Hamlet

Hamlet Production Photos Photo Credit : The Other Richard

Opening Night Verdict ⭐️⭐️⭐️⭐️

Often described as Shakespeare’s greatest tragedy, Director David Thacker’s Hamlet is relocated to a gently suggested Soviet Block with it’s marbled walls and leaders portraits, a nod also perhaps to the troubled political times we find ourselves living today.

Upon entering the theatre James Cotterill and Ciaran Bagnall’s impressive set and lighting design looms large; making use of the full height of the Octagon it is dominant, multi-levelled and imposing. In the opening scenes at the funeral of Hamlet’s father we quickly get an idea of the style of this production, beautifully and dramatically lit, scenes change at a pace from bright and bold to soft and brooding.

Hamlet Production PhotosPhoto Credit : The Other Richard

Hamlet Production Photos Photo Credit : The Other Richard

Taking on the title role is the hugely impressive David Ricardo-Pearce, the tragic Prince, torn away from his studies abroad to a kingdom in turmoil, his Uncle taking not only the throne from Hamlet’s dead father but also Hamlet’s own mother to be his new bride. Overcome with confusion and grief the haunting sight of his dead father’s ghost sends Hamlet further into the depths of despair as he strives to find clarity in a world he feels increasingly uncertain.

Ricardo-Pearce delivers the multi-layered prince with conviction, playful yet proud, intense and sardonic. He takes of the task of avenging his father’s murder with fervour as he struggles to find an outlet for his grief, he is unflinching in his quest for retribution. At times addressing the audience directly, Ricardo-Pearce’s commitment to the role is exceptional as he questions, considers and confirms his plans.

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The supporting cast are equally as impressive. Jessica Baglow captivates entirely as the broken and grief-stricken Ophelia, singing gently as she weeps for the loss of her love Hamlet and her father, her mind turns to madness. Eric Potts injects great humour amidst the intensity as the trusted Polonius while Brian Protheroe is impressive as the cold and composed Claudius. Marc Small makes for a loyal and committed Horatio while Michael Peavoy is a charismatic and dignified Laertes.

Thacker’s emphasis on the family tragedy of Hamlet reaps dramatic rewards, with the delivery of the script some of the clearest I’ve seen, this Hamlet is accessible and gripping, it feels fresh and inspired with the cast working together perfectly to deliver and engaging and enormously entertaining piece of theatre.

Hamlet Production Photos Photo Credit : The Other Richard

A great Hamlet of course rests enormously on the lead, Ricardo –Pearce succeeds entirely in involving the audience in his journey as we experience and feel not only Hamlet’s broken and disillusioned heart but his manic and mesmerising mind. Fast-paced, gripping and utterly compelling.

On at the Octagon Theatre until Saturday 10th March tickets available here.

The Threepenny Opera

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Opening with a snarling and solo rendition of the much loved Mack the Kinfe, David Thacker’s version of Bertolt Brecht and Kurt Weill’s 1928 anti-capitalist ‘play with songs’ packs a re-energised and impressive punch.

Set in the near future where Queen Elizabeth is dead the country is awaiting the coronation of King Charles III, the powers that be work together to oppress the poor. Corrupt police are in cahoots with criminals while ruthless capitalists getting richer by the day by keeping the working classes down, making fat profits from the work they tie them to. Macheath (David Birrell) runs rings around both the corrupt authorities and the ever plotting underworld, with women, his only weakness in life seemingly being the only people who might be able get the better of him.

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James Cotterill’s set is industrial and inventive; levels of scaffold add height to the Octagon’s performance space offering the actor/musicians full involvement in the production.

The themes in David Thacker’s version resonate deeply as corrupt police, dodgy politicians, seemingly inexplicable fires and benefit cuts all get a mention bringing this Threepenny Opera bang up to date. Macheath’s treatment of women mirrors the injustice and exploitation seen so frequently in society, no more so than this last two weeks, it is a production which speaks powerfully about the times we’re living in. As always where there is social commentary there is sophisticated satire as the cast deliver this script with genuine wit and great style.

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Birrell is exceptional as Macheath, dangerous and manipulative; his brooding presence has just the right amount of menace about it, his voice rich, strong and powerful. Eric Potts as the odious Jonathan Peachum is superb, full-on and incredibly funny his paring with wife Celia (Sue Devaney) offers genuine laugh out loud moments throughout. Anna Wheatley as Polly Peachum is outstanding, sassy and strong she throws herself heart and soul into the character and has the audience in the palm of her hand.

Packed full with live music and incredibly clever and catchy lyrics The Threepenny Opera is a show that will entertain hugely yet send you away contemplating life and the injustices within it, powerfully politically and enormously entertaining David Thacker has got the balance just right in this slick, snarling and incredibly entertaining production.

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On at the Bolton Octagon until Saturday 4th November https://octagonbolton.co.uk/whats-on/theatre/the-threepenny-opera/#tickets