Twelfth Night

Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐

Having brought audiences a boundary breaking version of A Midsummer Night’s Dream in 2022, Not Too Tame return to Shakespeare North Playhouse this month with their inspired interpretation of Twelfth Night, with the aim to rock your socks off!

This modernised version centres the action within the music industry, there’s raunch, romance and a whole lot of riffing as this Shakespeare classic is given the rock star treatment. Utterly irreverent and a whole lot of fun this is Shakespeare for today. There’s a glorious mix of modern language which marries perfectly with Shakespeare’s script, it’s extremely funny, a little bit naughty and as far from stuffy as you can possibly get.

This is the second co-production between Warrington based Not Too Tame and Shakespeare North Playhouse and it’s clear both know this stage and setting well. Director Jimmy Fairhurst ensures his cast use every inch of the stunning Cockpit Theatre, making this production all the more exhilarating as you wait in anticipation of who will appear next, from where and when. The theatre becomes the cast’s playground and it’s clear for all to see just how much fun they’re having with it.

Twelfth Night is often described as one of Shakespear’s greatest comedies and Not Too Tame have gone full throttle with this, the production is bursting with top quality comedic moments, well-timed delivery and wisecracks galore. There is of course the classic Shakespeare tropes of unrequited love, mistaken identities, and subterfuge as separated twins Viola (Georgina Frost) and Sebastian (Tom Sturgess) arrive in Illyria each thinking the other is dead. This is Illyria as you’ve never seen it before, no longer is it a shipwreck that separates the siblings but a euphoric night on the nose candy.

Frost and Sturgess are both excellent in their roles, the addition of multiple genres of music to this innovative production allows them to show their talent as singers while Dean Fairhurt’s musical composition gifts them with great opportunities to lyrically progress the story.

Jack Brown as Sir Toby Belch and Reuben Johnson as Sir Andrew Aguecheek are hilarious, Brown nails it as the odious Sir Toby, the hard-drinking, hard-partying, high-spirited (or is that just high?) uncle of Olivia (Purvi Parmar). His pairing with Reuben Johnson is perfection, as Jonson gives us a hilarious Tim, Nice-But-Dim-esque interpretation of Sir Andrew, the two together are a joy.

Purvi Parmar as Olivia is excellent, while Louise Haggerty as Feste gets the party started right from the off. Returning to Shakespeare North Kate James takes on the roles of both Maria and Antonia and delivers both brilliantly.

Then of course we come to Les Dennis who shines as Malvolio, there is little Les hasn’t done in his incredible career and now he can well and truly say he’s not only ticked performing Shakespeare off his list but he’s well and truly knocked it out the park. His Malvolio is multifaceted, starting off as a confident, sharp suited tour manager and transforming entirely in Act 2 in a scene I don’t think anyone will forget in a long time – iconic! A gifted actor he has the ability to draw you in and break your heart a little as he shifts impressively from victimiser to victim.

This is Shakespeare with sass, spunk and seriously bangin’ beats. The relocating of the action does at times in Act 1 make the story a little more complex to follow but once you’re on board the anthemic beats and knock-out cast will whip you up and carry you along for this feelgood ride. If music be the food of love, play on, and on and on!

Twelfth Night is on at Shakespeare North Playhouse until Saturday 29th June tickets available here.

Twelfth Night

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

Twelfth Night has long been known as one of Shakespeare’s greatest comedies; in celebration of their 10th birthday Grosvenor Open Air Theatre are happy to prove why.

Locating the action in the Bohemian Balkans the celebratory festival vibe is strong, there’s flowers in hair while the drink is free flowing. The abundance of music and laughter indicate that Director Julia Thomas is prepared embrace the fun of this comedic and jubilant production.

This is an ode to the joyful and silly; there’s mistaken identities, unrequited love, a shipwreck, subterfuge as well as a whole host of entertaining characters.

The talented cast deliver Shakespeare’s verse with clear conviction while their enthusiasm and wit gives the piece both a light and accessible feel.

Separated twins Viola (Whitney Kehinde) and Sebastian (Marc Benga) each arrive on the shores of Illyria after a shipwreck; Viola first, allowing her 3 days of getting acquainted with the locals, enough time for two to fall in love with her while another two attempt to fight her albeit while she’s now dressed as as a man (Cesario) in a bid to keep the spirit of the brother she believes to be dead alive.

Kehinde is excellent as Viola/Cesario, cool and commanding she handles the confusion and complexities of life in Illyria with sass and style.

Sarah-Jane Potts shines as Olivia, hot in pursuit of her happy ending while Samuel Collings brings the house down as the put upon Malvolio whose transformation from stiff upper lipped steward to stocking wearing, downward dog facing smiler is pure genius.

Mitesh Soni is an absolute joy as Sir Andrew Aguecheek. His physical comedy, facial expressions and nice but dim personality really bringing this piece to life. Kudos to Soni for successfully delivering Shakespeare’s prose whilst flossing, impressive!

Jessica Dives as Feste takes on the form of a modern day wandering minstrel, offering an almost narrator like musical accompaniment while adding a wonderfully melodic energy to proceedings.

Director Julia Thomas isn’t afraid to embrace the silly or the slapstick and is greatly rewarded for her choices. Her cast embrace the opportunity, having a lot of fun with the piece while the audience reap the benefits.

A stand out moment which really embodies the playful nature of the production is the hilarious fight scene, outrageously farcical and absolute comedy perfection. The frequent witty exchanges between cast and audience further add to the playfulness and accessibility of this piece.

A highlight of Chester’s summer season for ten years now with productions as strong as this there is no doubt the Grosvenor Park Open Air Theatre will be celebrating birthdays for many years to come.

Outrageously good fun for all the family.

Twelfth Night is being performed at various dates over the summer further information and tickets can be found here.