BRB’s Swan Lake

Reviewed by Matthew Forrest

Opening Night verdict ⭐️⭐️⭐️⭐️

Director, Calos Acosta states in the programme notes “Swan Lake, ballet’s greatest
love story.” A statement few would argue against, however it would be fair to say that this
production is that and oh so much more!

The story is that of Prince Siegfried (Mathias Dingman), who, when out hunting with his
friend Benno, (Enrique Bejarano Vidal), witnesses a white swan transform into a beautiful
Princess. named Odette ( Momoko Hirata). Siegfried, captivated by her beauty, falls in love
with Odette, however we learn that the young woman and her friends are under a spell
cast by the evil magician, Baron von Rothbart (Jonathan Payn).

A masked ball is held for the young Prince’s birthday where he meets Rothbart’s daughter,
Odile ( Hirata in a duel role), who looks remarkably like Odette. It’s a plan by the magician
in order for his daughter to marry the Prince. However, as you may expect the wicked
warlock’s scheme doesn’t quite pan out.

There is a great deal to admire about this production despite an initial slow start with the
opening act, set at the Prince’s court. It’s a laboured opening with the most of the standout
moments coming from the performance of Enrique Bejarano Vidal, as Benno, who
commanded every inch of the Lowry stage.

However, from Act II, it’s simply outstanding. During this sequence we are introduced to
the gaggle of swans at the banks of a hauntingly moonlit lake. Here we are treated to
some exquisite routines played out to some of Tchaikovsky’s best known and most
treasured music. It felt a privilege to hear such rich, vibrant music played by a full
orchestra, who were flawless throughout tonight’s performance.


Momoko Hirata as Odette/Odile is at the top of her game, she made seemingly impossible
movements look effortless. The numerous fouetté en tournant drawing several shouts of
“bravo!” from knowledgeable, enthusiastic audience members. The numerous pas de deux between the Prince and Odette/Odile are gorgeous and wonderfully choreographed. Their duet during Act III at the castle ballroom, is expertly put together and a real showcase for Hirata and Dingman, set against the backdrop of a fabulous grand, gothic ballroom.

As well as the exquisite routines the costumes throughout look fantastic, from the iconic
swan’s outfits to the rich, glamorous costumes of the Act III ball, with lots of bold red and
brown colours, which makes the arrival of Odile and her father decked out in black all the
more striking. Add into the mix the stunning set design for the two interior castle
sequences as well as the enchanting and ethereal lakeside set design and visually it looks
near perfect.

The final act is simply outstanding, and one I don’t wish to spoil, However it opens with a
truly breathtaking sequence, that drew loud audible gasps of delight from the audience
and is certainly one of my favourite moments from nearly 10 years of reviewing. The final
act is a fitting showcase for all involved with the Prince and Odette performing their final
sequence together, whilst the swan’s around were held still in their position, pure focus etched on their faces, making it seem effortless, it really was a sight to behold.


There are a few minor quibbles, I wasn’t a fan of the video imagery of Odette used during
Act III, it just didn’t look right, and this is one very minor but throughout the ball sequences
the Prince would sit on a chair which very much resembled a camping chair you’d seen
scattered around the pyramid stage at Glastonbury. It seemed such a shame that
everything else looks so exquisite, that this chair stands out like a sore thumb. Only a
small detail I know, but once I noticed it I couldn’t unsee it!

The is an elegant, graceful production, telling a timeless story through beautiful
performances and the glorious music of Tchaikovsky, a true master of his craft. On the
basis of tonight’s show, you can more than see why Swan Lake is an endearing and
mesmerising piece of work and one that with productions like this, will always stand the
test of time.

Swan Lake is at the Lyric Theatre, Lowry until the 4th March. Tickets available here.

Interview | Momoko Hirata

We spoke to Momoko Hirata, a principle dancer for Birmingham Royal Ballet ahead of the much-loved company’s return to The Lowry with their stunning Swan Lake next week.

Opening Night – Can you tell us a bit about Birmingham Royal Ballet’s Swan Lake and your role in the show?
Momoko Hirata – Swan Lake is an iconic love story between Prince Siegfried and the Swan Queen Odette, performed in 4 acts. I play the role of Odette/Odil so both the White Swan and the Black Swan.

ONWhat would you say is the hardest part and what do you enjoy the most?
MH – The hardest part is definitely the technical challenge. It’s incredibly demanding as you play two different sides, one as the White Swan and the other as the Black Swan. Showing two different characters in one performance is a challenge in itself and Act 3 is especially technically challenging as you have to famously complete thirty two fouettés. But getting the chance to play two different people is also what I
enjoy the most.

ONHow do you prepare for a big role like this?
MH – We have a very intense rehearsal process but this part for me is familiar as I last played Odette/Odil three years ago just before Covid hit so we had to finish early. It’s weird as my body still kind of remembers the steps and everything. I’m really excited to pick up where we left off and push myself even further than three years ago.

