After firstly workshopping the role of Norma Desmond an incredible 26 years ago Ria Jones finally gets to shine as the leading lady in Leicester Curve’s revival of Andrew Lloyd Webber’s magnificent Sunset Boulevard which opened at Manchester’s Palace theatre last night.
Forgotten screen siren Norma Desmond (Ria Jones) lives a lonely and reclusive life in her mansion up on Sunset Boulevard, the silent movie star is surplus to requirement now that talkies have taken over tinsel town, yet she refuses to believe there could ever be a bigger star than her. She desperately needs a comeback, an opportunity to make people realise she is still a big deal, cue the arrival of penniless screenwriter Joe Gillis (Danny Mac) who stumbles into her fantasy world and becomes seduced by the luxurious lifestyle and the potential ‘masterpiece’ she feels will make them both their fortune and catapult her back where she belongs.
Ria Jones gives the performance of her life as Norma Desmond in this twisted and tragic love story. Her portrayal of the aging actress, clawing onto her past relevance is sublime. One minute she is carefree, laughing, smiling and full of joy the next full of rage as her insecurities suffocate and threaten to consume her. Fragile yet fearless, talented but tragically cast aside by Hollywood, Jones puts every ounce of her being into her performance and is an absolute triumph.
Danny Mac is equally superb as writer Joe Gillis, his desperation to succeed sucks him into Desmond’s fantasy, vocally this is a hugely demanding role and Mac is more than up to the job as he guides us through this tragic tale, rarely off stage he delivers and then some, he is perfectly cast and entirely believable, his voice smooth and strong.
High praise must also go Molly Lynch as Betty Schaefer and Adam Pearce as Max Von Meyerling, both are superb in their supporting roles making each hugely memorable.
With deliciously dramatic staging, involving Norma Desmond arriving into most scenes via moving platforms or via theatrically winding staircases Sunset Boulevard really is a show of great style and serious quality. Ben Cracknell’s atmospheric lighting is outstanding, illuminating both Colin Richmond’s set and costumes to perfection, Norma Desmond’s costumes especially are delightfully opulent, velvets and silks are lavishly jewelled and feathered, further rubber-stamping the undeniable diva we see on stage.
Accompanied by a sublime sixteen piece orchestra Sunset Boulevard is not to be missed, dramatic, dark and utterly compelling.
On at the Palace theatre until Saturday 4th November book tickets here; http://m.atgtickets.com/shows/sunset-boulevard/palace-theatre-manchester/