DUSTY – The Musical

Opening Night verdict ⭐️⭐️⭐️⭐️DUSTY

Reviewed by Nikki Cotter

Hailed as one of Britain’s most successful female singers, Dusty Spingfield’s turbulent life is absolutely perfect fodder for a musical biography. From political trailblazer to pop chart dominator, the deeply private life of the insular diva offers exuberant highs and heartbreakingly emotional lows; all delivered to a sensational soundtrack of 19 of the chart legends most loved songs.

BAFTA & Olivier nominated writer Jonathan Harvey’s script directed by Maria Friedman moves at a swift pace, giving a whistle stop tour of the legends life, which beyond the kohl eyes and blonde bouffant many of us actually know little about.

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There is intimacy and intensity in the form of Dusty’s relationships with partner Lois (Joanna Francis) and Mother (Roberta Taylor) intermingled with the great humour and fun she finds in her longstanding friendships with best pals and vital support network Pat (Esther Coles) and Ruby (Ella Kenion). One thing Harvey doesn’t shy away from is the dark depths of Dusty’s self-doubt, insecurities and dramatic breakdown. This is not a santitsed jukebox musical but a gritty and powerful piece of musical theatre which succeeds in giving you a rich insight into the complex life of the legendary icon.

Katherine Kingsley as lead Dusty is phenomenal. The three-time Olivier-nominated actress captures the very essence of Dusty to perfection, she belts out the big numbers with effortless style and portrays convincingly and with great depth the pain and loneliness of the fallen diva, ready to rise again to the top of her game when the call finally comes. Her emotionally charged performance more than does justice to the late great Dusty, every iconic hand gesture and breathy note feels authentic as she entirely captivates.

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Dusty’s impressive back catalogue is used to great effect to move the storyline along, while some songs are delivered by different cast members it’s the more concert style delivery from Kingsley that really takes this production to another level, ensuring a standing ovation during You Don’t Have To Say You Love Me even before the song ends. Other stand out moments include her descent into drugs, drink and debauchery during I Close My Eyes and Count To Ten, her creatively staged comeback during What Have I Done To Deserve This and the touchingly tender and deeply poignant Goin’ Back which is movingly sung from her death bed.

The strong supporting cast is chock-full of talent which special mention to Joanna Francis who gives a strong and gritty performance as Lois, Dusty’s backing-singer and partner. Esther Coles and Ella Kenion as Pat & Ruby, Dusty’s PA and hairdresser but ultimately friends and confidents who bring real wit and joy to the production.

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Tom Pye’s and costume design perfectly sets the scene and ensures the passage of time is clear. Video projections generate movement to the static set allowing bedrooms to become theatres, even broadcasting real footage of Dusty’s funeral.

As a first outing this is an enormously entertaining production, there are a few moments in the first half which feel a little clunky where Harvey’s incredibly witty script could be pulled back a little to allow the emotion to rise or allow the audience a moment to feel and experience the tension but these are very minor niggles in what is a superb show which will not only educate and inspire but will undoubtedly remind you of why the legendary Dusty and her smoky lyrics have such timeless appeal.

This is a slick and stylish production with real depth and genuine heart, add to this a leading lady who will quite simply blow you away and you have an absolute must-see show.

On at The Lowry until Saturday 28th July here.

Interview | Jonathan Harvey | DUSTY

JH

BAFTA and Olivier nominated writer Jonathan Harvey (Beautiful Thing, Coronation Street) has recently taken on a new challenge, bringing the legendary Dusty Springfield to life in a new and hotly anticipated production, DUSTY the musical.

Based on the personal memories of those who knew her best and chock-full of timeless classics including, I Only Want to Be with You, Son of a Preacher Man and You Don’t Have to Say You Love Me, DUSTY the musical heads to The Lowry’s Lyric theatre for one week only as part of its premiere UK tour starring the magnificent Katherine Kingsley, Rufus Hound and Roberta Taylor.

We caught up with writer Jonathan Harvey ahead of the show opening at the Lowry on Tuesday 24th July to hear a little more about the new musical which critics are describing as ‘outstanding’.

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ON: What was your starting point when it came to writing DUSTY the musical?

JH: I spoke to the producers who had their own ideas for what they wanted the story to be, I mostly researched through books and DVD documentaries from over the years, I read and watched as much as I could. Dusty was really popular in Australia so I found lots of Australian TV interviews and watched those. When she died the BBC did an amazing documentary about her which is still on YouTube which was a great piece for my research. I also spoke with her Personal Assistant who is also a character in the show that was invaluable really.

Dusty I think was all things to all people, I can really identify with that, you might behave one way with your mates then a completely different way with your partner, so I read some descriptions and thought, that’s nothing like the one I just read so it was really important to get to the true essence of Dusty so we can deliver that in the show.

ON: Is it a challenge to tell the story of someone so private?

JH: Yes, you are conscious of that but everything we’re featuring in the play has already been said before so we’re not exposing anything, everything I’ve included is out there, I’ve just brought it together and made a drama about it. What’s brilliant about someone who is private is what goes on behind closed doors is often some of the most interesting things about them so we get a glimpse into that which I think will really entertain and engage audiences.

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ON: Have you had any surprises whilst researching?

JH: Absolutely I’ve found out some really interesting information, I didn’t know she’d been kicked out of South Africa for refusing to play to segregated audiences, incredibly she was really slagged off for doing it, the British press went ballistic about it at the time because it was such a political thing to do and pop stars at the time weren’t expected to act like that, many household names at the time were happily playing to separated audiences.

She hosted Ready, Steady, Go and had a Motown special on there featuring black artists she’d met in America, then suddenly after this their careers here took off all thanks to Dusty. Things like that I’ve found just so interesting, she was a real innovator.

Some people I’ve spoken to when I mention Dusty didn’t know she was British, didn’t know she was gay or didn’t know she was white. She did a lot of things ahead of her time. To get into a recording studio and be in charge and tell people exactly what she wanted was a new thing for the men working with her. She seemed to do a lot of firsts, mix this in with all her amazing songs and getting involved for me was a no brainer.

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ON: Do you feel then the show is a celebration of women?

JH: The story works best when she’s surrounded by her two best friends, her PA and her hairdresser. It’s interesting that when she went off to America in the 70’s and her mates weren’t with her she spiralled into drug and alcohol addiction, lost everything and only really got back on track when she got back to Britain with her mates around her. So I’d say it’s a real celebration of friendship.

ON: What can audiences expect from the show?

JH: They can expect something more than your average jukebox musical. The last workshop we did I invited two of my mates, one of which being the actress Kathy Burke who is always brutally honest with me and I also invited my mate Tina, Tina hates musicals. Two songs in I looked at them both sat on the front row and they were both crying their eyes out and then the next minute they were really laughing. Tina said to me, ‘I hate musicals but I really, really like this’ and Kathy said ‘She’s a f***ing star’ ha ha. It’s very moving but you’ll also have such a laugh, we’re having such a scream with this show. Kathryn is incredible, right from the audition she really made me laugh and her talent really stood out I couldn’t think of anyone more perfect for the role.

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DUSTY opens at the Lowry on Tuesday 24th July and runs until Saturday 28th July tickets available here.