
Reviewed by Matthew Forrest
Opening Night verdict ⭐⭐⭐⭐
Hard to imagine really that a mechanical shark by the name of Bruce, very nearly killed the Hollywood blockbuster, even before anyone knew what a Hollywood blockbuster was. Bruce was one of the main stars of the first Hollywood mega movie: Jaws. Bruce had a habit of breaking down on a regular basis, leading to several halts in production, and a great deal of frustration from his fellow co-stars. But how do a trio of actors pass the time, when cooped up on a small fishing boat? They argue, they drink, they gamble and get on each other’s nerves!
Co-written by Joseph Nixon and Ian Shaw, son of Robert Shaw, The Shark Is Broken is set in 1974, on the Orca, the fishing boat used in the film. Here we find the three principal actors, Roy Scheider (Dan Fredenburgh), Richard Dreyfuss, (Ashley Margolis) and Robert Shaw (Ian Shaw), struggling to fend off boredom, as Bruce is repaired. They discuss their careers, their families, and gamble. However not all is plain sailing, and soon tempers fray, with Scheider playing peacekeeper to the warring Dreyfuss and Shaw, with the former feeling disrespected by Shaw. Whilst Shaw sees Dreyfuss as arrogant, more interested in fame than the craft of acting.

There is a great deal to enjoy and admire about this production. The script is funny, witty and packed with cracking gags and one-liners. Opening with a nod to John William’s famous score, we see a shark fin, gliding through the ocean projected on a screen at the back of the stage, and soon any dramatic tension disappears as the shark breaks down, it’s a superb joke that sets the tone for the show. Other standout big laughs come when Scheider rules out doing a sequel to Jaws, which of course he did. Another highlight is Shaw’s making reference to Steven Spielberg’s next project: “Aliens? What next, dinosaurs?”
It’s a classic situation comedy set up, as three very different people find themselves in a cramped environment and the script plays up to this throughout. Duncan Henderson’s Orca recreation is beautifully claustrophobic, and dingy, as the cast clamber over it and at times each other. It looks so authentic that at times you almost smell the stench of fish guts and hard liquor coming from the stage.

The cast are in form throughout: it’s quite disconcerting how captivating Ian Shaw’s portrayal of his father is. Obviously, the close resemblance helps, but this is a performance filled with fire and passion as Shaw doesn’t flinch from showing his father’s battle with his demons including alcoholism, insecurities and disdain for elements of his profession that provided well for him and his family. It’s a towering presence that commands your attention throughout.
Equally impressive is Ashley Margolis’s unflattering portrayal of Richard Dreyfuss, filled with a nervous energy and self-doubt that in lesser hands could have been grating, but he navigates that tightrope perfectly. Finally there is a Dan Fredenburgh’s excellent understated, if slightly under-written turn as Schieder, who is essential in keeping proceedings grounded. Special mention to Carole Hancock’s whose flawless make helps to transform the actors into mirror images of the stars they are portraying.

The play tackles some weighty issues such Shaw’s alcoholism, and how it wasn’t just Bruce that was causing issues with production. It alludes to the well documented issues Dreyfuss would have with cocaine addiction in later years. One touching scene where the men bond over issues with their father’s is well played out, and one of the show’s highlights, you just wish there was a bit more of this depth in places
This is a funny, sharp insight into the magic of Hollywood, understandably executed with a great deal of love and affection for its subject matter. Fans of Jaws, and the Hollywood movie machine will undoubtedly love it. There is something for everyone to enjoy from the towering performances, high quality production values, all anchored by a sharp, poignant and well-crafted script.
The Shark is Broken is on the Lowry till 8th February tickets available here.