Reviewed by Nikki Cotter

Opening Night verdict ⭐⭐⭐⭐

The Wizard of Oz is as classic a tale as they come, invoking warm fuzzy memories quicker than you can say ruby slippers, this bold, bright reimagining however shakes things up, bringing it bang up to date with its terrific technicolour and futuristic feel.

Adapted by Andrew Lloyd Webber and Jeremy Sams this new revival directed by Nikolai Foster retains many of the much-loved classic’s elements while updating it for modern audiences. The result is a full-on, fast-paced feast of colour. The black and white of Kansas is gone, while Oz is presented as a neon dream with the Emerald City projected in vivid technicolour as an impressive backdrop which envelopes the simple staging.

Stepping into the ruby slippers is Aviva Tulley, with pitch perfect vocals she leads the cast as Dorothy with genuine warmth and huge charisma. She skilfully makes the part her own while remaining true to the essence of the character, adding plenty of self-assured sparkle along the way.

Benjamin Yates has heaps of charm as the Scarcrow, embodying the role brilliantly and bringing plenty of laughs along the way. Aston Merrygold’s Tin Man is enormously endearing and takes full advantage of the opportunity to showcase his impressive dance skills, while Manchester favourite Jason Manford is hilarious as the Cowardly Lion. He has the audience in his paws from the very first roarsome growl. The trio make a perfect team bringing a whole heap of fun to the production as they join Dorothy in her quest to get home. We also mustn’t forget Toto, who is brought to brilliant life by puppeteer Abigail Matthews.

The Wizard of Oz wouldn’t be complete of course without the witches, as good witch Glinda, Emily Bull is a joy, her crisp vocals are delivered with an effortless ease as she whizzes round the stage on her perfect pink scooter. The Vivienne takes on the iconic role of Wicked Witch of The West and brings just the right amount of villainy to the piece. She pitches her wickedness perfectly ensuring a sense of menace and mischief without traumatising any children in the audience. Her impressive solo, Red Shoes Blues gives the opportunity to really show her talent and versatility as a performer.

Visually this show really dazzles, Rachael Canning’s costumes are incredible while Douglas O’Connell’s video projections impress throughout. Lloyd Webber has composed some new additions to the score however it’s the originals such as We’re Off to See the Wizard and Ding-Dong! The Witch is dead that truly shine.

This revamped revival is enormous fun with heaps of heart and some serious style. The talented cast joyously prove that there’s no place like Oz. Uplifting escapism for all ages.

The Wizard of Oz is on at Manchester’s Palace Theatre until Sunday 5th May tickets available here.