonathan O’Boyle whose recent credits include Pippin (Hope Mill Theatre/ Southwark Playhouse, London), Hair (Hope Mill Theatre/The Vaults, London) and Resident Director of An American in Paris (Dominion Theatre, London).

Making up the cast is Kimberly Blake (Half a Sixpence, Barnum) who plays Giulietta, Jason Kajdi (Our House, Assassins), in the role of Hugo, Felix Mosse (The Rocky Horror Show) as Alex, Julia J Nagle (An American in Paris) as Elizabeth/ensemble, Minal Patel (The Secret Garden, Bend it Like Beckham) as Marcel, Jerome Pradon (Jesus Christ Superstar, Pacific Overtures – Olivier Award Nominee 2003) as George and Kelly Price (That Day We Sang, A Little Night Music – Olivier Award Nominee 2010) in the role of Rose. Making their professional debuts in the production are Rosie Cava-Beale, ensemble, Jack Churms, as Jerome/ensemble and Eleanor Walsh as Jenny/ensemble.

Following Aspects of Love at Hope Mill Theatre is The Return of the Soldier that runs from Thursday 6 to Saturday 29 September and A Christmas Story The Musical that runs from Friday 26 October to Saturday 1 December.

Tickets available here.

 

Hope Mill Theatre announces 2018 season!

TOYBOY DIARIES - Copy

Award-winning Hope Mill Theatre and resident producer Aria Entertainment today announce their much anticipated 2018 season, with three bold, exciting and ambitious in-house productions.

The converted mill in Ancoats currently hosting the European premiere of Little Women enjoyed a landmark 2017 season which saw 5* critically acclaimed productions and London transfers for Yank! and Hair with Pippin following in early 2018 will begin the season with the world premiere of new British musical The ToyBoy Diaries (on sale today).

This new musical comedy which runs from 18 January to 10 February 2018 charts the hilarious and sometimes heart-breaking sagas of mid-life dating. When twice-divorced Lily inadvertently finds herself under a much younger man, it opens the door to a wild new world of inappropriate relationships. From Tom the Tender to Sam the Submissive, via Paul the Policeman, Hat Trick Patrick and Matt the Monstrous (with Old Willy and Philandering Phil mixed in along the way) Lily finally finds Ben the Bountiful.

WillKatyJoe

Spring Awakening will run from 19 March to 3 May 2018. A production hailed as “one of the great musicals of the last decade” (New York Times) and the winner of eight Tony and four Olivier Awards, Spring Awakening follows a group of teenagers in late-19th-century Germany navigating the struggles and virtues of blossoming youth, with an electrifying fusion of morality, sexuality and a Grammy award-winning rock score. This landmark musical will be presented in an intimate and bold new production helmed by director Luke Sheppard (In The Heights, The Secret Diary of Adrian Mole).

Third show to be announced is Andrew Lloyd Webber’s romantic classic Aspects of Love which will run from 5 July to 4 August 2018. Featuring the iconic “Love Changes Everything” Aspects of Love tells the story of passion, love and loss across three generations of a family and their artistic companions, against a background of 1940’s France and Italy.

The hugely successful partnership between Joseph Houston and William Whelton, the co-founders of Hope Mill Theatre and producer Katy Lipson, of Aria Entertainment is further testament to their commitment to make Hope Mill Theatre the home of new musicals and revivals in the north and beyond with two more yet-to-be announced productions in Autumn/Winter.

Hope Mill Theatre Exterior Shot

William Whelton and Joseph Houston, co-founders of Hope Mill Theatre said: “We wanted to make sure our third season was even more ambitious and we feel we have managed to achieve that with the world premiere of the new British musical The ToyBoy Diaries, an exciting revival of Spring Awakening with an Olivier Award-winning creative team and our first staging of an Andrew Lloyd Webber classic – Aspects of love. Once again we have proved the power of regional theatre and continue to spearhead Hope Mill Theatre as a leading player in new musical staging, musical premieres and exciting revivals.”

Katy Lipson, of Aria Entertainment, who has just seen her production of The Addams Family transfer to Singapore stated “I have enjoyed working with the theatre on taking our shows to new commercial levels in London and am extremely delighted to announce the first three shows of our 2018 season, it is an honour to share this diverse selection of work with you. We hope to continue to champion the genre and bring in audiences from far and wide.”

Further information can be found here

@Hopemilltheatr1

@ToyBoyDiaries