The Nature of Forgetting

The Nature of Forgetting, credit Danilo Moroni 5

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Tom is preparing for his 55th birthday; Tom also has early onset dementia. As he dresses for his party, with each touch of fabric threads of memoires begin to stir; we follow his minds recollections and failing retentions over the next 75 minutes through an exploration of memory, friendship, love and the fragility of human life.

Established in 2009, Theatre Re is a London-based international ensemble creating moving and incredibly poignant explorative theatre which pushes the boundaries of mime and physicality. The company move together effortlessly as beloved memories play out patchily while others remain strong, taking Tom right back to his school days, to sharing his first kiss through to enjoying his wedding day.

The Nature of Forgetting, credit Danilo Moroni 2

The fluid execution of each scene allowing the peaks and troughs of Tom’s life to play out in front of us. Tom’s mind may be weakening as shown through the stuttering and stalling of particular memories as scenes blur and frustrations rise where the simple becomes complex but the person at the heart of it remains.

Alex Judd’s beautiful composition becomes almost an additional character, stirring and atmospheric it flows beautifully through the fluid memories and punctuates the distorted, splintered recollections.

the nature of forgetting, credit danilo moroni

The show’s creator and director, Guillaume Pigé takes on the title role of Tom, delivering the complex choreography with ease. Timing here is everything and the small ensemble cast don’t miss a beat as this moving exploration of dementia as seen through the eyes of a sufferer offers a stage for soon to be forgotten memories.

Fast-paced and poignant, Theatre Re succeed entirely in delivering a thought-provoking and impactful piece of theatre. Tom may seem broken but his inner-strength and the person he was remain despite his failing, weakening mind.

Theatre Re have one more performance of The Nature of Forgetting at the Lowry on Wednesday 13th June at 1.30pm, tickets available here.

Things I Say When I Don’t Say I Love You

SB

Opening Night Verdict ⭐️⭐️⭐️⭐️

Created as part of the Lowry’s flagship ‘Developed With’ programme Things I Say When IDon’t Say I Love You is a poignant and perfectly judged one-man play about male relationships within one family when dealing with a life changing dementia diagnosis.

Writer and performer Sam Brady focuses on three generations of one family, granddad Tommy, the no nonsense northern alpha male of the family, grandson Scott who is desperately trying to establish his own identity amidst a upbringing of tough love & what he sees as harsh parenting from dad Ian, who is seemingly stuck in the middle and trying his best to please everyone.

Tommy’s diagnosis ignites the nostalgia within Ian as he throws caution to the wind and purchases a clapped out 1967 Triumph Spitfire, a project to work together on, a dream to fulfil. Of course in theory the three generations would come together & restore the rusted shell to its former glory, real life however doesn’t work out quite this way as tempers fray, stress levels rise and the symptoms of dementia because all too obvious. How can three men who talk but never really say anything to each other communicate when they’re too busy butting heads?

Directed by Hannah Banister, Things I Say When I Don’t Say I Love You will warm your heart, provoke your thoughts and make you laugh out loud. Brady has a true gift for honest, intelligent and humorous storytelling. Witty and incredibly likeable, his script is littered with funny anecdotes and all too familiar situations we can all relate to from tense stand offs with a partner over broken promises to hilarious disagreements with a nosy neighbour. All bases are covered in this highly amusing, incredibly touching and well observed piece of writing. It is no mean feat to stand solo on stage taking on a variety of roles but Brady engages his audience entirely with genuine charisma and clever wit, his character definition is wonderfully clear & you quickly find yourself caring deeply for this family, dealt a cruel blow familiar to so many. Relationships are beautifully explored, bridges are built and laughs dished out a plenty.

Brady succeeds in taking a heart-breaking topic and exploring it with such care and respectful attention that it allows the human and humorous elements to shine through. Honest, relatable and thought-provoking theatre.