Cinderella | Opera House

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

First staged in 2016 at the London Palladium then last year at Birmingham’s legendary Hippodrome Qdos Entertainment’s Cinderella has been brought bang up to date by writer Alan McHugh with Corrie jokes a plenty and hilarious local references a go-go. Both Ben Nickles who plays Buttons and Ugly Sister Les Dennis adding material to the laugh a minute script ensuring a riotous night out is guaranteed.

All the stops have been pulled out in this spectacular production; lavish sets, colourful costumes, catchy songs and a superb cast ensuring the Opera House panto remains at the top of theatre goers agenda for another festive season.

Our Ugly Sisters Phelina (Connor McIntyre) and Michaela (Les Dennis) are mad for it as they blend the silly with the slapstick and throw in some cheeky charm for good measure, the pairing is genius as panto pro Les leads the way, reminding us all just why he’s one of the best in the business.

Rochdale comedian Ben Nickless quickly becomes an audience favourite as Buttons; he laps up the applause and delights with outrageously funny comedy capers and hilarious impressions, a born entertainer who comes very close to stealing the show.

Gareth Gates and Shannon Flynn make for a perfect pairing as the dashing Prince Charming and the down on her luck Cinderella proving that they’re not afraid of getting stuck in with the slapstick when their romantic meeting turns into a hilarious battle of wills with lovesick Buttons.

Hayley-Ria Christian makes for a super sassy Fairy Godmother while Jack Wilcox is a commanding and charismatic Dandini.

The ensemble cast and young company, always a favourite of mine in panto add vibrancy with slick delivery of Fabian Aloise’s choreography adding additional charm to this feel-good family show.

Qdos Entertainment has got Cinderella just right in terms of pitch, the script is jam-packed with hilarious gags and witty one–liners while the innuendo we all expect from panto never tips into crudeness, its good old cheeky fun and plenty of it.

The transformation scene at the end of Act I really has to be seen to be believed and is worth the ticket price alone as the gasps of delight from the audience both young and old are heard loud and clear. While panto may one of theatre’s oldest traditions this production feels fresh and vibrant.

Cinderella really is the perfect package; it’s lavish, sparkly, sequined fun suitable for all the family. This extravagant production is everything panto should be and more.

Guaranteed to entertain from start to finish leaving you feeling suitably festive and full of Christmas cheer. Big, bold and brilliant!

Cinderella is on until Sunday 30th December tickets available here.

Dick Whittington

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Opening Night verdict 🎅🏼🎅🏼🎅🏼🎅🏼

Qdos Entertainment, the worlds biggest pantomime producer bring their magical production of Dick Whittington to Manchester’s Opera House this festive season.

Starring the hugely popular John Barrowman, an absolute  panto pro he has the audience in the palm of his hand from the off, whipping off his trousers to reveal the tightest pair of pants to ever grace the panto stage! Joining Barrowman are legendary double act, The Krankies, stalwarts of the cabaret circuit since the 70’s, Dick Whittington marks their seventh season alongside Barrowman and their on stage chemistry is electric.

Sprinkled with lots of adult humour Dick Whittington is high on audience interaction and chock-full of laughs as Dick (Barrowman) falls in love with Councillor Krankie’s (Ian Tough) daughter Alice (Lauren Hampton). dastardly King Rat (Phil Corbitt) however has other ideas as he tries his best to come between our lovebirds.

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Fun and frolics are high on the agenda as Barrowman greets the Manchester audience with an “Ey up chuck!” he is a highly entertaining, hugely charismatic, singing, dancing, innuendo spouting machine! Pair this with an outrageous performance from the Krankies and you really have got a match made in double entendre heaven. Lots to keep little ones and Mum & Dad highly amused with a few jokes perhaps a little too close to the bone for older children, who Mum and Dad may be desperately hoping don’t get certain jokes, let’s just say there could be some interesting conversations on the way home!

The rest of the sparkling cast compliment our leads perfectly with special mention to Jacqueline Hughes who delights as The Spirit of Bow Bells and Ryan Kayode as Tommy the Manc Tabby Cat who judging by the applause received was clearly an audience favourite too.

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As you’d expect there are ad libs galore particularly between the hilarious Krankies who remain sharp as a tack. Jeanette Tough, now aged 70 could give Debbie McGee a run for her money as she’s flung around the stage, barely stopping for breath and even ending up inside a giant sharks mouth!

The choreography is executed perfectly by the Company who are joined on stage by local children from the Stalder Academy of Dance.

Many of the usual panto traditions are here, there’s ghosts & ghoulies, silly songs and sparkly sets plus a surprise soaking for some audience members, however this is as Dick with no Dame which for me seemed an odd choice, please Qdos can we have our Dame back next year? Preferably Manchester favourite Eric Potts. The 3D section is enormously impressive but scared my young guests to the point of having to cover their faces, much too frightening for young children.

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The cast have undeniable chemistry, particularly evident during an underwater version of 12 Days of Christmas, which has the audience in hysterics from start to finish.  The storyline is secondary to the madcap mayhem playing out before us as Dick Whittington entertains and delivers a highly memorable night, for some this may be classic ‘British humour’ that needs a little updating, there was no doubt however that Dick Whittington brought a lot of laughter and festive cheer to Manchester last night, it’s a cheeky, festive treat!

On at Manchester’s Opera House until Saturday 7th January, tickets available here.