Reviewed by Nikki Cotter
Opening Night verdict ⭐️⭐️⭐️⭐️
Written in 1984 by John Patrick Stanley, Danny and the Deep Blue Sea is a intensely compelling study of two lonely lives, both trapped in desperate and destructive spirals of self-loathing who come together in search of both companionship and redemption.
Volatile Danny (Danny Solomon) speaks with his fists, lashing out at anyone and everyone in a bid to protect his fractured self. He is unpredictable and alarming yet somehow Roberta (Hannah Ellis Ryan) is not afraid. Burdened by her own trauma she is riddled with self-hatred and a warped sense of a need for punishment for her abusive past.
A simple set of scattered bar furniture and an old mattress complete with crumpled bedclothes make to the set. A glimmer of moonlight seeps in from above while a porcelain doll dressed in white offers a hint of Roberta’s past.
As the barbed bickering deepens into aggressive exchanges a sharing of secrets begins allowing both characters to develop unpredictably. Danny’s vulnerability begins to show as his defences slip while their fleeting post-coital redemption shows their shared desperation for elusive love and happiness. They are messed up, bad, burdened and bruised yet touchingly real and heart-achingly raw.
Both Danny Solomon and Hannah Ellis Ryan convince entirely in their roles. As an audience member you are in that bar in the Bronx with them, you feel every moment of heartache in the bedroom and share in their despair and awkward humour. Director Daniel Bradford ensures the emotional charge of both performances slaps you in the face keeping you guessing throughout, never knowing where these tormented souls will take you next. Drowning in despair one moment while gleefully flinging arms around each other the next. Powerful and affecting theatre once again from Play With Fire Productions.
Catch Danny and the Deep Blue Sea until Thursday 12th September at Hope Mill Theatre tickets available here.