2:22 A Ghost Story

Reviewed by Matt Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

There has been a great hype around 2:22 A Ghost Story since it opened on the West End in August 2021. Whilst plot details remain scarce, so as not to spoil audience members enjoyment, it was the production’s casting that grabbed all the headlines. Pop superstars, Lily Allen, Cheryl (formerly of Girls Aloud) have appeared in the show’s London run, in addition, actors such as Eastenders Jake Wood and James Buckley of The Inbetweeners, have also appeared. 

Now embarking on its first UK tour, I suppose the big question is does it justify the hype? Simply put, yes it does, not just because of the cast, but behind it is a smart, intriguing funny script with plenty of thrills and scares to keep you entertained for a great couple of hours.

The plot focuses on married couple Jenny (Louisa Lytton) and Sam (Nathaniel Curtis). The pair are busy renovating their new home, as well as managing the sleepless nights brought on by the arrival of their newborn daughter. Whilst Sam is away with work, Jenny experiences some strange occurrences, she hears the sound of a man crying and footsteps coming through the baby monitor, even stranger this occurs nightly always at the same time.

Upon Sam’s arrival home the couple host a dinner party for Sam’s friend from university Lauren (Charlene Boyd), and her new boyfriend Ben, (Joe Absolom). At the party Jenny tells her guests of what she has experienced, whilst her husband is sceptical and tries to rationalise them, Jenny finds support from Lauren and Ben.  On top of the possible paranormal activity there is continuing personal gripes and tension that threatens to boil over.

Danny Robin’s script is intelligent, sharp, with some darkly comedic one-liners. Whilst the ‘big jump’ scares aren’t as frequent or as-in-your-face as The Woman in Black or Ghost Stories, when they do come, it does give you a jolt. The situation seems highly plausible, with the focus more on the characters paranoia and regrets than anything. For me the production is equally about the struggles of modern life as well as the paranormal, which makes for a more authentic viewing experience.

Louisa Lytton is in great form as Jenny, it’s a believable turn filled with angst, worry and frustration that never strays into being OTT. Nathaniel Curtis is equally impressive as Sam, a character so arrogant with an air of superiority, he’s totally unlikeable at first, however as the narrative progresses you see him become more vulnerable. It’s a portrayal that in lesser hands could irritate, but Curtis gets the balance spot on.

Joe Absolom brings a touch of humour mixed with a slight intensity to proceedings as Ben, the working-class outsider of the quartet. Absolom gives a measured performance, while the continuing tension between Ben and Curtis’s Sam is fun to watch. Whilst Charlene Boyd’s Lauren adds to the drama and complexity, as throughout the course of the evening we see her slowly descend into desperation brought on by alcohol. She strikes the right blend of confidence and insecurity throughout.

Under Isabel Marr’s direction this is slick production, where the tension lifts but never becomes melodramatic, you are consistently anticipating when the next scare will arrive. The mere inclusion of the clock counting down till the fateful time is a simple but deeply effective plot device.

2:22 A Ghost Story, works so well because of its domestic setting, believable characters and a very real feeling scenario. It’s a well-crafted, solidly acted, chilling and highly entertaining night at the theatre, filled with plot twists and misdirection it’s perfect for this spooky time of the year.

2:22 A Ghost Story is at the Lowry till 4th November 2023, tickets available here.

Grease

Grease is the word Photo by Paul Coltas

Almost 50 years since it was first imagined by Jim Jacobs and Warren Casey, Grease The Musical still has huge audience appeal, for us oldies who share happy memories of dancing round their bedrooms pretending to be Rizzo mid ‘Sandra Dee’ to a new younger audience who simply can’t resist a bit of Greased Lightnin’.

The original 1994 London production has been revived by producers Paul Nicholas and David Ian ahead of a 10 month long UK and Ireland tour and boasts some big names on the bill, Tom Parker of The Wanted, Danielle Hope, Winner of BBC’s Over The Rainbow, veteran musical theatre star Darren Day and actress Louisa Lytton of Eastenders fame. Add to this direction from David Gilmore and choreography from Arlene Phillips and you have all the ingredients for an audience hit.

Danny & Sandy Photo by Paul Coltas

There were some nerves on show for Tom Parker who makes his musical theatre debut as Danny Zuko, next to cool as a cucumber Danielle Hope who made for an absolutely brilliant Sandy, Parker grew with confidence during the performance and is backed up by an impressive bunch of T-Birds with Michael Cortez giving a charismatic performance as Sonny, Tom Senior a suitably saucy Kenickie and Ryan Heenan and Oliver Jacobson delivering some great comedic moments as Doody and Roger. Of course where we find T-Birds we also find Pink Ladies, Louisa Lytton makes for a great Rizzo, full of attitude and sass her acting ability seriously impresses, while her voice isn’t as strong as the rest of her girl gang her feisty performance and slick dancing embody absolutely the rebellious Rizzo we all know and love so well. Pink Ladies Rhiannon Chesterman (Frenchy), Rosanna Harris (Jan) and Lauren Atkins (Marty) are all exceptional; they each deliver fine performances and suit their roles perfectly.

Grease Vince Photo by Paul Coltas

When the ensemble cast are on stage is when this production is at its absolute best, from bursting onto the stage full of confidence and attitude for Grease Is the Word right through to the classic You’re The One That I Want, Arlene Phillips’ choreography is slick and delivered with precision, the stage literally lights up with each of these brilliantly staged scenes. The school dance scene is particularly impressive with a great performance from Natasha Mould as the infamous Cha Cha. We also see Darren Day as both Teen Angel/Vince, Day’s vocals are strong and he has huge audience appeal however there’s a couple of odd moments where he breaks into a Jim Carey ‘The Mask’ impression then later Austin Powers, something I’d hope is ditched as the show develops it just didn’t fit with the production whatsoever.

Grease T Birds Photo by Paul Coltas

This is a production that delivers some brilliant performances, as the cast grow in confidence over the next ten months it will no doubt develop into a finely greased machine (sorry I couldn’t resist) with ensemble pieces really packing a punch, and sublime vocals from the seriously talented Danielle Hope, Grease is a fabulous fun night out that will leave you on a high, reminiscing about your very own days as a teen angel.

On at The Palace Theatre until Saturday 25th March tickets available via the link below;

http://www.atgtickets.com/shows/grease-2017/palace-theatre-manchester/