ON – Can you tell us a bit about your dance background and history with
Birmingham Royal Ballet?

MH– I started dancing when I was five back in Japan which is where I’m from. I then came
to England to study at the Royal Ballet School. It’s really funny as the first ballet performance that I saw in London was actually Birmingham Royal Ballet’s Swan Lake. So for me Swan Lake is a very special ballet that I’ve always dreamt of being a
part of. I studied at the Royal Ballet School for two years and then joined Birmingham Royal Ballet. Again, Swan Lake was one of the first ballet’s I performed with the company. I joined BRB back in 2003 and this is now my fifth Swan Lake with the company. I’ve pretty much done every role as I joined in the Corps de Ballet and this is my third time playing Odette and Odil.

ON – What made you want to get into ballet?
MH – I always wanted to wear a tutu! I have two older sisters who both started ballet before me and I used to go and see their school performances when I was really young and just fell in love with the costumes. So that’s how I got into ballet really – I just wanted to be a princess in a tutu.

ON – Can you describe what a typical day looks like during the Swan Lake tour?
MH – Once we go on tour it’s slightly different to what we do here in Birmingham during the
rehearsal period. When we’re in the studio we have a class at 10.30am and then rehearse until 6.30pm five days a week so it’s pretty full on. Once we go on tour and are performing, principals do one or two shows a week so we have a bit more free time but obviously the pressure is really high.

ON -What are you hoping audiences will take away from Swan Lake?
MH – I always enjoy performing Swan Lake on stage and the music is so special so I hope that comes across to audiences. Everyone on stage is giving their heart out, not just the principles, but the Corps de Ballet too. You have sixteen swans dancing together all in line and I know from experience how hard it is to be in sync. I hope audiences appreciate that as well.

ON – Why should people come see Swan Lake?
MH – Swan Lake is so iconic – everything that you think of when you think of ballet is in there – and there’s something for everyone, from the big numbers to the sets and costumes and beautiful music.

BRB’s Swan Lake opens at The Lowry on Thursday 2nd March – Sat 4th March tickets available here.

BRB | Swan Lake

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Birmingham Royal Ballet brings ballets greatest love story to the Lowry’s lyric stage this week and it is as breathtakingly beautiful as ever.

Set to Tchaikovsky’s instantly recognisable score, played to perfection by the Royal Ballet Sinfonia, Swan Lake offers an unforgettable night of theatre. From the opening of Act I it’s clear to see why this classic production first created in 1981 by Sir Peter Wright and Galina Samsova remains a firm audience favourite. From stunningly intricate choreography to lavish sets, sumptuous costumes to sensational performances this magnificent production has it all.

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Split into four acts Swan Lake tells the dramatic love story of Prince Siegfried and Odette; impeccably danced by César Morales and Momoko Hirata. Opening with a funeral scene following the death of The King, Prince Siegfried’s fear of a forced marriage is realised. With no desire to marry he distracts himself by heading off to the Lake with faithful equerry Benno (danced wonderfully by Tzu-Chao Chou) for a spot of hunting. It is here by the moonlit waters he witnesses the majestic Odette, a stunning Swan Princess who has been cursed to live as a Swan by evil sorcerer Baron von Rothbart. The spark is immediate, and the Prince falls hopelessly in love. From here their dramatic story unfolds, exquisitely told by this highly skilled company.

César Morales excels as Prince Siegfried, athletic yet gentle his bewitching by the glittering Odette feels entirely believable. Momoko Hirata captivates entirely, her elegance as the delicate Odette in complete contrast to the determined and devious Odile. She performs the complex choreography with such graceful ease appearing at times to almost float on air. The pairing of Morales and Hirata works beautifully every intricate movement appears effortless with each moving pas de deux receiving rapturous applause.

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One thing which really stands out in this production is BRB’s ability to consistently deliver complex choreography while still ensuring the storytelling is both clear and well defined. There is never any confusion as to what is happening on stage as the company have wholeheartedly mastered the art of storytelling through dance. The addition of Phillip Prowse’s grand sets and lavish costumes adding depth and richness.

This is truly a company production and no Swan Lake is complete without the iconic cygnets whose presence on stage for the opening of Act IIIV drew gasps of delight prompting a spontaneous applause so impressive was the sight. Their perfectly in-sync delivery is a genuine moment of unforgettable joy.

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This thrilling production really is a ballet for all; young , old, long standing ballet fans and first timers alike will fall in love with BRB’s Swan Lake, epic in scale and exceptional in delivery, if you only ever see one ballet make sure it’s this one.

Birmingham Royal Ballet’s Swan Lake is on at The Lowry until Saturday 7th March tickets available here.

*Images used are 2020 touring cast