Opening Night verdict ⭐️⭐️⭐️⭐️
Ever popular audience favourite Hairspray burst into Manchester last night for a fun, feisty and feel-good two week stop at the city’s Opera House theatre.
Multi-coloured and multi-layered this is an uplifting and vibrant production with a serious and important message at its heart. Based on the 1988 John Waters film, Hairspray follows Baltimore teenager, Tracy Turnblad’s dream to dance on The Corny Collins Show. Tracy isn’t as conventionally looking as the show’s usual crew and faces an uphill battle from the start. What begins as a burning ambition to win a role on her favourite teen show soon becomes a campaign for social change which sees Tracy crusade to promote racial integration as she battles not only bigots but body shamers too.
Newcomer Rebecca Mendoza makes her professional debut and as the bright, bold and beautiful Tracy Turnblad with a big voice and personality to match her buoyant bouffant she perfectly embodies the impassioned teen. Her comedic acting really raises her performance from excellent to exceptional and she puff and pants to perfection every time teen idol Link Larkin (Edward Chitticks) comes near.
Annalise Liard-Bailey smashes her professional debut as Penny Pingleton, the stunning pairing of Liard-Bailey and Layton Williams being a real highlight of the show, Williams shines as Seaweed, ensuring all eyes are upon him as he twists and flips across the stage, both are an absolute joy to watch.
Brenda Edwards returns as the mighty Motormouth Maybelle and raises the roof with her soulful and emotional rendition of I know where I’ve been. While theatre has a job to entertain it also has important role in educating audiences, which Edwards and cast do so with gusto.
Matt Rixton (Edna) and Graham MacDuff (tonight covering the role of Wilbur) solidify their status as audience favourites with each outrageous and hilarious scene, they’re clearly having just as much fun on stage as the audience off stage as they delight and deliver in style.
While it promotes a message of equality and inclusion Hairspray does it with such wit and charm it is anything but preachy. Drew McOnie’s punchy choreography ensures the pace always remains high while Takis’ sets and costumes are bright, blingy and whisk us straight back to the sixties.
With a vibrant and memorable score including numbers such as You Can’t Stop the Beat, Welcome to the Sixities and Good Morning Baltimore Hairspray never fails to entertain as the audience leapt to their feet in approval. Empowering, uplifting and most of all enormously entertaining!
On at the Opera House until Saturday 7th April tickets available here.