Alan Carr, Not again, Alan! Comes to Manchester, tickets on sale Weds 29th Jan

Alan Carr

It’s been four years since Alan Carr last went on tour, and in that time he’s managed to find himself in all sorts of dramas. Between his star-studded wedding day and becoming an accidental anarchist, from fearing for his life at border control to becoming a reluctant farmer, three words spring to mind…Not again, Alan!

From September 2020, multi-award winning Alan will be performing at 57 of the UK’s finest theatres stopping at Manchester’s Opera House on Friday 30th and Saturday 31st October.

Tickets for Not Again, Alan! go on general sale from 10am on Wednesday 29th January and are available from www.alancarr.net.

 

My Night with Reg

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️

First premiered at The Royal Court in 1997, Kevin Elyot’s ground-breaking play My Night with Reg was loved by critics and audiences alike. A transfer to the West End followed as well as Olivier and Evening Standard awards, a successful Broadway run and even a feature film so it comes as no surprise that Manchester-based Green Carnation should choose this moving play as their first touring production.

Set in Guy’s apartment over various years the story focuses upon the relationships of a group of gay men, all have in some form a connection with the eponymous Reg. What initially seems like a light-hearted look into the lives and loves of the group soon develops into a perceptive exploration or love and friendship as secrets and betrayals are exposed while the ever-present threat of the 1980’s AIDS crisis looms large.

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Guy (Simon Hallman) is hopelessly in love with John (Nicholas Anscombe) yet doesn’t have the courage to tell him. Eager to please he puts everyone else’s needs before his own while his hesitancy to put himself out there results in a life unfulfilled and free from any real intimacy.

Old mates John (Nicholas Anscombe) and Daniel (David Gregan-Jones) joke and jostle while never actually having an honest conversation. Interestingly it’s primarily the youngest character in the play Eric (Alan Lewis) who speak freely, unafraid of sharing his thoughts and feelings about the way he sees the world while couple Bernie and Benny bicker and bark at each other by way of communication.

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As Guy, Simon Hallman perfectly captures the frustration of a man thwarted by his own niceness, hopelessly in love yet lacking in the courage to do anything about it. He endears himself to the audience as he flusters and fusses around his friends making the final part of the play all the more affecting.

David Gregan-Jones flounces spectacularly as charismatic Daniel while showing great skill in his ability to switch from carefree to devastated with ease. Nicholas Anscombe plays John as a cool and composed figure who becomes increasingly lost as the piece develops.

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Steve Connolly and Marc Geoffrey as Benny and Bernie play off each other brilliantly offering some of the most cutting humour in the piece while Alan Lewis is refreshingly real as the much lusted after Eric.

Co-directors Dan Jarvis and Dan Ellis has succeeded in creating a piece that’s as funny as it is moving. This dark comedy doesn’t sugar-coat nor should it, Green Carnation’s affecting revival will resonate with many. Designer George Johnson-Leigh’s set is simplistic yet effective with neon lighting pulsating as the intensity rises.

A well-crafted, well-acted piece which will leave you more than happy you’ve spent the night with Reg.

My Night with Reg is on at The Lowry until Saturday 25th January tickets available here.

Further information about regional tour dates can be found here.

 

 

Band of Gold

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Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️1/2

Kay Mellor’s ground-breaking drama was a huge success when it first hit TV screens back in 1995. 25 years on the action has been relocated from screen to stage while still taking its inspiration from the lives and experiences of the Northern sex workers who in order to make ends meet work ‘the lane’.

The story focuses on Gina (Sacha Parkinson), a young mother who gets drawn into the world of sex work in order to provide for her daughter and pay off ruthless loan shark Mr Moore (Joe Mallalieu). Things take a tragic turn one evening while working the lane and its down to her fellow workers to deal with the fallout while continuing to face multiple battles of their own.

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Fans of the TV series will be pleased to know that this newly developed play doesn’t sway too much from the gritty style of the much-loved TV series with Mellor’s clever wit even in the darkest of moments shining through. Her writing allows the audience glimpses of the humanity and heart of her characters while offering a fascinating insight into their working world and the dangers contained within.

