Reviewed by Nikki Cotter
Opening Night verdict ⭐️⭐️⭐️
Based on the Oscar winning 80’s movie starring Dustin Hoffman & Tom Cruise, Rain Man introduces us to Brothers Charlie and Raymond Babbitt who are returned to each other’s lives following the death of their father.
Hard-nosed hustler Charlie is unaffected by the loss of his Dad, a cold-hearted man he fell out with years ago; he is however disturbed to discover the sizeable estate left behind has not been gifted to him but an unknown benefactor. Upon investigation he discovers this mystery trustee sitting on a cool $3 million is actually the institution which houses his older brother Raymond, an autistic savant sibling he has no knowledge nor memory of.
Determined to get what he deems as his half of the estate Charlie takes Raymond from the institution on what begins as a quest for his own gain but actually becomes an unexpected journey of self-discovery and brotherly bonding as Charlie starts to realise just how special and unique his forgotten sibling is.
Adam Lilley’s portrayal of Raymond is committed and convincing, complete with awkward shuffle, avoidance of eye contact and frequent ticks he remains consistently strong both physically and vocally. Chris Fountain proves what a talented actor he is as he journeys from loathsome self-centred brat to emotionally affected & touchingly tender sibling. The chemistry between the two is outstanding and becomes increasingly moving as their relationship deepens.
It’s clear Dan Gordon’s stage adaptation of Barry Morrow’s screenplay is intended to please fans of the original film and that it absolutely does, there is however no updating nor reworking of the 1988 movie which was made at a time when understanding and knowledge of autism was very different to what it is now.
While both actors give superb performances as Raymond and Charlie the story feels outdated and at times is uncomfortable to watch. There are moments particularly in Act I when Raymond’s disability is used for nothing more than to give the audience a cheap laugh, most glaringly during the hotel scene where Raymond hears brother Charlie and girlfriend Susan (Elizabeth Carter) having sex. It does nothing to drive the story forward in any way & would benefit from being cut all together. I found this scene in particular an unpleasant reminder of the narrow-minded attitudes disability rights campaigners and people with autism have worked so hard to overcome, to sit in a packed audience & hear gleeful laughter at the characters expense felt like a massive backwards step.
Delivering this show in a large theatre like the lyric is also a challenge in itself; a smaller theatre may have offered the opportunity for a more subtle intimate production, albeit with a hefty reworking of the outdated script.
There are moments of brilliance as we see the genuine connection develop between the two leads most notably when Charlie teaches Raymond to dance; both actors execute this poignant moment beautifully however the script dictates that these joyful moments are few and far between.
At a time where difference and diversity is increasingly celebrated Rain Main feels like it missed the 2019 memo. Although the cast deliver excellent performances the script is just too outdated to guarantee another decade of success and unfortunately displays an enormously out-dated depiction of autism which should be left in the eighties.
Rain Man is on at The Lowry until Saturday 16th March tickets available here.