42nd Street

Reviewed by Jodie Crawford

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Photo Credit: Johan Persson

42nd street is set in America during the hardest of times, the Great Depression. Many young people were out of work and scraping to get by. This show tells the tale of one such gal “Peggy Sawyer”, played by the incredible talented Nicole-Lily Baisden, who in search of her dream finds herself missing out on an audition for a new Broadway show. But things start to look up when she catches the eye of a big time director, Julian Marsh and Peggy lands herself a role in the chorus line, her dream come true. 

Now I would struggle to tell you the plot of the show they are putting together, but the plot of it isn’t important! Not to anyone ! What matters is that due to an incident with the leading lady Peggy has the chance of a lifetime at her fingertips…will she pull it off ? There’s only one way to know: get down to the Opera house this week to find out! 

42nd Street has graced stages around the world since the 1980s and still it manages to hold everything that is magical about musical theatre firmly in its grasp. I’ve seen this show countless times and still I get goosebumps during the big numbers. This show doesn’t need modernising, it doesn’t need tweaking, it just needs to be watched in all its splendour. The costumes are sublime: they are glitzy and glamorous and transport us back to a bygone era of gentlemen’s waistcoats and pleated trousers and ladies in evening gowns that twinkle in the moonlight. Hair, make up, props: All work together to take us back to a time gone by. 

The cast of this production is the greatest I have seen over the years. The lead characters come together brilliantly on the stage. Samantha Womack as Dorothy Brock is a delight. She’s funny and sassy and my word, can she sing. 

Michael Praed, who plays Julian Marsh, works hard to keep the narrative moving and he creates the pace of the plot with utter professionalism. His performance is flawless in every single way. Faye Tozer and Les Dennis, make for an awesome pairing, they were just so wonderful both together and in their own right. 

And Nicole-Lily Baisden is without a doubt the most energetic, enthusiastic and majestic Peggy Sawyer, that I ever did see. Everything about Baisden screams Broadway. She is the quintessential Peggy Sawyer. 

None of the glitz, glamour, and joyousness would be possible without the hard work of the ensemble. Note perfect, step perfect. Everything perfect. This show is relentless for an ensemble member, it’s upbeat, high impact and takes a hardworking performer to make it look so easy. The choreography is demanding, but this ensemble make it look like it’s all in a days work. 

Everyone should see 42nd Street. It’s got everything. It’s not trying to be something it isn’t. It’s just there to be seen and heard. And this cast make it the most magical 42nd Street that there is. 

If ever there was a show to make you wish you’d learnt how to tap dance – this is most definitely it!! 

42nd Street is on at Manchester’s Opera House until Saturday 21st October tickets available here.

42nd Street

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The tingles begin moment the orchestra strike up, as the infectious joy of this dazzling production floods through the audience. The curtain raises just enough for us to see the origin of the thunderous sound as masses of hoofers tap their way through one almighty audition piece. This show within a show straight from the off lets us know we’re here for a good time so prepare for some magnificent razzle dazzle!

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The storyline is simple, budding Broadway star and provincial New Jersey girl Peggy Sawyer, has arrived to make it and make it big, timed perfectly as respected Director Julian Marsh is going all out with a new production, Pretty Lady, right in the middle of the Great Depression. Forced to cast Dorothy Brock, a difficult diva who conveniently is backed by her rather affluent Sugar Daddy, Marsh sets about bringing the glamour back to Broadway. Our zero to hero story really gets the chance to take flight once Brock manages to break her ankle just before opening night and our wannabe leading lady Peggy is waiting in the wings, now what are the chances of that!

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This production embraces fun and extravagance, Mark Bramble, who co-wrote the book for original 1980 Broadway show directs this London revival and gives a firm nod to the 1933 smash hit film delivering all the glitz and glamour you could wish for. Clare Halse gives an outstanding performance as Peggy Sawyer, she is mesmerising, her dancing extraordinary. Instantly likeable (although not to her fellow chorus girls) Halse has great charisma and wonderful comic timing, but it’s her spellbinding moves that really make this a knockout performance.

Sheena Easton delivers diva with sass, her vocals are strong particularly beautiful during her performance of Boulevard of Broken Dreams which was added to the show to specifically showcase Easton’s talents.

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The hugely epic ensemble tap routines choreographed by Gower Champion and Randy Skinner are what really make this production fly, with sumptuous costumes and clever set design from Roger Kirk and Douglas W. Schmidt, 42nd Street is a visual delight. The cast literally drip in bling and sequins with all colours of the rainbow on shimmering display. With mesmerising show stoppers such as Lullaby of Broadway, We’re In the Money and Keep Young and Beautiful 42nd Street whacks you in the face with big hitters and some serious wow moments. Tom Lister’s commanding performance as Julian Marsh is convincing, his voice perfectly suits the score. Stuart Neal gives a great performance as Billy Lawlor, versatile and oh so talented. Special mention must also go to Jasna Ivir as Maggie Jones and Christopher Howell as Bert Barry.

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42nd Street offers a couple of hours of pure escapism fun, it is uplifting, vibrant and full of joy, I literally smiled all the way home, whilst slightly berating myself for quitting those tap lessons aged 10. 42nd Street has got it all, dazzling costumes, stunning sets and knock out performances from a seriously talented cast, if this show was offered on prescription there would be a queue from here to Broadway!

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Tickets available via – http://www.42ndstreetmusical.co.uk

THEATRE ROYAL DRURY LANE, CATHERINE STREET, LONDON, WC2B 5JF