Through Mellor’s multi-layered script the individual stories of the main four female leads intertwine to create a dramatic piece which draws you in and keeps you guessing. Each character feels authentic and is honestly delivered by a strong cast made up primarily of Laurie Brett (Anita), Gaynor Faye (Rose), Sacha Parkinson (Gina) and Emma Osman (Carol) each giving a convincing and real performance.

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The ladies are strongly supported by several male characters with Kieron Richardson, Shayne Ward, Andrew Dunn, Steve Garti, Joe Mallalieu and Mark Sheals all showing a high level of skill if some are a little underused. Special mention must also go to Olwen May as Gina’s mother Joyce, her heartfelt emotion feels painfully raw and is delivered with real conviction.

While Mellor’s blend of tragedy and dark humour is delivered with sensitivity there are occasions when it feels like the piece would have benefitted from holding the dramatic tension for longer rather than so often going for the laugh or quickly changing scene; at times the audience laugh at situations which would have held more impact if characters were allowed more time to breathe. While the quick pace keeps the tension high it does result in a lack of opportunity to connect with the characters on a more emotional level.

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This re-invention of Band of Gold will entertain both fans of the original TV series and those coming to it for the first time. It also feels timely as we live through continued austerity with many women struggle to provide for their families and the sad reality that there are more sex workers now than when the original stories were penned. An engaging piece of theatre delivered by a solid cast.

Band of Gold is on at the Lowry until Saturday 25th January tickets available here.

An Inspector Calls

Reviewed by Nikki Cotter

Opening Night verdict ⭐️⭐️⭐️⭐️⭐️

Having been seen by over 5 million people since its premiere at the National Theatre in 1992 Stephen Daldry’s ground-breaking production of J.B. Priestley’s classic thriller comes to the Lowry this week as part of a UK wide tour.

Celebrated by audiences and critics alike its dramatic edge and clever theatricality remains. Set amidst a bleak, ominous backdrop we see a strange almost doll-like house, claustrophobic and precariously balanced. The laughter and chattering of the family within rings out, they are as yet unaware of whom lies within the wings waiting to unravel and expose their harmonious gathering.

A young working-class girl has committed suicide and it is Inspector Goole’s belief that each and every member of this loathsome family has played some influential part in her tragic demise. Daldry’s radical reimagining of this theatre heavyweight is strong in its impact and stirring in its message, the theatre packed with GCSE pupils, a clear sign of the continued relevance of this captivating piece.

Liam Brennan takes on the role of Inspector Goole, initially calm yet commanding he both examines and exposes each member of the elitist Birling family meticulously. Cocooned by their privilege he draws them out one by one rocking their very foundations and exposing their cruel entitled behaviours.

Each character is developed fully and delivered convincingly by an incredibly strong cast with special mention going to Chloe Orrock as daughter Sheila Birling whose journey from spoilt and materialistic to unravelled, ashamed yet reflective offers real hope for change.

Daldry’s exceptional direction clearly illustrates that the change Priestley wishes to see in the world must come from the younger generation, where they repent and reflect, their parents scrabble round in the gutter grabbing at their silverware polishing it in the mud, still grappling for their place at the top of the social ladder. Silent character Edna, (Linda Beckett) maid to the Birling family observes the fall-out while becoming more and more relaxed in her manner as the family fall from grace.

Designer Ian MacNeil’s intricate set design is strikingly impressive while Rick Fisher’s lighting adds to the atmosphere and intensity pairing wonderfully with Stephen Warbeck’s ominous soundtrack.

Whilst socialist Priestley wrote the play as a blistering criticism of capitalist society it very much remains a play for today with its message of social responsibility and consequence strikingly relevant. The piece illustrates perfectly how everything is connected and how our own individual actions impact others while using its platform to call for a kinder, fairer and more compassionate world. This thrilling adaptation is both slick and stylish, delivering a message that will stay with you long after the curtain call.

An Inspector Calls is on at The Lowry until Saturday 18th January tickets available here.