War Horse

Reviewed by Matt Broadley-Forrest

Opening Night verdict ⭐⭐⭐⭐⭐

It’s been 17 years since Nick Stafford’s adaptation of writer Michael Morpurgo’s novel, War
Horse first hit the stage. When the book was originally published in 1982, it’s impact was moderate, however, with time and a little attention from The National Theatre, this
heartbreaking, beautiful story was brought to brilliant life, and still today both the book and play manage to wow and amaze audiences of all ages.

Telling the story of Devon farm hand, Albert Narracott (Tom Sturgess) and his relationship
with a foal, Joey. A family feud between Albert’s father Ted (Karl Hynes) and his brother,
Arthur (Gareth Radcliffe), sees the pair try and outbid each other for a young horse, at
market. Ted wins the battle for the horse, but at a hefty financial price.

With Ted not really interested in the care of the horse it falls on Albert, who with time,
patience and a unique understanding strikes up a special friendship with Joey. As Joey
becomes a fully-grown colt the pair can be seen coursing through the fields of the village,
and eventually he becomes a great asset to the family in the upkeep of the farm.

However, with the outbreak of World War One, Joey is sold to the war effort by Ted,
seemingly ending the friendship between Albert and his beloved horse. With Joey out on
the frontline somewhere in mainland Europe, Albert refuses to give up hope of being
reunited with his horse and a year later enlists in the army, much to the anguish of his
mum, Rose (Jo Castleton). So begins a journey that will see them both face great peril and adversity which will change the pair forever.

War Horse is live theatre at its finest: high production values from start to finish,
captivating storytelling and an ensemble cast at the top of their game.
Visually it’s as close to perfection as you’re likely to see. The mesmerising puppet control
of the Handspring Puppet Company who bring not only Joey to life, but other animals
including the great stallion, Topthorn and the Norrcott family’s sassy goose. This
exceptionally talented group of puppeteers/actors pack these creatures full of character
and personality: this married with the superb attention to detail on each puppet makes for
a visual treat.

The set is minimal, with the idyllic Devonshire countryside and later the barbaric
battlefields of the Western front made real using a mixture of drawings and animation,
screened across white fabric at the top of the stage. The visuals lurch from the tranquil to
the brutal and work in a unison with some spectacular lighting and thunderous sound
design.

War Horse doesn’t pull its punches on the brutal nature of war. Characters come and go,
with very little pomp and ceremony, all the death and destruction seen through the eyes of
either Albert or Joey. We are fully exposed to the horrors of the frontline from both sides of
the conflict, as well as the dangers for all the serving horses too. As you would expect, at
times it’s bleak, even shocking but there is also plenty of warmth, humour and kindness,
from Nick Stafford’s classy script, which shows the best and worst of humanity.

Tom Sturgess gives a fine central performance as Albert, a turn filled with warmth, and
determination. In addition there is a solid outing from Alexander Ballinger as the German
Captain Freidrich Müller. It’s a performance filled with anguish and compassion. With the
subject matter it would be easy for the production to drift into melodrama but under Katie
Henry’s direction the whole ensemble cast give measured and at times understated
performances, which is one of the show’s key strengths.

The production showcases the extraordinary vocal talents of Sally Swanson who brings to
life the compositions of Adrian Sutton and the lyrics of folk music legend Jonathan Tams.
Swanson has a tremendous voice, as she glides from scene to scene, soundtracking
moments of beauty between Albert and Joey, and the anguish and fallout from the war.

This is a sublime production that can be enjoyed by audiences young and old alike with
some startling imagery that will live long in the memory coupled with a powerful message
of hope. With a tour going to the end of 2024 and well into 2025 this magnificent beast of a
show shows no signs of being put out to pasture, and on today’s performance it’s easy to
see why.

War Horse is at the Lowry until Saturday 28th September. Tickets are available
here.

Twelfth Night

Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐

Having brought audiences a boundary breaking version of A Midsummer Night’s Dream in 2022, Not Too Tame return to Shakespeare North Playhouse this month with their inspired interpretation of Twelfth Night, with the aim to rock your socks off!

This modernised version centres the action within the music industry, there’s raunch, romance and a whole lot of riffing as this Shakespeare classic is given the rock star treatment. Utterly irreverent and a whole lot of fun this is Shakespeare for today. There’s a glorious mix of modern language which marries perfectly with Shakespeare’s script, it’s extremely funny, a little bit naughty and as far from stuffy as you can possibly get.

This is the second co-production between Warrington based Not Too Tame and Shakespeare North Playhouse and it’s clear both know this stage and setting well. Director Jimmy Fairhurst ensures his cast use every inch of the stunning Cockpit Theatre, making this production all the more exhilarating as you wait in anticipation of who will appear next, from where and when. The theatre becomes the cast’s playground and it’s clear for all to see just how much fun they’re having with it.

Twelfth Night is often described as one of Shakespear’s greatest comedies and Not Too Tame have gone full throttle with this, the production is bursting with top quality comedic moments, well-timed delivery and wisecracks galore. There is of course the classic Shakespeare tropes of unrequited love, mistaken identities, and subterfuge as separated twins Viola (Georgina Frost) and Sebastian (Tom Sturgess) arrive in Illyria each thinking the other is dead. This is Illyria as you’ve never seen it before, no longer is it a shipwreck that separates the siblings but a euphoric night on the nose candy.

Frost and Sturgess are both excellent in their roles, the addition of multiple genres of music to this innovative production allows them to show their talent as singers while Dean Fairhurt’s musical composition gifts them with great opportunities to lyrically progress the story.

Jack Brown as Sir Toby Belch and Reuben Johnson as Sir Andrew Aguecheek are hilarious, Brown nails it as the odious Sir Toby, the hard-drinking, hard-partying, high-spirited (or is that just high?) uncle of Olivia (Purvi Parmar). His pairing with Reuben Johnson is perfection, as Jonson gives us a hilarious Tim, Nice-But-Dim-esque interpretation of Sir Andrew, the two together are a joy.

Purvi Parmar as Olivia is excellent, while Louise Haggerty as Feste gets the party started right from the off. Returning to Shakespeare North Kate James takes on the roles of both Maria and Antonia and delivers both brilliantly.

Then of course we come to Les Dennis who shines as Malvolio, there is little Les hasn’t done in his incredible career and now he can well and truly say he’s not only ticked performing Shakespeare off his list but he’s well and truly knocked it out the park. His Malvolio is multifaceted, starting off as a confident, sharp suited tour manager and transforming entirely in Act 2 in a scene I don’t think anyone will forget in a long time – iconic! A gifted actor he has the ability to draw you in and break your heart a little as he shifts impressively from victimiser to victim.

This is Shakespeare with sass, spunk and seriously bangin’ beats. The relocating of the action does at times in Act 1 make the story a little more complex to follow but once you’re on board the anthemic beats and knock-out cast will whip you up and carry you along for this feelgood ride. If music be the food of love, play on, and on and on!

Twelfth Night is on at Shakespeare North Playhouse until Saturday 29th June tickets available here.